Showing 118 items matching "interior light"
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Ballarat Heritage ServicesPhotograph, Lisa Gervasoni, St Brigid Stained Glass Window, Crossley, 18/08/2013
... The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ...The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ..."LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish descent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he prayed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the enjoyment of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnishings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started building with a credit balance of £262 10/5 and they now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Colour photograph of a portrait of St Brigid in stained glass. The depiction of St Brigid is located at St Brigid's former Catholic Church, Crossley. The stained glass window of St. Brigid in St. Brigid's Church, Crossley, Victoria, is a significant feature of the church, which was built by the local community in 1914. The church itself is notable for its "sumptuous scale" and the community's efforts to preserve it as a cultural heritage center. The central window in the sanctuary is a "splendidly executed stained glass representation of St. Brigid". st brigid, stained glass, st brigid's crossley -
Ballarat Heritage ServicesPhotograph - Digital photographs, L.J. Gervasoni, St Brigid's Crossley - stained glass window, 2016
... The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ...The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ..."LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Digital images of the stained glass windows at St Brigid's, Crossley.victoria, crossley, st brigid's crossley, st brigid's, catholic church, catholic, church, religion, stained glass, window -
Ballarat Heritage ServicesPhotograph - Digital photographs, St Brigid's Crossley stained glass windows, last weekend June 2014
... The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ...The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ..."LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Digital images of the stained glass windows at St Brigid's Crossleyst brigid's crossley, st brigid's, catholic church, catholic, church, religion, centenary, celebrations, 100, anniversary, commemoration, stained glass, windows -
Ballarat Heritage ServicesDigital photographs, L.J. Gervasoni, St Brigid's Crossley - Christmas Carols - stained glass windows night, 12/2016
... The interior is most artistic, and would be difficult to improve upon in elegance of design, while the furnishings are most appropriate, and harmonise excellently with the general scheme of decoration. It seats 400 people and in addition there is a choir gallery with a seating capacity of 60. The church is lighted...The interior is most artistic, and would be difficult to improve upon in elegance of design, while the furnishings are most appropriate, and harmonise excellently with the general scheme of decoration. It seats 400 people and in addition there is a choir gallery with a seating capacity of 60. The church is lighted ..."NEW CROSSLEY CHURCH. BLESSING AND OPENING CEREMONY. A lasting testimony to the faithful generosity of the Catholic community at Crossley was vouchsafed on Sunday last, when the beautiful new church of St. Brigid was formally blessed and opened, in the presence of a particularly large congregation of adherents of the Roman Catholic faith, and many supporters of the doctrines of other churches. The function was further enhanced by the presence of two noted Catholics in Dr. Higgins (Bishop of Ballarat) and Dr. Mannix (Coadjutor Archbishop of Melbourne.) Upon arrival at the church the prelates were received by a guard of honor formed by the members of the H.A.C.B. Society, and were introduced to the members of the local committee. Then his Lordship the Bishop formally blessed the exterior and interior of the building. The building is handsome and commo dious, and one that should suffice for the population of the Crossley district for many years to come. Standing upon the highest point in the vicinity it occupies a commanding position and is a prominent landmark for many miles around. At first it was intended to pull down the old church and erect the new one upon the space occupied by it, but subsequently the land adjoining was purchased, and the sacred edifice built upon it. The style of architecture is a free treatment of the Romanesque. In a short space of time the grounds and walks were transformed by working bees and made to conform to the beauty of the building. The interior is most artistic, and would be difficult to improve upon in elegance of design, while the furnishings are most appropriate, and harmonise excellently with the general scheme of decoration. It seats 400 people and in addition there is a choir gallery with a seating capacity of 60. The church is lighted with leaded Cathedral glass windows, and the front presents a pleasing appearance, the entrance porch being surmounted with a semi-Gothic window. The floor is tiled throughout. The ceilings are semi-circular in form, with beautiful designs worked in fibrous plaster. The brickwork of the structure is faced with cement, and it has a slate roof. It is undoubtedly an addition to the ecclesiastical buildings of the district, and was universally admired. The architect was Mr. A. A. Fritsch, of Melbourne, and the contractors Messrs F. and E. Deague, of North Fitzroy. On the doors being thrown open for the admission of the congregation, the seating accommodation was immediately fully taxed, and the lengthy service and sermon were listened to with the greatest interest and attention. Missa Cantata was sung, the Rev. Father Phelan, Koroit, being the celebrant. The musical arrangements were in the capable hands of Mr. Renwick, of Warrnambool, while Miss Logan presided at the organ. Mrs. Dan. Ryan was the soprano soloist, and sang Gounod's Ave Maria at the offertory very sweetly and expressively. At the consecration Rossi's Tantum