Photograph of John Stevenson who was President of Melbourne Legacy in 1993. They are professional photos taken for use in publications during his term as president. Also some passport size photos of him. Included is an article from The Answer that he wrote when he was leaving office and handing over to George Woodward.A record of the past presidents of Melbourne Legacy.Black and white photo of President John Stevenson and passport photos.Handwritten "John Stevenson Pres. 1993 / A22" in blue pen.past presidents, portrait

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture landscape with water painting "signed: John Burrack '84 (lower left) verso: Afternoon Lake Goldsmith John Burrack Mernda '84"

ENIMATIC LAND OF BIRDS THAT SING FLOWERS FROMS SEEDS THAT SPRING OF REPTILES AND FISHES CREATURES FROM THE BEGINNING SUN AND MAN AND SCIENCE THE SYMBOLS THAT SILENTLY BUILD AND CHANGE IN COOL AND WARM YOU ARE THERE AND HERE OF YESTERDAY NOW THE SPLITTING EARTH MURAL BY JOHN GILBERT 1973John GILBERT (1935- ) Born Albury, New South Wales John Gilbert worked as a teacher while completing a Certificate of Art at the Technical College in Marlborough, before moving to Ballarat in 1958. He studied at the Ballarat Technical Art School, a division of the Ballarat School of Mines (1960-1961) receiving a Diploma of Art; and Croydon College of Art, London. Gilbert was a Senior Lecturer at the Ballarat Institute of Advanced Education (now Federation University) Art Department until his retirement in the late 1970s. In John Gilbert's Mount Helen studio he produced work marked with an incised 'Gilbert'. He had acquired a concern for form and an interest in sculpture from his teacher Neville Bunning, and from the British potter Hans Coper, whom he visited in 1968. He established two potteries in Ballarat , the Edinburgh Pottery (1972-2005) located within the Sovereign Hill precinct, and the Old Ballarat Pottery (1973-1994) located in the Old Ballarat Village opposite Sovereign Hill. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large ceramic mural by John Gilbert commissioned for the wall of the E.J. Barker Library. The mural features brown and green glaze with features of indigo. The work has no particular pictorial representation. It is an arrangement of colour and form, designed for enjoyment rather than to analyse. The theme relates to the development of the Universe through basic symbols such as plant forms, fish, birds and to mans development through symbols of science and engineering. The outer edge is symbolic of earths crust being peeled away to reveal science and nature. The mural depicts the changing of seasons from Winter to Summer (left to right). The mural was completed at John Gilbert's Slate Gallery studio, Mount Helen, and took eight months to make.gilbert, artwork, john gilbert, art, ballarat school of mines, mural, ballarat institute of advanced education, ballarat pottery, ceramics, old ballarat pottery, edinburgh pottery

Ballarat School of Mines lecturer, John Wall, prepared this book for the Astronomy class of the Ballarat School of Mines12 page printed booklet with additional charts. Front cover "Eustace H. Coltman Ballarat'ballarat school of mines, astronomy, john wall, eustace coltman, solar system

John Ward was a Senior Journalist with Church and Nation. Educated at Scotch College he joined the Sun News Pictorial as a cadet and graduated to senior rounds work. After ten years he joined industry as a public relations practitioner and advertising photographer eventually moving to freelance marketing consultancy. He holds an Associate Fellowship with the Australian Institute of Marketing.B & W head and shoulders photograph of John Ward "John Ward C&N 22/7/1987 page 3."ward, john

John Moule and John Cook sit in the CEO's office, looking at the 1992 business plan.3 coloured photograph of John Moule and John Cookjohn moule, john cook, association for the blind

Monograph on Captain James Cook written by Neil S Smith.16 page typed and reproduced monograph on Capn James Cook, written by Neil S. Smith. The monograph has stapled brown paper covers with photographs attached. Inside cover (handwritten): "Kew Historical Society / a token of appreciation for a / pleasant vistit. / Neil S. Smith"captain james cook, british navigators

Book - 60 pages, including card covers, heavy paper, perfect bound, full colour on gloss paper, titled "Melbourne's Colourful Trams - illuminated advertising trams in the streetscapes of Melbourne - A photographic Profile from the 1970's". Prepared by David Clark, edited by John Sargent, published 2008 by Train Hobby Publications. Covers the history of Melbourne's decorated or illuminated advertising trams from the MMTB Christmas tram W7 1024 in 1970 and W6 900 through to August 1973 with one November 1977 photo. Includes photos of the Freight Tram 17 (V214, NMETL 13). See Reg Item 4264 for another similar book.trams, tramways, melbourne, tramways, history, advertising trams, decorated trams, freight tram

S & G Dairymaster Milk UrnHistoric - Farming - S & G Dairymaster Milk UrnMetal Milk UrnS & G Dairymaster s & g dairymaster milk urn, puffing billy, milk urn, milk can

This card identifies one of our serviceman who served in WW2 JOHN AUSTIN was a member of the RSLPlastic Plague for John Austin400363 John Austin 608 SQN. RAF-2&13 SQN. RAAF. WW2 DIED 9 NOV 1943. Service colour bar "LEST WE FORGET"austin, identification card

