Object. Soft white kid leather rectangle - 29 cm x 25 cms, outlined with a 1 cm wide red ribbon frame, a 2.5 cm blue frame, and a further 1 cm red frame. A metal lodge symbol, 6.5 cm x 3.5 cm is stitched onto the lower corners. A Vshaped is hanging panel overlaps the leather panel. and is stitched into the waistband, and hangs freely. The Vshape is edged by a 2.5 cm wide pale blue grosgrain ribbon, and the ribbon is, in turn, edged with a fine red border. This hanging panel is made from white kid leather, and has a Tshaped metal panel stitched at the centre front, and at the two lower corners. A 3 cm wide cotton tape has a silver coloured metal loop at one end, and a silver coloured Sshaped hook on the end of a 58 cm long, adjustable waistband, to fasten the apron around the waist of the wearer.organisation, masonic lodge, kid leather apron

Provenance unknownWoman's bust-bodice in white cotton. Fastens at back with ten pairs of hooks and eyes. Has metal hook on elastic hanging from left back.Satin ribbon label printed with blue ink "Venus Maiden Shape" next to fastening. Stamped inside left back in black ink "12548".costume, george evans collection

A metal hanging scales with ring on one end and hook for weighing with spring scale measured down frontPocket balance (MP) productdomestic items, weighing

Used by Arthur Edwards 1980s.Pocket Balance 8cm x 3cm, with a ring for hanging, and at the back a hook for a weightPocket Balance; Made in Germany.domestic items, appliances

Hook used in a barn for hanging ropes and harness.rural industry, farm machinery, trades, blacksmithing

this signal lamp was used at the Numurkah Railway StationBlack-painted tin, cylindrical in shape, with handle. Circular lens at the front with brass-coloured edging. Smaller red lens at the back with white edging. Side slot for hanging lantern onto post or hook. Round chimney/vent at the topNumurkah (metal embossing)railway, lamp, lantern, kerosene

Framed print of SEC Drawing No. VB4 7184C, "Diagrammatic Arrangement of Feeders and Trolley Wire" for Ballarat, dated 18.9.1958. Framed in a timber brown section with black/gold lining with glass and black paper backing. Framed by N.L. Harvey & Sons, 131 Sturt St. Ballarat. Has eye hooks and metal picture hanging wire on rear to hang print. See Reg Item 4773 for an original coloured marked up print of this plan and 5173 for a scan of the print and hard copy and item 8680 for a high res scan of this drawing.trams, tramways, power supply, feeders, trolley wire, switches

Small hanging scales at the top of which there is a metallic ring to fasten the object. This is attached to the main body which on one side has measurements inscribed into the metal surface. Inside the body is a spring loaded mechanism which moves along the scales when weight is added to a hook at the bottom of the shaft. [Ed. The maker's initials have not to date been identified.]"Pocket Balance / MR Product / Made in Australia"pocket balance, hanging scales, weighing instrument

Instrument for hanging and moving bales, steel hook with wooden handle.G' stamped on steel stem near handlerural industry, agriculture, hook, bale, farming, transport

One of the original bag hooks used on the farm at Ziebell’sHessian bags were used pre 1970 and bag hooks were used to lift heavy bags of wheat, and milled grains such as bran and pollardSmall instrument for hanging and moving bags, bifurcated hook with wood handlerural industry, agriculture, hook, farming, transportation, tool

A single iron bar set into the fireplace near the top. At the centre of the circular bar is an attachment with a hook. From this attachment hangs a ring, through which two shaped bars overlap to forma cross. Each of these smaller, curved bars has an attachment at the end (two with flat, round rings, one with a V-shaped piece with upturned ends) for securing smoking items,No visible markingsfood technology, food processing, smokehouse, curing, fire, meat, hanging, iron

