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Federation University Historical Collection
Container - Artists' Book, Re_Designed / Solid, Liquid Gas, 2000
Promotional catalogue of third year, University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating student work, 2000. Custom designed plastic pack containing 20 sheets of recycled printed and overprinted student works, plus a CD Rom. The contents are representative of multiple variations across packs. The clear polypropylene pack is printed in yellow and a clear varnish. The original (1997) works are offset printed in black and silver, the overprint (2000) works are in full, four process colour. CD Rom printed two colours (yellow and very dark teal) single sided. Refer item 29168.1 for screen captures from this CD Rom. Third year, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating class promotional pack. Students responded to the concept of "past, present and future". These new works (year 2000) were then overprinted onto unbound sheets of the 1997 graduating student project "Silver Screen" to create entirely different pieces to "challenge the conventional boundaries of the printed image" and elicit "environmental awareness". As such, each pack contained different combinations of original (silver and black) and overprint (full colour) designs. "Re-designed" (2000) overprinted works by Belinda Janetski, Ben Sanders, Angelina Teo, Selina Shillito, Justin Weyers, Andrew Strack, Debbie Ferris, Yuri Tanabe, Nandor Rakosi, Jason Grace, Wes Prendergast, Michael Fennelly, Brett van Lieshout, Derek Fong, Abby Vanstan, Vince Luc, Lynette Heenan, Van Sanders, Sam Harmer. Original (1997) "Silver Screen" works created by Ben Mangan, Russell Kerr, Luke Keys, Travis Prices, Karen Grinter, Rosie Busuttil, Peter Horvat, Felix Lee, Karl Chandler, Matt Bowman, Adam Laszczuk, Narelle Pietsch, Natasha Pietsch, Jenny Tyquin. Back cover lists sponsors. Custom designed plastic pack containing 20 sheets of recycled printed and overprinted student works, plus a CD Rom. The contents are representative of multiple variations across packs.university of ballarat, federation university, graphic design, multimedia, belinda janetski, ben sanders, angelina teo, selina shillito, justin weyers, andrew strack, debbie ferris, yuri tanabe, nandor rakosi, jason grace, wes prendergast, michael fennelly, brett van lieshout, derek fong, abby vanstan, vince luc, lynette heenan, van sanders, sam harmer -
Australian Nursing & Midwifery Federation
Video recording and proceedings of 'Ethics and Legal Problems in Resuscitation' seminar, 20 March 1991, Geelong Hospital
Written proceedings and video recording of a seminar held at the Geelong Hospital on 20 March 1991. The topic of the seminar, ethics and legal problems in resuscitation, resulted in a heated debate among attendees. Several doctors took issue with a presentation by Megan-Jane Johnstone, a nurse, ethicist and academic, in regards to documenting decision-making, patients' rights and guidelines around resuscitation. Other speakers included Paul Mestitz (Physician at Geelong Hospital) and Brian Bourke (Barrister). The seminar took place from 7.45-9:45pm in the John Lindell Lecture Theatre at the Geelong Hospital. The content was donated to the Australian Nursing and Midwifery Federation (Victorian Branch) on a USB by Megan-Jane Johnstone, with the aim of raising awareness of how members of the medical profession debate and respond to ethical and legal concerns in healthcare. The original was given to the donor on VHS in 1991.115 minute video file (.mp4 multimedia format), transferred from VHS tape. In colour, with sound. Video shows proceedings of 'Ethics and Legal Problems in Resuscitation' seminar at The Geelong Hospital on Wednesday 20 March 1991. An image file shows a scan of the proceedings of the seminar, with handwritten notes indicating the name of those asking questions during discussion.ethics, nursing, legal, law, bioethics, medical ethics, patients rights, decision making -
Federation University Historical Collection
Article - Compact Disc, PMI, 17 Most Wanted, 1996
Separate to the combined Visual Arts exhibition held at the Mt Helen Campus, the third year graphic design exhibition ran from 15 to 24 October 1996 at the ANZ Gothic Bank, Corner Collins and Queen Street, Melbourne. Exhibition opened by invitation on Tuesday 15 October 1996 at 6.00pm. Review of Graphic Design graduate work, 1996. Compact Disc (CD Rom) printed four colour process on front, in clear plastic sleeve. University of Ballarat, Bachelor of Art (Graphic Design) Graduate Exhibition and promotional material, 1996. The interactive/multimedia CD Rom was developed using Macromedia Director 5.0, finalised on 11 September 1996. 67.7Mb of data. university of ballarat, federation university, graphic design, mark molloy, hilario vila pouca, gavin nash, robert connelly, paul lynch, ross morgan, w hewitt, j patella, j jones, r braybrook, t roth, c dorrington, b tiley, k mibus, j rowland, k gration, b marshall -
Bialik College
Mixed media (sub-series) - 70th and 75th anniversaries of Bialik College, 2012 and 2017, 2012
celebration, event, 2010scelebration, event, 2010s -
Federation University Historical Collection
Photograph - Photograph - Colour, Clare Gervasoni, Plaque at the Greenhill Enterprise Centre, 1997
Colour photograph of a plaque at Greenhill Enterprise Centre, at the Ballarat Technology Park.To mark the commencement of the building of the Greenhill Enterprise Centre of the Ballarat Enterprise Centre on the Ballarat Technology Park this plaque was unveiled by The Honourable Alan Stockdale, MP Treasurer of Victoria and the Minister for Multimedia on Friday 18 April, 1997 Professor G.N Blainey, AO Chancellor Professor D.W. James, Vice-Chanellor University of Ballaratgreenhill enterprise centre, geoffrey blainey, david james, ballarat technology centre -
Federation University Historical Collection
