The British Forces in Egypt Volume no 1882 - 1885 Hard cover No dust cover 192 pages Black and white lithographic drawings

A colour lithographic print, liftout from Supplement to Harper's Weekly, entitled: THE NORTH MEADOWS, CENTRAL PARK. Materials: Ink, Papertennis

Map: L.1053. Parish of Wareek, Counties of Gladstone and Talbot. Parish plan. Looks like half of the sheet is missing.Second Issue. Examined by S.F. Green. July 1918. William J. Swan, Draughtsman, August 1884. Photo-Lithographic Fac-Simile, W 36.map, gladstone, parish plan, wareek

Captain Frank Herbert King was born in the Parish of St. Saviors in the borough of Brougham London March 5th 1875. He was educated in theology at St. Augustine's College Durban University. He went on to serve for 2 1/2 years in South Africa during the Boer Wars and then re-enlisted in the A.I.F.16th November 1916 when he listed his address as "The Vicarage Sunshine Victoria" and listed his wife as "Kathleen King" “Revd McCoy announced his intention of moving to the parish of Deniliquin in October 1915. He was replaced by F.H. King. Though the parish could not house him, he came in November. King was a typical “new broom”. In January 1916, at his instigation, the parish agreed to change its hymn book to Ancient and Modern. This decision could be viewed as a “churchmanship” matter, one of many that happened in these years. He pushed through the building of the vicarage, from tender in January to blessed and occupied by June. At the Annual General Meeting, King described 1915 as a trying time in the church and looked forward to a happier and more prosperous time during 1916. At a special vestry meeting, 3 November 1916, King announced that he had accepted an appointment by the Archbishop for service at the front, and that he had been instructed to prepare to go abroad. It was decided in his absence the parish use lay-readers, with periodic visits by clergy for Holy Communion. On 12 November, King thanked the parish for their loyalty and their devotion to him and the church. In return the parish presented him with a wrist watch. The parish was not formally vacant; just without a vicar. In September 1917, the Archbishop wrote advising that King had resigned. He appointed the Rev. W. Green to the parish, but Green declined.”(1) He was sent to Egypt where he administered to the Australian Stationary Hospital Australian 3rd and 5th light horse brigades. His Army record states he was Invalided and Completion of Duty 12 July 1918. He was later awarded th Order of the British Empire (OBE) 1 “The Junction” a history of St Mark’s Sunshine The picture of Chaplain-Captain F.H. King was carried in the Bible of Sig. H. C. Roussac ( a Gallipoli veteran) during his service with the A.I.F. in France. It can only be assumed that F.H.King had a profound effect on Sig. Roussac.Cutting of a lithographic picture showing Chaplain-Captain F. H. King giving away "The Age" (News paper) to Australian troops in Egypt 1917 Chaplain-Captain F. H. King giving away "The Age" to Australian troops in Egypta.i.f. egypt, chaplain, f.h.king, light horse egypt, roussac, o.b.e., boer war

120 pages with lithographic illustrations. Mid blue hardcover linen book with dark red and gold text and decoration on the cover and spine. Dedication inside.non-fictionbaringhup sunday school, lily barkla, sunday school prizes

Page 548 of Harper's Weekly (28 Aug. 1880), featuring colour lithographic print of the Newport Casino, by C. Graham. Materials: Paper, Inktennis

Black timber framed lithograph of "Last Post". Lithographic poster illustration by Goethal A Van Reck commemorating the Fiftieth Anniversary of the opening of the Menin Gate in Belgium.Inscribed on front top of lithograph are the words "And to those of their dead who have no known grave." LAST POST. Goethals a Van Reck.

