Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. St. Stephen's Church, Vienna, AustriaVienna Church (Handwritten) / St. Stephen's (Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Churchill Island Heritage Farm has a large photograph collection dating from the late nineteenth century. This series shows the long involvement and contribution to the community that occurred over the last three decades and the visit to Churchill Island by governor-general, Sir Ninian Stephen and his wife.Photograph of three people (Jack Oswin, Coral Oswin, and Lady Stephen) standing and talking in the foreground on a wooden walkway, and a group of people gathered in the background.JACK OSWIN, CORAL OSWIN,/LADY STEPHEN/1988 [handwritten on reverse in pen] Catalogue number written on reverse in pencilchurchill island, photograph, governor-general, ninian stephen

Set of 6 drink coasters, with a felt back gold plastic front with an impression of a Melbourne tram contained within a black finished cardboard box. Each coaster has the imprint of the MMTB emblem. The coasters feature: Z3 class - 1980 - has a Stephen Daly trademark logo on the rear. W2 class - 1927 A class - 1910 - 11 R Class - 1266 (Melbourne cable tram) - 1885 X class - 1924 T class - 1917 Produced by Paul Stephen-Daly trading at Louchrilau Nominees Pty Ltd, with address details and contact phone number (6 digits) and a telex number. Given it has a Z3 included, date late 1970's early 1980's. An internet search for the name shows a number of coasters produced by the same person on sale as collectables. See also Reg Item 2856 for another set of 5 and the A and the X class trams.trams, tramways, souvenirs, melbourne

Produced as a souvenir for domestic use. The coasters feature: Z3 class - 1980 - has a Stephen Daly trademark logo on the rear. W2 class - 1927 A class - 1910 - 11 R Class - 1266 (Melburne cable tram) - 1885 (The R class refers to MMTB drawing number R1266) X class - 1924 T class - 1917Demonstrates a range of souvenirs about Melbourne's trams.Set of 6 drink coasters, with a felt back silver plastic front with an impression of a Melbourne tram contained within a black finished cardboard box. Each coaster has the imprint of the MMTB emblem.tramcars, souvenirs, melbourne, coasters, btm

Set of 4 drink coasters, with a blue felt back gold plastic front with an impression of a Melbourne tram contained within a black finished cardboard box. Each coaster has the imprint of the Melbourne Tourism logo, 150 years of Melbourne, produced for the Victoria's 150th celebrations 1984-85. Box has the Australian Made logo in gold printing. The coasters feature: Z3 class - 1980 - has a Stephen Daly trademark logo on the rear. W2 class - 1927 R Class - 1266 (Melbourne cable tram) - 1885 x 2 No. T class - 1917 Coasters finished with square corners, while those of the earlier production finished with rounded corners. Also within the box are the earlier produced coasters (see Reg Item 1835) of the A class and X class trams. Produced by Paul Stephen-Daly trading at Louchrilau Nominees Pty Ltd. No contact details See also Reg Item 1835 for another set of 5 and the A and the X class trams.trams, tramways, souvenirs, melbourne

Thomas Robert Noel Lothian best known doe Directorship of Adelaide Botanic Garden and establishment of Mt Lofty Botanic Garden. Certificate of Competency 1934.obituary, thomas lothian, thomas robert noel lothian, stephen forbes, don riddell, andrew lothian, adelaide botanic gardens, mt lofty botanic garden, peter may, vivian lothian, andrew smith, noel lothian, tony lothian, janet lothian, certificate of competency in horticulture

Churchill Island Heritage Farm has a large photograph collection dating from the late nineteenth century. This series shows the long involvement and contribution to the community that occurred over the last three decades and the visit to Churchill Island by governor-general, Sir Ninian Stephen and his wife.Photograph of two men (Churchill Island Manager and Sir Ninian Stephen) walking along a gravel path followed by a group of people.CARROL SHULZ (CI MANAGER)/+ SIR NINIAN STEPHEN/WITH MANY CUBS, SCOUTS,/BROWNIES + GUIDES! [handwritten on reverse in pen] Catalogue number written on reverse in pencilchurchill island, photograph, governor-general, ninian stephen

Churchill Island Heritage Farm has a large photograph collection dating from the late nineteenth century. This series shows the long involvement and contribution to the community that occurred over the last three decades and the visit to Churchill Island by governor-general, Sir Ninian Stephen and his wife.Photograph of three people (Jack Oswin, Coral Oswin, and Lady Stephen) standing and talking in the foreground on a wooden walkway, and a group of people gathered in the background.JACK OSWIN, CORAL OSWIN, LADY STEPHEN/AT CONSERVATION HILL VIEWING PLATFORM [handwritten on reverse in pen] Catalogue number written on reverse in pencilchurchill island, photograph, governor-general, ninian stephen

Framed post titled "The History of Melbourne's Tramways", providing a detailed map, showing the opening, closing, dates, and notes of Melbourne's horse, cable, electric tramways and railways. Printed on an image of cable trams in Collins St with the Melbourne Town Hall in the background. Has notes on closures, track layouts, accuracy, and acknowledgments. Prepared by Stephen Watson and Ian Johnson in 2006, 3rd Edition See item 506 for other issues. Yields information about the development of the Melbourne tramways and the system.Wooden bevel edge, dark brown stain, framed poster glazed with paper backing.melbourne, map, tramways, cable trams, horse trams, box hill, vr trams