Article - Compact Disc (CD Catalogue), Under Construction, Graduate & Honours Exhibition, 2002
Tested CD on Mac OS 9.2.2 . Autorun unsuccessful. Able to operate on old Internet Explorer. Some files available.Compact Disc from 29179 pack.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy -
Federation University Historical Collection
Container - Promotional packs of badges, Products of Choice, 2004
Promotional pack created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2004. "Products of Choice" is how the graduands "collectively believed represented who they are and what they are striving to be." Each of the 24 graduating students designed and produced a suite of 10 badges (240 unique 35mm badges in total), hand assembled on the faculty badge making machine. One of each student's badges was then hand packed into a foam mount within a plastic case. Ie. All 24 students are represented in each limited edition case. Their original corresponding order is outlined on the reverse of the pack. (Note, it is possible badges may have been reordered prior to entering the collection.) Recipients were encouraged to choose and wear the badges. Lecturing staff (third year): Helmut Stenzel, Leigh Whetter, Nic Wai. Students listed: Judd Madden, Bonnie Van De Ven, Andrew Jones, Ben Potter, Arindel Searby, Catherine Martin, Lou Bryan, Zara Costello, Emily French, Agnes Ostrozka, Clare Simons, Daniel Frawley, Angelika Gorna, Elizabeth Walcott, George Bush, Mark Bickerdike, Stacey Dekker, Petreen D'Costa, Nick Oeldrich, Matt Deutscher, Narelle Craven, Sonia James, Alistair Burn, Thomas Jolly.Three cases of a limited edition run of 240 packs, each containing 24 badges. Limited edition pack numbers 217, 221 and 104. Badges printed full colour laserprinted. Pack cover, printed red with edition number hand written in black marker. Back cover in printed black.university of ballarat, federation university, graphic design, multimedia, judd madden, bonnie van de ven, andrew jones, ben potter, arindel searby, catherine martin, lou bryan, zara costello, emily french, agnes ostrozka, clare simons, daniel frawley, angelika gorna, elizabeth walcott, george bush, mark bickerdike, stacey dekker, petreen d'costa, nick oeldrich, matt deutscher, narelle craven, sonia james, alistair burn, thomas jolly., helmut stenzel, leigh whetter, nic wai. -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, John Henry Harvey, c1890
Black and white print from the State Library of Victoria, of a horse tram (possibly No. 10), turning left from Sturt St. into Armstrong St. enroute for Skipton St. Has City of Ballaarat Town Hall in the background with two other horse drawn cabs in the view. Has the statue of ???? on the left hand side of the photograph. State Library Multimedia Source Catalogue gives the photographer as John Henry Harvey and date of print as 1875c. Actual date is post 1888. State Library Permission required to reproduce the photo.On rear in pencil in bottom left hand corner "Copy of H92 150/408" and in centre along bottom edge "Reproduction Rights Reserved - Copied by State Library of Victoria".trams, tramways, sturt st, armstrong st, horse trams, ballarat town hall, tram 10 -
Federation University Historical Collection
Container - Promotional pack of badges, Products of Choice, #217 of 240, 2004
Limited edition (#217) promotional pack created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2004. "Products of Choice" is how the graduands "collectively believed represented who they are and what they are striving to be." Each of the 24 graduating students designed and produced a suite of 10 badges (240 unique 35mm badges in total), hand assembled on the faculty badge making machine. One of each student's badges was then hand packed into a foam mount within a plastic case. Ie. All 24 students are represented in each limited edition case. Their original corresponding order is outlined on the reverse of the pack. (Note, it is possible badges may have been reordered prior to entering the collection.) Recipients were encouraged to choose and wear the badges. Lecturing staff (third year): Helmut Stenzel, Leigh Whetter, Nic Wai. Students listed: Judd Madden, Bonnie Van De Ven, Andrew Jones, Ben Potter, Arindel Searby, Catherine Martin, Lou Bryan, Zara Costello, Emily French, Agnes Ostrozka, Clare Simons, Daniel Frawley, Angelika Gorna, Elizabeth Walcott, George Bush, Mark Bickerdike, Stacey Dekker, Petreen D'Costa, Nick Oeldrich, Matt Deutscher, Narelle Craven, Sonia James, Alistair Burn, Thomas Jolly.Three cases of a limited edition run of 240 packs, each containing 24 badges. Case #217 of 240 is open to display badges. Badges printed full colour laserprinted. Pack cover, printed red with edition number hand written in black marker. Back cover in printed black.university of ballarat, federation university, graphic design, multimedia, judd madden, bonnie van de ven, andrew jones, ben potter, arindel searby, catherine martin, lou bryan, zara costello, emily french, agnes ostrozka, clare simons, daniel frawley, angelika gorna, elizabeth walcott, george bush, mark bickerdike, stacey dekker, petreen d'costa, nick oeldrich, matt deutscher, narelle craven, sonia james, alistair burn, thomas jolly., helmut stenzel, leigh whetter, nic wai. -
Federation University Historical Collection
Container - Promotional pack of badges, Products of Choice, #221 of 240, 2004