This evening dress belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A yellow and lime green silk and net evening dress from c.1909. The bodice is constructed of a golden silk satin with an over bodice of a very soft gold net with soft gold and lime green embroidery decorated with flower and bow motif's. The neckline is bateau like in shape with the edge following the flowers of the lace design. The bodice is sleeveless with a loose detached cap that hangs down over the top of the arm with a lace covering. The under fabric of the bodice is shaped and lightly boned but the over lace is looser, nipping in at the waist where it joins the skirt. At the back, the bodice neckline scoops lower than the front with the lace overlay creating a v shape at the centre back. The bodice is secured with hooks and eyes and waist tapes. The skirt is flat fronted and floor length consisting of the same golden yellow silk with soft gold and lime green embroidered net over skirt. The lace net over skirt features larger motifs and greater embellishment towards the bottom of the skirt. The lace over lay also has an edge that follows the design of the lace rather than a straight edge. At the back the underskirt is flat and shaped but the over skirt is lightly gathered and loose hanging. The skirt finishes in a full skirt and a rounded, small train.woolbrook, septimus miller, cantala, henry 'money' miller, gwendoline miller, clara miller, 1900s fashion, caulfield, brighton general cemetery

Sr. Scott is in a room in the Royal District Nursing Service (RDNS) Melbourne Centre. She is wearing the RDNS grey uniform dress which has the insignia "Royal District Nursing Service" written in white on a grey background attached to the upper sleeves. The photograph is showing some of the equipment which is available for temporary loan to RDNS patients.From the founding of the Melbourne District Nursing Society (MDNS), in 1885, known as the Royal District Nursing Service (RDNS) from 1966, equipment was loaned and demonstrated to patients and their family members, to enable them to care for their loved ones in their home. In the 1970s RDNS employed a Physiotherapist who taught RDNS staff the correct transferring techniques, including the use of a hoist when this became available. RDNS staff taught and used these techniques in patient’s homes to undertake safe transfer of the patient and to reduce physical strain on RDNS nursing staff and family members. Each RDNS Centre had a room or shed where equipment for loan was kept. Headquarters also kept additional equipment which could be transported to Centres as required. Black and white digital image portraying Sister Scott, who is smiling and has her dark hair drawn up, checking equipment. She is holding a bath seat in her hands. Behind her on a table, left to right, is an air cushion, draw sheets, male urinal, female urinal, bed pan and a sheepskin which is in front of a wooden board with rows of cup hooks and names under each hook. In the left foreground is a hoist with a white sling hanging from either side of the front hanger. To its right is a closed wheelchair, a 4 pronged walking stick, and a commode to the right of Sr. Scott.Barry Sutton Photographer. Quote KL 49rdns, rdns equipment, rdns uniform, royal district nursing service, sister scott

Seven point star represents 6 states and 7th for Territorial shield has 6 symbols for each of 6 states. Wreath colours of gold and blue are colours of Australia's livery and shield held up by native animals of Kangaroo and Emu.Gold ornate metallic frame with a coloured print of Australian Coat of Arms (Wreath of gold and blue with Kangaroo and Emu holding a shield and at top a 7 pointed star). Is in colour on a white background. Image has glass protection and frame has hard cardboard backing with a hook on either side connected with a length of copper hanging wire. Coat of Arms with "Australia" at bottom. Stamp on back stating "Passchendaele Barracks Trust".coat of arms, passchendaele barracks trust

Social A black wool tails suit. The jacket is satin lined single breasted with a cutaway front and a longer back that extends into tails. The lapels are of grosgrain with peaks reducing to nothing at centre above waistline. There are three decorative buttons 4.5cm apart on each side from close to the end of the lapel to the base of the coat. The arms of the coat are lined in a white satin with black stripes and the outside cuffs have four 1.5cm buttons in a vertical line. The front of the jacket is heavily padded. A hanging tag is sewn to the inside of the collar. There is a 9.5x11.5 pocket on the front RHS of the jacket and an inside 15x14 pocket on the LHS. The pants are also of a woollen material with braided stripes down each side from top of waistline to bottom of cuff. The lining is of satin (backed with a heavy linen/hessian) at the waistline and cotton for the pockets. There is a fly opening at the front with two buttons and a metal hook and catch at the waist. There is a tightening band affixed to each side of the waist with a pull through metal catch. Six buttons are affixed to the inside of the waistband to allow for the attachment of braces. There are pockets on the left front and back and deep side pockets on each side. Spare set of trousers in Box 1009. McKenzie Family Collection.Inside the trousers on the front left pocket lining the name 'McKenzie' written in ink appears three timesclothing, tails suit

Used in orchards by Harry Shaw (Orchardist in Springvale Rd, Glen Waverley near cnr Highbury Road) Orchard was sold in 1950. Later used on poultry farm in Forest Hills.Body of scales: brass plate inscribed - Salter Pocket Balance, made in England. No.3. To weigh 50LB. Slide measure 0 to 50. Pattern at top: twisted rope with arrow through middle. Reverse side: green painted metal. Hanging metal ring at top end and metal hook at lower end. Salter Pocket Balance, Made in England. No.3. To weigh 50LB.