B. 1811 England; D. 1872 Sydney. President of the Australasian Conference in 1861.B & W printed head and shoulders printed etching of the Rev. Stephen Rabone. "Revd Stephen Rabone, President of Australasian Conference 1861"rabone, stephen, wesleyan methodist, president of conference

BHS CollectionSoftcover book with brown cover and coloured photograph of Sacred Heart Cathedral. 192 pages describing the practice of religion in the various churches of Bendigo. Contents page and no index. Published by Keith Stephens 1993.Keith Stephensbendigo, churches

Yields information about the people attending and the way the BTPS AGM was held in 1978 at the depot and the trams used.Set of 7 colour prints of the BTPS AGM, 15 Oct. 1978 - See Fares Please! Sept. 1978. .1 - Depot fan - 40 .2 - The meeting assembled .3 - The meeting table - Richard Gilbert, ?, Frank Hanrahan, Carolyn Dean and Bill Jessup .4 - Depot fan - 40, 28 and 38 .5 - depot fan - 40, 27 and 40 .6 - Geoff Dean, Carolyn Dean and David Frost .7 - 14 and 40 at St Aidans Drive. Photos by Stephen Butler. See Fares Please! Sept. 1978"AGM 78" on rear of each in inktrams, tramways, wendouree parade, btps, agm, tram 40, tram 27, tram 14, tram 38

Churchill Island Heritage Farm has a large photograph collection dating from the late nineteenth century. This series shows the long involvement and contribution to the community that occurred over the last three decades and the visit to Churchill Island by governor-general, Sir Ninian Stephen and his wife.Photograph of four people (Cr Greg Price, Grant Membry, Lady & Sir Ninian Stephen) walking along a dirt driveway in front of a group of other people.CR GREG PRICE, RANGER GRANT MEMBRY,/LADY + SIR NINIAN STEPHEN 1988 [handwritten on reverse in pen] Catalogue number written on reverse in pencilchurchill island, photograph, governor-general, ninian stephen

The Mission accommodated seamen from all nationalities from the earliest days of operation. Asian seafarers are recorded visiting the Mission from the late 19th C. onwards. The first Chinese chaplain to be appointed was Rev Steven Wong who moved to Melbourne in the 1960s. Rev Wong served from 1963-1966 and according to his sons helped design these information brochures. Images of Rev'd Wong are included in the VC Database. The pamphlet gives days and times of activities such as dances and films and chapel services. The Chinese writing was made by Reverend Stephen WongA rare surviving period example of a non-english speaking flyer on information about the Mission to Seafarers Victoria Commercially printed paper single fold flyer providing directions and information to the Central Club, Missions to Seamen at Flinders St extension, in Mandarin. Contains a drawing of the central mission and a map of Docklands.In English: CENTRAL CLUB/THE MISSIONS TO SEAMEN, FLINDERS STREET EXTENSION, MELBOURNE C.3 In Mandarin: Translation (from Google translate): date and time of services / date and time for dances, movie sessions, teareverend stephen wong, mandarin, chinese, asian, reverend perry mitchinson

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of No. 21 and 14 at Grey St loop. No. 21 has destination of Sebastopol and a SEC "Everything's is under control in my all electric kitchen" roof advertisement. No. 14 has destination of Lydiard St. North. The film strip notes (Reg. Item 2560), provided the following caption details: "Further down, the track headed to a relatively safe roadside location Cars 21&14 cross at one of the loops in this section. ...Sept. '71 .(Stephen Holmes)" See image btm2575p.tif for high level scan of image. Stamped on base of slide "11785" and written in ink on top edge "21 + 14 Sebastopol line Ballarat"tramways, trams, are, film strip, grey st, sebastopol, tram 21, tram 14

The Eureka Flag hanging on the wall is an exact replica of the Southern Cross flag which flew over the Eureka Stockade. It was copied from the original flag held by the Art Gallery of Ballarat. Exact measurements were taken from the flag and the replica was made by George Lemke and Co. The replica was made because the original was in fragile condition. (Ballarat Courier, 16 February 1965)Eureka Flag facsimile displayed at the Old Colonists' Hall, Ballarat.ballarat old colonists' club, ballarat old colonists' hall, dining, eureka flag replica, eureka flag, george lemke and co

Black and white photograph depicting the rear of Bill Stephens's Butcher's shop Emeraldinscription on back of photograph 'Rear of Bill Stephens Butcher Emerald POOO25stephens butchers

Donated by Mr Greg Thomson, a former resident of RutherglenBlack & white photographic reproduction of the former St Stephen's Rectory. This cottage was located on the Springhurst Road, but has since been demolished. The reproduction is unframed but laminatedOn back of laminated photo: "St Stephen's Rectory"st stephens rectory, rectories

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Churchill Island Heritage Farm has a large photograph collection dating from the late nineteenth century. This series shows the long involvement and contribution to the community that occurred over the last three decades and the visit to Churchill Island by governor-general, Sir Ninian Stephen and his wife.Photograph of five people (Sir Ninian and Lady Stephen, Lisa Price, Cr Greg Price, Cr Stan Gates) standing in the Churchill Island garden amongst rosemary bushesL-R/SIR NINIAN + LADY STEPHEN, LISA/PRICE, CR GREG PRICE, SHIRE OF PI PRES/CR STAN GATES 1988 [handwritten on reverse in pen] Catalogue number written on reverse in pencilchurchill island, photograph, governor-general, ninian stephen