Photograph shows cast iron axle box and horn ways with rubber "springs" as used on John Stephenson New York built cable trailers which became Melbourne numbers 1 to 20.Yields information about cable tram componentsBlack and white photograph with note on rearIn ink "24" and "K McC"cable trams, trailer trucks, john stephenson, cast iron, rubber springs, melbounre number 1

Photograph shows metal sprung axle box as fitted to standard four wheel cable trailers built at Nicholson Street Workshops between 1885 and 1923.Yields information about cable tram componentsBlack and white photograph with note on rearIn ink "25" and "K McC"cable trams, trailer trucks, axle boxes, four wheel, nicholson street workshops

Photograph shows part of the preserved cable grip car number 1 and trailer car number 1 in a large glass covered display case in Russell Street behind the (then) Melbourne Museum and State Library. The photograph shows the trailer car's draw bar inserted into the grip car's socket held in place with a pin. It also shows the car and grip secured with a safety chain. The trailer coupling was guided into the socket by a chain worked from the trailer platform through a pipe fastened inside the end apron.Yields information about cable tram componentsBlack and white photograph with note on rearIn ink "28" and "K McC"cable trams, russell street, melbourne museum, state library, draw bar, tie rod, pin, safety chain, trailer coupling

Timber case with an A-W patent (7 April 1914) on top and three metal connections on other side."Ford" is inscribed on larger face and "24" on the smaller face of the box. On the metal strip at the top is inscribed "Patented April 7 1914" and in a trade mark is "K-W".ford, ignitition, magneto

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Professional photograph by K Lerfiniere Ross of the artist Alma Figuerola holding her pet pekingese dog, 'Rebecca'.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Joanna K, Natica SCHROEDER & Pat GRAINGER at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Joanna K, Natica SCHROEDER & Pat GRAINGER at the launch of the Women of Port Melbourne exhibition18/10/2005 Joanna K, Natica Schroder, Pat Graingerwomen of port melbourne, pat grainger, natica schroeder, joanna k

Lionel Lindsay (1874–1961) Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award..1) An etched book plate by Lionel Lindsay for Brian Stonier in brown ink on cream card. The bookplate features an old sailing ship at sea. .2) Framed etched book plate by Lionel Lindsay for Brian Stonier in blue ink on cream card (as above)Printed on bookplate "Ex libris K. Brian Stonier Melbourne Grammar Melbourne University" Printed lower right below image but within plate-mark, "Lionel Lindsay"bookplate, lionel lindsay, k. brian stonier, melbourne grammar, melbourne university, sailing ship, sea, robert c. littlewood, framed bookplate, keith wingrove bookplate design award, keith wingrove memorial trust

Catalogue card reads, "Ringwood Bowling Club. Mr. Bert Dear, Burwood receives first prize on behalf of J. Delaney. K. McLellan, J. Gorman and J. Warner".

Provides information about a system of safe working on a single line tramway or interurban railway or tram line. Has an illustration of the signal, coloured on the front cover. Gives details of the company, automatic electric block signals for 'railways' - interurban operation. The type K2-signal is one that can register up to 15 cars into and out of a section. Gives details, line diagrams and electrical details of this signal works, installation requirements and Trolley Contactors. Centre page has an electric diagram. Received by ESCo 4/11/1926.Yields information about a system on controlling vehicles on a single line railway or tramway section.Twenty page book, printed on art paper, centre page electrical diagram and light blue covers, titled "United States Electric Signals - Type K-2 Signal", with three centre staples. Noted by stamp on page 1 "Nachod and United States Signal Co. Inc. successors to the United States Electric Signal Co. 4771 - 4777 Louisville Avenue, Louisville Ky USA"The "Electric Supply Co. of Victoria 4/11/1926" in purple ink on the front cover, page 1and 5. On page 1 in black stamp ink "Nachod and United States Signal Co. Inc. successors to the United States Electric Signal Co. 4771 - 4777 Louisville Avenue, Louisville Ky USA" and on top of page 1 "Ballarat Tramway Preservation Society Catalogue No. 2" in black ink. On page 20 at bottom :From Nachod and United States Signal Co. Incorporated Louisville".trams, tramways, signals, railways, tramways

THE ECHUCA COALING STAGE. Locomotives would stop alongside to receive coal dropped into their tenders from small overhead rail mounted tipping trays. Water could be obtained from either the elevated tank at one end or the connected standpipe at the opposite end. Locomotive firebox contents could be dumped into pits between the rails from locomotives once they were carefully positioned above them. Such locomotives then could move onto the Engine Shed area for overnight parking. Firebox fires would be re-lit when the locomotive was next needed in a day or so. Image dated as November 1963 based on same image in Port of Echuca collection (possibly frame 32 of film) (print 19.5 x 24.5cm) On reverse in pencil: " K Class at Echuca" Echuca K Class. 1940-1968". In blue pen:" Photo by: George L. Coop Nov 1963" https://victoriancollections.net.au/items/59de9cc421ea6b12dc3f7597Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencycoal hopper, echuca railway station, george coop collection, k-158, k-class steam locomotive (vr newport workshops)

Athletic medals awarded to Kenneth Baird. Kenneth attended Ballarat College 1925 - 1930. As an Old Collegian Ken also served on the Ballarat College Council 1950-73 and the Ballarat Clarendon College Council 1974-84 (Chairman 1976-84). The K D Baird Boatshed is named in his honour, as were the rowing boats the Ken Baird 1963 and the Ken Baird II in 2003. Small metal shield medals, with chain attachments at top and inscribed on versoVerso: Ballarat / College / Gymn '23 Verso: Under 14 / BC / 1926 Verso: B C / Under 14 Gym / 1927 kenneth d baird, athletic medals, 1920s

Glue pots, iron, composed of two pots, inner and outer, both have swivel wire handles, made by A K and Sons.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, glue pots, a k and sons.

