Showing 569 items
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Uniting Church Archives - Synod of Victoria
Photograph, C1970
Rev. William Alexander Fraser (1902-1990) was Chaplain of Scotish College in 1968 and Moderator in 1970Matt, colour image of Rev. William Alexander Fraser and Rev. William Morgan in situ.fraser, w. a., morgan, w., presbyterian -
Bialik College
Photograph (Item) - Bnei Mitzvah 1993
Images of students involved with Bialik's Bnei Mitzvah Program. In 1993 the program was organised together with Jewish Welfare and National Council of Jewish Women. Photo taken outside Caulfield Synagogue where our students were invited to the NCJW senior citizens group's meeting. For inquiries or access contact [email protected] larger images have 'bnei mitzvah' inscribed on the back. The smaller image inscription states Bnei Mitzvah Program 1993 (black pen) Josie. This program is organised together with Jewish Welfare and National Council of Jewish Women. Photo taken outside Caulfield Synagogue where our students were invited to the NCJW senior citizens group's meeting (blue pen). bnei mitzvah, jewish culture, school, jewish school, bialik college, photographs -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Town Hall, 1864, n.d
Displayed at History House.Reproductive photograph of Portland Town Hall c1864. Mounted on blue matt with information label.portland town hall -
Melbourne Athenaeum Archives
Theatre Poster, An Evening with Ricky Jay (magic)by Jerry Crevat Entertainment performed at Athenaeum Theatre Two, Melbourne commencing 21 October 1995
this performance was part of the Melbourne international Festival of the arts 1995.This show and festival was sponsoured by Mobiler phone by Eriscon ,Mobilenet Digital and Tenth Melbourne Festival blue and white A4 flyerthis performance was in association with David Roth as Cheif assistant and Matt Silver Production stage manger melbourne international festival of the arts, an evening with ricky jay, ricky jay, athenauem 2 -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Stoneware Bowl by Robin Welch, 1980
Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. Stoneware bowl on a tall foot. Calcium matt glaze, underglaze colour with underglaze metallic lustre. ceramic, jan feder memorial ceramics collection, robin welch, gippsland campus, mungeribar pottery, stadbroke pottery -
Uniting Church Archives - Synod of Victoria
Photograph, C1890
Rev. William E Bromilow (1857-1929) was the founder of the Methodist Mission in British New Guinea.Matt, black and white, studio portrait of Rev. William Bromilow and his wife with Lebi and Joeli."Rev WE Bromilow"bromilow, william, william, e., bromilow, harriet, methodist, british new hebrides -
Uniting Church Archives - Synod of Victoria
Photograph
Rev. W. F. McKenzie (Billie) spent at least 25 years as a missionary on the Arukum Aboriginal Missionary Station in far North Queensland. He also served as State Moderator of the Presbyterian Church.Matt, black and white, head and shoulders studio portrait of Rev. W. F. McKenzie, on card.With best wishes from Bill, 28-iii-49mckenzie, w. f., presbyterian, arukum aborginal missionary station, state moderator -
Uniting Church Archives - Synod of Victoria
Photograph, C. 1929
Rev. W. F. McKenzie (Billie) spent at least 25 years as a missionary on the Arukum Aboriginal Missionary Station in far North Queensland. He also served as State Moderator of the Presbyterian Church.Matt, sepia, head and shoulders studio portrait of W. F. McKenzie on card folder presentation.Best wishes from Billiemckenzie, w. f., presbyterian, arukum aboriginal missionary station, state moderator -
B-24 Liberator Memorial Restoration Australia Inc
Aircraft Recognition Model, Model Aircraft, 1942
Created to supply training and recognition of friendly/enemy aircraft.Expanded the skills of recognition for air crew, ground crew and defence activities.Small bakelite P39 Aircobra Aircraft, coloured black matt including hole for suspension and mobility.P-39 June 42 US -
Uniting Church Archives - Synod of Victoria
Photograph, C1947
Hilda Charlotte Foster, 1902 - 1990, was a Double Certified Nurse when, at the age of 35, she successfully applied to the board of the Australian Inland Mission (AIM) to work at an outback field centre in South Australia. Born and raised in suburban Melbourne, she had been inspired by stories told to her by other missionaries about the fulfilment to be gained working amongst Aboriginal communities. Given her religious faith and nursing skills, she believed she could make a difference. She worked in Oodnadatta in South Australia for two years (1937-1939), followed by a stint in Innamincka in New South Wales in 1940 -1942. Before she became a nurse, Hilda Foster trained to be a Sunday School teacher and was a member of the Sunday School Council of Victoria. She completed first aid courses run through the Presbyterian Deaconesses Institute in Carlton, Victoria, and in 1930 successfully applied to become a trainee nurse at the Austin Hospital for Incurables, in Heidelberg. She commenced her training there in 1931, before moving to the Women's Hospital in 1933. In 1934 she had six months at the Fairfield Infectious Diseases Hospital, before returning to the Austin, where she was employed when she sat her final exams in November 1934. Her combined skills made her a most attractive option for the Australian Inland Mission. As well as being multi-skilled as a nurse, she provided religious instruction and spiritual ministry to members of the community. https://trove.nla.gov.au/people/762093?c=people Sister Foster nursed at Toora Bush Hospital prior to leaving for the Paton Memorial Hospital, Vila, New Hebrides in 1944. She left the New Hebrides in 1946.Matt, black and white, head and shoulders, studio portrait of Sister Hilda Charlotte Foster on card.australian inland mission, presbyterian deaconess, sister hilda charlotte foster, paton memorial hospital vila new hebrides -
Glenelg Shire Council Cultural Collection
Print, Mary Macqueen, Africa, 1973
UnknownTwo zebras grazing in long yellow grass. Mounted on cream matt, in a wooden frame with glass.Front: 1/7 (lower left) Africa (centre) Mary Macqueen - 73 (lower right) (pencil) -
Hume City Civic Collection
Photograph, c1907
Eric Boardman CollectionThe Fanning family posed in a garden setting. There is a man, a woman, a young man, a young woman & 3 small girls. The dress is consistent with a date of the late 19th century. The photo is mounted on a grey cardboard matt. The matt is foxed and has pin holes top & bottom.eric boardman collection, matson and frazer, photographers, fanning family, george evans collection -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1996
Students identified as Jarrod Jones, Tim Brennan, Danny Page, Matt Oglesby, ? and Trevor Lancaster.Black and white photograph six students from Toorloo Arm Primary School, standing under veranda of tent, with pillows in hand, in readiness for a sleep-over at school. Toorloo Arm Victoriaschools, students -
B-24 Liberator Memorial Restoration Australia Inc
Aircraft Recognition Model, Model Aircraft, 1941-45
Created to supply training and recognition of friendly/enemy aircraftExpanded the skills of recognition for aircrew and ground crew and defence activitiesSmall bakelite Japanese "NICK" aircraft model. Coloured matt black including hole for suspension and mobility."NICK" E9-3811 D^D D/LtdC -
B-24 Liberator Memorial Restoration Australia Inc
Aircraft Recognition Model, Model Aircraft, 1941-45
Created to supply training and recognition of friendly/enemy aircraftExpanded the skills of recognition for aircrew and ground crew and defence activitiesSmall bakelite Japanese "NICK" aircraft model. Coloured matt black including hole for suspension and mobility."NICK" E9-3811 D^D D/LtdC -
