Showing 100 items matching organic

Kiewa Valley Historical Society
Pat Butter Profiler, Circa 1950s

This butter pat profiler may have been manufactured post 1967(year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce.This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This butter Pat/Profiler has on its base two patterns. On each end it has horizontal grooves cut into the wood which produce distinct lines onto the surface of the butter. between these grooves there is a section of two double lines crossing in the middle and separated by eleven horizontal lines The base has an elongated rectangular shape. The upper body has been sanded into a smooth convex shaped form where a wooden circular hand grip has been fashioned.On the top of the hand grip is stamped in black print"T. & W. Davies" and under this"TAWONGA 3697"domestic food preparation, wooden butter pat, butter mould circular, dairy industry
Kiewa Valley Historical Society
Pat Butter, Circa 1950

This butter pat profiler may have been manufactured post 1967 (year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce.This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This butter pat is one of two,see KVHS 0071 (B). It has been crafted from wood. One side has grooves running from the handle to the square shaped bottom. These grooves would stop the wet butter from clinging to the pat. The top side of the pat has been bevelled on both sides and the bottom edge. The hand grip is flat and curved to allow for a comfortable hold.domestic food preparation, wooden butter pat, butter mould circular, dairy industry, butter
Kiewa Valley Historical Society
Pat Butter Profiler, Circa 1950

This butter pat profiler may have been manufactured post 1967(year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce.This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This butter pat is one of two,see KVHS 0071 (A). It has been crafted from wood. One side has grooves running from the handle to the square shaped bottom. These grooves would stop the wet butter from clinging to the pat. The top side of the pat has been bevelled on both sides and the bottom edge. The hand grip is flat and curved to allow for a comfortable hold.domestic food preparation, wooden butter pat, butter mould circular, dairy industry
Federation University Historical Collection
Book, Ballarat School of Mines Calendar, 1903

Contents include: Associateship and final certificates; Calendar for 1903; Discipline; Fees; Full Certificates issued; general regulations: Honorary Correspondents: Office Bearers; Professor and Lecturers; Results of exams; Statistics; Subscriptions and Donations; Subjects included in Regulation Technical Schools; Subjects on Instruction; Subjects included in Associateship course, Time table. Images include: Andrew Anderson, Lecture Rooms (Administration Building), Senior members of staff, School Buildings and Grounds, Linkenbach Table - Battery Laboratory, Engineering laboratory interior, junior Chemistry Laboratory; Assay Laboratory, Battery Laboratory interior, Maddern FurnaceCharcoal soft covered book at 100 pages. ballarat school of mines, andersnon\bickett, vale, warrington rogers, oddie, dunn, figgis, david ham, herman, lindsay, lonie, maddern, middleton, morrison, nevett, pearce, scott, woolcott, wanliss, r.e. williams, henry cuthbert, thomas hart, charles kent, frederick martell, newman, william bailey, hamilton, bechervaise, george russell, thomas bath, r.m. serjeant, peter matthews, theo williams, alfred mica smithh, daniel walker, hubert murphy, charles deane, arthur garrard, valentine anderson, douglas runtin, john balyney, l. cameron, dawbarn, a.e.c. kerr, john adams, edgar mcconnon, hall, john m. sutherland, usher, charles campbell, metallurgy, geology, certificate as mine manager, certificat as assayer, labratory, museum, land and mine surveying, applied mechanics, machine drawing and dedign, mechanics applied to mining, engineering laboratory, electrical department, state school lectures, excursions, mathematics, physics, geometry, photography, chemistry, organic chemistry, assaying, mining gelogy, mineralogy, petrology, algebra, trigonometry, mensuration, land surveying, mine surveying, steam and gas engines, dynamics and heat, sound and light, magnetism and electricity, electrical tecnology, botany, veterinary science, engineering drawing, electroplating
Federation University Historical Collection
Book, New York Post, The School of Mine Quarterly: A Journal of Applied Science, 1889-1809

