Catalogue card reads, 'Freedom of the City. Taken when Ben Hubbard was mayor.'

Colour photograph of A grade squash runners up Wayne Hubbard, Andrew Symons, Rob Young, Peter Camilleri Lakes Entrance Victoriasports, squash

Black and white photograph of ladies recquetball team Kathy Hubbard, Chris Hooper, Alana Guillot, Janis Craig Lakes Entrance Victoriasports, racquetball

Black and white photograph of Thursday Junior Squash team Twisters, Naomi Hubbard, Ryan Walker, Tara Wright, Mark Edgeley Lakes Entrance Victoriaclubs, sports

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A boxed framed glazed platterart, artwork, hubbard, ceramics

The author Eric Hesketh Hubbard (1892-1957) was born in England and lived in London. He was a painter, printer, designer, writer and lecturer. He also held the position of President of the Royal Society of British Artists and was a Fellow of the Society of Antiquaries, London. The book is part of Flagstaff Hill's Pattison Collection, a large group of books and records, some of which are rare and valuable. The collection was originally owned by the Warrnambool Mechanics' Institute, which was founded in 1853 and is named after Warrnambool's Public Librarian, Ralph Pattison. The publisher firm Longmans, Green & Co. was founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The book is important for its connection with the London publisher Longmans, Green & Co. The firm has been established for over two centuries and is renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.A Hundred Years of British Painting 1851 to 1951 Hesketh Hubbard; President of the Royal Society of British Artists: Fellow of the Society of Antiquaries, London Author: Hesketh Hubbard Publisher: Longmans Green & Co Date: 1951 Purple cloth hardcover book with pasted jacket showing an oval design on the front cover. The book title has used either the word 'one hundred' or the numeral '100'. The fly page has a logo; a cartouche shape surrounding a sailing ship above the number 1724. This book is part of the Pattison Collection.Label on spine: "PAT 759.2 HUB" Sticker on pastedown front endpaper: "Warrnambool Public Library" covered by a sticker "Corangamite Regional Library Service" Stamp on front loose endpaper: "Corangamite Regional Library Service" Fly has a logo: "[cartouche shape] enclosing a sailing ship above "1724" "warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, great ocean road, hesketh hubbard, a hundred years of british painting, a 100 years of british painting, longmans green & co, british painting, british art, hesketh hvbbard, 1951, mid-20th century

see page 4 Lakes Post Newspaper 1 September 1995Colour photograph of John Britton, James Young,Garry Hubbard, Tony Piper, and Phillip Baade at Ocean Rescue Squad building on Esplanade Lakes Entrance Victoriacommunity services, volunteering, emergency services

Other number 03672.1Colour photograph of Racquetball team Stick Insects winners of recent competition Brett Patterson, Rowan Hubbard, Jayson MacKay, Terri Gallus Lakes Entrance Victoriasports, racquetball

Catalogue card reads, 'Beef Ranch opening. Cr. B. Hubbard in centre of picture'. [no date].

The Mother Hubbard Roller Washboard was the hottest selling door-to-door item in America in the early 1900s. Its patented design featured threaded maple rollers that rolled in opposite directions. The touch could be light because the screw threads did all the work. It carried the Good Housekeeping Seal of Approval. The first roller washboard was made in Dover Illinois by the Hubbard brothers who ran their large sawmill there in the town where they were born. As the sales began coming in, they moved their plant in 1904 to LaMoille for better shipping facilities. In 1916 the sawmill was moved to Mendota Ill. and in addition to the washboards, the plant specialized in sawing walnut logs and forming them into roughs for gun stocks. All during the 1920s, the Mother Hubbard Washboard factory was a busy place. The boards were not made after 1935 once the electric washing machine became popular. This washboard appears to be a variation on the Hubbard system to get around their patented protection for washboards with rollers, the rollers appear to be made from maple indicating an American Manufacturer. The manufacturer of the subject item is unclear at this time.An unusual washboard with horizontal flutes designed to circumvent the Hubbard Brothers patent for washboards with rollers and vertical flutes. It makes the item rare and possibly made in Australia early 1900s and gives insight into how various companies tried to improve or get around other manufactures patented designs.Wooden washboard with rotating fluted rollers rectangular in shape and has 2 legsNoneflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, washing equipment, washboard, hubbard brothers, domestic laundry