A lithographic print entitled: TENNIS COSTUMES. Features on p.401 of Harper's Bazar (Vol. 21, No. 24, 16 June, 1888). Materials: Paper, Inktennis

An article on page 80 of the Illustrated London News (1 February, 1845), entitled 'The Tennis Court at Strathfieldsaye', with lithographic image of a Doubles match. Materials: Paper, Inktennis

This item represents one of the most important spiritual references available to a settler in countryside Australia in the period 1800s to 1900s. This is the family bible and relates to the major religious beliefs of the early settlers who pioneered British/European colonial settlements. Although the first pages are missing the family name is written on the inside cover (J.A. Fleming). Most of these bibles (of this era) showed the family genealogical record of births, baptism and deaths, however this bible has the relevant pages missing. This bible would have provided the spiritual strength needed in bad times. Throughout this bible there are copies of specially commissioned lithographic engravings, each published between March 1812 to December 1813. These photographs were provided to visualise the theme of the each chapter.This item is significant because it shows that spiritualism of a small group (family in this case) is a vital part of the cohesive forces which holds a family(the basic subgroup of society) together, against all odds, and external pressures. It demonstrates that even in isolated or sparsely populated areas, the mores of a christian community is as strong as that of the cities. Mountains (Victorian Alps) have throughout the enlightened Ages been of extreme spiritual significance and this beholds those who live in this area.The families in the Kiewa Valley fall into the "isolated rural area" when this bible was first in use. This bible contains as its introduction,scripture history starting from 4004 BC "God created all things" to 2900 AD end of the World. There is a high degree of probability that this bible belonged to a member or members of the John Ambrose Flemming extended family who resided in the Kiewa Valley. J.A. Flemming (a famous English electrical engineer and physicist) invented the first diode in 1904). He and his family were devout Christians and he helped establish the Evolution Protest Movement.Leather bound bible. Leather in some areas is in tatters revealing the thick multi-layered cardboard backing. Front and back covers are held together by the thin leather binding. The lettering of the bible is large.Hand written inscriptions are in ink on the inside front cover, " J Tangam" at the top, "J A Fleming" underneath "Tangambalanga" and below that "1900". There are penciled dates "1937 1900" which have at one point in time been scribbled over in pencil. Although not marked on cover, the bible was known as "Brown's Bible" after the Author, the Rev. John Brown. Each of the major chapters is introduced by a copy of a lithographic print detailing the relevant religious picture and all are headed by "Brown's Superb Bible" and the date of the print. bible, rev. john brown, old and new testament, christianity

Page 736 of harper's Weekly (14 Sept. 1878), featuring a colour lithographic print of a tennis match, by C.S. Reinhart, entitled: LAWN TENNIS. Materials: Paper, Inktennis

Grey linen covered book with terracotta, yellow, black and gold decoration and text. There is a bookplate inside the front cover. 136p with black and white lithographic illustrations by Henry Courtney Selous. fictionewing memorial presbyterian sabbath school east malvern, lily mclean, j mckenzie king presbyterian sabbath school superintendent, mrs beynon presbyterian sabbath school teacher

This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This lithograph comes from a series of still life by Wegner from the early 80's; a subject matter in which he has not returned to. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. Lithographic print - still life in black and white. Details several kitchen/household items: spoon, tea pot, egg holder, cup and saucer, bowl, chop sticks and mandarin.Lower far left: 'A/P'; Low centre: 'Mandarin on Kitchen Table'; Lower far right: 'PW 83'wegner, lithograph, still life, black and white, utensils, table, fruit, print

A colour lithographic print, pp 668-669 from Harper's Weekly, (17 Sep. 1887, Vol.31, No.1604), entitled: AN AFTERNOON BOUT AT TENNIS. Materials: Ink, Papertennis

A page from Puck magazine, featuring a lithographic cartoon print of two women conversing on a lawn in front of a tennis match, and is entitled: HIS NARROW ESCAPE. Materials: Paper, Inktennis

Page 245 of Harper's Weekly (Vol. 35, No. 1789) featuring a colour lithographic print of men and women playing badminton, entitled: THE MIDWINTER GAME OF BADMINTON. Materials: Paper, Inktennis

Page 437 of The Graphic (13 May 1871) features a lithographic print entitled: BATTLEDOOR AND SHUTTLECOCK. On page 438 is a poem by the same name, by Alfred Perceval Graves. Materials: Paper, Inktennis

