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Pyrenees Shire Council
painting, Afternoon Lake Goldsmith by John Burrack, 1884
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture landscape with water painting "signed: John Burrack '84 (lower left) verso: Afternoon Lake Goldsmith John Burrack Mernda '84" -
Federation University Art Collection
Artwork, other - Ceramic mural, John Gilbert, 'Enigmatic Land' by John Gilbert, 1973, 1973
ENIMATIC LAND OF BIRDS THAT SING FLOWERS FROMS SEEDS THAT SPRING OF REPTILES AND FISHES CREATURES FROM THE BEGINNING SUN AND MAN AND SCIENCE THE SYMBOLS THAT SILENTLY BUILD AND CHANGE IN COOL AND WARM YOU ARE THERE AND HERE OF YESTERDAY NOW THE SPLITTING EARTH MURAL BY JOHN GILBERT 1973John GILBERT (1935- ) Born Albury, New South Wales John Gilbert worked as a teacher while completing a Certificate of Art at the Technical College in Marlborough, before moving to Ballarat in 1958. He studied at the Ballarat Technical Art School, a division of the Ballarat School of Mines (1960-1961) receiving a Diploma of Art; and Croydon College of Art, London. Gilbert was a Senior Lecturer at the Ballarat Institute of Advanced Education (now Federation University) Art Department until his retirement in the late 1970s. In John Gilbert's Mount Helen studio he produced work marked with an incised 'Gilbert'. He had acquired a concern for form and an interest in sculpture from his teacher Neville Bunning, and from the British potter Hans Coper, whom he visited in 1968. He established two potteries in Ballarat , the Edinburgh Pottery (1972-2005) located within the Sovereign Hill precinct, and the Old Ballarat Pottery (1973-1994) located in the Old Ballarat Village opposite Sovereign Hill. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large ceramic mural by John Gilbert commissioned for the wall of the E.J. Barker Library. The mural features brown and green glaze with features of indigo. The work has no particular pictorial representation. It is an arrangement of colour and form, designed for enjoyment rather than to analyse. The theme relates to the development of the Universe through basic symbols such as plant forms, fish, birds and to mans development through symbols of science and engineering. The outer edge is symbolic of earths crust being peeled away to reveal science and nature. The mural depicts the changing of seasons from Winter to Summer (left to right). The mural was completed at John Gilbert's Slate Gallery studio, Mount Helen, and took eight months to make.gilbert, artwork, john gilbert, art, ballarat school of mines, mural, ballarat institute of advanced education, ballarat pottery, ceramics, old ballarat pottery, edinburgh pottery -
Federation University Historical Collection
Photograph- Colour, Framed photograph of Morgan B. John and opening plaque at the opening of the Ballarat School of Mines M.B. John Building, 1987, 11/06/1987
Framed photograph of Morgan B. John and opening plaque at the opening of the Ballarat School of Mines M.B. John Building.The Ballarat School of Mines &Industries Ballarat Established 1870 This plaque commemorates the official opening of the M.B. John Building on 11th June 1887 by The Honourable John Cain M.P. Premier of Victoriaballarat school of mines buildings, m.b. john building, m.b. john, morgan b. john, john cain, visitors, buildings, opening, plaque -
Tarnagulla History Archive
File on Tarnagulla's Presbyterian and Uniting Churches, 1997
File on Tarnagulla's Presbyterian and Uniting Churches. Contains Donald Clarke's handwritten notes. -
Uniting Church Archives - Synod of Victoria
Photograph, John Ward, 22/07/1987
John Ward was a Senior Journalist with Church and Nation. Educated at Scotch College he joined the Sun News Pictorial as a cadet and graduated to senior rounds work. After ten years he joined industry as a public relations practitioner and advertising photographer eventually moving to freelance marketing consultancy. He holds an Associate Fellowship with the Australian Institute of Marketing.B & W head and shoulders photograph of John Ward "John Ward C&N 22/7/1987 page 3."ward, john -
Vision Australia
Photograph - Image, John Moule and John Cook looking at the 1992 business plan, 1992
John Moule and John Cook sit in the CEO's office, looking at the 1992 business plan.3 coloured photograph of John Moule and John Cookjohn moule, john cook, association for the blind -
Greensborough Historical Society
Article, Greensborough Historical Society et al, Donald James Creighton, 1914-1918
A short article about Donald James Creighton and his service in World War 1. Donald Creighton was born in Bundoora.1 Page, text and colour images.world war 1 project, donald james creighton -
Lara RSL Sub Branch