Limited edition (#221) promotional pack created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2004. "Products of Choice" is how the graduands "collectively believed represented who they are and what they are striving to be." Each of the 24 graduating students designed and produced a suite of 10 badges (240 unique 35mm badges in total), hand assembled on the faculty badge making machine. One of each student's badges was then hand packed into a foam mount within a plastic case. Ie. All 24 students are represented in each limited edition case. Their original corresponding order is outlined on the reverse of the pack. (Note, it is possible badges may have been reordered prior to entering the collection.) Recipients were encouraged to choose and wear the badges. Lecturing staff (third year): Helmut Stenzel, Leigh Whetter, Nic Wai. Students listed: Judd Madden, Bonnie Van De Ven, Andrew Jones, Ben Potter, Arindel Searby, Catherine Martin, Lou Bryan, Zara Costello, Emily French, Agnes Ostrozka, Clare Simons, Daniel Frawley, Angelika Gorna, Elizabeth Walcott, George Bush, Mark Bickerdike, Stacey Dekker, Petreen D'Costa, Nick Oeldrich, Matt Deutscher, Narelle Craven, Sonia James, Alistair Burn, Thomas Jolly.Three cases of a limited edition run of 240 packs, each containing 24 badges. Case #221 of 240 is open to display badges. Badges printed full colour laserprinted. Pack cover, printed red with edition number hand written in black marker. Back cover in printed black.university of ballarat, federation university, graphic design, multimedia, judd madden, bonnie van de ven, andrew jones, ben potter, arindel searby, catherine martin, lou bryan, zara costello, emily french, agnes ostrozka, clare simons, daniel frawley, angelika gorna, elizabeth walcott, george bush, mark bickerdike, stacey dekker, petreen d'costa, nick oeldrich, matt deutscher, narelle craven, sonia james, alistair burn, thomas jolly., helmut stenzel, leigh whetter, nic wai. -
Federation University Historical Collection
Container - Promotional pack of badges, Products of Choice, #104 of 240, 2004
Limited edition (#104) promotional pack created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2004. "Products of Choice" is how the graduands "collectively believed represented who they are and what they are striving to be." Each of the 24 graduating students designed and produced a suite of 10 badges (240 unique 35mm badges in total), hand assembled on the faculty badge making machine. One of each student's badges was then hand packed into a foam mount within a plastic case. Ie. All 24 students are represented in each limited edition case. Their original corresponding order is outlined on the reverse of the pack. (Note, it is possible badges may have been reordered prior to entering the collection.) Recipients were encouraged to choose and wear the badges. Lecturing staff (third year): Helmut Stenzel, Leigh Whetter, Nic Wai. Students listed: Judd Madden, Bonnie Van De Ven, Andrew Jones, Ben Potter, Arindel Searby, Catherine Martin, Lou Bryan, Zara Costello, Emily French, Agnes Ostrozka, Clare Simons, Daniel Frawley, Angelika Gorna, Elizabeth Walcott, George Bush, Mark Bickerdike, Stacey Dekker, Petreen D'Costa, Nick Oeldrich, Matt Deutscher, Narelle Craven, Sonia James, Alistair Burn, Thomas Jolly.Three cases of a limited edition run of 240 packs, each containing 24 badges. Case #104 of 240 is open to display badges. One badge is missing from this case. Badges printed full colour laserprinted. Pack cover, printed red with edition number hand written in black marker. Back cover in printed black.university of ballarat, federation university, graphic design, multimedia, judd madden, bonnie van de ven, andrew jones, ben potter, arindel searby, catherine martin, lou bryan, zara costello, emily french, agnes ostrozka, clare simons, daniel frawley, angelika gorna, elizabeth walcott, george bush, mark bickerdike, stacey dekker, petreen d'costa, nick oeldrich, matt deutscher, narelle craven, sonia james, alistair burn, thomas jolly., helmut stenzel, leigh whetter, nic wai. -
Federation University Historical Collection
Trophy, The Art Directors Club 81st Annual Award - 2002, c2002
The Art Directors Club Annual Awards began in 1921. They celebrate "the artistry and craftsmanship that is synonymous with beautiful advertising and design". At the 81st Awards in 2002, Ballarat University won gold. This is the first time an Australian University has been recognised. Student Leigh Scholten art directed the winning project labelled Promotional Use Only. It was created by 27 students under Project Instructor and University Graphic Design/Multimedia Lecturer Helmet Stenzel. The book "Art Directors Annual 81st" (10171) donated to the Geoffrey Blainey Research Centre by Helmet Stenzel http://adcglobal.org/awards/Brass cube - polished surface. Four cork pads on base."University of Ballarat" - presumably the recipient of award. Symbol on top - letters "A" and "D". Logo for Art Directors. "The Art Directors Club 81st Annual Awards" at bottom of side Manufacturer's label on base - "Simba Awards Ltd.46-44 11th St, Long Island City, NY 11101. Phone (718) 482-7822" art directors club, annual awards, advertising, design, 81st award, university of ballarat, gold, leigh scholten, helmet stenzel, 2002, art directors club annual awards -
Federation University Historical Collection
Flyer - Exhibition invitation, graphic design 08 graduate exhibition evening, 2008
Exhibition opening held Thursday 27 November, 2008 at Loop Bar, 23 Meyers Place, Melbourne.Uncoated brown card, printed single colour (black).university of ballarat, federation university, graphic design, multimedia, camp street campus, bachelor, degree, arts academy -
Federation University Art Collection
Work on paper - Printmaking - Multi media, 'Woman of the Interior' by Elaine d'Esterre, 1993
Elaine D'ESTERRE Elaine D'Esterre is a fulltime artist who lives in Anglesea on Victoria's Surf Coast. Iin 1992 Elaine D'Esterre graduatued with a Bachelor of Arts (printmaking) from the University of Ballarat. The following year she was awarded a Graduate Diploma (painting) from theUniversity of Ballarat. In 2000 D'Esterre was awarded a Doctor of Philospophy from Deakin University. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. See also 3rd Year Final Exhibition 1992' program (Historical collection 005803)Limited edition print signed at lower right.Edition: 2/4art, artwork, elaine d'esterre, d'esterre, printmaking, multimedia, available, alumni -
Bendigo Historical Society Inc.
