The history of the Stawell Woollen MIllsOff white card cover with hatching, colour photograph of a Water colour painted by Will Rees 1922.Back shows Mill Garden ets c 1990The Stawell Woolen Mills Graeme Bennet Evolution of the Bennett Textile Business Page iii: For my Parents John and Jessie Bennett, my family and the people of Stawell Best Wishes thanks Graemestawell industry

Postcard to Graeme McNamara, NumurkahPostcard " The Latrobe Valley Yellow Power Station and The Latrobe River'.Nu - Color - Vue of Australiapost card, latrobe valley, yellow power station

Booklet - 12 pages including light brown card covers, titled "Feeding and Filling, The story of the Prahran and Malvern Tramways Trust". Gives details of the background history of the PMTT, its services, routes, map and tramcar fleet and route numbers. Has been photocopied and stapled into printed covers. Has the details of the TMSV Bylands and Kilmore operations on the rear cover. Published by TMSV, first edition 1990, second impression 1991. Written by Graeme Breydon. 1350.1 - as above. First edition 1990.Has a label on the top right hand corner - giving a price of $2.00. 1350.1 - "K.S. 28-4-91"trams, tramways, pmtt, melbourne, tmsv, malvern depot

Report - 60 A4 pages + card covers. centre stapled titled "The decline and ultimate abandonment of the Brisbane Tramway system - A contrast with the retention of the tramway system in Melbourne". Prepared by Graeme Turnbull of the RMIT Transport Research Centre. Has an Abstract, Conclusion, Acknowledgements, References and a list of Other Papers. Report looks at the 1950's and 1960's closure of tramway systems worldwide, the influence of Robert Risson, the closure of Brisbane including the lost of 65 trams inn 1962 and the 1969 closure of the system.trams, tramways, brisbane, melbourne, closure, history, reports, tramways

Written on back of photograph, "Form 1A". List with photographs reads, "High School. Bedford Road, Ringwood. Photo pupils Form 1A (Names reading from Left to Right): Back Row boys: 1. David Newman, 2. ??, 3. George Cartwright, 4. Bruce Fletcher, 5. William Ader, 6. ??, 7. George Tew, 8. Edward Neff, 9. ??, 10. David Godfred, 11. James Day, 12. Geoffrey Asher. Boys sitting: 1. Colin Rowdie, 2. Graeme ?, 3. John Willis, 4. Max Bevis".

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An academic portrait of Federation University Australia Vice Chancellor Helen Bartlett.academic portrait, helen bartlett, graeme drendel, portrait, vice chancellor, academic regalia

This book details the lives of the ancestors of the author, Graeme Davison. It begins with the story of Jane Hewett who migrated with her eight children to Australia from England in 1850. The book not only tells the story of the Hewett families but also gives a wider picture of Australian conditions at the time, making it a valuable social history of Australia in the 19th century and beyond. Graeme Davison, Emeritus Professor of History at Monash University in Melbourne, has also written five other books dealing with aspects of Australian history. This book is of high interest because it is an important social history of Australia detailing the lives of the Hewett families. It is also of significance to those in the Warrnambool region as a member of the Hewett family, John Hewett, settled in Warrnambool with his wife and family and was a local butcher there for some years. This is a soft cover book of 274 pages detailing the family history of the author Graeme Davison. The cover is cream-coloured and has sepia-coloured photographs of the author’s ancestors on the front and back. The printing on the front and back covers is in gold and black. The book contains a Contents page, Introduction, ten chapters on the author’s family history, Acknowledgements, Picture Acknowledgements, Notes and Index. There are many black and white photographs, sketches and maps. Front Cover: ‘Graeme Davison’ ‘Lost Relations’ ‘Fortunes of my family in Australia’s Golden Age’ Inside title page: Signature of author ‘Graeme Davison’ graeme davison, 19th century australian social history, hewett families, warrnambool, history

Yields information about two of the BTM volunteers and the horse tram biscuit tin and counter in the display centre.Colour photographs taken by Graeme Cleak on 11/3/12 of Merle Clowes and Carolyn Cleak holding the horse tram biscuit tin in the sales area within the display centre, No. 39. Printed on Fujichrome Crystal Archive paper.On rear of photograph is date "13.3.12" and who the photo taken by in ink.trams, tramways, btm, sales, tram 39

Graeme Rust standing beside BMW 1100 in open parkland. Circa 1998S/C Graeme Rust Knox TOGpolice vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle patrol; police motorcycles; bmw motorcycle

A Short History of the Churches who formed the Stawell Uniting Church.Pale blue card cover with red print over a blue photograph of a churchStawell Uniting Church and Community Centre A Short History of the Chrched who formed the Stawell Uniting Church Compiled by Marie Hemley and Rev Graeme Suttonstawell religion

Colour photograph of Viewbank Farm Silos - Banyule Road. Silos were built in the 1930s by Harold Bartram. He used them to store fodder for his 200 milking cows. A brief history of the site is included. This is taken from the Heidelberg Conservation Study by Graeme Butler.Colour photograph printed in Banyule calendar and information from Heidelberg Conservation Studyviewbank homestead, viewbank silos, harold bartram, banyule road viewbank, viewbank

Includes: Clerical salaries chart p.16|Part 1: The City|Part 2: The Suburbs|Picture of Camberwell Railway Station p. 160 (from Latrobe Pictorial Collection. Graeme Davison is a local resident.Text records how the experience of boom and Depression touched the lives of ordinary Melburnians during the years 1880-1900.Apart from its significance as an academic work, Graeme Davison is a local resident.Text records how the experience of boom and Depression touched the lives of ordinary Melburnians during the years 1880-1900.melbourne - history- 1880-1900, (mr) graeme john davison, depression, graeme davison

Digital copy of black and white photograph38 beattie street, graeme landy, montmorency

Digital copy of black and white photograph38 beattie street, graeme landy, montmorency

Digital copy of black and white photograph38 beattie street, graeme landy, montmorency

Written on back of photograph, "E654, N22A. 18/1/82. The Market builder's sign".

coloured Theatre Program : good condition hair - the tribal love rock musical, athenaeum theatre, elston hocking & woods, nigel triffitt, graeme blundell, david atkins

The Kew Festival began in 1974. A feature of many festivals were the festival parades in which community groups participated. None of the photographs in the album are named so KHS welcomes viewers to identify participants and or locations.Photograph from an album depicting participants in the 1992 Kew Festivalkew festival - 1992

The Kew Festival began in 1974. A feature of many festivals were the festival parades in which community groups participated. None of the photographs in the album are named so KHS welcomes viewers to identify participants and or locations.Photograph from an album depicting participants in the 1992 Kew Festivalkew festival - 1992

Produced and acted by members of the City of Heidelberg Repertory Group (now Heidelberg Theatre Company) . All supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the City of Heidelberg Repertory Group (now Heidelberg Theatre Company).original handwritten review is faint, difficult to decipher some words.1954, 18, htc, city of heidelberg repertory group, heidelberg theatre company inc, directed by graeme tonge