Ergo was sung by Messrs Crowley and Renwick; Farmer's Kyrie Gloria and Agnus Dei and Webb's Credo were rendered during mass, and while the collection was being taken additional numbers were sung. The occasional sermon was preached by the Coadjutor Archbishop (Dr. Mannix), who based his remarks upon the Gospel for the day, St. Luke V., verses I to II, dealing with the miraculous draught of fish. On His return from Galilee Christ found that the fishermen had been toiling all night, and had caught nothing. He entered one of the ships, and addressed the multitude on shore. It was a beautiful picture, and no doubt he spoke to them about the kingdom to be established on earth. When He had finished speaking He told the fishermen to launch out into the deep. Peter said " Master, we have fished all night, and have found nothing." Still, they obeyed His command, and the nets were filled almost to breaking point. Having brought their ships to land they left everything and followed Him. In that lesson they had a symbol of God's dealing with men through the church He has established on earth. Their confidence was richly rewarded, and Christ founded His church upon those twelve Apostles. At that time the world was mostly pagan, steeped in iniquity and sin. The chosen people of God worshipped with their lips, but their hearts were far from it. When Christ wanted to estab lish His church on earth, and leave an organisation to carry on the work, did He select the most intellectual, or the most rich or powerful men? Neither did the time seem propitious. He selected twelve men who from a human point of view were quite incapable of accomplishing anything. What happened when the Jews put Him to death? The chosen twelve left Him at the critical hour, and when He came to die on the cross they were not there, but hid themselves from the hate and fury of the Jews. When the Holy Ghost came down upon them and strengthened them they became courageous and went forth at the bidding of their Master to teach all nations. Their success was not confined to the first meet ing after Pentecost, at which they made 5000 converts, but continued until the whole world had been brought into the net. It was surely a consolation to them as well as to him (the preacher), that they came from a land which of all others had been faithful to the teaching of Jesus Christ. The sons and daughters of St. Patrick had taken a great part in bringing men into the meshes of the church. It was due to the nation they belonged to that the church flourished not only in Ireland, but in England, Scotland, Ame rica, and Australia. It may have seemed hard that in the providence of God so many had to leave their homes and find a home in other lands. They had emi grated to the towns of England and Scotland, and had been the means of keeping the Catholic faith living in those places. In the United States and Canada many had made a home for themselves, and were always found faithful to God and to the true church. If to-day the Irish Catholics and Catholics of Irish des cent were taken out of the English and Scotch population there would be little left of the true Church of God. Perhaps they had not the learning of other nations. Certainly they had not the wealth of other nations, and not the power of the sword, but God was with them, and the faith they took from the old land nourished in the distant places. There was a time in Aus tralia when those opposed to God and God's Church thought they could rule Providence and make Australia a Pro testant land. They had lived to see whe ther God or His enemies are the more powerful, and the names of those who tried to stamp out the Catholic religion were forgotten, or only remembered be cause of their persecution. They had lived to see the glorious success which rested upon the Catholic Church in Aus-tralia, which the Irish people had built up stone by stone. Nowhere was it held in higher esteem than in these islands, and the people would always be faithful to God and His church. It was an inspira tion to go into the glorious church opened that day. It stood for loyalty and faith fulness and was a credit and a consola tion to the Bishop and people of the diocese, to the architect, and to the priests and the honest and zealous administrator of the parish. There was hope and an inspiration in that day's celebrations, and surely the Catholic faith would sink deeper and deeper into the people as time went on, and the progress of the last fifty years would be small as compared to the progress of the future. He congratulated the Bishop and priests who had raised that temple, and the people of Crossley upon their generosity and self-sacrifice. He prayed that the blessing of God and St. Brigid would rest upon them, their children, and their children's children. He hoped that not one of those who had received the sacrament at that church would be missing when called before the Judgment Seat, and that all would be counted into the enjoyment of eternal bliss. The Rev. Father Kerin then made a statement of the position of the finances, after which a special col lection was made towards the cost of the building. A list of subscribers of £l and upwards was read, to which Bishop Higgins contributed £250, Rev. Father Kerin £20, and the Coadjutor Archbishop £5. The amount totalled £1245 10s 7d. Pre vious donations totalled £1077 3s, and His Lordship gave an additional £250. An indebtedness of £3974 had been reduced by £1245, leaving a debit balance of £2728. The cost ot the church completed was £6250. They had broken the back of the debt, and were not frightened of it. It was also announced that the beautiful Stations of the Cross, which adorn the walls, had been donated by the following: Mr and Mrs. P. Crowe, Mr. and Mrs. T. Bushell, Mr. and Mrs. P. Gorman, Miss M. Dunne, Mr. Mugavin and Miss Mugavin, Mr. and Mrs. C. Conway, Misses A. and F. Broderick, Mr. and Mrs. Michael Hennessy, Miss K. A. M'Carthy, Mr. and Mrs. Wm. Dalton, Mrs. M. J. Greene, Mrs. and Miss K. Dwyer, Mr. and Mrs. John Mugavin, and the Rev. J. J. Manning. The new Estey organ was