Painting - BLACK AND WHITE PRINT OF MINING CAMP, SANDHURST,LUDWIG BECKER
black and white print of mining camp / small black and white print of sketch by Ludwig Becker depicting a mining camp , Aboriginals and burnt tree stumps which appear to be religious figures ./ Unsubstantiated notations on back re location , plus letter from Bendigo Art Gallery and Printout from Multimedia Catalogue with artists details . / dated 1862 / source Miss Amy Robshaw / old black and gold frame /paper note attached to rear of frame ' This remarkable drawing depicts Camp Hill in the background with burnt trees where the Baby Health Centre is now .Note the religious significance of the fanciful burnt trunks and branches .Perhaps Dr. Backhaus was the Artist.' / Letter on heavy paper from David Thomas Director of the Bendigo Art Gallery dated 15.3.1989 to Felicity Kingerlee C/- Collins Booksellers , Hargreaves Mall , Bendigo ,giving his views on the origin of the sketch and enclosing further details from the Multimedia Catalogue which contains pencil notes - ' View near Chum Gully Bendigo , looking north towards Golden - Sheeps Head Gullies in which the grotesque old stumps were grouped in the foreground were situated in 1853.Ludwig Beckerartwork, print, landscape, ludwig becker / camp hill / dr. bacchaus / chum gully bendigo / golden - sheeps head gullies / -
Federation University Art Collection
Work on paper, 'Fallen and Lost', by Lara Russell, 2013
Lara RUSSELL Lara Russell was a student of Graphic Design and Multimedia at the University of Ballarat Arts Academy when she undertook this work. The work won the 2013 Lucato Peace Prize. Established at Federation University Australia in 2004, the Lucato Peace Prize is offered annually with the generous support of Mr George Lucato. The Prize is an annual acquisitive award, open to all enrolled Federation University Australia students and senior secondary students enrolled at a City of Ballarat secondary school or college. The winner of the Lucato Peace Prize is decided annually by a formal judging panel and is awarded to the student whose work best illustrates or expresses 'peaceful alternatives are always preferable to armed confrontations'. This artwork comprises 12 postcards each with an individual word in a gold box. Artist's Statement: The collection of postcards creates a sentence that reflects on war being an opposition to life itself. The instant we agree to destruction and conflict, we ourselves have lost the freedom and peace to live a healthy and prosperous life by giving all out hear to the cause of war. Winner of the Lucato Peace Prize Acquisition 2014 art, art collection, russell, lara russell, lucato, lucato peace prize, federation university, arts academy, alumni -
Federation University Historical Collection
Article - Promotional CD catalogue, Visual Arts at the Arts Academy, c2005
Courses listed on accompanying flyer. Higher Education courses listed: Bachelor of Visual Arts (Fine Arts), Bachelor of Visual Arts (Graphic design/Multimedia), Bachelor of Arts Visual Arts (Honours), Bachelor of Arts (Music Theatre), Bachelor of Arts (Acting), Master of Arts (by Research), Doctor of Philosophy. TAFE courses listed: Diploma of Arts (Visual Arts), Diploma of Arts (Ceramics), Advanced Diploma of Arts (Graphic Design) inc Diploma of Arts (Graphic Arts), Advanced Diploma in Music, Diploma of Live Production, Theatre & Events (Technical Production) inc Certificate IV, Diploma of Theatre Arts inc Certificate IV in Theatre Arts, Certificate IV in Visual Arts and Contemporary Crafts – Koori Visual Arts.Promotional compact disc aimed at prospective students for courses at the University of Ballarat, Arts Academy, Camp Street Campus. federation university, arts academy, diploma of arts (visual arts), diploma of arts (ceramics), advanced diploma of arts (graphic design) inc diploma of arts (graphic arts), advanced diploma in music, diploma of live production, theatre & events (technical production) inc certificate iv, diploma of theatre arts inc certificate iv in theatre arts, certificate iv in visual arts and contemporary crafts – koori visual arts -
Mission to Seafarers Victoria
Poster, Art, Labour and Working Life, 2018
A poster printed by the RMIT in 2018, to promote an exhibition of works at the MTSV about the interelationships between labour, working life and artistic practice. BACKGROUND The Work of Art was an exhibition about labour, working life and artistic practice. The exhibition explored three aspects of art's relationship to work: (1) artworks about contemporary labour, (2) the labour of art-making itself and (3) the often precarious aspects of life as a working artist. Throughout the exhibition, different artists "worked" from the space of the gallery, revealing the layers of manual, emotional and intellectual labour involved in the work of art. CONTRIBUTION I was invited to develop the exhibition by the "Murphy Group", a group of researchers at RMIT. As the lead co-curator for the exhibition, I researched the history of artistic responses to working conditions. Through this process I identified a gap - while many artists have explored the conditions of labour and working life in their artworks, fewer have drawn attention to the working conditions of artists themselves. This became a key theme in the exhibition. The exhibition presented the work of nine contemporary Australian artists, including high profile and mid-career artists like Bindi Cole and Bek Conroy, alongside the work of emerging artists. In addition to the display of artworks throughout the space, five artists worked performatively, bringing to life the processes and manual labour involved in artmaking. A public forum extended the complex discussion on the relationship between art, work and labour. SIGNIFICANCE The works were presented in the context of a public space that has a strong relationship to contemporary labour - the Mission to Seafarers in Docklands. The Mission to Seafarers is a working mission that provides support to ship-workers. Presenting the works in this space created a real connection between the artworks and the lived experience of precarious labour. The exhibition reached a large audience including over 1000+ visitors in 10 days. It fostered a high engagement on social media and attracted media coverage including a feature in ArtsHub.A record of the ongoing involvement of the MTSV in art, and working with the art community by providing a suitable venue and display space.A3 size yellow paper promotional poster, double-sided. Three-quarters of the front of the poster is covered with the repeated line "Art, Labour & Working Life" in large font, to form ten rows. These rows are in outline form except for picked out words which are in entirely black characters and these cascade down, a row at a time, a word at a time, to form the same line ("Art, Labour & Working Life"). rmit, 2018, events, labour, working life, artistic practice, hiring event, cultural events, multimedia, nicholas walton-healey -
Federation University Historical Collection
Newspaper, Saragasso, 1978-1981
