Colour photo: brown brick house, bull nose verandah. Brick fence out front. Possibly late 1970's house. No address provided. On back of photo 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth Street, Golden Square, 3555. Phone 054 437565bendigo, business, aulsebrook and martin, photographers

Clothing, khaki coloured WW2 officer's peaked cap. Black vinyl peak and black vinyl 27 cm X 1 cm strap across front above peak. Metal badge, centre front. Brown vinyl lining. Cap belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 315Y.Written in pen on inside ''JKM'' stamp inside ''M.T. Size 6 7/8 ''costume, male, military officer's peaked cap.

Clothing, a pair of Brown leather WW2 officer's leggings. Side opening. Metal hook and eye attachment at lower end. Leather strap and buckle tie at top end. Cap belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.costume, male, brown leather leggings ww2

Clothing, brown leather covered swagger stick. Swagger sticks used by Officers as a symbol of authority, carried under left arm. Swagger stick belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.costume, male, military officer's swagger stick

Clothing, khaki woollen WW2 army uniform jacket. Single breasted with four brown metal AMF buttons (2 cm). Two breast pockets, (16 X 18 cm) with fold over tabs. All button tabs fastened with 1.5 cm metal buttons. Long sleeves with stitched down cuffs with V shaped peak on upper side. Both sleeves lined with cream and blue striped cotton fabric. 30 cm split at centre back from hem. Button down epaulettes on each shoulder with three captain's pips and two black stripes. Cloth badges on top of each sleeve. 1. Navy and red unit colour, (3 cm X 2.5 cm). 2. Light green, brown and blue colour (5 X 5 cm) (unknown). 2.5 X 2.5 cm square metal badges on each corner at front of collar. 5.5 cm wide cloth belt with metal buckle. Belt attached on side seams at waist by leather tabs threaded through belt keepers and fastened with 1.5 cm buttons. Cap belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.Name tag stitched under collar, and inside back '' J.K.Martin''.costume, military, army uniform jacket ww2

Clothing, khaki coloured WW2 army uniform trousers. Side pockets lined with cream coloured cotton fabric. Front fly opening (27 cm) fastened with six 1.5 cm plastic brown buttons. Four 1.8 cm brown plastic buttons across outside on either side of the centre back of waist band, to fasten braces. Trousers belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.Name tag stitched inside waist band at back ''J.K.Martin''.costume, military, army uniform trousers ww2

Colour photo: Metropolitan Hotel, Bendigo. Two storey cream coloured stone building, brown verandahs. Arched windows, stained glass just visible. 'Metropolitan' sign centre front. Power pole on corner, directly on verandah edge. Cambrian Press sign just visible on RH side, Hargreaves Street. On rear of photo: 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth St., Golden Square 3555 Phone 054 437565bendigo, buildings, metropolitan hotel, hargreaves street

Colour photo: Police Station, Bull Street, Bendigo. 2 storey brown brick, large glass windows. Triangle shaped garden bed in foreground. Flag pole alongside. On rear of photo: 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth St., Golden Square 3555 Phone 054 437565bendigo, buildings, police station

Colour photo: Police Station, Bull Street, Bendigo. 2 storey brown brick, large glass windows. Triangle shaped garden bed in foreground. Flag pole alongside. On rear of photo: 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth St., Golden Square 3555 Phone 054 437565bendigo, buildings, police station bull street

Embossed small brown leather bound album with capacity for 32 cabinet photographs. Front cover of album is detached and missing. Pages consist of cardboard mounts with gilt decorated pages pasted onto them. Each page contains 2 photographs mounted back to back. Contains 21 photographs & 4 Memorial Cards. Memorial Cards suggest album may have belonged to the Opie/Dower/Martin/Adams Family. Late of Cornwall/Castlemaine/Maldon/Mt. Pleasant.ephemera, mementoes, photo album, leatherbound family photograph album (small), opie, elizabeth dower, john dower, philip a martin, james adams

Martin 250CE Mid Upper Turret first introduced on the L Model B-24 Liberator. The US Army Air Force Model 23A became standard on all late model J, J/R, L, M and M/R model Liberators. The 23A was an all electric Turret. It was armed with two .50 calibre machine guns (Browning) MKII. The Turret carried 900 rounds (bullets), 450 rounds per gun.a12

Green hardvocer with very dark cream wrap around cover, with black and read writing , front fly leaf has description of contents. Stamped inside is Churchlands Teachers college library, Pearson St, Churchlands, Western Australia 6018. Same stamp is also on back page of book. There are brown marks inside the cover that indicate it was taped down at some stage in it's lifenon-fictionirrigation and closer settlement around shepparton district, mcallister, colin swinburne martin

Original photograph mounted on brown board. Identities are listed on the back of the photograph.On back of photo: L to R T Walsh, L Archer, N. Cawthorne, ? D. Spottiswoode, H. Russell, J. Charles, J. Stanton Audrey Bowles, M. Facey, C. Turner, Martin(?), Miss Baker, L. Grinstead, O. Hirt, M. Kiniry, A. Boyd, A. Pickering T. Kent, H. Brittain, A. Cook, E. H. Townsend, H. Garvie, W. Mephan, H. Finlaysonwilliamstown high school, 1945, staff