contributed by the school children, as the result of an enter tainment. Other donors of furnishings, etc., were Mrs. Brown, senr., (Kirkstall), and Mrs. James Maloney (Killarney), and Mrs. and Miss O'Donohue. The vestments were the gifts of Mr. and Mrs. M. Foley, of Killarney. The furnishings, carpeting, etc., of the sanctuary have been carried out by the Crossley Altar Society, of which Mrs. Jno. O'Brien is president, and Miss Mary Ryan secretary. In the course of a brief address Dr. Higgins expressed his deep indebtedness to the Coadjutor Archbishop for coming amongst them at a great sacrifice to assist in the ceremonies. He heartily thanked the people for their unbounded generosity, and congratulated priests and people upon the magnificent results of their efforts. They had an able champion in Dr. Mannix, who since coming amongst them had distinguished himself by his zeal for the church in this new land. He hoped he would be spared for many years to come to use his splendid talents in the service of the church. (Koroit Sentinel and Tower Hill Advocate, Saturday 4 July 1914, page 2)Digital images of the cathedral leadlight windowns in St Brigid's catholic Church, Crossley. st brigid's crossley, st brigid's, catholic church, catholic, church, religion, celebrations, christmas, christmas carols, carols, stained glass, window -
Ballarat Heritage ServicesDigital photographs, St Brigid's Crossley - Christmas Carols, 2016, Christmas 2016
... The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ...The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ..."LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Digital images of the interior of St Brigid's, Crossley.st brigid's crossley, st brigid's, catholic church, catholic, church, religion, celebrations, christmas, christmas carols, carols, stained glass, window -
Ballarat Heritage ServicesPhotograph - Digital photographs, L.J. Gervasoni, Interior of St Brigid's Crossley, C2016
... The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ...The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ..."LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Digital images of the in..terior of St Brigid's Crossleyst brigid's crossley, st brigid's, catholic church, catholic, church, community, ceiling, stations of the cross, confessional, statues, windows -
Ballarat Heritage ServicesPhotograph - Digital photographs, L.J. Gervasoni, Interior of St Brigid's Crossley, 2018
... The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ...The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. ..."LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Digital panoramic image of the interior of St Brigid's Crossley.st brigid's crossley, st brigid's, catholic church, catholic, church, community, ceiling, stations of the cross, confessional, statues, windows -
Parks Victoria - Gabo Island LightstationTables
... interiors business in 1949, played a significant role in popularising modernist design concepts in Australia drawing his ideas from Scandinavian and American trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open-plan houses built in Australia’s new post-war suburbs. He closed the retail side of this in 1957 and concentrated on commissions, some for large-scale orders. One of these bulk orders came from the Commonwealth Government sometime between 1957 and the early 1970s, with several examples of light...interiors business in 1949, played a significant role in popularising modernist design concepts in Australia drawing his ideas from Scandinavian and American trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open-plan houses built in Australia’s new post-war suburbs. He closed the retail side of this in 1957 and concentrated on commissions, some for large-scale orders. One of these bulk orders came from the Commonwealth Government sometime between 1957 and the early 1970s, with several examples of light ...Commonwealth government issue. This nest of tables are currently in use by the lighthouse staff.The set of three tables of descending size are designed in the same distinctive style as the bookcases and share the same wood type and finish (GILS 0012.2). Information on the underside of the tables indicates they were purchased by the Commonwealth through the Department of Transport for the CLS. The design bears the stylistic marks of the easily recognisable furnishings produced by the Kalmar firm, Sydney. Steven Kalmar (1909-1989), who migrated to Australia in 1939 and opened his own interiors business in 1949, played a significant role in popularising modernist design concepts in Australia drawing his ideas from Scandinavian and American trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open-plan houses built in Australia’s new post-war suburbs. He closed the retail side of this in 1957 and concentrated on commissions, some for large-scale orders. One of these bulk orders came from the Commonwealth Government sometime between 1957 and the early 1970s, with several examples of light, compact and functional domestic furnishings supplied to lightstations in Victoria. Because the order was placed by the CLS, it is possible that Kalmar furnishings were also provided to lightstations in other states. Additional examples at Gabo Island include three bedside tables (GILS 0042.2 & 0076.10), chest of drawers (GILS 0077) and two bookcases (GILS 0012.2), with the backs of at least two of the furnishings bearing the Kalmar label. Kalmar furnishings in the other Victorian lightstations investigated by this study include bookcases at Cape Otway, Cape Nelson (3 examples) and Point Hicks (2 examples); two bedside tables at Cape Otway, and a long coffee table at Wilsons Promontory. The set of tables has first level contributory significance for their clear provenance, completeness and association with Steven Kalmar whose functional designs introduced modern, low cost furnishings to a number of Australia’s lightstations.Nest of three Scandinavian style tables, solid wood. Curved U shaped legs, one bar at base of table.Underside of GILS007.3:"C of A / D.O.T 1444248" (Commonwealth of Australia, Department of Transport.) •All tables have "16" on underside. -