Sargasso was a monthly newspaper of the Ballarat University College/University of Ballarat Student Union newspaper. Matthew Cuthbert worked on Sargasso from 1989 to 1991 when it was created on LC 2 Apple Mac, at that time one of the best Apple labs in the country. "The Ballarat Courier had four machine, we had a suite." (Matthew Cuthbert, 2022) Mathew Cuthbert was the founder of ‘Integration,’ an alterntive venue and nightclub, with local college band, ‘The Fat Thing’ . This club had a following of Grunge and New Indie music from the UK, namely Madchester, straight from the decks of the Chevron, Melbourne. He went on to study interactive Multimedia at Central Saint Martin’s, London. "It was a great time at Ballarat, a melding of arts, humanities, friendship, youth and a Bohemia of sorts." (Matthew Cuthbert, 2022)Seventeen copies of the Ballarat University College/University of Ballarat student newspaper 'Sargasso'.student union, ballarat college of advanced education student union, eureka, newspaper, ballarat university college, university of ballarat, student union, student association, michael hayes, carparking, painters and dockers, the saints, elliott goblet, len taylor, engineering, russell bell, michael thornton, fiona kleinitz, katie o'callaghan, darren parker, ambrose nicholls, tim jess, siva shankar, terry o'biren, computers, french nuclear tests, muroroa atoll, chris hutchinson, hodges robinson, ballarat international film festival, hugh jarse, fred penhall, catherine righetti, mathew cuthbert, vicki morrison, jerry goularas, john shapham, brian sardeson, peter glover, roger burnley, michael radman, jodie chivell, janell armfield, sexual harassment, east timor, andrew sutherland, metallica, 3bbb, rod harrison, robyne sterns, voluntary student unionism, campus conservation corps, melinda glisson, christie pepperell, paul harmes, azhar albazzaz, mat erbs, russell bell, michael thornton, loren gale, stephen degabrielle, floriene loder, john winkelman, lisa gleeson, hecs, higher education contribution scheme, robyne sterns, steve blomeley, melissa auchline, jane hyland, rob sitch, chrissie mildren, eric ong, hoodoo guros, keith lanyon, david fitzgerald, vince zankin, justin driscoll, brian welsh, chaplains, orion, pauline schenk, caitlin french, tom fermi, lisa gleeson, beth filipov, ballarat film society, mortlake buskers festival, australian university games, shivalli nanduri, david jones, merrion kent, stephen hubert, carly shaw, simon kennedy, david james, michael thorton, paul sproules, jacek olchowick, rape, autism, eureka stockade memorial trust, halls of residence, student residences, peter joyce, kath pengelly, sam drew, amie bird, antonino atzori (nino), michelle menz, mariela gledj, rugby union, hockey, sarag freeman -
Federation University Historical Collection
Booklet - Promotional brochure and CD catalogue, Visual Arts at the Arts Academy, c2005
Higher Education courses listed: Bachelor of Visual Arts (Fine Arts), Bachelor of Visual Arts (Graphic design/Multimedia), Bachelor of Arts Visual Arts (Honours), Bachelor of Arts (Music Theatre), Bachelor of Arts (Acting), Master of Arts (by Research), Doctor of Philosophy. TAFE courses listed: Diploma of Arts (Visual Arts), Diploma of Arts (Ceramics), Advanced Diploma of Arts (Graphic Design) inc Diploma of Arts (Graphic Arts), Advanced Diploma in Music, Diploma of Live Production, Theatre & Events (Technical Production) inc Certificate IV, Diploma of Theatre Arts inc Certificate IV in Theatre Arts, Certificate IV in Visual Arts and Contemporary Crafts – Koori Visual Arts. Includes testimonials from Sarah Schmidt, David Noonan, Felicity Morton.Promotional brochure aimed at prospective students for courses at the University of Ballarat, Arts Academy, Camp Street Campus. 6pp roll fold full colour.federation university, arts academy, diploma of arts (visual arts), diploma of arts (ceramics), advanced diploma of arts (graphic design) inc diploma of arts (graphic arts), advanced diploma in music, diploma of live production, theatre & events (technical production) inc certificate iv, diploma of theatre arts inc certificate iv in theatre arts, certificate iv in visual arts and contemporary crafts – koori visual arts -
Federation University Historical Collection
Book - Catalogue, Disruption By Design: Intentional Catalyst for Change, 2012
This publication accompanied the exhibition of UB Bachelor of Visual Arts (Graphic Design) graduate students which ran from 23 November to 2 December 2012. Foreword by Professor John McDonald, Dean, School of Education and Arts, and by "Inkahoots" design studio. Student list: Christopher Frith, James Croft, Jesse Mason, Andrew Cox, Daniel Roache, Jenna Locket, Aaron Croft, Emily Phillips, Caitlin Heimeier, Maddy Collicoat, Brayden Waight, Elisa Micallef, Danii Zecevic, Zoe-Lee Scriven, Carla Ellis, Bryce Holywell, Lindsay Sewart, Megan Sutherland, Steven Fiume, Brianna Wines, Matt Sullivan, Alyssa Roberts, Hayley Burman, Jacqui Leutenmayr, Jessica Weston, Kimberley Wilson, Georgia Clarke, Josh Fry, Breanna Dignan, Lucy-Ann Moore, Tom Miatke, Daniel Howard, Matt Watts. 33 students. Inside back cover, thanks supporters, lecturers and sponsors. Lecturers: Ben Mangan, Chrissie Smith, Gavin Nash, Luke Keys, Glen Bellman, Travis Price, Sam Harmer, Damian Lentini, Jennifer Jones-O'Neill, Jimmy Pasakos, Pete Swan and Peter Pilven. Book layout and design by Aaron Croft, James Croft and Daniel Howard. Note: "Multimedia" has been removed from the degree title here.Promotional catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design) third year, graduating students, 2012. 40pp text pages (printed orange, silver and black) and 4pp saddle stitched cover (printed orange and silver), uncoated stock.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy, christopher frith, james croft, jesse mason, andrew cox, daniel roache, jenna locket, aaron croft, emily phillips, caitlin heimeier, maddy collicoat, brayden waight, elisa micallef, danii zecevic, zoe-lee scriven, carla ellis, bryce holywell, lindsay sewart, megan sutherland, steven fiume, brianna wines, matt sullivan, alyssa roberts, hayley burman, jacqui leutenmayr, jessica weston, kimberley wilson, georgia clarke, josh fry, breanna dignan, lucy-ann moore, tom miatke, daniel howard, matt watts, ben mangan, chrissie smith, gavin nash, luke keys, glen bellman, travis price, sam harmer, damian lentini, jennifer jones-o'neill, jimmy pasakos, pete swan and peter pilven -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Horse Tram Sturt St, c1890
Photograph of a horse tram (possibly No. 7), with a Havelock Tobacco advertisement, travelling westbound in Sturt St. on the north side with the City of Ballaarat Town Hall (clock showing 905). Traffic in Sturt St was two-way on either side of the median strip which at the time did not extend fully between Lydiard St and Armstrong St. The photograph includes the gas street lamp in the middle of the Sturt and Lydiard Streets intersection and a telephone/telegraph pole on the right side. Several horse-drawn cabs in the photograph, along with some men. In the background are shops for Cameo Cigarettes, Tea Merchants, C Ekans? Chemist, J T Marsh Hatter, the Town Hall and Snows department store promoting a clearing sale. The photo has been taken from the Post Office Steps, c1890. State Library Multimedia Source Catalogue does not give the name of the photographer and the date of the photo. Acknowledgement of the source of the photograph is required.Yields information about Sturt St and horse trams c1890 and the use of the street in the early morning.Black and white print from the State Library of Victoria.On rear in pencil in bottom left hand corner "Copy of H92 320/106" and in centre along bottom edge "Reproduction Rights Reserved - Copied by State Library of Victoria".trams, tramways, sturt st, lydiard st. north, horse trams, ballarat town hall, two way traffic, tram 7 -
Bendigo Historical Society Inc.