The School of Mines Quarterly was a jpournal of Applied Science from Columbia College, New York City.The Index to the School of Mines Quarterlu Volumes X1-XX (1900) and 32 green covered journals school of mines, new york, columbia college, schools of mines, columbia school of mines, witwatersrand goldfield, inter-continental railway, mine ropes, harbor improvememnts on the pacific coast, glycerine and artificial butter industry, transit factors for teh columbia college observatory, tables for the reducation of transit observations, ancienct methods for dividing and recoording time in japan, assay of tin, john strong newberry, standards of linnear measure, comparison of costs of electric lighting, huanchaca mine bolivia, el callao gold mine venezuela, john magnus adams, ores in saxony, hartz and rhenish prussia, hofmann apparatus, adjustment of trangulation, determination of carbonic acid in white lead, lower coals in western clearfield county pennsylvania, old telegraph mine ningham canon utah, mechanical preparation of ores, modern waterworks construction, curdling of milk, french regenerative gas furnace, irrication canals, peruvian salt mine, collection of metallurgic dust and fume, permeability of iron and steel, assay of silver, explosion in a zinc fume condenser, teaching archtectural history, liquid air, between the mine and the smelter, ballistic galvonometer, assay of telluride ores, analytical chemistry, theory and design of the masonry arch, silver pick mine wilson colorado, telegraphy and telephoney, mineralogy, morse code, michigan mining practices, titaniferous magnetites, paradox of the pantheon, rocks from wyoming, witwatersrand goldfields, gaseous sun, alternating current distribution, engineering tests on direct current electrical machinery, thomas egleston, ore dressing, frederick morgan watson, camp bird gold mine and mills, magnetic properties of iron and steel, morphology of organic compounds, antimony, structure of the starch molecule, cerrillos hills new mexico, geology, rossie lead veins, practical electrochemistry, lines of graphic statics, anistic acid by the ozidation of anniseed oil, bromate method for antimony, john krom rees, trust company of america building, helion lamp, frederick arthur goetze, mine surveying, pine wood oils, malleable cast iron, electrolytic treatment of galena, turpentine and pine oils, bluestone, ashokan dam bluestone, road resistances, oxy-gas blowtorch, mine dumps, segregation of steel ingots, masonry dam formulas, putnam county magnetic belts, gases, continuity of education, hydraulic diagrams, standardistion of potassium permanganate, sewerage discharge into sea water, modern waterworks, true column formula, slags from lead furnaces, missouri river, tempreture of gases, rocks, architectural history, modern dome, oil machine, undulations in railway tracks, irrigation engineering, cleps-tachymeters, electrical engineering, new york shales, fan pump, sucrose, isaac newton, french school of anstronomers, electrolytic polarization, benjamin bowden lawrence, diamond drilling, new york ciy water front, engineering profession ethics
Nillumbik Shire Council
Artist Book: Tommaso DURANTE (b.1956 ITA, arrived. 2001 AUS) with text by Chris WALLACE-CRABBE (b.1934 AUS), Skin, Surfaces and Shadows, 2007

'Skin, Surfaces and Shadows' was created by Tommaso Durante in 2004 during his stay in Bundanon (gifted to the Australian people by Arthur & Yvonne Boyd - South East Australia) as international artist in residence and it was enriched during the artist’s stay in Broome (Western Australia) in 2005. On that occasion he collected the raw materials that were subsequently wrought to develop the actual bookwork.On the edge of artistic practice and philosophical inspiration, 'Skin, Surfaces and Shadows' pushes the boundaries of art, craft and design by combining digital technologies with traditional techniques and materials. Durante visually explores the surfaces of organic things (trees, surface textures, etc.) and the figurative dividing line of the shadow. The poet Wallace-Crabbe responds to these images in words. The poet and the artist flit in and out of shadows, skin and the surfaces of paper and life.(a) prints, artist's book (80 pages), ink; Somerset Book White paper (175gsm), digital images, printed in eight inkjet colour pigments, from digital files. Set in digital typefaces Utopia STD Display, Italic and Bold, Frutiger 57 Condensed, 67 Bold Condensed, and 56 Italic. Section sewn around 3 tapes. Full paper binding with blind blocking on front cover handmade head and tail bands. (b) CD of slide presentation to accompany bookwork on display Primary Insc: In black biro, signed and editioned by Tommaso Durante and Chris Wallace-Crabbe (last page '8/25 T DURANTE CWallace-Crabbe')prints, artist book, skin, surface, shadow, poetry, durante, wallace-crabbe
Nillumbik Shire Council
Print: (archival inkjet): Jessie IMAM, Jessie Imam, Ground Cover, 2017

Imam is represented in the Nillumbik Shire Art Collection and was the winner of the 2015 Nillumbik Prize for her work "Diagram of sentiment #1" (judged by Linden New Art Director Melinda Martin). She was also a finalist in the Nillumbik Prize 2016, 2015, 2013 and 2010. Imam completed a residency at Laughing Waters in 2011. Imam works within photography, the moving image and installation to create works centred on themes of embodiment and the female perspective. In this work she participates in a dialogue between her body and the Finnish Archipelagos in order to develop a relationship with the islands as both a place and an organic body [of land] where flux and change occurs. Photograph of the artist immersed from the waist down in green moss (landscape).N/Afinnish, archipelago, inkjet, print, photographic, body, island, moss
Nillumbik Shire Council
Sculpture (textile): Susan WIRTH (b.1967 Syd AUS), I want to love this country (Murnong), 2017

Nillumbik Prize finalist (2018, 2016, 2015, 2014). The artist lives and works in Nillumbik. Abstract sculpture inspired by the artist attending a local ceremony in Nillumbik to harvest tubers of the Murnong (yam daisy), a traditional staple of the Wurundjeri people. Wirth was also inspired by the writing of Bruce Pascoe. Wirth works intuitively with awareness that meaning may be deciphered through the combination of material/mediums/techniques that she uses randomly. Through the process of experimentation and automatism Wirth allows her work to evolve organically. Wirth is represented in public art collections including: Victorian College of the Arts, Victorian Performing Arts Centre and Ararat Regional Gallery. She also completed a residency at Laughing Waters in 2012. Yellow abstract sculpture woven into a vessel with long tentacles using cotton yarn. N/Afinalist, nillumbik prize, abstract, textile, yellow, vessel, yam
Moorabbin Air Museum
Manual (Item) - Application and removal of organic coatings - aerospace and non-aerospace equipment T.O. 1-1-8
Mrs Aeneas Gunn Memorial Library
Book, George Routledge, The two paths : being lectures on art and its application to decoration and manufacture, delivered in 1858-9, 19
The following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form.
Ill, p.232.non-fictionThe following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form. art, design