Parks Victoria - Point Hicks LightstationBookcase (2)
... light, compact and functional items in bulk from émigré designer, Steven Kalmar (1909-1989), who played a significant role in popularising modernist design concepts in Australia and drew his ideas from Scandinavian and American design trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open-plan houses being built in Australia’s new post-war suburbs. It is not known whether the bookcases bear the Kalmar label, but the design, particularly the legs and bar bracing, is a signature style of his Sydney-based firm, Kalmar Interiors...The bookcases have first level contributory significance for their provenance and historic value as examples of the modernist furnishings that the Sydney-based firm, Kalmar Interiors supplied to the Commonwealth Lighthouse Service in the post-war years. Two bookcases in the Scandinavian style. Each have 3 internal shelves and four legs, light coloured wood. ...The two identical bookcases probably date to the 1960s-70s period and retain their original light wood finish. They contain two adjustable shelves as well as the base shelf and stand on four legs braced by a stretcher extending across the front and around the sides. The bracing and the angled slightly curved front legs, which do not align with corners of the cabinet, produce the appearance of a box resting on a separate frame. These modern style bookshelves are examples of the low-cost furnishings that the Commonwealth Lighthouse Service (CLS) introduced to Australian lightstations in the post-war years. Most notably, it commissioned a number of light, compact and functional items in bulk from émigré designer, Steven Kalmar (1909-1989), who played a significant role in popularising modernist design concepts in Australia and drew his ideas from Scandinavian and American design trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open-plan houses being built in Australia’s new post-war suburbs. It is not known whether the bookcases bear the Kalmar label, but the design, particularly the legs and bar bracing, is a signature style of his Sydney-based firm, Kalmar Interiors. The CLS supplied the same bookshelves to a number of other lightstations, including Cape Nelson (3 examples), Cape Otway and Gabo Island (2 examples), as well as other types of furnishings such as tables and nests of coffee tables, cabinets, drawers, bedside tables. The Point Hicks bookcases original function was more likely office-related rather than domestic. The bookcases have first level contributory significance for their provenance and historic value as examples of the modernist furnishings that the Sydney-based firm, Kalmar Interiors supplied to the Commonwealth Lighthouse Service in the post-war years.Two bookcases in the Scandinavian style. Each have 3 internal shelves and four legs, light coloured wood. -
Canterbury History GroupEphemera - The Canterbury Mansions Apartments, [1995]
... Includes a coloured photograph of the exterior of the building an interior view of the staircase, a lead light window, and a black and white drawing of the building on the back....Includes a coloured photograph of the exterior of the building an interior view of the staircase, a lead light window, and a black and white drawing of the building on the back. ...Real estate brochure for the sale of a limited number of recently restored 2 bedroom apartments in Canterbury Mansions c.1889. Includes a coloured photograph of the exterior of the building an interior view of the staircase, a lead light window, and a black and white drawing of the building on the back.canterbury, canterbury road, maling road, wattle valley road, canterbury mansions, malones hotel, italianate style, stairs, lead lights, flats -
8th/13th Victorian Mounted Rifles Regimental CollectionPhotograph
... Light Horse Simpson Barracks McLeod melbourne In 1965, 8th/13th Victorian Mounted Rifles held a sustained Recruiting Drive. It was the responsibility of individual CMF units to do their own recruiting and training. Collection of photographs showing an armoured regiment of the Citizen Forces in the 1960s as it transitioned from wheeled armoured vehicles to tanks to M113 armoured personal carriers. " Regimental Recruiting Office, Commercial Club Building 1965." Black and white photograph of Shopfront set up as temporary Recruiting Office for 8th/13th Victorian Mounted Rifles. Mannequin and photographs visible in interior ...In 1965, 8th/13th Victorian Mounted Rifles held a sustained Recruiting Drive. It was the responsibility of individual CMF units to do their own recruiting and training.Collection of photographs showing an armoured regiment of the Citizen Forces in the 1960s as it transitioned from wheeled armoured vehicles to tanks to M113 armoured personal carriers.Black and white photograph of Shopfront set up as temporary Recruiting Office for 8th/13th Victorian Mounted Rifles. Mannequin and photographs visible in interior of building." Regimental Recruiting Office, Commercial Club Building 1965." -
Kew Historical Society IncPhotograph - Kew Recreation Hall, Wellington Street, c.1950
... The triple window would have been a major source of light for the interior. It appears to have an upper balcony in front of the window. ...The triple window would have been a major source of light for the interior. It appears to have an upper balcony in front of the window. ...The Kew Recreation Hall was opened in 1880. For eighty years it was a major venue for concerts, performances, dances and civic events. It was demolished in 1960.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Front view, from Wellington Street, of the former Kew Recreation Hall. The 1880 weatherboard building has a long covered entrance leading to the gabled facade. A smaller gabled room protrudes from one side of the facade. At this stage, the decorative features: gables, brackets, finials, etc were still preserved. The triple window would have been a major source of light for the interior. It appears to have an upper balcony in front of the window. Annotation verso: "28. Kew Recreation Hall prior to demolition. Built about 1880."dorothy rogers, kew recreation hall, buildings -- wellington street (kew) -
