duncan album, mrs mceachern

Grave of John Scotland (died 21/11/1888), Mary Colquhoun(died 15/02/1902), Catherine Sievwright (died 10/01/1910) and Janet Scotland (died 21/07/1924) in Plot# M8/M9 Greensborough Cemetery. Headstone has been restored.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.john scotland, mary colquhoun, catherine sievwright, janet scotland, greensborough cemetery

This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and usage inquiries.ballarat, early, 1885, lake, boat, leckie

Outlines the duties and responsibilities of staff at Preston Technical College in 1971.A snapshot of staff duties in 1971.Photocopied booklet. 14 pages printed on one side only. Staples on left side.preston technical college, ptc, handbooks, staff, nmit

This second impression of 'The Wreck of the "Falls of Halladale" was produced after the events of November 2008 commemorating the centenary of the loss of the ship.Lifelong resident's diary 1908-1911.A4 bound photocopy of bookletfalls of halladale-shipwreck, shipwreck coast, peterborough 3270, jessie scott macgillivray, peterborough shipwrecks

heidelberg theatre company inc., 2014, 400

"This book begins with some ancestral research, going on to detail the my mother's birth and family life in England 1913-1922. From 1922-2005 the book highlights her life in Victoria - Trawalla, Richmond, WIlliamstown and Daylesford. Christine Yvonne Boudrie-Allen is listed on the Shilling Wall. It presents much social history and could be useful for research in addition to enjoyment." Christine Allen 2012Green cover with a sepia tones photograph. 162 pages. black and white images throughout. one loose page detailing publishing details. books, biographies

stawell immigration

Donated by Jessie Smith (nee Small)Photograph of group of children with woman in background. Willow trees and foliage in background. A part of the Small family of Shetland Heights Homestead. Jessie & Marian wearing bonnets. Zilphe in background holding either Jessie or Marian.picnic group, phillip island, jessie smith, group of children, small family, zilphe small, jessie small, marian small

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1995oil on canvas

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1998oil on board

This work forms a pair with Untitled #4 (fox bones – pattern) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series. This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an orderly fashion according to size and shape / Beige/neutral in colour / Blonde timber frame.No signatures / no personal markings / no framers identified. digital print / fox / bones / ordered / photograph / laughing waters / birrarung / imam / death

This work forms a pair with Untitled #3 (fox bones – ordered) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series.This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - A digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an outward circular pattern. Beige/neutral in colour / Blonde timber frame. No signatures / no personal markings / no framers identified.digital print / fox / bones / pattern / photograph / laughing waters / birrarung / imam / death

Imam is represented in the Nillumbik Shire Art Collection and was the winner of the 2015 Nillumbik Prize for her work "Diagram of sentiment #1" (judged by Linden New Art Director Melinda Martin). She was also a finalist in the Nillumbik Prize 2016, 2015, 2013 and 2010. Imam completed a residency at Laughing Waters in 2011. Imam works within photography, the moving image and installation to create works centred on themes of embodiment and the female perspective. In this work she participates in a dialogue between her body and the Finnish Archipelagos in order to develop a relationship with the islands as both a place and an organic body [of land] where flux and change occurs. Photograph of the artist immersed from the waist down in green moss (landscape).N/Afinnish, archipelago, inkjet, print, photographic, body, island, moss

Drypoint etchingTitled, edition 1/25, signed and dated 1923 under printed imagefactory, industrial, etching, architectural

This work depicts the coast at Black Rock. Figures in early 20th century outfits are dotted on the oxide rocky outcrops in the foreground and beyond the water the hazy Red Bluff cliff dominates the coast.Impressionismoil on canvasbeach, coast, figures, jessie traill, red bluff, bayside, black rock, bathers, port phillip bay, bay, water