Identity Card, John Austin Identity Card
This card identifies one of our serviceman who served in WW2 JOHN AUSTIN was a member of the RSLPlastic Plague for John Austin400363 John Austin 608 SQN. RAF-2&13 SQN. RAAF. WW2 DIED 9 NOV 1943. Service colour bar "LEST WE FORGET"austin, identification card -
Federation University Art Collection
Work on paper - Printmaking - Lithograph, 'Adagio' by John Brack, 1967
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed black and white lithograph of a male and female circus performer. Lower edge " 60/200 John Brack"art, artwork, john brack, printmaking, circus, edition, lithograph, available -
Greensborough Historical Society
Article, Greensborough Historical Society et al, Donald Stewart Chapman, 1914-1918
A short article about Donald Stewart Chapman and his service in World War 1. Donald Stewart Chapman was born in Greensborough.1 Page, text and colour images.world war 1 project, donald stewart chapman -
Albert Park-South Melbourne Rowing Club
Photograph, Winners Double Maiden Eight, Upper Yarra & Albert Park Regattas 1915. Presented to Chas Donald Esq By the Crew as a mark of appreciation in recognition of his services as COACH
A black and white studio portrait of the members of "C" Company, No 7 Training Battalion. The photograph is under glass in a wooden frame with a green cardboard mounting.A. Perlestein, F.G. Bartholomew (bow), L.A. Payne (2), A. McLaurin (3), H.H. Macknight (S), W.J. Taylor / T. McManamny, C. Donald (COACH), Capt E.V. Nixon, C. Short, A. McGill / J. Bruce, F.C. Wilson (COX) / Presented to Mr C. Donald / As a small mark of appreciation & as a memento of Sept 18, 1915 -
Greensborough Historical Society
Article, Greensborough Historical Society et al, Donald McKay, 1914-1918
A short article about Donald McKay and his service in World War 1. Donald and his brother attended Greensborough State School.One page, text and colour images.world war 1 project, donald mckay -
National Vietnam Veterans Museum (NVVM)
Document, Tours in Vietnam: HQ (G-3) & HHC 3rd Brigade: C & E company (Recon Platoon) 1st Battalion, 52nd infantry
Word document of research done by Donald Smith listing grid coordinates for FSB's and LZ'svietnam war, 1961-1975 - australia - fire support bases -
Uniting Church Archives - Synod of Victoria
Photograph, John E. Blacker, 13/06/1984
John E. Blacker was a Methodist and then Uniting Church miinister - placements at Dandenong (Lilydale), Kilmore & Broadford, Kerang-Barham, Sunshine, and Moonee Ponds. In the early 1980s he led a charismatic renewal program at Sunshine and Moonee Ponds, and was involved with a controversy over re-baptisms. At a later point, he resigned from the Uniting Church ministry to lead the "Advance & Restoration Ministries" program that he and his son, Paul, managed.Head and shoulders portrait of John Blacker when still a Uniting Church minister, but working as "Advance & Restoration Ministries" which was then located in the 3rd floor of the Synod offices at 130 Little Collins Street Melbourne.John Blackerblacker, john e., advance & restoration ministries -
Vision Australia
Photograph - Image, John Wilson, Kitty Rose and John Wicking at Mrs Rose's farewell in Bendigo
John Wilson, Kitty Rose and John Wicking at a Kitty Rose's farewell in Bendigo.B/W photograph of John Wilson, Katharine (Kitty) Rose and John Wicking.john wicking, john wilson, association for the blind, katharine (kitty) rose -
Wangaratta Art Gallery
Painting, Donald Cameron, The Yarrawonga Scout Hall, 1983
Rural City of Wangaratta Collection. Gift of Mayor Lance Bullus, 1983.A landscape that features the scout hall in Yarrawonga, painted using oil in greens, blues, whites, browns, and reds.Obverse: DONALD CAMERON/ (bottom right corner)wangaratta art gallery, donald cameron, yarrawonga scout hall, landscape, painting -
Uniting Church Archives - Synod of Victoria
Photograph, John E. Blacker, 10/07/1985
John E. Blacker was a Methodist and then Uniting Church miinister - placements at Dandenong (Lilydale), Kilmore & Broadford, Kerang-Barham, Sunshine, and Moonee Ponds. In the early 1980s he led a charismatic renewal program at Sunshine and Moonee Ponds, and was involved with a controversy over re-baptisms. At a later point, he resigned from the Uniting Church ministry to lead the "Advance & Restoration Ministries" program that he and his son, Paul, managed.Head and shoulders studio portrait of John Blacker when still a Uniting Church minister, but working as "Advance & Restoration Ministries" which was then located in the 3rd floor of the Synod offices at 130 Little Collins Street Melbourne.John Blackerblacker, john e., advance & restoration ministries -
Linton and District Historical Society Inc