Kew Historical Society IncPhotograph - Kew Recreation Hall, Wellington Street, c.1950
... The triple window would have been a major source of light for the interior. It appears to have an upper balcony in front of the window. ...The triple window would have been a major source of light for the interior. It appears to have an upper balcony in front of the window. ...The Kew Recreation Hall was opened in 1880. For eighty years it was a major venue for concerts, performances, dances and civic events. It was demolished in 1960.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Oblique view, from Wellington Street, of the former Kew Recreation Hall. The 1880 weatherboard building has a long covered entrance leading to the gabled facade. A smaller gabled room protrudes from one side of the facade. At this stage, the decorative features: gables, brackets, finials, etc were still preserved. The triple window would have been a major source of light for the interior. It appears to have an upper balcony in front of the window. Annotation verso: "Kew Recreation Hall. Built ca. 1880 (Photo prior to demolition in 1960".dorothy rogers, kew recreation hall, buildings -- wellington street (kew) -
Melbourne Tram MuseumMemorabilia - "Canberra Tradesmen's Union Club", Canberra Tradesmen's Union Club, Membership ticket, c2010
... interior of the "Canberra Tradesmen's Union Club" which had a collection of trams from Brisbane, Sydney, and Melbourne in their premises. Special membership card or Ticket - with W2 447 on one side advertising the club and an MMTB 1d ticket on the other,. Demonstrates some of the items of a tramway nature from the Canberra Tradesmen's Club Canberra Tradesmen Club Canberra Hotels Preserved Trams W2 class tram 447 Blue light ...W2 447 was one of the trams featured in the interior of the "Canberra Tradesmen's Union Club" which had a collection of trams from Brisbane, Sydney, and Melbourne in their premises. Special membership card or Ticket - with W2 447 on one side advertising the club and an MMTB 1d ticket on the other,. Demonstrates some of the items of a tramway nature from the Canberra Tradesmen's ClubBlue light weight card printed as a "Special Member" cardcanberra tradesmen club, canberra, hotels, preserved trams, w2 class, tram 447 -
Melbourne Tram MuseumLeisure object - Model tram and presentation case, Cooee Concepts Pty Ltd, Model of Melbourne City Circle tram No. 812, 2001
... Made from plastic with trolley poles from metal (trolley poles can be moved) light brown roof, green and yellow sides, black No. 15 trucks, advertising the Army and Haig Scotch Whiskey. The box sides provides details of the tram, scale and a photo of a tram with Luna Park in the background and interior view of a tram....Made from plastic with trolley poles from metal (trolley poles can be moved) light brown roof, green and yellow sides, black No. 15 trucks, advertising the Army and Haig Scotch Whiskey. The box sides provides details of the tram, scale and a photo of a tram with Luna Park in the background and interior view of a tram. ...Model of Melbourne City Circle tram No. 812 in a presentation cardboard box, made by Cooee Concepts Pty Ltd in China. Tram secured into the card box by two screws just behind the life guard. Made from plastic with trolley poles from metal (trolley poles can be moved) light brown roof, green and yellow sides, black No. 15 trucks, advertising the Army and Haig Scotch Whiskey. The box sides provides details of the tram, scale and a photo of a tram with Luna Park in the background and interior view of a tram.trams, tramways, models, city circle, cooee models, sw5 class, tram 812 -
Melbourne Tram MuseumPamphlet, Australian Bureau of Statistics, "Victoria at a Glance - 1990", 1990
... Pamphlet - four fold full colour document on light card titled "Victoria at a Glance - 1990" with the interior view of a W6? ...Melbourne Tram Museum 8 Wallen Road Hawthorn melbourne Trams tramways Victoria Statistics Cable Trams W6 class Pamphlet - four fold full colour document on light card titled "Victoria at a Glance - 1990" with the interior view of a W6? ...Pamphlet - four fold full colour document on light card titled "Victoria at a Glance - 1990" with the interior view of a W6? tramcar and a photo of Alf Twentyman's cable tram set on the rear cover. Documents gives statistics for Victoria of the years 1979, 1988 and 1989. Produced by the Australian Bureau of Statistics. Photo of the W interior Brian Gilkes with acknowledgement to the National Trust. Photo of the cable tram set supplied by Robert Green. Two copies held.trams, tramways, victoria, statistics, cable trams, w6 class -
Melbourne Tram MuseumPhotograph - Illustration/s, Melbourne & Metropolitan Tramways Board (MMTB), "New Central Entrance bogie car Exterior View", "New Bogie car - interior view", 1921
... Illustration - set of two photos that have been glued to a sheet of lined paper. .1 - Top illustration - of L 105, letter M&MTB, route Number 2 - titled "New Central Entrance bogie car Exterior View" .2 - Lower illustration of the interior of the tram - showing bellcords, doors, 3 + 2 seating, seat panels, strap hangers, light fittings, wood panelling, windows, MMTB logos and window lifters - titled "New Bogie car - interior view". ...Melbourne Tram Museum 8 Wallen Road Hawthorn melbourne Trams tramways MMTB New Trams L class Interiors Fittings tram L 105 Illustration - set of two photos that have been glued to a sheet of lined paper. .1 - Top illustration - of L 105, letter M&MTB, route Number 2 - titled "New Central Entrance bogie car Exterior View" .2 - Lower illustration of the interior of the tram - showing bellcords, doors, 3 + 2 seating, seat panels, strap hangers, light fittings, wood panelling, windows, MMTB logos and window lifters - titled "New Bogie car - interior view". ...Illustration - set of two photos that have been glued to a sheet of lined paper. .1 - Top illustration - of L 105, letter M&MTB, route Number 2 - titled "New Central Entrance bogie car Exterior View" .2 - Lower illustration of the interior of the tram - showing bellcords, doors, 3 + 2 seating, seat panels, strap hangers, light fittings, wood panelling, windows, MMTB logos and window lifters - titled "New Bogie car - interior view". Source of the images unknown. See Reg Item 3558 for another print within an album and 7415 for a photo of one of the saloons. trams, tramways, mmtb, new trams, l class, interiors, fittings, tram l 105 -