Invitation to the proclamation of Ringwood as a City on 19th March 1960 at Ringwood Town Hall by His Excellency General Sir Reginald Alexander Dallas Brooks KCB KCMG KCVO DSO K St J. From the Mayor Cr AG Lavis Councillors to Cr RC Horman and Mrs G Horman. Includes minutes of the Council meeting. All material is from Gwen Horman’s three albums that she owned.

The manufacturers K.G. Luke were a well known Melbourne Jeweller and manufacturer of badges buttons, silver and dec art objects for the home.Badge is visual representation of ongoing support and/or association with MTS. Round enamel badge with navy Flying Angel flag on a pale cream ( originally white?) background and "The Missions to Seamen" inscription. A pair of identical badges."K. G. LUKE MELB" stamped on backmission to seamen, enamel badges

This photograph depicts five of the Mission's Committee members: top (left to right) are standing Harold Kingston Vickery and Arthur T. Pitt, both Lay Readers. Seated (left to right) are Reverend William Forster Haire, Assistant Chaplain, Reverend Alfred Gurney Goldsmith, Chaplain, and Mr Charles A. Holmes, Honorary Lay Reader. The photograph was probably taken inside the Central Institute, Siddeley Street, between 1909 and 1911.An original frame with an image of a group of Mission office-bearers including Rev Gurney-Goldsmith who was Senior Chaplain over the significant early 20th Century period of Mission establishment in the Central Docklands area. Sepia photograph in a wood frame with group of five men in suits; ink inscription of five names on paper label adhered lwr front of frameFront on paper label: Revd W.F Haire, Revd A. G.Goldsmith; Mr C A Holmes (paper cut) / Mr H. K Vickery, Revd A.T. Pitt; Verso at lwr right crnr in pencil: PH- R14 reverend a. gurney-goldsmith, mr h.k. vickery, reverend a.t. pitt, reverend w. foster haire, charles a. holmes, charles arthur holmes (-1947), william foster haire, harold kingston vickery, chaplains, lay readers, staff, chaplains group

The photograph shows VR tram 48 waiting to depart Sandingham Station terminus with many passengers displaying the destination Black Rock. The weather blinds are up and some saloon windows are open. To the left of the tram are two elderly men in suits and a uniformed man with his back to the camera.Yields information about Sandringham Station terminusBlack and white photograph with note on the rear.Typed and stamped on the rear "VR tramways at Sandringham showing car No 48 about to leave for Black Rock. May, 1947 K J Magor No. K Winney"vr trams, saloon windows, destination, sandringham station, black rock, uniformed man

The Air Force Association was formed in Melbourne in 1919, by Mr H V Leckie. The Association was formed after Mr Leckie put an advertisement in the newspaper asking for interested former members of the Air Force Corps to meet him.This badge with the number 97277 on the reverse has belonged to a member of the Air Force AssociationA round shape with wings through the middle of the badge, Crown on the top of the badge, the centre is the Air Force red, white and blue. This badge has a pale blue across the bottom, Air Force Association.On the reverse of the badge Number 97277, K G Luke Melb.air force association,, 1919, raaf association, h v leckie

This coat was made by Kallman Feitel (1877-1947), an Austrian-born furrier who emigrated to Australia around 1899. His shop was situated at 102-103 Beach Street, Port Melbourne.Long dark brown astrakhan coat with a brown fur collar and brown silk lining. Embroidered in the lining near the hem is the monogram "M.E.C."Label, woven, gold text on brown: "K. FEITEL / MELBOURNE"fur coat, fur, astrakhan, kallman feitel, k feitel, 1940s

Photograph of W6 class tram No. 914 leaving Hawthorn Depot for North Richmond, showing route 78. The tram has a sign on the front about travelling in comfort between 930 and 430 on the front under the dash canopy lighting. The tram was built in May 1946. There are no holes in the dash canopy lighting which were installed in Nov. 1951. The facade of the depot behind was demolished during the mid to late 1940s.Yields information about tram 914 mid to late 1940s.Black and white photo with Ken Magor stamp on the rear.K J Magor stamp with number 391, written in ink.tramcars, hawthorn depot, tram 914, sw6 class

