Photo The Devil's Elbow A22 with car travelling through the bend showing hazardous section and clearly showing the flags marking one way sections of the roadPlastic Label tape visible at top of imageg.o.r: devil's elbow, chairman of gor trust, single lane on gor, 1920's

DIgital image from original b and w photo

Digital image of diary

Black and white photograph of a wooden house with verandah and water tanks to the right. Eight horse-drawn carts with milk containers (tin) stand in front. Photograph affixed to cream card. Card is mounted onto dark grey matt board with typed label below image.Front: (no inscriptions) Back: (no inscriptions)

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, PortlandPorcelain sugar bowl with stamped relief pattern. Transfer image of violets and leaves. Gold highlights. Glazed with green glaze around base, white elsewhere. Made from two-piece mould. Sugar bowl: Base: 9.5 x 6 Height: 5.3 Lid: Base: 4.5 x 3.5 Height: 4.3

From original in State Library of South Australia.Black and white photographic copy of earlier image. View of a bluestone building on a corner of an unpaved street. Building has two stories, a wrought iron balcony and front door set in the corner with framing columns and pediment. Three men stand in front, with another mounted on a horse.Back: B21766/103 (pencil, upper left). Bank/History House (typed on white label, top centre). State Library of South Australia Photographic Section Reproduction prohibited except with the permission of the copyright holder. Order No A16493 (stamp).commercial bank, portland, bluestone building, commerce

Black and white reproductive photograph of earlier image. People standing in front of Post Office building - double storey bluestone with decorative stone balcony.Front: Post Office, Portland (on photograph original). Portland Post Office Cnr Bentinck & Cliff Streets c1900 (built 1991) (typed label, lower centre). Back: B21766/98 (pencil, upper left). State Library of South Australia Photographic Section. Order No. A16493 (stamp, centre).portland post office

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint which features the 1985 Calendar in the bottom two-thirds of the work. The top third of the work presents a multi-coloured image of the interior of the Portland Sea BathsFront: (no inscriptions) Back: 8

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a landscape with several social comments. The top of the work features a Micky Mouse symbol with dollar signs in his eyes and a speech bubble which says "We'll move the Heathland". To the left is text stating "ALCOA AIMS TO MOVE THE HEATHLAND. "AGE" 5-9-80". In the centre of the work vegetation burns, aboriginal people wave and a tractor drives below the text "THEY BURNT THE HEATHLAND 4-12-80". The lower section of the work shows two men with a red megaphone. A speech bubble comes from the megaphone which states, "I UNDERSTAND YOUR ANGUISH!" To the right of the men is a wreath of native plants with two animals (native mice?).Front: 26 B. Sharrock (lower right, image) (pencil) Back: 36

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four images of houses displayed in a vertical layout. The top image is a close view of a yellow wall, white door and green foliage. The next image shows a pink house with purple and yellow details, a white picket fence and several large trees. The third image is of a yellow house with a red roof, white wire fence and trees. The bottom image shows a pink brick house with brown roof.Front: 20/22 One Farm's History, Tyrendarra. Carmel Wallace 1984 Back: 48

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of: a sheep transport boat; sheep truck; abattoir; sheep and protestors. The background is blue, green and silver, and features large silos. The text "Are we falling off the sheep's back?" is at the top of the work, as well as a simple map of the "Persian Gulf" with "Kuwait" marked.Front: RBR 28 (lower right image, printed) 30/50 (lower right) (pencil) Back: 35

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of females in various landscapes. The top half of the work features the ocean, coastline and breaking waves. Super imposed on this are images of: five seagulls; a blue portrait of a female face; and a female torso and head. In the centre of the work a female stands looking towards a house and the ocean in the distance. The lowest section of the work features the image of a female face in a blue and orange rectangle. To the left of her is a twig.Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Three indigenous women stand before trees and grass trees. The fgiure on the far left is wearing traditional clothing, and the two figures on the right wear Victorian period dresses. The background depicts abstract patterning. At the top of the print are the words "Portland is for Everyone". The bottom of the image includes the words "Thanks to the Aboriginal Cultural Centre, Heywood, and the Portland Historical Society." Background is mauve and colours include green, blue, yellow, orange and tan. Mounted in dark cream matt in an ornate gold-detailed wooden frame.Front: 41/60 (lower left) Angela Gee '83 (lower right) (pencil) Back: (no inscriptions)

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46