"The passing of the Melbourne Cable Tramways", featuring photographs of first cable tram, Fitzroy power house, cable trams in the street, Nicholson St, the No. 1 tram entering the National Museum, some historic notes on the construction of the system, its operations, MMTB takeover, a drawing of the grip and of the badges and buttons used and an image of the cable used. Notes that it was compiled by A. R. Turnbull with co-operation of F. King, K.L.Mackenzie and H. G de Mamiel. Original poster prepared by the MMTB and presented to the State Library or the Museum of Victoria at the time of closure. See Reg Item 6367 for another photograph and 6368 for another poster of the time - Melbourne tramways past and present posterYields information about the Melbourne cable tram system and its history. Frame - wooden outside painted white, glazed with clear glass, off white card backing with brown paper on rear, brass wire hanging wire with small eye hooks the side., containing a photo titled "The passing of the Melbourne Cable Tramways"tramways, cable trams, melbourne, tramcars, closure, museums

Clothing. Women's black embossed silk skirt. Part of two piece set(bodice 11410.1). A shaped skirt with 2.5 cm cotton fabric waistband with three hanging loops attached. Centre back opening (20cm) fastened at waist with two metal hooks and eyes. Two metal eyes on waistband for attaching to the bodice. The front of the skirt has two vertical sections of appliquéd decorative beading (38 cm X 5 cm). The hem of the skirt is edged with black satin binding. The skirt is fully lined with brown cotton fabric. At centre back below the opening is an internal pocket (40 cm X 8 cm) of lining fabric. Historical Notes: This bodice and skirt belonged to Elizabeth Graydon (nee Richardson). Photograph of Elizabeth wearing this outfit (11410.3).

Framed black and white photograph of the interchange between cable and horse trams at Moreland Road and Sydney Road Brunswick for the Coburg horse tram line. Has two cable tram sets in the background. Horse Tram No. 4, with the now Moreland Hotel in the background. Date around 1900, prior to the introduction of bogie trailers. Frame - brown varnished timber frame, glazed with clear glass, white card backing with brown tape on rear, brass wire hanging wire with small eye hooks the side. Framed by Conroy-Moffatt Pty Ltd of 316 Kings St Melbourne. See Reg Item 2312i3 and 6353 for another similar view which provides a date of 1890.trams, tramways, cable trams, coburg, brunswick, moreland rd, horse trams, tram 4