Book - LYDIA CHANCELLOR COLLECTION: RADIO & ELECTRICAL ENCYCLOPAEDIA AND 1935 CATALOGUE, 1935
A damaged soft covered book titled 'Radio & Electrical Encyclopaedia and 1935 Catalogue. Homecrafts Pty. Ltd. 211 Swanston St. Melbourne C.1. Verona Press, Melbourne, 1935.electronic, multimedia, radio, lydia chancellor, collection, electrical, electrics, electronics, sciences, radio, technology, radio, encyclopaedia, catalogue -
Federation University Art Collection
Artwork, other - Artwork, 'Reconciliation' by Shanaya Sheridan and Josh Muir, 2018
This artwork was created in collaboration by Shanaya Sheridan and Josh Muir in 2018. Josh Muir was a proud Yorta Yorta, Gunditjmara and Barkinji man, who holds his culture close to his heart as it gives him a voice and great sense of identity. Josh is a Ballarat-based multimedia artist. In 2015 Josh was the recipient of the Telstra National Indigenous and Torres Strait Islander Art Award – Youth Award and the Hutchinson Scholarship, through which he undertook a 12-month residency at the Victorian College of the Arts in Melbourne. Muir's work has been acquired by the Koorie Heritage Trust, The National Gallery of Australia, the Museum and Art Gallery of the Northern Territory, the National Gallery of Victoria and was commissioned as a major project artist by White Night. Shanaya Sheridan, is a proud Yorta Yorta, Dja Dja Wurrung and Boon Wurrung woman who has resided in Ballarat for 20 years, after living in Horsham, Shepparton and Melbourne. Growing up and watching her Elders, and their style of artworks, Shanaya is influenced by a traditional style of Aboriginal art, mixing it up with contemporary colours. This reconciliation piece is Shanaya’s first commission. Artists' Statement: '“This painting represents reconciliation across all lands, from the skies down to the waters including the mountains, grass and sand. The hands represent people of all cultures reaching for a brighter future, and the men and women in talks of how reconciliation can be achieved. Last but not least, the footprints represent our Aboriginal and Torres Strait Islander ancestors that have fought for reconciliation before us and their steps/progress towards reconciliation.' Digital prints of this artwork on aluminum are displayed at Federation University Australia campuses at Mt Helen, Gippsland (Churchill), Berwick, Brisbane and Horsham.reconciliation, josh muir, shanaya sheridan, aboriginal, reconciliation action plan -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Charles Rudd, c1890
Black and white print from the State Library of Victoria, June 1999 of a horse tram crossing the intersection of Sturt and Lydiard Street Ballarat c1890. Tram is travelling east to Grenville St. on the south side of Sturt St. (wrong side these days). Has the Ballarat Post Office building in the background with buildings on the north east side of Sturt St. as well. Has a number of horse drawn cabs in photo and women in white clothing holding umbrellas over their head indicating a hot day. In the right hand side of the photo is the statue of poet Robert Burns. Has number "530" in the bottom left hand corner of photograph. State Library Multimedia Source Catalogue gives the photographer as Charles Rudd, 1849 to 1901, date of photo 1889-1891. Copy made Oct. 2001 for the "gold, Gold GOLD" temporary exhibition - colour laser print onto card, with Velcro dots on rear. Stored in box D1 (Display Box) 02/2003. State Library Permission required to reproduce the photo.On rear in pencil in bottom left hand corner "Copy of H39358/10" and in centre along bottom edge "Reproduction Rights Reserved - Copied by State Library of Victoria".trams, tramways, sturt st, lydiard st, horse trams, post office, two way traffic -
Victorian Aboriginal Corporation for Languages
Conference proceedings, Barbara Burnaby, Indigenous languages across the community, 2002
Language - Preservation and use. Language - Social function. [Maori: New Zealand Latin]. Language planning. [Language planning in a trans-national speech community]. [The way of the drum - when earth becomes heart] [The need for an ecological cultural community] Community language management. [Methods of madness: The Tuscarora Language Committee] [Daghida: Cold Lake First Nation works towards Dene language revitalization] [The Jicarilla Apache language summer day camp] [Report on the workshop "World of Inukitut"]. Arizona. New Mexico. Oklahoma. Adult education. Women's literacy. [Teaching reading with puppets] [Assessing Lakota language teaching issues on the Cheyenne River Reservation] [Incorporating traditional Nehiyaw/Plains Cree education in the university] [Collecting texts in Crao and Portuguese for teaching] [Early vocabularies and dictionary development: A cautionary note] [The process of spelling standardization of Innu-Aimun (Montagnais)] Pidgin. Creole. [Ojibway hockey CD-ROM in the making] [The use of multimedia and the arts in language revitalization, maintenance and development: The case of the Balsas Nahuas of Guerreo, Mexico] [The languages of Indigenous Peoples in Chukotka and the media] [Meeting of the Inukitut and Yupik family of languages on May 12, 2000]B&w photographs, diagrams,international language forum, community based practice, language research, conference papers, language policy, language and whole community development, literacy development, media, educational advances, canada, united states, new zealand, zimbabwe, mexico, russia, caribbean, inui, yupik -
Federation University Historical Collection
Book - Catalogue, End. Bachelor of Communication Design 2016, 2016