Melbourne Tram MuseumPhotograph, Sutcliffe Pty Ltd, "M&MTB Interior W2-329", c1930
... interior of W2 329 at Glenhuntly Depot about 1930. Print and photograph by Sutcliffe of 366 Bourke St. Shows the saloon with upholstered seats and shaded light fittings. ...interior of W2 329 at Glenhuntly Depot about 1930. Print and photograph by Sutcliffe of 366 Bourke St. Shows the saloon with upholstered seats and shaded light fittings. ...Photograph of the interior of W2 329 at Glenhuntly Depot about 1930. Print and photograph by Sutcliffe of 366 Bourke St. Shows the saloon with upholstered seats and shaded light fittings. Tram fitted with interior advertisements, including one for a shop in Toorak Road, Toorak and Lustora. There are two notices on the windows about the Essendon Line tram services and promoting the MMTB Tourist bus. Yields information about the interior of tram 329.Photograph, Black and White, print. Two copies held.In ink on the rear: "M&MTB Interior W2-329, with upholstered saloon seats and shaded interior lighting. About 1930" and the photographer's stamp. KSK print number SA942.trams, tramways, w2 class, interiors, tram 329, advertisements, essendon, mmtb buses, mmtb, glenhuntly depot -
City of KingstonPhotograph - Black and white, c.1973
... interior showing several bookshelves full of books. There is a curtain hanging from the ceiling to the rear of the photograph in front of large windows which are letting in light. ...interior showing several bookshelves full of books. There is a curtain hanging from the ceiling to the rear of the photograph in front of large windows which are letting in light. ...This photograph shows the interior of a library Black and white photograph of a library interior showing several bookshelves full of books. There is a curtain hanging from the ceiling to the rear of the photograph in front of large windows which are letting in light. A small sign to the left of centre reads 'TEENS CORNER'library, libraries -
Friends of WestgarthtownDomestic object - Lamp, paraffin
... lighting kerosene & oil light lamp paraffin oil birds glass. "An Qing China" is imprinted on interior of base along with an "A" in a circle. ...Paraffin lamp with clear glass oil reservoir and stand. Oil reservoir is spherical in shape and has a bird pattern embossed while stand has a fluted base with decorative rivets and turns. On top of oil reservoir is a brass wick holder. It seems to be missing the chimney."An Qing China" is imprinted on interior of base along with an "A" in a circle. Chinese characters/letters are also imprinted on base interior and can be translated to the same as the English.lighting, kerosene & oil, light, lamp, paraffin, oil, birds, glass. -
Bendigo Historical Society Inc.Photograph - EDITH LUNN COLLECTION: FOUR INTERIORS OF THE BENDIGO COURT HOUSE SEPT 1997, Sept 1997
... Four interiors of the Bendigo Court House, dated Sept 1997 12A View showing court room ceiling with elaborate lighting and ceiling leadlight windows. 12B entrance detail of lead light door and surround. 12C Interior of the court room. 12D Front of the court room where the judge would be seated....Court House Bendigo Edith Lunn Four interiors of the Bendigo Court House, dated Sept 1997 12A View showing court room ceiling with elaborate lighting and ceiling leadlight windows. 12B entrance detail of lead light door and surround. 12C Interior of the court room. 12D Front of the court room where the judge would be seated. ...Four interiors of the Bendigo Court House, dated Sept 1997 12A View showing court room ceiling with elaborate lighting and ceiling leadlight windows. 12B entrance detail of lead light door and surround. 12C Interior of the court room. 12D Front of the court room where the judge would be seated.Edith Lunncourt house, bendigo -
Bendigo Military MuseumUniform - CORPS OF COMMISSIONAIRES, Fletcher Jones, Unknown
... light blue colour polyester/cotton fabric. Collar, shoulder epaulettes with cloth slides with the words in white thread on black fabric "CORPS OF COMMISSIONAIRES". Long sleeves with cuffs and cloth badges at top (description as per jacket 75 mm round cloth badge). Two front patch pockets with button down flap. All buttons clear plastic. Two manufacturers labels - below collar, right side seams. 4. Peak cap. White crown, plastic, black webbing band, thin black plastic strap, black plastic peak, metal badge insignia - Queen's Crown, Star, lettering - "CORPS OF COMMISSIONAIRES" and symbols - Eagle, Anchor and a Rifle. Manufacturer's label interior...light blue colour polyester/cotton fabric. Collar, shoulder epaulettes with cloth slides with the words in white thread on black fabric "CORPS OF COMMISSIONAIRES". Long sleeves with cuffs and cloth badges at top (description as per jacket 75 mm round cloth badge). Two front patch pockets with button down flap. All buttons clear plastic. Two manufacturers labels - below collar, right side seams. 