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed black and white lithograph of a male and female circus performer. Lower edge " 60/200 John Brack"art, artwork, john brack, printmaking, circus, edition, lithograph, available

John E. Blacker was a Methodist and then Uniting Church miinister - placements at Dandenong (Lilydale), Kilmore & Broadford, Kerang-Barham, Sunshine, and Moonee Ponds. In the early 1980s he led a charismatic renewal program at Sunshine and Moonee Ponds, and was involved with a controversy over re-baptisms. At a later point, he resigned from the Uniting Church ministry to lead the "Advance & Restoration Ministries" program that he and his son, Paul, managed.Head and shoulders portrait of John Blacker when still a Uniting Church minister, but working as "Advance & Restoration Ministries" which was then located in the 3rd floor of the Synod offices at 130 Little Collins Street Melbourne.John Blackerblacker, john e., advance & restoration ministries

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of John Marshall, Mayor of Kew 1872-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Marshall / Mayor 1872-3marshall, john, mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

John Wilson, Kitty Rose and John Wicking at a Kitty Rose's farewell in Bendigo.B/W photograph of John Wilson, Katharine (Kitty) Rose and John Wicking.john wicking, john wilson, association for the blind, katharine (kitty) rose

John E. Blacker was a Methodist and then Uniting Church miinister - placements at Dandenong (Lilydale), Kilmore & Broadford, Kerang-Barham, Sunshine, and Moonee Ponds. In the early 1980s he led a charismatic renewal program at Sunshine and Moonee Ponds, and was involved with a controversy over re-baptisms. At a later point, he resigned from the Uniting Church ministry to lead the "Advance & Restoration Ministries" program that he and his son, Paul, managed.Head and shoulders studio portrait of John Blacker when still a Uniting Church minister, but working as "Advance & Restoration Ministries" which was then located in the 3rd floor of the Synod offices at 130 Little Collins Street Melbourne.John Blackerblacker, john e., advance & restoration ministries

Mary Ann Poultney, née Hisshion was born at Linton in 1864. She married John Poultney at Ballarat on December 31, 1888. It is understood that they lived in Sydney until John Poultney died in 1902, after which Mary Ann returned to Linton with her three daughters, Annie, Nell, and Lillian. She was librarian at the Linton Free Library between 1907 and 1911.Copy of original black and white photo of middle-aged couple. Man with moustache & buttonhole, lady seated with lace fichu. John and Mary Ann Poultney (nee Hission)."John & Mary Ann Poultney (nee Hisshion) undated"john poultney, mary ann poultney, mary ann hisshion

President John Wicking with his wife Janet is speaking to CEO John Wilson and his wife Eunice.B/W photograph of John and Janet Wicking speaking to Eunice and John Wilson.john wicking, janet wicking, eunice wilson, john wilson, association for the blind

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. John Carson, Mayor of Kew 1863-4. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Carson / Mayor 1863-4mayor of kew, cr. john carson, photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Hardcover book with an illustration of a man holding a gun on front cover. 254 pages. Prior ownership: The Readwell Libraries, 107 Elizabeth St., Melbourne, Taylor's Pharmacy, Apollo Bay, Mooroopna Mechanics Hall & Free Library.fictionjohn bryan, fiction

John Brack (1920-1999) Born AustraliaFramed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon (1908-1982). This unsigned work is from Rudy Koman's estate.john brack, nude, life drawing, available, chair

Story of Alexander John McDonald's war service with the 8th Light Horse AIF at Gallipoli 1914-1916.Black and white text and photographsalexander john mcdonald, gallipoli, australian imperial force

Black and white photograph of Bendigo No. 11 at the eastern end of High St. Eaglehawk, late 1950's or early 1960's. Tram has the destination of Eaglehawk. Taken by John Alfred. Photo printed on half weight paper.On rear written in black ink "Eaglehawk / No. 11" and on bottom edge, stamp "Photo by John Alfred / No." in red ink.tramways, trams, eaglehawk, high st, tram 11

Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan

Framed bookplate for John Thwaites.Ex Libris John Thwaitesbookplate, framed bookplate, john thwaites, keith wingrove memorial trust, available, available framed bookplate

Plan on linen fibre cloth. Shows layout of Burnley bound by Swan St., Yarra River and part of Richmond Park, coloured areas showing proposed area to be added to Park, the old road, shrubbery, new hall, old garden, recent extension and proposed further extension (crossed out in red ink). Scale 4 chains:1 inch. Probably drawn by John S. Jenkins, Town Surveyor, Richmond. Has been photographed so that additional copies can be made. On a CD plus 3 negatives. (Also copy glazed and framed for Centenary Exhibition.)john s. jenkins, gardens, richmond, hoticultural society of victoria

John Maynard and John Hazeldine standing in conversation - probably at the Tasmanian Synod in 1985"John Maynard Bob Hazeldine sheet 2.4"maynard, john, hazeldine, bob

General introduction to the foundation and development of the sheep and cattle industries of Victoria.284 p., hard cover, printed in blacksheep, cattle, victoria