In this catalogue / Zine, students are responding to the theme of "End". Students: Nathan Burke, Leroy Cassar, Steven Curcio, Shaun Dewitte, Shayla Gibson, Joe Halliwell, Nikki Luitjes, Stephanie Martin, Claudia Prendergast, Adam Trethowan, Cheyenne Monaghan, Caitlin Wytkamp. 12 students. Thank you to lecturers and supporters, Alistair Heighway, Ben Mangan, Chrissie Smith, Claire Blake, Debbie Hill, Ewen Ross, Jason Grace, Jimmy Pasakos, John McDonald, Justin Weyers, Paul Mah, Peter Gaulke, Peter Pilven, Phillip Berry, Roberta Crisci-Richardson, Sam Harmer, Travis Price. Thank you to final year staff, Ben Mangan, Chrissie Smith, Nicholas Mau, Peter Gaulke, Phillip Berry.Promotional catalogue created by Federation University third year, graduating students, 2016. 24pp full colour text pages and 4pp saddle stitched cover (printed dark orange and blue), uncoated stock.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy, nathan burke, leroy cassar, steven curcio, shaun dewitte, shayla gibson, joe halliwell, nikki luitjes, stephanie martin, claudia prendergast, adam trethowan, cheyenne monaghan, caitlin wytkamp, alistair heighway, ben mangan, chrissie smith, claire blake, debbie hill, ewen ross, jason grace, jimmy pasakos, john mcdonald, justin weyers, paul mah, peter gaulke, peter pilven, phillip berry, roberta crisci-richardson, sam harmer, travis price -
National Wool Museum
Tool - Grinder, 1960-69
Cooper S.E. Ball Bearing Grinder made and guaranteed by Sunbeam Corporation Limited. Grinders like this example have been made the same since the early 1900s, with this grinder thought to have been produced in the 1960s. It is belt driven, with the other end of the belt being attached to an engine; the same engine that would have powered the overhead shearing equipment in shearing sheds. It was common for shearing teams to bring their own equipment, especially pre-1960 as most shearing sheds were not connected to power, and shearers preferred to work with their own equipment. The engines that powered the shears and grinder were typically fuelled with kerosene or petrol. The large circular disks are attached to the bolt that protrudes from the grinder and fastened tightly with a nut. An example of seeing a similar grinder in action can be found on the following link - https://www.youtube.com/watch?v=O7eimI_Gm9o. Inventor Frederick Wolseley made the world's first commercially successful power-shearing system in Australia in 1888. US company Cooper, which had been founded in 1843 as a maker of sheep dip, began selling Wolseley equipment in the USA in 1895. The Chicago Flexible Shaft Company successfully entered the power-shearing market a few years later and entered a joint venture with Cooper. It set up a branch in Sydney and sold shearing sets, and engines to power them, into the Australian market. In 1921 the US parent company, realising it needed to make products whose sales were not as seasonal as those of shearing equipment, made its first household appliances and branded them Sunbeam. In 1933, changes in exchange rates and taxes led the company to manufacture engines and shearing equipment in Australia via subsidiary Cooper Engineering, which changed its name to Sunbeam in 1946. Although most Australians know of this company as a major manufacturer of household appliances, its rural division flourished and retained the Sunbeam name for shearing equipment even after it was taken over by New Zealand company Tru-Test in 2001. The grinder is formed from a central arch shaped block of green painted metal. Much of this paint has been lost to age, leaving the grinder in a ‘farm used’ condition with much surface oxidation present. On the front of the arch is a specification plate, reading “Cooper S.E. ball bearing grinder. Made and guaranteed by Sunbeam”. At the foot of the arch, three bolt holes are found for securing the grinder to the base of a solid wooden surface. Two of the bolt holes are found on the front of the grinder, with another found on the rear. From the central arch, a bolt protrudes to the right of the grinder. This large bolt is for securing a grinding plate to the grinder. Above the central arch is a pendulum which holds the comb / cutter that is being sharpened. From the pendulum, a large arm extends down (not pictured) to meet and strike the plate spinning at a rapid speed. On the left-hand side of the central arch of the grinder, a wheel is found which a belt is attached to for power. This belt is then attached to a separate engine, spinning the wheel and hence powering the grinder. The wheel is partially covered with a section of protective bent tube, designed to provide protection from the rapidly spinning wheel. Below this wheel is the belt shifter. It is designed to move the protective bent tube from one side of the grinder to the other, to accommodate the grinder in the setup of different shearing sheds. The two separate grinding plates are identical. They have a slight slope for sharpening the comb and cutters in the correct method, with a slight bias towards the base, or “tooth”, of the equipment. The disks have a large central bolt for attaching to the grinder. They have tags on the horizontal axis of the grinding plates, for securing the plates in transportation, and to help with initial alignment when setting up the grinder. The reverse of these grinding plates has the same green painted metal finish found on the grinder. This paint is also in a ‘farm used’ condition, with surface oxidation present. The grinder would be provided from the factory with a comb holder, shifter for securing the grinding plates, emery cloth and emery glue. The emery cloth is what does the actual grinding and is applied to the grinding disks, replacing once well worn. These items can be seen in the final images in the multimedia section, showcasing advertising for this grinder. Plate. Inscribed. “Cooper / S.E. BALL BEARING GRINDER / MADE AND GUARANTEED BY / Sunbeam / CORPORATION LIMITED / SYDNEY MELBOURNE / ADELAIDE BRISBANE ”sheep shearing, shearing equipment, sunbeam, grinder -
Southern Sherbrooke Historical Society Inc.