4. Peak cap. White crown, plastic, black webbing band, thin black plastic strap, black plastic peak, metal badge insignia - Queen's Crown, Star, lettering - "CORPS OF COMMISSIONAIRES" and symbols - Eagle, Anchor and a Rifle. Manufacturer's label interior ...Uniform belonged to "Graeme Wilson". "The Corps of Commissionaires is a not-for-profit/ organisation for uniform service personnel who have/ served with loyalty, integrity and commitment to/ duty and who continue to apply these same qualities/ in positions of trust in the commercial world"1. Jacket - black colour wool/polyester fabric, with collar, four front pockets - top patch pockets with button down flap, lower inset with button down flap. Front, 4 buttonholes with 4 silver colour plastic buttons with shank and metal pins. All eight buttons have moulded emblem - letters - CCV. Top of each sleeve is a cloth badge with words "CORPS OF COMMISSIONAIRES". Below - 75 mm round cloth badge, embroidered yellow, white, blue, red and within the 'Star' is a blue ring with the words "SERVICE - LOYALTY - INTEGRITY", surrounding 3 symbols - Eagle, Anchor and a Rifle. Lining - dark blue polyester fabric. Two internal inset pockets. Two manufacturer's labels - on lining right side. 2. Trousers, dark blue colour wool/polyester fabric. Waistband, belt loops, two nset side pockets, one inset back pocket with button closer. Plastic zipper fly with metal hook and loop at waist. Lining - beige colour polyester/cotton fabric to waistband and pockets. Three manufacturer's labels on waistband lining. 3. Shirt, light blue colour polyester/cotton fabric. Collar, shoulder epaulettes with cloth slides with the words in white thread on black fabric "CORPS OF COMMISSIONAIRES". Long sleeves with cuffs and cloth badges at top (description as per jacket 75 mm round cloth badge). Two front patch pockets with button down flap. All buttons clear plastic. Two manufacturers labels - below collar, right side seams. 4. Peak cap. White crown, plastic, black webbing band, thin black plastic strap, black plastic peak, metal badge insignia - Queen's Crown, Star, lettering - "CORPS OF COMMISSIONAIRES" and symbols - Eagle, Anchor and a Rifle. Manufacturer's label interior crown. Manufacturer's labels - white embroidery on black fabric. 1. "Fletcher Jones/ FLETCHER JONES/ AUSTRALIA'S FINEST CLOTHING" 2nd label "70% NEW WOOL/ 30% POLYESTER". 2. "FLETCHER JONES/ AUSTRALIA", 2nd label 55% Polyester/ 45% WOOL", 3rd label - laundry instructions. 3. "SIZE M (18) 39cm/ FAIRMARK/ AUSTRALIAN MADE" Side seam label - laundry instructions. 4. "MELBOURNE/ EMERCO/ REG. TRADEMARK/ THIS IS YOUR GUARANTEE FOR QUALITY/ MADE IN AUSTRALIA" "SIZE/ 6 7/8 /55" 5. & 6. Cloth badges, pair, with words "Corps of Commissionaires"uniform, corps of commissionaires, graeme wilson -
Parks Victoria - Cape Nelson LightstationFurniture - Bookcase
... light, compact and functional items in bulk from émigré designer, Steven Kalmar (1909‐ 1989), who played a significant role in popularising modernist design concepts in Australia and drew his ideas from Scandinavian and American design trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open‐plan houses being built in Australia’s new post‐war suburbs. It is not known whether the bookcases bear the Kalmar label, but the design, particularly the legs and bar bracing, is a signature style that is associated with his Sydney‐based firm, Kalmar Interiors...light, compact and functional items in bulk from émigré designer, Steven Kalmar (1909‐ 1989), who played a significant role in popularising modernist design concepts in Australia and drew his ideas from Scandinavian and American design trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open‐plan houses being built in Australia’s new post‐war suburbs. It is not known whether the bookcases bear the Kalmar label, but the design, particularly the legs and bar bracing, is a signature style that is associated with his Sydney‐based firm, Kalmar Interiors ...Their polished wood finish appears to be original to their date of manufacture during the 1960s‐70s. They were located in the head keeper’s and assistant keepers’ quarters, where their use for office purposes also may have crossed over to a domestic function. In the post‐war years the Commonwealth Lighthouse Service (CLS) introduced modern, low‐cost furnishings to lightstations. Most notably, it commissioned a number of light, compact and functional items in bulk from émigré designer, Steven Kalmar (1909‐ 1989), who played a significant role in popularising modernist design concepts in Australia and drew his ideas from Scandinavian and American design trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open‐plan houses being built in Australia’s new post‐war suburbs. It is not known whether the bookcases bear the Kalmar label, but the design, particularly the legs and bar bracing, is a signature style that is associated with his Sydney‐based firm, Kalmar Interiors. The CLS supplied the same bookshelves to a number of other lightstations, including Point Hicks, Cape Otway and Gabo Island, as well as other types of furnishings such as tables and cabinets. The bookcases have first level contributory significance as examples of the modernist furnishings that the Sydney‐based firm, Kalmar Interiors supplied to the Commonwealth Lighthouse Service in the post‐war years.The bookcases stand at about bench level and are almost square in dimension. They have two adjustable shelves as well as the base shelf and stand on legs supported by a single stretcher with a polished wood finish. -
Trafalgar Holden MuseumVehicle - GTR XU1 LJ Torana
... Wire light protectors. Leather interior. Spoiler on boot...Wire light protectors. Leather interior. Spoiler on boot Vehicle GTR XU1 LJ Torana ...Year of manufacture 1972-1973. 1667 were built. Cost $3,165Manufactured and sold by GMHPurple body with side air vents. Wire light protectors. Leather interior. Spoiler on bootHSV badge middle of grille. GTR XU-1 markings on both front side panels and rear right side of boottorana, holden, vehicle -
Warrnambool and District Historical Society Inc.Functional object - Glass Fly Trap
