Showing 713 items
matching ly-ee-moon
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - charcoal on paper, Craig Gough, Half Moon Bay (from 'Sandringham series'), 1983
charcoal on papersandringham, craig gough, coast, boat, port phillip bay, sailing, black rock jetty, pier, half moon bay -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on cardboard, Elizabeth Prior, Half Moon Bay
elizabeth prior, boats, sailing, bay, water, half moon bay, black rock, bayside -
Ararat Gallery TAMA
Functional object, Evening Moon confection, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Evening Moon confection, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Evening Moon confection, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Evening Moon confection, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Textile, Cresside Collette, Egyptian Moon Goddess, Astarte (curators title)
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Heidelberg Theatre Company Inc..
Program Photos Review Poster, Ruby Moon by Matt Cameron directed by Elise Dorian
2009, 371 -
Heidelberg Theatre Company Inc..
Program Photos Newsletter Poster Articles, Moon Over Buffalo by Ken Ludwig by special arrangement with Dominie Pty Ltd directed by Wendy Drowley
2000, 314, wendy drowley -
Heidelberg Theatre Company Inc..
Program Photos Newsletter Poster, Ring Round the Moon by Jean Anouilh directed by Alice Bugge
1990, 259, alice bugge -
Gippsland Art Gallery
Work on Paper, Piggott, Owen, Moon Along the Edge, 1983
Donated from the estate of the artist, 2016Pencil on cardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Kleefsman, Deborah, Moon Rising, 2017
Purchased, 2017Drypoint etching and chine-colle on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Frazer, David, Fly Me to the Moon, 1996
Purchased, 1996Wood, Paper, Inkgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Young, William, Moon in the Water, 2011
Donated by the artist, 2013Paint, Acrylic, Oil, Canvasgippsland, artwork, permanent collection -
Federation University Art Collection
Oil on board, Neville Bunning, The Moon Bird [related to a larger painting]
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a woman doing her hair in front of a bulldingart, artwork, neville bunning -
Federation University Art Collection
Sculpture - Artwork - Chainsaw Sculpture, Howling at the Moon (The Struggle for Survival), 2007
Chainsaw sculpture made from fresh green pine wood. Artworks Self I initiative Program. C/O F&S Enterprises in association with Switchback.artist, artwork, sculpture, chainsaw sculpture, gippsland campus, churchill -
Federation University Art Collection
Work on paper, 'Sun and Moon Nature' by Kees Hos, 1964
Kees HOS In 1956 Kees and his wife Tina made a new life with their two children in the arts community of New Zealand. In Australia Kees established the art school at Gippsland College of Advanced Education in 1971 with a radical multidisciplinary approach to art education. He generously delivered encouragement and opportunities to many people including lecturers, visiting artists and students. His small team literally built an art school from zero. Temporary accommodation in an old factory and service station in Morwell moved to three student-built studios on the Gippsland Campus. His highest recognition was 1997 when the names of Kees and Albertine Hos were added to the Wall of Honour in the Garden of the Righteous at Yad Vasheem in Jerusalem along with many others who put their lives on the line against the biggest killing machine the world had known. The ‘hiding-place’ in Kees and Tina’s home was discovered but Tina managed to rescue a baby as her own while the Jewish parents were transported to Auschwitz and Dachau. Kees was on the run using his printmaking skills to forge passports but was eventually captured and jailed, the war’s end saving his life. Gippsland Director's Collection, Acquired 1973.Signed and dated lower right in pencil "Kees Hos '64"artist, artwork, kees hos, gippsland campus, gippsland director's collection, printmaking, wall of honour in the garden of the righteous -
Federation University Art Collection
Printmaking - Etching & Aquatint, Rogerson, Madonna, Moon Shell
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork -
Federation University Art Collection
Artwork - Printmaking, 'Resting Moon' by Kaye L. Green, 2011
The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed colour lithograph with chine colle.Artist proofprintmaking, gippsland printmaking teaching collection, kaye green, gippsland campus, churchill -
Federation University Art Collection
Artwork - Printmaking, 'Silver Moon' by Kaye L. Green, 1994
The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed colour lithograph with silver chine colleArtist's Proofkaye green, churchill, gippsland campus, gippsland printmaking teaching collection, printmaking -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Moon Dog' by Juli Haas, 1988
Juli HAAS (1952–2014) Born Melbourne Juli Haas studied under Euan Heng’s at the Monash University Churchill campus. Haas completed a Bachelor of Arts in 1989, a Graduate Diploma of Arts in 1990 and a Master of Arts (Research) in 1995. Juli Haas has won Sir John Sulman prize in 1995 at the Art Gallery of NSW and in 1994 and 1997 the Martin Hanson Memorial Works on Paper Prize. The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed lithograph4/5juli haas, gippsland campus, gippsland printmaking teaching collection, printmaking, alumni, churchill, dog, fauna -
The Mrs Aeneas Gunn Memorial Library
Book, Rabindranath Tagore, The crescent moon, 1913
A book of childrens poetryp.82.fictionA book of childrens poetrybengali literature, childrens poetry -
Darebin Art Collection
Painting - Sid Cross, Sid Cross, Blue Moon Over Reservoir, 2013
reservoir -
Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Gipsy Moon& By The Fire Side
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Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Honey Coloured Moon
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Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, I Love The Moon
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Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Moon Love
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Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Moon Over Miami
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Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Moon River
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The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Photograph - A photo of 5/6 RVR soldiers, ceremony at Rupert Vance Moon VIC Memorial Garden
a photograph contains 6 x 5/6RVR soldiers, appears to contains 1 x CPL, 3 x LCPL, and 2 x PTE, four of whom are holding F-88. The date of the photo is not clear.