Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large framed life Drawing in pastel framed behind glass. signed lower right 'Walters '87'wes walters, nude, life drawing, available

Framed pastel of Schwerkolt Cottage doorway with wisteria & Arum lillies.P. Richardsonpat richardson, schwerkolt cottage

Born: London, Middlesex, England 1868; Arrived: Sydney, New South Wales, Australia 1884; Lived and worked: France and England 1890-1909; Died: Virginia Water, Surrey, England 1909Heidelberg SchoolGift of Wooleen Pty. Ltd., 1980Architectural setting with figures, food, water and buildings. Unframed.Recto: Signed "CONDER" in red pastel in l.r.c of compostion; Not dated; Not titledpainting, interior, figures, women, feast, table

Artist Georg Rosenkranz, crewman aboard the HSK Kormoran, drew this while at Graytown POW Camp.Framed pastel sketch of crewmen loading a torpedo aboard the HSK KormoranLoading a torpedo at "Kormoran"georg rosenkranz, graytown pow camp, hsk kormoran, illustrations, pastel

The reef off Point Gellibrand at Williamstown was lit for nearly 120 years by a series of lights, beginning with three separate lightships over the mid-late 1800s, to a pile light which lasted seventy years before it was dramatically destroyed when hit by a ship the Melbourne Trader on the foggy morning of 21 June 1976.A pastel painting of the Gellibrand Pile Light made by Denise Clarke in 1999.Gellibrand Light; Denise '99point gellibrand pile light

Pastel drawing depicting an abstract composition of female torsos on brown paper. Signed (L.l) 'Clifton 75'. clifton pugh, drawing, pastel, torso, female nude

Pastel drawing depicting an abstract composition of female torsos on brown paper. Signed Lower centre 'Clifton 76'.clifton pugh, drawing, pastel, female nude, torso, abstract

Collage, gouache and pastel drawing depicting an abstract composition of the female nude. Signed (L.r) 'Clifton 23.6.1977'.clifton pugh, drawing, mixed media, abstract, female nude

Commemorates the war in Vietnam.Helicopter - Huey - Picture (Pastel on Board) in brown timber frame with olive green mat. Harris, Jan P.O.Box 332 Black Rock 3193helicopter - huey, vietnam, solider

Painted by South African H von Gruenwaldt, an internee at Camp 13 . Portrait of Captain Stanley Llewellyn Seal.Pastel of Captain Stanley Llewllyn Seal in a Captain's uniform. Small moustache and pipe. Framedpainting, von gruenwaldt hw, camp 13, ww2 camp 13, captain stanley llewellyn seal, south african internee

2 Pastel Pink Linen Strips & 2 Red Linen Strips For Future Projecthandcrafts, country crafts, left over project material

Rectangular tin with hinged lid containing used pastels, black and gold with depictions of 2 Greyhound dogs a banner reading Reeves Greyhound Pastels British Made, 2 names scratched into lid, Daphne Roberts & J.T.Lyons, J.T.Lyons also on base.Reeves & Sons Ltd Dalston. London.domestic equipment, containers, tin

Dr Frederich Kaempfe, a Chemist, was interned in Camp 3. He was captured in Iran on 15/09/1941 and transferred on the Rangitiki to Loveday South Australia. Transferred to Tatura in Feb 1945 and released to Sydney on 20 July 1946.Pastel drawing of a large gum tree surrounded by smaller gum tress in an undulating paddock.Blue hills in the background. F. Kaempte 1945camp 3, tatura, painting, gum tree, pastel, art work, kaempfe, chemist

Andrew BECKERS (1981- ) Andrew Beckers studied Visual Art of the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pastel drawing. If you can assist with information on this artist or artwork please use the comment box below.art, artwork, andrew beckers, alumni

Galena occurs in a range of deposit contexts, often in metalliferous veins, such as Broken Hill, Australia; Coeur d’Alene, Idaho, United States.; Clausthal Zellerfeld, Germany; and Cornwall, England. Large deposits also replace limestone, dolomite, or occasionally organic matter, or have a contact-metamorphic origin. Galena is additionally found in cavities, brecciated (fractured) zones in limestone and chert, and in coal beds. This specimen was recovered from Broken Hill NSW and is 60% lead with 8-12 oz/silver to the ton.Galena or 'lead glance' is a grey lead sulfide and the chief ore mineral of lead. It forms isometric crystals in which the ionic lattice is similar to sodium chloride. Galena is brittle and easily weathers to secondary lead minerals, with the upper part of mineral deposits often containing cerussite, anglesite, and pyromorphite. It usually contains silver, which is mined along with its lead content. Other commercially important minerals that form in close association with galena are antimony, copper, and zinc. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A small-sized solid specimen containing one mineral with a sparkly silver metallic lustre exterior and pastel-grey interior.geological specimen, geology, geology collection, burke museum, beechworth, galena, lead sulphide, alfred selwyn, broken hill

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Pure wool, cuddly and warm (boy asleep with lamb)Pure Wool cuddly and warm/Buy Well…Buy Wool/Onkaparinga new pastel multi-check blanketsblanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly