Showing 101 items matching "machine sewn"
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Flagstaff Hill Maritime Museum and Village
Textile - Pillowcase Pair
An example of a pair of pillowcases from the early 1900s. The item is of significance socially as an example of decorative domestic objects in the early 1900s.Pair of pillowcases made from soft white cotton and machine stitched. Cotton ties are sewn into the back of each pillowcase. A combination of material and hand crocheted lace forms the edging of each pillowcase.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pillowcase, decorative lace edging, domestic object, pair of pillowcases, cotton, crochet lace, warrnambool, textile -
Melbourne Tram Museum
Functional object - Cloth Bag, Melbourne & Metropolitan Tramways Board (MMTB), mid 1970's to 1980's
Cloth bag - sewn brown canvas with a metal ring and cloth strip attached to one side and stencilled "16" on both sides of the bag. Used by Conductors to pay in their cash at depots following the introduction of ticket machines on the Z class trams. 2nd copy - "19" added 3/7/2019 from donation of Hugh Waldrontrams, tramways, tickets, cash handling, depots, revenue clerks, conductors -
Melbourne Tram Museum
Book, Melbourne & Metropolitan Tramways Board (MMTB), "Melbourne and Metropolitan Tramways Board - Rules and Regulations", 1974
Book - green Rexene covers, 106 pages with title - "Melbourne and Metropolitan Tramways Board - Rules and Regulations". Six sections, sewn into covers, dated Nov. 1974. Provides rules for both tramway and motor bus operations, has index pages 3 to 28, rules for both systems and specific type of vehicle, ticket machines and ticket issuing. At rear is MMTB By-Law 11, dated 1956. Second copy added 15-6-2015 - from Ron Scholten donation of 11-4-2015 Full scan of document (difficult to do a proper scan) added 29/5/2019.In blue ink on front cover, "page 31", page 52 in black ink, reference to page 91 and on page 33, rule 20 has been partly high lighted in yellow.trams, tramways, mmtb, rules, regulations -
Melbourne Tram Museum
Document - Rule Book, Melbourne & Metropolitan Tramways Board (MMTB), "Rules and Regulations - relating to employees concerned in any aspect of fare collection, ticket issues and monies in connection therewith", 1957
Twenty page book, cloth bound, sewn within brown Rexene covers with end papers, titled "Rules and Regulations - relating to employees concerned in any aspect of fare collection, ticket issues and monies in connection therewith". Issued 30/5/1957 by order of the Board. Has an index, lists or provides rules for tickets, fares, cash, ticket machines, punches, passengers, by laws 11 (General) and 16 (lost property), Gibson and TIM Ticket machines, Ultimate machines. Two copies held, each printed with a number on the first page. 740.3 - copy added 3/12/15 from donation of Gary Butler. 740.1 - 2029 740.2 - 1895 740.3 - 1111 1/6/2019 - pdf scan of full book added from a spare copy.740.3 - on inside front cover in ink "H. De Dohse"trams, tramways, mmtb, conductors, instructions, melbourne, tickets, ticket machines -
Bendigo Military Museum
Uniform - CARDIGAN, SERVICE DRESS, ARMY, BROMLEY for Australian Defence Industries, 1981
Cardigan - garment part of a Women's service dress uniform. Item issued to "BALAAM" Service No. F320519". Refer also Cat. No. 6916.Cardigan - dark green colour, wool blend ribbed knitwear with front edges and collar. Five button holes, no buttons. Pale green colour rank insignia sewn each upper arm. Two manufacturers labels - inside collar - white cotton fabric with handwritten information.First label - "BROMLEY K/W/ ^ 1981/ DSN 8410-66-097-7813/ SIZE 14/ SERVICE NO./ NAME" Second label - detail cleaning instructions under the headings "Machine wash" and "Hand Wash". Handwritten information - black ink pen. "F3205719/BALAAM".uniform, cardigan, army, balaam, passchendaele barracks trust -
Bendigo Historical Society Inc.