Information folder - Elvery family
Folder contains information pertaining to the Elvery family of Belgrave Heights. Contents: -Trifold A3 pamphlet, glossy paper, black, white and orange "The Lodge Just the perfect place to stay" c1990s advertisement flyer. -Map, hand-drawn with photos attached, "9 Hole Golf Course. Belgrave Heights - 1930-1943". Photocopy of large poster made by Betty DeCoite (original in map drawer) -Photocopy of photo, annotated in ink "Photo taken in Dandenongs - possibly Monbulk/the Patch? Photo supplied by David Elvery 2/6/99" -Photocopy of photo, Belgrave South Football Club team, probably 1945, plus list of names of team - from David Elvery 2/6/99 -printout, State Library of Victoria Multimedia Catalogue, Rose Series postcard of "Sunnyside Lodge" Lockwood, Belgrave South -copy of printed letter from David Elvery to CEO Shire of Yarra (sic) dated 8/6/99 re. vegetation on Mt Morton. Handwritten additions plus p'copy of Valentine Series postcard #3832 "Panorama From Mount Morton, Belgrave Heights" -p'copy of typed speech with annotations, by Rev. A.C. Beckingham at the opening of Lockwood -p'copy of photo, Harrison and Dalny Elvery and children David and Wendy c1936. Annotated by David Elvery 30/5/99 -printout, SLV Multimedia Catalogue, Rose Series postcard "Lockwood House" Lockwood, Belgrave South -p'copy, subdivision map "Lockwood Estate" lodged plan 6548 -p'copy, subdivision map Lockwood area, plan #6970 -A3 sheet, p'copies 6 postcards of Belgrave Heights -p'copy photo Elvery house, later "Sunnyside" and "Devon Lodge" annotated by David Elvery 2/6/99 -3 p'copied photos, Belgrave Heights, possibly Varney's butchers shop, possibly Whitlam residence. Annotated by David Elvery -2 p'copied photos, "Lockwood House", Golf links (Bill Woodfull, Principal of Upwey High School in photo), annotated David Elvery 2/6/99 -2 photos from David Elvery - moving Melbourne tram into "house" location at Lockwood, and bus "W. Dyke" unknown date and location. -3 photos from David Elvery - David on Gypsy (pony) Mt Morton Rd c1937, Wendy and David at entrance 37 Lockwood Rd c1942, David on Mack (horse) on golf links c1947 -Photo Arthur and Harrison Elvery, Lockwood House in background c1916 -photo Mrs Elvery, p'copy of postcard 26/3/20 addressed to "Dear Maud", mentions Charlie's wife and Laura (incomplete) -photo George Rae (Narre Warren North) Harold Allen and three other boys c1939 -6 photos, unlabelled (duplicates?) -photo Orchard Rd, Belgrave Heights -photo unlabelled, woman with child in pram, house in background (Lockwood?) -photo David Elvery on Gypsy as above -Rose postcard P2032 "Lockwood" Belgrave, Victoria -photo David Elvery on Mack (as above) -photo Wendy and David Elvery (as above) -2 photos, tram being moved (as above), football team -p'copy of Certificate of Title Vol.4562 Fol. 912336 dated 31/1/1922 - see list of names in folder -p'copy Memorial of Instruments (Land Title) dated 14/1/1914 -p'copy Cert. of Title Vol. 4562 Fol. 912335 dated 31/1/1922 -handwritten note, David Elvery to Susan Heywood-Downard -p'copy Memorial of Instruments dated 14/1/1914 -p'copy subdivision map, area bounded by Glen, Orchard, Avonside and Bay Rds, Belgrave Heights -p'copy Cert. of Title, Vol. 4810 Fol. 961945, dated 2/1/1924 -p'copy Cert. of Title, Vol. 4562 Fol. 912337, dated 31/1/1922 -Typed list of photo caption, relating to some of above photos -List of names and dates appearing on land title documents enclosed -Printout, Australian Dictionary Of Biography - Davies family - handwritten addition, marriage details, Arthur Elvery & Hannah Ord. -Printout - Family Search, Maria Louisa Davies, and family group, Ebenezer Davies & Ruth Bartlett. -letter to editor, Northern Star, Lismore, NSW, 11 Aug. 1923, Hannah Elvery, re. sport on Sunday -typescript - Elvery Family History, part of the "Alstonville" Elvery story, supplied by David H. Elvery 30th May 1999. From Bob Quincey.elvery family, lockwood house, belgrave heights, devon lodge -
National Wool Museum
Program, Dennys Lascelles Limited: Staff Reunion at the National Wool Centre 1988
A copy of both the ‘Dennys Lascelles Limited 1857-1957: Annual Wool Report & Centenary Review’ & ‘Staff Reunion Souvenir Programme, 1988’ was donated to the museum in 2021. These were duplicate items so only their story was retained in addition to the image of Rita located in Multimedia. “Enclose two items which may be of interest to add to your collection. They belonged to my mother, Rita Sedgwick (nee Glenn), who died earlier this year in April. She worked for Dennys Lascelles in two separate periods. First as a young girl, who had finished her schooling, at Morongo Presbyterian ladies College, having been sent as boarder there by her parents from their farm at Mathoura (just north of Echuca). This period was from 1942 — 1947. It was her second job out of school having worked first at the then Geelong Telephone Exchange. She would commute daily to work on a bicycle from where she was then living in Drumcondra. She had the front office role of receptionist and telephonist driving an old manual switchboard. The old front desk was her domain. She departed in 1947, shortly after she was married in late 1946. She spoke fondly of her times at the company as a young girl in her late teens and early twenties. Her second stint was much later, but again as the front-desk telephonist and receptionist commencing in 1972, ending 11 years later in 1983. This was a period when Sir Henry Bolte was on the Board, Don Urqhuart was MD, Ray Hobson was General Manger, Cliff Bone the company Secretary, Peter Keys the CFO and Jim Hay was also on the Executive team. While there were some 25 years between her periods of service, she welcomed the chance to re-join the company. Again, it was a time of hard work, and good friends. The busy times were the wool auctions, when the Firm would be visited by representatives of the big Japanese trading houses such as Mitsui, and Kanematsu. The Chief Auctioneer, Mr. Reeves (I can't recall his first name), would hold court at the now demolished Geelong Wool Exchange — I saw him in action once — what a sight. The huge show floors in the Denny's building would be full of open bales and samples for the buyers to inspect, and for mum days would start at 0800, and finish at 1800 or later. In quieter times over summer, it was reported that the empty show floor would provide an excellent arena for the more enthusiastic cricketers to get in a bit of practise with a tennis ball at lunch and after closing time! Dennys was a full-service firm for wool growers, with branches all over the Western Districts as far afield as Mt Gambier, but through Timboon, Warrnambool, and the like, as I am sure you are aware. She also saw the merger of Dennys and Strachan to create DSM, and later the amalgamation with AML&F to create Dennys AML (I think). She saw the change from the old manual switch board to the then latest of PABX technologies and was part of the team the relocated from the original offices to the new address on the south side of Brougham Street. Along with the shift from the large show floor-based sales of the past. She retired from fulltime work in mid-1983, again with fond memories and friendships that lasted a lifetime. I found these two items among her things recently, and felt that given her connection to the industry, and the place in which the Museum now resides you may like to add them to the collection. I hope you can find a home for them, and that they might add a little to the story that the wool museum now houses and curates.” Program 12pp: soft pale grey cover, contians brief history of the company , the buildings and at the last page is a list of acceptances for the reunion, 2nd October, 1988Judith Lagingdennys, lascelles limited