Other number 03659.1Black and white photograph of ladies racquetball team members Liz Hubbard, Pam Cushing, Chris Grassby, Chris Hooper Runners up in competition. Lakes Entrance Victoriasports, racquetball

Other number 03654.3Black and white photograph of Junior Racquetball team Legends winners of recent competition Renae Craglia, Daniel Coad, Naomi Hubbard, Cassie Gray Lakes Entrance Victoriaclubs, sports

Jon and Alda Hubbard were operating Gellibrand Pottery around the late 1980s on the Old Beech Forrest Road in Gellibrand near Colac in the Otway region.Photo of a hand thrown jug with glaze decoration. It is stamped (impressed) "Gellibrand Pottery". ceramics, pottery, gellibrand pottery, studio pottery

Catalogue card reads, 'Lord and Lady Casey at Ringwood Mayoral Ball. Mayor Cr. Ben Hubbard'.

This building was officially opened by His Worship The Mayor - Cr. B.J. Hubbard J.P. on Saturday 2nd May 1970 and marked the opening of the Ringwood branch of the Eastern Metropolitan Regional Library Service."Written on back of photograph, "Library plaque".

Black and white photograph showing Nth Ringwood Sunday School children with teacher"Attached to photograph" L to R ?, Judy Hubbard, ?, ?, Betty Milne, Garry Milne, Rene Dickson, Adrian Prust.

Catalogue card reads, 'Official opening of S.E.C. offices in Ringwood. Left to right, Mr. G.O. Ried, Member for Box Hill, Mrs. B. Hubbard, Cr. Ben Hubbard and Mrs. Reid, look over some of the appliances on display in the new show room. [no date].

Ladies marked with numbers are identified as follows (others unknown). 1. Sylvia Frazer 2. Marybelle Flentje 3. Marjorie Reid 4. Jean Hubbard 5. Rainey McAlpin 6. Seraine Moore

Documents and invitations to Mr. C. Painter; 1 Envelope addressed to Mr. C. Painter 1960; 2 Envelope addressed to Mr. C. Painter 1961; 3 Invitation to Mr. and Mrs. C. Painter to a Ball in Ringwood Town Hall on 15th. June 1956 from the Mayor and Mayoress (Councillor and Mrs. B J. Hubbard); 4 Invitation to a Complimentary Return Ball on 24th. July 1956; 5 Letter detailing the Complimentary Ball +Additional Keywords: Painter, Mr C. Painter, Mrs. Hubbard, Mr. B.J.(Mayor)

Written on back of photograph, "31/4/82. Looking south down Kubis Drive from near Oban Road. Hubbard Reserve in background."

Note: From Councillor's dates of service, likely to be sometime in 1940's. In which case the councillor on the left may be Douglas Manson McAlpin, not James Kenneth McAlpin.Catalogue card reads, "Ringwood Council. L - R Cr. J.B. McAlpin, E. Purser, B. Hubbard, H.F. Pearson, A.T. Miles".

Black and White PhotographsCatalogue card reads, 'Freedom of the City. Taken when Ben Hubbard was mayor.' On Reverse of the enlarge cropped photo: "Lt. Col. E.R. Baldwin thanking Ringwood for the "Freedom".

Typed below one of the photograph, 'Unveiling Pioneer's Stone at library 1974. R. Atkins, A. Robertson, J. Wedge, J. Anderson, Hubbard'. Written on backing sheet, 'At library 26.10.74. John Wedge with hands in pockets.'

Formally Miss Sharlene Barry now Mrs Ron Drager, the great grand daughter of the girl for whom the dress was originally made in England. The wedding was in Ceylon, and later the dress travelled with the happy couple to Australia. In total the dress has been worn four times. It missed one generation and then was sent to Adelaide for the wartime wedding of Sharlene's aunt, Mrs Hubbard. It returned to Melbourne for the wedding of Sharlene's mother Mrs Barry. The elaborately rouched dress with tight bodice and slight bustle effect was altered for the 1941 wedding.Used in 1950's for fourth wedding. Dress altered from the original dress made in 1886. Lace taken from draped overskirt and remade to square neck and long sleeve. Bodice pointed front and 22 satin covered buttons on back. Satin skirt and train edged with lace. Lace and cotton overskirt stiffened and draped and caught to the left side. Brussels lace mounted on satin.costume, female ceremonial