Clothing - BODICE (WEDDING DRESS), 1896
Probably 1890's to early 1900's. The Dress and Mantle Makers departments was part of F. Davey and Co. and the department was run by Miss Middleton, formerly of the Beehive. F Davey and Co. sold their View Point premises in Oct 1904.Bodice (Wedding dress), hand and machine stitched. Silk lined with polished cotton. Slim ruched sleeves - ruched at inner and elbow side of sleeve (hand sewn). Elbow edge of ruching forms two ''frilled pleats'' down the sleeve to the wrist. Wrist edge lily pointed and finished with a 9 cm underfill of cotton lace. Top of sleeves have a leg-o-mutton balloon effect panel sewn at the shoulder and the upper arm. This balloon effect hangs down over the sleeves almost to the elbow. Top of sleeve has an embroidered lace frill hanging over armhole. Two silk bows are placed at the shoulders. Stand-up collar,5 cm deep is finished on each side with a pearl and glass beaded bow motif- 6cm in diameter. Hook and eye fasteners down front-metal loops covered with button hole stitch. Bodice boned with thirteen (13) ''bones''. Each pocket finished with a fan pattern stitching. Linen panel, with a diamond shaped weave stitched at each underarm. Front bodice is pleated from shoulders to centre front. Right front laps across left to fasten with a hook on the left shoulder. This panel is heavily beaded with glass beads and sequins. Over panel from right shoulder fastens with hook and eye at left hip line,with the pleated panel circling the waist.Matching skirt 11400.315.F.Davey & Co, Dress & Mantle Makers, View point, Sandhurst Label stitched at inside waistline of bodice.costume, female, wedding dress bodice -
Ithacan Historical Society
Photograph, Embroidered Blouse
The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline. -
National Wool Museum
Textile - Baby Romper Suit, Kathryn Knitwear, c.1970
Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Orlon was developed by DuPont in the 1940s and became the first commercially successful acrylic fibre in the 1950s and 1960s. The development of Orlon coincided with an increase in availability of washing machines in everyday Australian homes. The great appeal of Orlon was that while wool garments still had to be hand-washed, Orlon’s shrink-resistant nature made it machine washable and dryable. This was a very appealing prospect, especially for the seemingly unending task of cleaning active children’s clothing. Machine washable wool would not be available until the development of the ‘Superwash’ treatment by the Australian Wool Board and CSIRO in 1970. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.White lacework baby romper suit with long sleeves and legs, and enclosed feet. Closes at centre back with two plastic buttons. Zips open around leg inseam. Size 00 .2 is a retail tag marked with the price and size, and refers to the label sewn into the garment for washing instructions..2 [Retail Swing Tag] [Obverse] KATHRYN Children’s Knitwear STYLE PRICE [handwritten] $18 SIZE [handwritten] 00 [Reverse] WASHING INSTRUCTIONS Refer to label sewn in Garment Designed and manufactured by ROBERT BLAKE PTY. LTD., Melb., Aust.children's knitwear, children's clothing, baby clothing, baby knitwear, clothing, knitwear, romper, jumpsuit, manufacturing, fashion textile production, machine knitting, machine lace, baby clothes -
Bendigo Military Museum
Uniform - SHIRT, TROUSERS, WORKDRESS, ARMY, Australian Defence Industries, 1990 - 1994