B-24 Liberator Memorial Restoration Australia Inc
Aircraft Recognition Model, Model Aircraft, 1941-1945
Created to supply training & recognition of friendly/enemy aircraft.Expanded the skills of recognition for air crew, ground crew and defence activities.Small bakelite British Airspeed Oxford aircraft, coloured black matt, uncluding hole for suspension and mobility.Airspeed Oxford E9-2189 D^D DLTDC -
B-24 Liberator Memorial Restoration Australia Inc
Aircraft Recognition Model, Department of Defence, Model Aircraft, Circa 1940's
Created to supply training and recognition of friendly/enemy aircraft.Expanded the skills of recognition for air crew, ground crew and defence activities.Small bakelite Curtiss "Helldiver" aircraft model coloured matt black, including hole for suspension and mobility.Curtiss SB2C-1 E9-2349 D^D DLTDC. -
B-24 Liberator Memorial Restoration Australia Inc
Aircraft Recognition Model, Department of Defence, Model Aircraft, Circa 1940's
Created to supply training and recognition of friendly/enemy aircraftExpanded the skills of recognition for air crew, ground crew and defence activities.Small bakelite Spitfire Mk 5 aircraft, coloured matt black, including hole for suspension and mobility."Spitfire" Mk.V. Trop. E9-2275 D^D DC LTD -
B-24 Liberator Memorial Restoration Australia Inc
Aircraft Recognition Model, Department of Defence, Model Aircraft, Circa 1940's
Created to supply training and recognition of friendly/enemy aircraft.Expanded the skills of recognition for air crew, ground crew and defence activities.Large bakelite B17 Flying Fortress aircraft, coloured matt black, including hole for suspension and mobility."Flying Fortress" Boeing B17E.E9-2324 DS^D DLTDC -
National Vietnam Veterans Museum (NVVM)
Print, Digging In - fire support base Coral, Vietnam, 1968
Colour photo in a tan, wooden frame & brown matt board depicting a soldier digging a defensive pit.My Vietnam collection, Fire Support Base, Coral - Vietnam 1968 @Larry Davenportfire support base - coral -
City of Greater Geelong
Watercolour, Pen & Wash, F Owen, Lutheran Church - Yarra Street
On matt centre bottom: The Old Comunn Na Feine Bottom right: now The Lutheran Church -
Melbourne Tram Museum
Newspaper, The Age, Progress Press, "Tram depot rework fast getting a roll on", 1999
Set of 6 newspaper cuttings about the redevelopment of the site to apartments and the Hawthorn Tram Museum Depot. .1 - Progress Press - 15/3/1999 - "Tram depot rework fast getting a roll on" - article by George Svigos, photo of depot prior to work commencing by Tony Gough. .2 - Progress Press - 19/4/1999 - "New Life for depot", about the redevelopment of the building, quotes Mike Ryan and Matt Faubel. Article by Nicole Strahan. Also "Engineer at home with the changes" - about memories of the depot by Charlie Booth - has photo of Charlie. .3 - Progress Press - 28/6/1998 - "Tram depot may be part of scheme" - about the rezoning of the tram depot. .4 - Progress Press - 19 July 1999 - "Depot developer to be announced" - quotes the Matt Faubel, lists possible developers and timeline for a decision. Article by Nicole Strahan. .5 - Progress Press - 16/8/1999 - $25m plan to convert tram site" - advised that the Urban Land Authority had selected East Asia Property Group. Article by Nicole Strahan .6 - The Age - 13/9/1999 - "Joint deal puts wheels back on tram plan" - about the redevelopment of the site, who was undertaking the work. Has a photo of Mike Ryan and Matt Faubel by the door of 180 and a photo of the depot.trams, tramways, hawthorn tram depot, tram museum, museums, minister for transport, tram 180 -
The Beechworth Burke Museum
Photograph - Aerial Survey, 5/9/1947
