Showing 1213 items
matching moulded
-
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim, Gallon style liquor bottle. Applied double collar lip; square upper with flared lower. Neck is slightly bulged and there is a mould seam where shoulder joins base. Body tapers inward to base. Uneven base with deep push-up centre with small pontil mark. Scratches and imperfections in glass. Also encrustations on surface. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Coal Creek Community Park & Museum
Pessary mould
Used at Manning Chemist, Flinders Street Railway Station, Melbourne until 1984. Bronze pessary mould in two parts with matching channel moulds to create tubular pessaries, with a screw to hold parts together. -
Montsalvat
Rubber Mould, Untitled
Round rubber mould depicting two female nudes embracing. The reverse side contains the mould S. 51 of a stallion. Nonematcham skipper, mould, jewellery, nude, female -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied, double collar lip; square upper with flared lower. Neck has seams and shoulder seam from 3-piece mould. Body with horizontal ripples tapers inwards to base. Push-up base with pontil mark and embossed inscription. Tape over wire around mouth. Cork remnants inside mouth. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Neck has seams and shoulder seam from 3-piece mould. Body tapers towards base. Push-up base with pontil mark and embossed inscription. Base is uneven. Mouth has remnants of the seal in it and tape remnants around its outside. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Bendigo Historical Society Inc.
Leisure object - DOLL COLLECTION: KAMMER AND REINHARDT PORCELAIN DOLL, 1910-1914
Doll maker Kammer and Reinhard bisque doll heads and bodies were designed by them, but most heads were manufactured by Simon & Halbig which is why heads bear both marks.Kammer and Reinhardt porcelain and cloth baby doll mould number 116A circa 1912. She has a porcelain head, forearms and lower legs and feet. The rest of her body is a stuffed material calico. Her legs are jointed at the knees. She is dressed in a long sleeved, extended christening like robe of cream broderie anglaise. The robe has decorative pintucking and lace on the bodice, sleeves, cuffs and skirt with a contrasting broderie anglaise hem. Part of a lace insert has become unstitched at the front. Underneath is a full petticoat of white cotton with pintucking and lace with a white broderie anglaise hem. Another full length petticoat of cream linen trimmed with lace is also underneath. She has a cream knitted singlet and knickers with cream knitted bootees. She has short blonde matted hair and wears a lace trimmed broderie anglaise bonnet with satin ribbons to match her robe.Initials K and R either side of a Star of David and the words Simon and Halbig below with the mould no 116/Atoys, dolls, porcelain -
Coal Creek Community Park & Museum
Pessary mould
Used at Manning Chemist, Flinders Street Railway Station, Melbourne until 1984. 226.4 - Metal pessary mould in three parts with matching channel moulds to create tubular pessaries, and a screw to hold parts together.On top of top section: 225.1, around the screw : W D S A, front of top section : 10 GR, front of middle section : 10, front of bottom section : 10 , 15. -
Coal Creek Community Park & Museum
Passion Fruit Soda
Rusted Lid Mould in bottom of bottleArtificially Coloured, Joe's Passion, Preservative added - (lid) Net Contents FL OZ Joe's Manufactured by South Gippsland Cordial Co. PTY. LTD, Phone Area Code 056-551677 -
Clunes Museum
domestic object - JELLY MOULD
CLEAR GLASS DECORATIVE JELLY MOULDNildomestic item, jelly mould -
Tatura Irrigation & Wartime Camps Museum
Chisel, 1940's
Used by internees at Camp 3Moulded wooden handled, metal chiselchhisel, hoefer family, camp 3, tatura, ww2 camp 3, trades, carpentry -
Tatura Irrigation & Wartime Camps Museum
Chisel, 1940's
Used by internees at Camp 3Moulded wooden handled, metal chiselPHchisel, hoefer family, camp 3, tatura, ww2 camp 3, trades, carpentry -
Tatura Irrigation & Wartime Camps Museum
Chisel, 1940's
Used by internees at Camp 3Moulded wooden handled, metal chiselchisel, hoefer family, camp 3, tatura, ww2, trades, carpentry -
Clunes Museum
Functional object - DOOR KNOCKER
THIS DOOR KNOCKER WAS DUG UP IN A GARDEN BY DOUGLAS PATTEN 39 LESLIE STREET CLUNES IN YEAR 2000 WHO PRESENTED OBJECT TO CLUNES MUSEUM.CAST IRON MOULDED DOOR KNOCKERlocal history, building, metal craft, -
Rutherglen Historical Society
Jelly Mould
used by the Brighton Pavilion fequented by royaltyOval fluted hollow centered mould -
Montsalvat
Rubber Mould, Untitled
Oval rubber mould for decorative pendantNonematcham skipper, mould, jewellery, pendant -
Montsalvat
Rubber Mould, Untitled (Pegasus)
Circular rubber mould depicting Pegasus.Labelled M5matcham skipper, mould, jewellery, pegasus -
Montsalvat
Plaster Mould, Untitled (Pegasus)
Round plaster mould depicting Pegasus.Nonematcham skipper, mould, jewellery, pegasus -
Montsalvat
Rubber Mould, Untitled
Round rubber mould of a decorative design Nonematcham skipper, mould, jewellery, decorative pattern -
Montsalvat
Silicon Mould, Untitled
Rectangular silicon mould of a decorative design.Nonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Rubber Mould, Untitled
Rectangular rubber mould of a decorative design.Nonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Silicon Mould, Untitled
Oval silicon mould of a decorative designNonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Plaster Mould, Untitled
Oval plaster mould of a decorative designNonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Plaster Mould, Untitled
Rectangular plaster mould of a decorative design.Nonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Plaster Mould, Matcham Skipper (1921-2011), Untitled
Plaster mould of a square decorative design. Nonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Silicon Mould, Matcham Skipper (1921-2011), Untitled (Lion)
Silicon Mould depicting a lion's head.Nonematcham skipper, mould, jewellery, lion -
Montsalvat
Silicon Mould, Matcham Skipper (1921-2011), Untitled
Silicon mould of a square decorative design. Nonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Rubber Mould, Matcham Skipper (1921-2011), Untitled
Round rubber mould of a decorative design.Nonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Silicon Mould, Matcham Skipper (1921-2011), Untitled
Round silicon mould of a decorative design.Nonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Plaster Mould, Matcham Skipper (1921-2011), Untitled
Oval plaster mould depicting flowers.Nonematcham skipper, mould, jewellery, flowers -
Montsalvat
Plaster Mould, Untitled
Plaster mould depicting a woman with violin. Nonematcham skipper, mould, jewellery, woman, violin