Includes description including photographs of Camberwell Junction and Burke Road, pre 1950's era. Electric transport 1916-1925, tools and waterways. Published [Brisbane] : Jacaranda Press in association with the Camberwell City Council, 1964 From estate of Ken Hall; Cheryl Poustie was Ken's daughter. Records in detail history and development of the Melbourne suburb of Camberwell. A city covering thirteen square miles. Begins with first European settlement in 1835 by John Gardiner - ending at 1960.Records in detail history and development of the Melbourne suburb of Camberwell. A city covering thirteen square miles. Begins with first European settlement in 1835 by John Gardiner - ending at 1960.Title Page: Kenneth T.Hall / 89-4418camberwell - history, (mr) john gardiner, outer circle railway, camberwell (vic) - history, broughton hall

Craig HARRISON Dr Craig Harrison has held solo exhibitions regularly since the mid-1970s, including curated exhibitions at the La Trobe University, Australian Catholic University, and the Ballarat Fine Art Gallery. He was a finalists in a number of prestigious awards and prizes, including the Dobell Prize for Drawing (2010, NSW), and the Rick Amor Prize for Drawing (2016, Ballarat). Craig Harrison is also a respected art educator, who had taught fine art at the Deakin Univerity, MLC, and ACU between 1975 and 2004. From 1988 to 1989 Craig Harrison was Senior Lecturer in Visual Arts at Ballarat College of Advanced Education (later Federation University Australia). ​ Mounted behind white conservation board, pale timber frame, glass cover. Gift of Professor Shirley Kaye Randell, AO, PhD, Hon.DLitt, FACE, FAICD, FIML, first woman in the Executive Team of the Ballarat College of Advanced Education as Dean of Academic Affairs, 1989- 1990signature bottom right - "Craig Harrison '89."art, artwork, craig harrison, painting, available, ballarat college of advanced education

Photograph of SW5 764 (Route11) taken from an office window in Gisborne St East Melbourne. Tram has The Met colour scheme with adverts for Heineken beer and advertising 60+ travel cards. Shows a tram in Gisborn St East Melbourne during The Met period.Colour print with notes on rear."From my office 28/6/89"sw5 class, tram 764, tramcars, gisborne st, the met

Photocopy of six handwritten pages of totals of Cattle, Horse, B'by calves and pigs sold from July 87 to June 88. The front page has instructions for a typed copy for the number of cattle yarded from 1/1/89 to 28/2/89 and for the same period last year and the year before. Also the number of cattle that had been weighed. Also the same for the sheep.bendigo, council, cattle markets, bendigo saleyards collection - livestock totals, the municipal saleyards association

Has a strong association with the wedding of one of the Ballarat tramway Museums active volunteers at the time and yields information about the way the event was arranged.Black and White photograph of part of the wedding of Paul McDonald (BTPS Vice President at the time) and Melissa Phillips on 21/1/1989 using bogie trams 38 and 40 with wedding guests alongside. Photo used on the back cover of the BTPS 1988-89 Annual Report and noted in the General Manager's report as to the date and people. Published in The Courier at the time? See BTPS 1988-89 Annual Report tramways, trams, wendouree parade, weddings, btps, tram 38, tram 40

Ian Parry (born 1947) is a Melbourne-born artist living in Tasmania, active since 1974 and collected by National and State Collections. He was winner of the 1990 ACTA Maritime art Prize. He also took part in 2006, to the ANL Art Prize organised each year at the Mission since 2003. In his biography on his website: Ian Parry was born into a family of seafaring descent. His extensive career as a respected practising artist and teacher, has uniquely included a fishing fleet apprenticeship and years as a single handed fisherman in Bass Strait. "In the early 70's when I first showed at the renowned Powell St gallery in Melbourne, the paintings were large, abstract, with allusion to the experience of the world of water, sky and land. My visual world has always been permeated with the wet parts of this place and continues to be so to this day. Maritime and geological charts and the daily necessity of plotting a course, appear in paintings where necessary, as a means of getting a schematic representation of the subject into play, trying to free the work from the tyranny of the horizon line but frequently returning. Now-a-days I am returning to abstraction, making paintings that allow me free rein with colour and composition, aiming for a sense of permanence and independence in each work." Maritime ArtLarge moulded gilt wood frame, non glazed painting of shipping, oil on canvasSignature and date bottom right corner: "Parry 89"p & o nedloyd, shipping, melbourne ports, docklands, wharfside, wharves, ian parry, maritime art, acta maritime art prize, artwork-paintings

Photograph of BTM Horse Tram No 1, under construction, with trams 40 and 27 in background. Photographed on depot fan 15-10-1989. Horse tram has had saloon completed and both end dash panels added. Body in pink primer. Photo appear in Feb. 1990 issue of Trolley Wire, page 41.'15/10/89, Nos 27,40, & Horsecar 1'tramways, trams, ballarat, horse trams, btps, reconstruction, tram 1, tram 40, tram 27

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 40 Barrington Avenue, Kew by Margaret Picken.40 BARRINGTON AVE., KEW / MARGARET PICKEN '89artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 40 barrington avenue -- kew (vic.)