This image is an Aerial Survey, Key Diagram of Beechworth and surrounding area. Issued by Department of Lands and Survey, Victoria in 1947. Photographed at an average height of 12300 feet above sea level, areas depicted are; Beechworth, Stanley, Bruarong, Baranduda, Muagegonga, Myrtleford, Everton, Wooragee North Tarrawinge, Dederang, Kergunyah North, Kergunyah, Yackandandah, El-Dorado, Barambogie, Murmungee, Barwidgee, Oxley, CarraragarmungeeBlack and white rectangular photograph. Image is printed on matt photographic paper and has a white un-printed border. Obverse: AERIAL SURVEY, KEY DIAGRAM OF PHOTOGRAPHS, APPROXIMATE SCALE OF MILES / DEPARTMENT OF LANDS AND SURVEY VICTORIA 5.9.1947. BEECHWORTH 792 ZONE 7. Reverse: BMM7010.1 (written in pencil) aerial survey, beechworth, burke museum, department of lands and survey, victoria, 1947 -
Lara RSL Sub Branch
Picture, Ode Tapestry, MId 20th century
The Ode is a verse from a poem Ode Of Remembrance by Laurence Binyon. The Poem first appeared in the Times of London on 21 September 1914. This particular verse is used in ANZAC and Remembrance Day ServicesThe verse of the Poem has been used in ANZAC and Remembrance Day Services from their inception. The verse is pertinent to all service persons who have lose their life in conflict.Oblong, Black Frame, Matt Surround, Glass, Cross Stitch, various colors, cotton thread on aida fabric. Hand sewn the ODE, picture of military Bugler, dark military figures in the back ground. Words LEST WE FORGET, The Ode, seven lines of the ode poem. Framing by Frameline Picture Framing, tapestry work not known.ode, lest we forget, tapestry -
Maldon Vintage Machinery Museum Inc
Sewing Machine, Estimated 1870
Hand operated sewing machine. Early model with bullet shaped bobbin. In working order. Painted matt black.Serial number on plate P022565 -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1950s
The photo, taken in the 1950s, was mounted on card to commemorate the 60th anniversary of Parkdale Methodist Church in 1984.The weatherboard church was constructed in 1926. In the 1950s a brick veneer hall was added on one side and in 1961 the old church was brick veneered and tiled. New kindergarten rooms were built at the rear in 1970.B & W matt photograph showing members of the congregation gathered outside the original weatherboard Parkdale Methodist Church. -
Rutherglen Historical Society
Photograph - Image, c1903
Black and white matt photograph of SJ Yourn Cash Grocers at North Prentice with man and six children in frontOn back of photo: "J.H. Yourn & Family | Taken at North Prentice circa 1903 | Located immediately south of North Prentice State School site | Irene (King), Winnie (Herd), Alice (Withers), Florence (Nash), Gladys (Grant) | On chair James Norman & father John Henry Yourn"yourn cash grocers, north prentice, yourn family, james norman yourn, john henry yourn, irene king, winnie herd, alice withers, florence nash, gladys grant -
National Vietnam Veterans Museum (NVVM)
Painting - Watercolour
This item was collected because it contributes to an understanding of those involved in the conflict in Vietnam other than Australian servicemen.Framed water colour and ink on rice paper. Image is of Vietnamese women at the market. Green matt surrounds image.painting, market, vietnamese women, vietnamese craft, vietnam -
National Vietnam Veterans Museum (NVVM)
Photograph
Colour photo in b&w frame with silver matt board. Photo depicts Vietnam Veterans' Memorial USA.The Vietnam Veterans of Australia in appreciation of you commaderie from your friends at VVA Chapter 48 Norfolk Oct 4-7 1992vietnam veterans memorial - usa -
Greensborough Historical Society
Photograph, Amy and Eunice Medhurst, 1901c
Medhurst children, Amy Christina Medhurst born1888 and Eunice Sarah Medhurst born 1891.Early 20th century portrait of children from the Medhurst family, a prominent Greensborough pioneer familyStudio photograph of two young women, one standing and one seated. Sepia. Name of studio on front matt. Front: Allan Studios 318 Smith Street Collingwood. Back: Amy Christina Medhurst 1888, Eunice Sarah Medhurst 1891.amy christina medhurst, eunice sarah medhurst, medhurst family