Original owner - 'FIELD'.Shirt and Trousers Word dress. 1. & 2. DPCU (Disruptive Pattern Camouflage Uniform) work dress. Colours light to dark green through to light to dark brown. Cotton/polyester fabric. Khaki colour plastic buttons. 1. Shirt work dress, collar, shoulder epaulettes, two front pockets with concealed button closure flaps. Front - five buttons with concealed placket, long sleeves with cuff. Name patch has been sewn on "FIELD". Australian Army Rising Sun patch, top left sleeve. Rank insignia - Australian Coat of Arms - Warrant officer Class One on both sleeves. Manufacturers label - green cotton fabric - below collar. 2. Trousers - new style. Two side pockets, two large patch side pockets with two button closer flaps. One back patch pocket with button. Belt loops with buttons. Nylon/metal zipper fly. DPCU pocket lining. Manufacturers label - on right front pocket.Manufacturers information - black ink print. 1. "VICTORIA/ 1990/ ^/ ???? 66.130.0039/ SIZE 107L/ NAME/ SERVICE NO/ MACHINE WASHABLE/ DRIP DRY ONLY/ DO NOT IRON/ DO NOT STARCH/ DO NOT BLEACH". 2. "VICTORIA/ 1994/ ^/ 8415.66.134.8920/ SIZE 95L/ CUT NO 2200/ SERVICE NO/ NAME/ 50% POLYESTER 50% COTTON/ MACHINE WASHABLE DRIP DRY ONLY/ DO NOT IRON DO NOT STARCH/ DO NOT BLEACH".uniforms, army, work dress, dpcu, passchendaele barracks trust -
Bendigo Military Museum
Uniform - SHIRT, TROUSERS, WORK DRESS - ARMY, Australian Defence Industries, 1995
DPCU (Disruptive Pattern Camouflage Uniform) Work dress. Colours light to dark green through to light to dark brown. Cotton/polyester fabric. Khaki colour plastic buttons. 1. 2. & 3. Shirts - work dress. Collar, shoulder epaulettes, two front pockets with concealed button closure flaps. Front five buttons with concealed placket. Long sleeves with cuff. 1. Name patch has been sewn on "GRULKE". Rank Insignia on both sleeves - 3 stripes - Sergeant. Australia colour patch - top left sleeve. 4. & 5. Trousers - new style, two side pockets, two large patch side pockets with two button closer flaps. One back patch pocket with button. Belt loops with buttons. Nylon/metal zipper fly. DPCU pocket lining. Manufacturers label on right front pocket lining.Manufacturer's information on label - black ink print. 2. "ADA/ VICTORIA/ 1995/ ^ / 8415-66-130-0027/ SIZE 92s/ SERVICE NO/ NAME/ 50% POLYESTER 50% COTTON/ MACHINE WASHABLE/ DRIP DRY ONLY/ DO NOT IRON DO NOT STARCH/ DO NOT BLEACH/ A1". 4. & 5. "ADI/ VICTORIA/ 1995/ ^ 8415-66-134-8921/ SIZE 95r/ CUT NO 3603/ SERVICE NO/ NAME/ 50% POLYESTER 50% COTTON/ MACHINE WASHABLE DRIP DRY ONLY/ DO NOT IRON DO NOT STARCH/ DO NOT BLEACH"passchendaele barracks trust, uniform, army, work dress, dpcu -
Kiewa Valley Historical Society
Clothes - Workmen - overalls and coat
Work clothes are made of durable fabric and the reflective tape enables it to be safe day and night. McConnell Dowell construcion company: Remote resources and energy projects - building, civil, electrical, fabrication, marine, mechanics, pipelines, rail, tunnel and underground construction. Founded in New Zealand in 1961. In 2003 it became wholly owned subsidiary of Aveng (Sth Africa). It expanded to Australia, Asia and the Middle East in he 1970s. Bogong Power Development consisting of tunnels and shafts and the construction of a new underground Hydro Electric Hydro Electric Power Station. It is the largest Hydro Power project constructed in Australia in 25 years.Bogong Power Development created a new power station extending the Kiewa Hydro Electric Scheme and increasing the generation of renewable energy.1. Overalls: Bright orange cotton gabardine overalls with 6 heavy duty studs down the front and retro reflective tape. Straps over the shoulders. The back has a large pocket sewn dividing it into 2 compartments. The front has 2 side pockets at the hip and 2 pockets at the chest. 2. Coat: Reversible red/grey coat. Sleeveless zip at the front. Pockets on each side of each layer - zip on one side and zipless on the other of each side. Waterproof grey material on one side and red warm materialo on the other. Sewn patches on the outside ".92R Yakka" "McConnell/Dowell/Bogong Power/ Development/ Safety Award/ 1 year/ 250,000" in white and green and on the grey side. "Aurora Australia/ picture/ Tunnel Boring machine"1. Black texta print 'Wiffen' and washing instructions label. workman's clothes, bogong power development, mcconnell dowell, high visibility garment