There were at least three 1880s vessels named Lady Loch, all built in Victoria; a river launch (ca 1884 to ca 1916, originally named Lady of the Lake), a steamer ferry (1884 to 1920s), and a government lighthouse tender steamer HMV Lady Loch (1886 to 1962). The spring balance scale was part of the equipment on the HMV Lady Loch. The scale was made by the renowned company Salter Weighing Machines in the United Kingdom, to Silvester's patent design. Salter Weighing Machines, Britain, began making spring scales in the 1820s. In 1908 Salter opened up an Australian branch named Salter Scales Pty. Ltd. The scale is marked HMV SS Lady Loch. It would be suspended by its top ring, a basket or other container is hung from the hook, and the items inside the basket are then pulled downwards on the hook, which stretches the springs inside the works. The pulling action moves a rack and gears a calculated distance and the gears turn the pointer on the dial to indicate the weight of the goods. This scale measures up to 200 pounds capacity. The HMV SS Lady Loch was an iron steamship built in Footscray, Melbourne, by Campbell, Sloss and McCain in 1886 for the colonial Victorian government’s Department of Trade and Customs. It was armed with a 6-inch gun and two 1-inch Nordenfelt guns. The Sydney Morning Herald of 27th January 1888 describes the vessel in detail. It even comments on the interior of the Saloon “The wood work … is on a very elaborate scale and is exceedingly neat …”. The HMV Lady Loch performed Customs duties and serviced the lighthouses along the coast. The scale could have measured goods for the Customs Tax, or for measuring out supplies for the lighthouse keepers. The vessel was named after Lady Elizabeth Loch, wife of Sir Henry Loch, Governor of Victoria from 1884 to 1889. In 1932 Lady Loch was converted to a hulk and used in Brisbane, and finally scuttled in 1962 at Moreton Bay, Queensland.The scale has importance due to its connection to the 1886 HMV Lady Loch, a vessel of great significance to Melbourne’s shipbuilding industry. It was the largest auxiliary vessel in the Victorian Colonial Government’s fleet and the first prominent vessel launched by Melbourne’s shipbuilding industry. The scale is also important for its connection with the colonial navy's Custom's work, as the scale was available to weigh goods that could attract taxes and deal out goods for distribution to lighthouse keepers. The HMV Lady Loch was also important part of Victoria's maritime history for its communication and support of the lighthouse keeper's along the coast of Victoria.Scale; Salter's spring balance mechanical hanging scale, brass and iron. Equally spaced marks around the circular dial have values from 0 to 200 in increments of 10, each increment is also divided into 10. An iron ring is attached to a fitted loop on the top of the scale, and an iron hook is attached to the fitted loop onthe bottom of the scale. A moving pointer attached to the centre of the dial has a calibration screw joined to its base. Four screws fix the brass face to the works at the back. There are stamped and embossed inscriptions. Made by Salter in Britain, to Silvester's Patent design. The scale was once equipment carried abourd the steamship HMV SS Lady Loch. Stamped: "SALTER'S / SPRING BALANCE" "SILVESTOR'S / PATENT" Embossed in script: "HMV SS / Lady Loch"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, scale, salter, spring balance, silvester's patent, lady loch, steamship, hmv, colonial navy, victoria, lady elizabeth loch, custom's vessel, lighthouse tender, 1886, government vessel, victorian government, measuring instrument, weight, weighing instrument, mechanical scale, hanging scale, hmv lady loch, weights and measures, silvestor's patent, george salter & co.

Probably 1890's to early 1900's. The Dress and Mantle Makers departments was part of F. Davey and Co. and the department was run by Miss Middleton, formerly of the Beehive. F Davey and Co. sold their View Point premises in Oct 1904.Bodice (Wedding dress), hand and machine stitched. Silk lined with polished cotton. Slim ruched sleeves - ruched at inner and elbow side of sleeve (hand sewn). Elbow edge of ruching forms two ''frilled pleats'' down the sleeve to the wrist. Wrist edge lily pointed and finished with a 9 cm underfill of cotton lace. Top of sleeves have a leg-o-mutton balloon effect panel sewn at the shoulder and the upper arm. This balloon effect hangs down over the sleeves almost to the elbow. Top of sleeve has an embroidered lace frill hanging over armhole. Two silk bows are placed at the shoulders. Stand-up collar,5 cm deep is finished on each side with a pearl and glass beaded bow motif- 6cm in diameter. Hook and eye fasteners down front-metal loops covered with button hole stitch. Bodice boned with thirteen (13) ''bones''. Each pocket finished with a fan pattern stitching. Linen panel, with a diamond shaped weave stitched at each underarm. Front bodice is pleated from shoulders to centre front. Right front laps across left to fasten with a hook on the left shoulder. This panel is heavily beaded with glass beads and sequins. Over panel from right shoulder fastens with hook and eye at left hip line,with the pleated panel circling the waist.Matching skirt 11400.315.F.Davey & Co, Dress & Mantle Makers, View point, Sandhurst Label stitched at inside waistline of bodice.costume, female, wedding dress bodice