... light bug zappers. This one is complete but for a stopper for the hole in the top. While this item would have been a common household object, it remains an item of interest for its clever design. It will prove a useful object in our local What IS IT?" box thus providing excellent interpretive value. glass fly trap. warrnambool This item is circular blown glass standing on three glass legs. The top is open with a small circular opening and a larger one which leads to the interior ...Glass fly traps have been used for many years. While they would have been blown by hand originally, they were later mass produced. They worked by placing a sticky substance in the reservoir which would attract insects via the opening at the base. They would have become obsolete with other methods such as sticky tapes which hung from ceilings, spray insecticides, and electric blue light bug zappers. This one is complete but for a stopper for the hole in the top. While this item would have been a common household object, it remains an item of interest for its clever design. It will prove a useful object in our local What IS IT?" box thus providing excellent interpretive value.This item is circular blown glass standing on three glass legs. The top is open with a small circular opening and a larger one which leads to the interior of the container. There is a stopper missing from the top.glass fly trap., warrnambool -
Melbourne Tram MuseumPhotograph - Interior of VR tram 52, 53 or 54, 1946 -1959
... interior of either VR tram 52, 53 or 54. The note on the rear of the photograph referencing tram 41 is incorrect. This photograph was taken from one end of the drop-centre looking through drop-centre to the other saloon. In the foreground the tops of the timber traverse seating can be seen along with the lined ceiling, curved light...interior of either VR tram 52, 53 or 54. The note on the rear of the photograph referencing tram 41 is incorrect. This photograph was taken from one end of the drop-centre looking through drop-centre to the other saloon. In the foreground the tops of the timber traverse seating can be seen along with the lined ceiling, curved light ...The photograph shows the interior of either VR tram 52, 53 or 54. The note on the rear of the photograph referencing tram 41 is incorrect. This photograph was taken from one end of the drop-centre looking through drop-centre to the other saloon. In the foreground the tops of the timber traverse seating can be seen along with the lined ceiling, curved light shades, strap handles for standing passengers and open sliding doors. In the saloon longitudinal upholstered seating can be seen that was a feature of these cars between 1946 and 1959. The rear of the driver's compartment door and clear glass either side of it can also be seen.Yields information about VR trams 52, 53 and 54 interior layoutBlack and white photograph with notes on the rear.In pencil on the rear "Interior of Tram No 41 [sic] Built during 1939-45 war. RS 875""vr tram, saloon, drop-centre, slatted floor, longitudinal seats, traverse seats, tram 51, tram 52, tram 53 -
Melbourne Tram MuseumPamphlet, The Met, "Light Rail Articulated Vehicles", c1995
... Pamphlet - 2 fold - titled "Light Rail Articulated Vehicles", featuring B2 2112 outside Luna Park St Kilda. Gives details of the tram, builder (ABB Transportation), The Met, specifications, including speed and an interior photo. ...Melbourne Tram Museum 8 Wallen Road Hawthorn melbourne Trams tramways B class PTC The Met St Kilda Luna Park ABB Transportation tram 2112 Pamphlet - 2 fold - titled "Light Rail Articulated Vehicles", featuring B2 2112 outside Luna Park St Kilda. Gives details of the tram, builder (ABB Transportation), The Met, specifications, including speed and an interior photo. ...Pamphlet - 2 fold - titled "Light Rail Articulated Vehicles", featuring B2 2112 outside Luna Park St Kilda. Gives details of the tram, builder (ABB Transportation), The Met, specifications, including speed and an interior photo. Published by the PTC and The Mettrams, tramways, b class, ptc, the met, st kilda, luna park, abb transportation, tram 2112 -
Musculoskeletal Health Australia (now held by the Glen Eira Historical Society)Photograph - Group photo, Ben Baxter, 27/05/1978
... light blue ink] RAAV Page 1 TV Star Reg Gorman [handwritten in pencil] 1978 May 26th model Ina Roberts R.A.A.V.'s Vice president Elva Renfrew [handwritten in blue ink on a MOVE branded sticky note] RAAV News Vol. 9 1978 Fashion Parade B&W medium close-up photo of three people posing for a photo inside a hall. Behind them, the brickwork of the building is visible on the interior ...On Friday the 26th and Saturday the 27th of May, 1978, an art and craft exhibition was held as a fundraising event in support of the Rheumatism and Arthritis Association of Victoria (RAAV). Titled, "Living with Arthritis - Aids to Daily Living", the exhibition was held at St Andrew's Parish Hall in Brighton. A second "Living with Arthritis" exhibition was held two months later in Footscray. Henceforth, the respective events were commonly referred to as "the Brighton exhibition" and "the Footscray exhibition". A fashion parade and panel discussion were also held as part of the two-day event. On the Saturday, the fashion parade was hosted by special guest MC, Australian actor, Reg Gorman. Reg co-compered the fashion parade with RAAV member, Joan Watson. In this photo, Reg Gorman, Ina Roberts, and RAAV Vice President, Elva Renfrew, pose for a photo during the event. This photo appears on the cover (page 1) of R.A.A.V.'s News Review, Vol 9, July 1978. It is captioned: "T.V. Star Reg. Gorman (Jack, of "The Sullivans") with Model, Ina Roberts, and R.A.A.V.'s Vic-President Elva Renfrew. Photo. Ben Baxter." The photo accompanies an article titled, "BRIGHTON EXHIBITION SUCCESS", with the sub-title "TV STAR HELPS RAAV".B&W medium close-up photo of three people posing for a photo inside a hall. Behind them, the brickwork of the building is visible on the interior walls. The silouhette of a tall potted plant is visible in front of one of the walls.[handwritten in light blue ink] RAAV Page 1 TV Star Reg Gorman [handwritten in pencil] 1978 May 26th model Ina Roberts R.A.A.V.'s Vice president Elva Renfrew [handwritten in blue ink on a MOVE branded sticky note] RAAV News Vol. 9 1978 Fashion Paraderheumatism and arthritis association of victoria, raav, living with arthritis, aids to daily living, art and craft, exhibition, fundraising, fashion parade, reg gorman, ina roberts, elva renfrew, news review, 1978