Photograph, John and Mary Ann Poultney, Date of original photograph unknown, but before 1902, when John Poultney died. Copy made 2006
Mary Ann Poultney, née Hisshion was born at Linton in 1864. She married John Poultney at Ballarat on December 31, 1888. It is understood that they lived in Sydney until John Poultney died in 1902, after which Mary Ann returned to Linton with her three daughters, Annie, Nell, and Lillian. She was librarian at the Linton Free Library between 1907 and 1911.Copy of original black and white photo of middle-aged couple. Man with moustache & buttonhole, lady seated with lace fichu. John and Mary Ann Poultney (nee Hission)."John & Mary Ann Poultney (nee Hisshion) undated"john poultney, mary ann poultney, mary ann hisshion -
Vision Australia
Photograph - Image, John and Janet Wicking with Eunice and John Wilson
President John Wicking with his wife Janet is speaking to CEO John Wilson and his wife Eunice.B/W photograph of John and Janet Wicking speaking to Eunice and John Wilson.john wicking, janet wicking, eunice wilson, john wilson, association for the blind -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Bryan, John, The Contessa Came Too by John Bryan
Hardcover book with an illustration of a man holding a gun on front cover. 254 pages. Prior ownership: The Readwell Libraries, 107 Elizabeth St., Melbourne, Taylor's Pharmacy, Apollo Bay, Mooroopna Mechanics Hall & Free Library.fictionjohn bryan, fiction -
Port Melbourne Historical & Preservation Society
Photograph - Alva & John Munro, Reverend Donald LANGFORD, c.1967
Wearing their Salvation Army uniforms, John MUNRO is standing behind his seated wife, Alva MUNRO. B & W photograph of John & Alva MUNROOn reverse: 1967religion - salvation army, alva munro, john munro -
Federation University Art Collection
Work on paper - Artwork - Printmaking, John Brack, 'Nude 3' (Also known as Nude in a Chair) by John Brack, 1982
John Brack (1920-1999) Born AustraliaFramed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon (1908-1982). This unsigned work is from Rudy Koman's estate.john brack, nude, life drawing, available, chair -
Greensborough Historical Society
Article, Alexander John McDonald's Great War / John Gibson, 14/09/1914o
Story of Alexander John McDonald's war service with the 8th Light Horse AIF at Gallipoli 1914-1916.Black and white text and photographsalexander john mcdonald, gallipoli, australian imperial force -
Federation University Art Collection
Painting - Natural pigment on bark, Mawurndjul, John, 'Female Wayarra Spirit' by John Mawurndjul, 1995
Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan -
Federation University Art Collection
Artwork, other - Artwork - bookplate, Ex Libris John Thwaites
Framed bookplate for John Thwaites.Ex Libris John Thwaitesbookplate, framed bookplate, john thwaites, keith wingrove memorial trust, available, available framed bookplate -
Uniting Church Archives - Synod of Victoria
Photograph, John Maynard and Bob Hazeldine, Undated c.1985
John Maynard and John Hazeldine standing in conversation - probably at the Tasmanian Synod in 1985"John Maynard Bob Hazeldine sheet 2.4"maynard, john, hazeldine, bob -
National Vietnam Veterans Museum (NVVM)
Memorabilia, Memorabilia of Raylene (Sykes) Nagy
Contains 7 letters and a map that were sent to her during the Vietnam War by Donald George Woo.vietnam war, 1961 - 1975 -- veterans -- australia, 3rd cavalry regiment -
Victorian Railway History Library
Book, Sargent, John, Country Branch Lines Victoria Part 6, 2010
A photographic profile by Neville Gee of the Victorian country branch lines to Tocumwal, Picola, Girgarre, Colbinabbin, Heathcote, Lancefield.ill, maps, p.56.non-fictionA photographic profile by Neville Gee of the Victorian country branch lines to Tocumwal, Picola, Girgarre, Colbinabbin, Heathcote, Lancefield.railroads - victoria - pictorial works, photography - neville gee -
Vision Australia
Photograph - Image, John Wicking and Arthur Wilkins with Australia Day honours, 26/01/1981
John Wicking and Arthur Wilkins smile happily after their investiture at Government House.B/W photograph of John Wicking and Arthur Wilkins after their investiture on Australia Day.Sharing a joke. John Wickham [sic] (left) President of the Association (1973-1984) and Arthur Wilkins, Manager, Kooyong Centre (1968-1976).john wicking, arthur wilkins, association for the blind -
Ringwood and District Historical Society
Notes for book, Rogaughan, John, Material for History of Kilsyth, Croydon, Burnt Bridge and Ringwood (book never completed). By John Rogaughan (undated), not known
Collected for a history book of Kilsyth, Croydon, Burnt Bridge and Ringwood but never completed.27 pages of notes intended for a local history book typed with some connections. +Additional Keywords: Rogaughan, John