Probably 1890's to early 1900's. The Dress and Mantle Makers departments was part of F. Davey and Co. and the department was run by Miss Middleton, formerly of the Beehive. F Davey and Co. sold their View Point premises in Oct 1904.Cream coloured silk wedding dress with train. Three flat panels at front and side, lined with polished cotton. Centre tightly gathered panel at centre back lined with stiffened cotton.Other panels lined with stiffened cotton above hemline of skirt. Double layer lace insert inside lower edge to hemline. Back opening with four hook and eye fasteners. Deep pocket on side seam at hip on RHS. Three back panels extended below hemline of skirt to form squared edge train. Two hanging tapes inside waist band. Skirt hand and machine stitched. Matching bodice 11400.314.Label stitched inside skirt waistband - ''F.Davey & Co Dress & Mantle makers, View Point, Sandhurst.costume, female, wedding dress skirt

Charles George De Beauvoir Tupper was the son of Daniel William and Elizabeth Tupper. He entered naval college in 1885 after securing a Royal Navy cadetship. Lieutenant Tupper transferred from HMS Swallow to HMS Racer in May 1893. Both ships were operating from the Cape of Good Hope station at the time. In September 1893 HMS Racer found itself in the middle of Brazil’s third military coup in four years. The squadron of British ships in Guanabara Bay comprised HMS Beagle, Racer and Sirius. Just before 2 pm on the afternoon of 3 November 1893 a party from each of the ships in the British squadron sailed up the harbour to obtain sand and enjoy a little land based recreation. Apparently, this was a weekly event and the sand was used to swab the ships’ decks. They landed on Governador Island, the largest of the hundred and thirty or so islands in the bay. The island was under the control of the navy insurgents and had two magazines or stores for powder and shells. The cutters from the HMS Racer and Beagle landed on the beach between the two stores. Charles was killed when the powder magazine exploded at 3.40 pm. Charles' father Daniel William Tupper was brevetted Colonel in 1866 and when Brigadier General George Jackson Carey was appointed to command the Australian forces and came to Melbourne, Daniel accompanied him. When Sir Charles Darling, the Governor of Victoria was recalled to England, Carey became Acting Governor of Victoria from May to August 1866. Daniel Tupper served as his Aide-de-Camp or private secretary during this time. Carey returned to England in 1867 to command the 2nd Infantry Brigade at Aldershot with Daniel Tupper as his Aide-de-Camp.Portrait with stained wooden frame. No glass covering the picture. Hooks and wire for hanging on the back. A printed sheet of paper with the hymn 'A voice from heaven' in loving memory of Charles George De Beauvoir Tupper - Died Nov 3 1893 - Aged 21 years has been glued to the back of the frame.With Mrs Tupper's kind regardslieutenant charles george de beauvoir tupper, elizabeth christie, lieutenant colonel daniel william tupper, hms racer, hms raleigh

An ashtray from a C130 Hercules aircraft. These craft were commonly used for troop transport during the Vietnam conflict.Rectangular red metal tin with a hinged lid and curved hook top for hanging. Has yellow stenciled writing on the front. 37SQN/ Ashtray37 squadron, 37 sqn raaf, vietnam, raaf, c130 hercules

This is an image of the Rotunda Hospital in Dublin. Established as the Dublin Lying-In Hospital in 1745, it moved to its current location in 1757 and remains there to this day. This image was first published in Malton's 'A Picturesque and Descriptive view of the City of Dublin' in 1791.A colour engraving of a white building with a red roof. A tower, topped by a dome, rises above the middle of the building. There are four decorative columns on the front of the building, and the entrance to the building is surrounded by a metal fence. There are various figures in the foreground of the image. On the left, there is a well dressed family group consisting of three adults and a child. At left of centre, a figure is riding a horse, which is being preceded by a dog. At centre, in the middle background, one tall and one short figure stand next to the metal fence surrounding the building and are peering inside. At right of centre, a figure is driving a two horse buggy. On the far right, the shadowed figure of a beggar is holding out their cap. There is a smaller building to the left hand side of the featured building, and additional buildings are visible in the right side background. Clouds are visible behind the buildings. Text below image reads 'Lying in Hospital'. The print is mounted and framed in a black wooden frame with gold trim. A display label for this print is attached to the back of the frame. Handwritten inscriptions on the back of the frame of the artwork read 'Rotunda Lying in Hospital/Dublin // 19th British Congress RCOG 1971' and 'Original engraving/James Malton. London,/December 1795.' There is a sticker attached to the bottom right of the back of the frame featuring a printed image of a stork in read and the text 'FRIENDS OF THE ROTUNDA HOSPITAL'. There are two hooks and a wire attached to the back of the frame for hanging.