Owned by Martin Balsarini, a resident of Chiltern Valley, for use in WW1. Service Number 1682. Martin Balsarini enlisted on the 21/7/1915 and served with the 4th Australian Lighthorse, AIF. He participated in what is known as the last great cavalry charge, the charge of the 4th Australian Lighthorse at Beersheba on the 31/10/1917. WW1 owned by Chiltern Valley Resident Soldier Martin Balsarini who was in the Charge of the Lighthorse at Beersheba with the 4th Australian Lighthorse on the 31/10/1917. Brown Leather Luger Revolver Case for attachment to belts webbing WW1. 1. Etched into the inside leather cover : J. A. Stanien... 1917 Berlin. 2. Stamped into the inside leather case black ink in Black Markings : B.A.X1 ww1, revolver case, balsarini, chiltern., martin balsarini

B/W: 2 rows of team members below stand at Central ParkThe Standards Stawell1904 W. Wilcox, B. Walker, G. Arnott, F. Quinn, F. Brown, E. Dunn, W. Anyon, B. Chadwick, A Miller, G. Hampton, J. Brown, H. Dalziel, G. Bates, ????, T. Ellis, E. Monument, N. Bates, W. Jones, D. Powell, A. martin, H. Miller, Sam ross (Boy).sport, football

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket. Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized cream blanket with watermelon and mint stripesNo inscriptionwool, blanket, blanket fever, no label

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized, checked blanket, brown, blue and creamNo inscriptionwool, blanket, blanket fever, no label

Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label

Lily Martin went to Zerko's Business College Melbourne. Two year course achieved 140 words per minute. Zerko's got her a job in 18 monthsSmall brown book entitled Pitman's Pocket Shorthand DictionaryL Martinbooks, reference

Photocopy of Certificate of Title Vol 3271 Fol 654003, 50 acres fronting on Canterbury Road, including Scott Street being part of Crown Portion 124, Parish of Nunawading, County of Bourke, in the name of William Scott, 20 June 1908; transfers to 8 October 1936 with notes of previous owners of parts of lot 124 from November 1858.scott street, mitcham, scott, william, polak, nelson, land subdivision, canterbury road, vermont, mitcham road, isaak, johnson, miller frederick, james, becker, lydia malvina, huffey, harry, graham, annie bella, langford, william allan, emily mary, caplin, ethel grace, armstrong, mary, cook, joseph allan, isabella, isaac william, mettzke, frederick oscar, whitmore, doris margaret, elizabeth, thomas, stephen, beach, william griffin, brown, hosking, bonnel, alphonse, saul, martin, richards, twose, richard frederick, charles, george, ham, cornelius job, sprigg, shaw, gavin, william barker, jane, mcclelland, david goodwin, thomas robert

Photograph of the Poppet Head and associated buildings of the Lanarkshire Mine.On back: Some early writing that is mostly illegible. Later addition: "Lanarkshire Mine Rutherglen? The writing, I think, says Lankie Charmer. Martin Pascoe, Boho East. This would make it about 1894+ as the family moved from Boho to Rutherglen about that time. Myrtle Brown."gold mining, lanarkshire mine, martin pascoe

Small 1944 booklet describing dismounted drillSmall Brown booklet with 3 holes punched in left hand sideSgt J Martin Brighton Tech Cadet Corpdismounted drill, drill, marching, rifle drill

Small brown booklet with three holes punched in side used for Military Training.non-fiction

In use 1973 (label on back). Probably from regional station or regional station officer's house for after hours call outs. Possibly from suburban station officer's house. Source Chas Martin AHSV curator.Light brown telephone with speaker in front face.CALL SIGN BASE CALL STC REMOTE CONTROL UNIT M1050

When he died in 2007, Wally Byrne, left a legacy of public service that many would be proud to emulate. Having served in the Royal Australian Navy in the Pacific during the Second War World War, Wally later joined the Victorian Civil Ambulance as an ambulance officer. In a career that spanned more than 35 years, Wally was based at Lonsdale Street, Latrobe Street and Fairfield. He became Station Officer at the busy Latrobe Street before moving into the Mobile Intensive Care Ambulance (MICA) system. Promoted to District Officer he became officer in charge of communications and served in this role until his retirement. Chas Martin, one of Wally’s communications staff at Latrobe Street, recalled that Wally was an efficient and well liked manager. He was also a very social person. Having purchased a block of land at Christmas Hills, Wally and his family hosted regular weekend BBQ’s there for his communications staff, other ambulance officers, and their families. Wally’s son Jon, later joined Ambulance Victoria, became a paramedic and now holds a senior role in the organisation.Pair of dark brown leather gaiters with metal clips to fasten the side and a small brass buckle and strap at the top. The gaiters are marked in ink on the inside surface 'Left' and 'Right' and are both inscribed with the owners name ' W.BYRNE'. gaiters, uniform, wally byrne