Page 648 of Harper's Weekly (24 Sept. 1881) features a colour lithographic print by Alexander, entitled: A GAME OF LAWN TENNIS, STATEN ISLAND CLUB GROUNDS. Materials: Paper, Inktennis

Page 836 of Harper's Weekly (1892), featuring lithographic bust portraits of the top four players, and a photograph of the action at Newport Casino during, the 1892 U.S. Open. Materials: Paper, Inktennis

Phar Lap tobacco tin, produced in Melbourne 1931 - 1932 is an early example of the use of the name and image of any Australian notable, in this case a racehorse, the tobacco referred to in the family as "The sweepings from the stable floor" due to its poor quality.Produced in, Victoria during 1931-1932 Phar Lap tobacco was Phar Lap tobacco tin, It is considered Australia's most desirable tobacco tin due to its rarity. An early example of the use of the name and image of an Australian icon the tobacco was often referred to as "The sweepings from the stable floor" due to its poor quality.Rectangular metal tin with a hinged lid. On the lid is lithographed an image of the horse's head and within a scroll the words PharLap Fine cut tobacco. Significant rusting to tin and wear to lithographic detail tobacco

Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin

The document is signed in English and Japanese by “Commander Second Japanese Army” and “General Blamey C in C Australian Military Forces” on Morotai. Alan Mason collection, refer cat No 3979.2Document, rectangular shape, off white colour, all print in black, “Lithographic copy”, top has “C in C - Australian Military Forces Seal”, followed by sections A, B, C then signed off.“Signed at Morotai on the Ninth day of September 1945”japanese surrender, morotai, documents

Page 673 of Harper's Weekly (17 sept. 1887, featuring colour lithographic images, from photographs, of top U.S. players, withthe heading: THE LEADING PLAYERS AT THE ORANGE LAWN-TENNIS TOURNAMENT. Materials: Paper, Inktennis

Page 824 of Harper's Weekly (10 Dec. 1881), featuring a colour lithographic image of a number of indoor lawn tennis matches being played in the large drill hall of the Seventh Regiment Armory. Materials: Paper, Inktennis

Siege of Tobruk 1941 Limited Edition Poster No. 0768 produced for the World Reunion of the Rats of Tobruk Association 1980Commemorates the Battle of TobrukBlack plastic frame containing photocopy of Map in centre with circles in each corner with images of soldiers and a symbol in lower right corner.Biographies of: Major General Leslie J Morshead - Tobruk Fortress Commander and Lieut General Erwin Rommel - Commander, German Afrika Korps. Map of Battle Zone. Lithographic of Corporal J.H.Edmonson VC - 2/17 Battalion.tobruk, 1941

Page 30 of The Graphic (Christmas 1884) features a lithographic print, based on a drawing by Arthur Hopkins, entitled: "IRREPRESSIBLE ENTHUSIASTS - TENNIS IN THE SNOW". A man is shown having slipped during a mixed doubles match. Materials: Paper, Inktennis

Page 585 of Harper's Weekly (Vol. 26, No. 1343) features a colour lithographic print by Weldon, entitled: LAWN TENNIS AT NEWPORT. Following page features article entitled: THE NATIONAL LAWN TENNIS TOURNAMENT. Materials: Paper, Inktennis

Page 213 of the German language edition of Frank Leslie's Illustrated Newspaper (Frank Leslie's Illustrirte Zeitung, 12 Sept. 1885), featuring an article regarding, and lithographic print of the events of the 1885 U.S. Open. Materials: Paper, Inktennis

In 1887 Creswick had a population of around 25,000 people during the gold rush but now is only about 1/10th of its original size. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed hand coloured lithographic print from Wither's 'History of Ballarat' showing two diggers looking over Creswick Creek. A scar tree is depicted in the left foreground. The work was published in the 1887 History of Ballarat by W.B. Withers. art, artwork, creswick, samuel thomas gill, s.t. gill, f.w. niven, available, lithograph, printmaking, scar tree, near ballarat, spring hill, scarred tree