"The foxes were shot in the 1950's by my Father, Charles Winnet Daniel Allen at two properties around Bacchus Marsh. One was Greystones at Glenmore, owned by the O'Keith family and the other was at Parwan, owned by the Miles Family. In the late 1940's and early 1950's, the Government put a bounty on the fox head. A pair of ears were sent to the Council and you were paid 2 pennies and the skins were sold to a skin buyer. My Father would go out on moon lit nights and shoot the foxes then skin them, which he would peg on a board to dry. He took 21 fox skins to Nettlebergs Pty. Ltd., Furriers at 173 Elizabeth Street Melbourne, Victoria, to have this coat made for my Mother, Gladys Eileen Allen. It cost Twenty Pound and Nine Shillings to have the skins made into this coat. My Father died on the 1st July 1982 and my Mother on the 15th October 1993, aged 76. This coat was inherited by me Theresa Joy Hodge (nee Allen) on the passing of my Mother. I have worn it on cold days, but seeing that I am 84 and the coat is 74 years old, I would like to donate it to you, as I have no-one to leave it to and hope that you and the visitors to your Museum will enjoy looking at it." Theresa Hodge, 2025 Theresa was a dairy farmer, who grew up in Bacchus Marsh with her parents, before moving to South Australia in 1980 to a 167 acre farm in Burrungale.Dark brown fox fur coat with silk lining. Three eye and hook clasps at front edges of coat.fox fur coat, fashion, hunting, pest eradication, farming, rural life, bacchus marsh, greystones, glenmore, parwan, fox, nettlebergs pty ltd, furriers, clothing, theresa hodge, charles allen, gladys allen

These forms relate to the Service History of 1740 Pte K J McKenzie who enlisted 08 April 1915 and served with 6 Aust Machine Gun Coy on the Gallipoli Peninsula. Pte McKenzie was KIA in France 02 July 1916This is the Service History of 1740 Pte K J McKenzieSix (6) Pages of photographed documents Certified True Copies, relating to 1740 Pte K J McKenzieVarious AMF Documents, 1740 Pte K J McKenzieaif, ww!, mckenzie, gallipoli

Port of Portland Authority archive.Front: (no inscriptions) Back: Company's Head Sawdoctor, K. Schultz at work (upper left) (pencil). G2611 (lower left, black pen). G2611 (lower right, pencil). Ray Glyde Creative Commercial & General Photography 21 Prescott Terrace Rose Park, South Australia (lower left, red stamp)port of portland

Personal reference for Marjory Jean Burke written by Cyril K. Kay of Carnegie.Miss Burke was a nurse, midwife and infant welfare sister. This collection covers her many qualifications throughout Australia and Great Britain, including references both professional and personal. When Miss Burke returned to Australia, she was employed at Diamond Valley Community Hospital as a nurse in 1953 and as Deputy Matron 1954-1971.Reference typed on cream paper.marjorie jean burke, nurses, diamond valley community hospital

John Kendrick Blogg was born in Canada and migrated to Victoria in 1877. In 1884 he established a successful industrial chemistry business, which included extracting perfume from Australian native trees and plants.liquid ammonia for refrigeration, acetic acid, perfumes, shoe polish, baking powder and non-alcoholic drinks. Other products were He lived at 'Balmoral' in Albany Crescent, Surrey Hills; his woodwork was produced here. Family oral history has that he took up woodcarving after his 1st wife, Annie, died in 1893. His earliest known piece is a music cabinet of 1901; the latest is a panel of 1932 when Blogg was 81 years of age. He was a member of the Victorian Artists Society and exhibited there between 1920 and 1924. Much of his work incorporates motifs of Australian flora, particularly gum leaves. John and his family were members of St Stephen's Presbyterian Church, Surrey Hills. The present church building was dedicated in December 1910 and J K Blogg's contribution to the new building was the Hogg Memorial pulpit which is comprised of 13 panels. Blogg carved more than 300 pieces for churches, schools, royalty, family and friends. Many of J K Blogg's pieces remain with family members, but he is represented in municipal (City of Whitehorse), state and national collections. In addition to work in the St Stephen's Presbyterian Church within the Surrey Hills area his work was produced for Surrey Hills Primary School, Surrey Hills Bowling Club and Surrey Hills Methodist Church, however perhaps his most famous local work is the honour board at the Shrine in the Surrey Gardens. Blogg was also a poet. Ref: Legacy in Sculptured Wood - An appreciation of the work of John Kendrick Blogg, 1851-1936 by Marjorie Morgan, 1993.Black and white photo of an urn on a pedestal contianing stems of wattle with leaves and blooms.woodcarving, surrey hills shrine, monuments and memorials, john blogg, john kendrick blogg, r falconer

K158, J512, K168 and J507 stand around the turntable in the locomotive shed. November 1962" - Newsrail October 2020Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybendigo railway station, george coop collection, j507, k158, j512, j class steam locomotive, turntable, workshop, depot, shed

Digital copies of seven colour photographsfred mitchell collection, 2017, festivals, hurstbridge, k-153, steam engine, steam train, wattle day festival, k-190

Digital copies of four colour photographsfred mitchell collection, 2017, festivals, hurstbridge, k-153, steam engine, steam train, wattle day festival, k-190

Digital copies of four colour photographsfred mitchell collection, 2017, festivals, hurstbridge, k-153, steam engine, steam train, wattle day festival, k-190, wilson road