This a cropped reproduction of a photograph taken by Charles Nettleton in c. 1868. Founded in 1856, the Lying-in Hospital was the second hospital to be established in Melbourne, after the Melbourne Hospital. It was, however, the first lying-in hospital in the Australasian colonies. The hospital was founded in a converted private house "Fairmont", which was located at 41 Albert Street, Eastern Hill (now East Melbourne). In 1858, the 'Lying-in Hospital' was relocated and opened in Madeline St, North Melbourne (now known as Swanston St, Carlton)." (The Women's) The building pictured here was eventually demolished in 1938 to make way for further extensions to the building. The original site in Albert Street was demolished in 1960, and the site is now occupied by the Melbourne Fire Brigade. A section of the wrought iron gates from the original site in Albert Street is held in RANZCOG's historical collection.Reproduction photograph of the front of a building. The building is three stories high. The lowest floor has eight large windows, with a door at centre, on the front side. One side window can also be seen at bottom right. There is a small flight of stairs leading up to the door. The second floor has eight windows in the same locations as the first floor, plus one additional window at centre instead of a door. The top floor is much smaller, with three small windows facing the front of the building. There are trees in the grounds in from of the building. House and grounds are enclosed behind a fence. There is a gate in the fence opposite the front door. Three figures are visible on the path outside the fence. One is at the centre of the image, and the other two are in the right hand corner. Text printed below image reads 'THE LYING - IN HOSPITAL circa 1870'. The image has been mounted and framed in a black wooden frame. An old display label for this image is attached to the back of the frame. handwritten text on backing board at back of work reads 'Probably prior to 1867 (J. Nattrass, 1968). Tape residue visible on backing board at upper right. A chain and two hooks have been added to the frame for hanging.

Robert Lawson Tait (1845-1899) was a Scottish doctor and surgeon instrumental in the development of gynaecology as a field during the 19th century. Tait has been credited "with introducing a number of gynecologic surgeries, or surgeries related to women’s reproductive health. Those included procedures for treating abscesses, removing ovaries, and fallopian tubes, and treatment of the gallbladder." He also "argued for strict cleanliness during surgery as well as a more specific focus on performing surgeries to treat diseases of the female reproductive system. Tait’s surgical techniques and advocacy not only aided in the development of hygiene in surgery, increasing patient survival, but also helped develop the field of gynecology, which contributed to a centralized focus on the health of the female reproductive system." (Arizona State University, Embryo Project Encyclopedia)Black and white reproduction of a portrait photograph. Photograph is of a man in a dark coloured three-piece suit, with a white shirt and striped tie. The man has mutton chop sideburns and long, dark hair, which is parted about his right eye. The man is looking to camera right. The image is in an oval cutout on a white background. Handwritten reproduction of signature beneath the photograph reads 'Lawson Tait/1891'. The photograph is mounted in white card and housed in a black wooden frame. There is an old object label attached to the back of the object. A sticker noting the framer of the image (Jarman the Picture Framer) is attached to the back of the work at upper centre. A wire and two hooks have been attached to the back of the frame for hanging.

William Balfour Ker was a Canadian-American artist. He was also a declared socialist, and his political stance was often reflected in his art. This lithograph is a compelling illustration of the race against time sometimes faced by doctors when trying to get to a patient to assist in birth before the baby is born.A black and white lithograph. At top right, a stork is flying through the air, with a baby bundled in a cloth that it is holding in its beak. To the left, a horse drawn buggy follows rapidly behind, with the driver wielding a whip and urging on a speeding white horse. The artist's signature printed at bottom right corner of image reads 'WM.BALFOUR-KER'. The lithograph has been mounted and framed in wooden frame. The outer edge of the frame is black, and the inner edge is gold. On the back of the object, a small piece of paper bearing the title of the lithograph has been attached at bottom centre. It reads 'A HURRY CALL, THE DOCTOR v THE STORK'. A second tag attached to the back of the work reads 'From FF', suggesting the donor of this object was Frank Forster. An old display label is attached to the bottom left of the back of the work. A wire and two hooks have been attached to the back of the frame for hanging.obstetric delivery