Oval plaster mould depicting flowers.Nonematcham skipper, mould, jewellery, flowers

Plaster mould depicting a woman with violin. Nonematcham skipper, mould, jewellery, woman, violin

Oval plaster relief depicting a mother and child.Nonematcham skipper, relief, jewellery, mother and child

Oval plaster relief depicting a mother and child.Nonematcham skipper, relief, jewellery, mother and child

Plaster mould depicting a male and female nude.Nonematcham skipper, mould, jewellery, nude

Rectangular plaster mould depicting a centaur with wings.Nonematcham skipper, mould, jewellery, centaur

Round plaster mould depicting a lion's head. None

Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Bal larat Treasure' in 2007.Pencil drawing of a plaster cast floral form.Written on the mat board below the drawing "Drawing ornament from cast in light and shade. For Drawing Teacher's Secondary Certificate by Albert E. Williams, Tech. Art School, Ballarat."art, artwork, albert e. williams, williams, ballarat technical art school, plaster cast

Painted plaster figurine of female in late 19th Century clothing holding tennis racquet. Impressed in base is text: 'HOUSE OF LLOYD'. Materials: Plaster, Pigmenttennis

An empty cylinder for 'National' Rubber Adhesive tapeBase ; BPC / QUALITY / 'NATIONAL ' / 1 YARD / RUBBER ADHESIVE / PLASTER

HMAS Quickmatch (G92/D21/D292/F04), named for the quick-match, a fast burning match used for lighting cannon, was a Q class destroyer operated by the Royal Australian Navy (RAN). Although commissioned into the RAN in 1942, the ship was initially the property of the Royal Navy. Quickmatch served with both the British Eastern Fleet and British Pacific Fleet during World War II. In the 1950s, the destroyer was converted into an anti-submarine frigate. In 1957, Quickmatch operated in support of Malaya during the Malayan Emergency. The ship remained in service until 1963, and after use as an accommodation ship, was sold for scrap in 1972Plaster insignia crest of H.M.A.S. Quickmatch on wooden plaqueH.M.A.S. Quickmatchhmas quickmatch

Round plaster relief depicting two female nudes. Nonematcham skipper, relief, jewellery, nude

Oval Plaster mould depicting two reclining nudesNonematcham skipper, mould, jewellery, nude

Round Plaster Mould depicting a male and female nudeNonematcham skipper, mould, jewellery, nude

Round plaster mould depicting a kneeling female nudeNonematcham skipper, mould, jewellery, nude

Oval plaster relief depicting a mother suckling a child. Nonematcham skipper, mould, jewellery, mother and child

Round Plaster Mould depicting a male and female nude. Nonematcham skipper, mould, jewellery, male, female, nude, lovers

Oval plaster mould depicting a fire breathing dragonNonematcham skipper, mould, jewellery, dragon

Oval plaster mould depicting two reclining nudes.Nonematcham skipper, mould, jewellery, nude

Round plaster Mould depicting a kneeling mother and child.Nonematcham skipper, mould, jewellery, mother and child

Rectangular plaster relief depicting a male and female nude. Nonematcham skipper, mould, jewellery, male, female, nude

Plaster Mould depicting a seated male nude with child.Nonematcham skipper, mould, jewellery, male, nude, child

Plaster mould of a circular design depicting a female nude. None matcham skipper, mould, jewellery, female, nude

The large plaster Illisos depicted in the back of this image is still held by Federation University Australia. The Ballarat Technical Art School (No. 10) was part of the Ballarat School of Mines and was established in 1907. After conducting classes in various locations around Ballarat a custom built art school was erected on the site of the former Ballarat Circuit Court House, previously used as the initial building of the Ballarat School of Mines. Examples of drawings undertaken by students, as well as some plaster castes are held in the University of Ballarat Historical Collection. The Ballarat Technical art School is the oldest continuous Tertiary Art School in Australia. Sir Alexander Peacock opened the new Ballarat Technical Art School building in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios could be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above. (http://guerin.ballarat.edu.au/curator/buildings/technical_art_school.shtml) Black and white mounted photograph showing eleven students of the Ballarat School of Mines Technical Art School drawing from plaster models of human bodies in various poses and of various scales. The students are in a room of the Ballarat Technical Art School which was custom built for teaching art. The image was reproduced in the 1920 Ballarat School of Mines Students' Magazine. drawing, ballarat school of mines, ballarat technical art school, art studio, plaster caste, gribble building, illisos, hercules, drawing from the antique, visual arts

A mustard plaster is a poultice of mustard seed powder spread inside a protective dressing and applied to the body to stimulate healing. It can be used to warm muscle tissues and to treat chronic aches and pains. For long a part of conventional medical treatment, and available in prepared versions in pharmacies, it fell from favour in the 20th century, and is now only used as a home remedy.A paper packet that would have contained a cotton cloth impregnated with a mustard poultice used for the relief of pain in muscles.on packet ; ONE / MUSTARD PLASTER / WET THOROUGHLY BEFORE APPLYING / S[READ ON / CLOTH / TRADE / JELCO / MARK / No. 127 - GUARANTEED BY / THE J-ELWOOD LEE CO. / UNDER THE FOOD AND / DRUGS ACT, JUNE 3J-ELWOOD LEE 0TH 1906 / MANUFACTURED BY / J-ELWOOD LEE CO. / MANUFACTURING CHEMISTS / CONCHOHOCKEN PA. U.S.A.pharmacy, pharmaceutical manufacturers, moorabbin, cheltenham, medical poultices, early settlers, mustard plaster, pennsylvania usa,

Originally this teaching model belonged to Prince Henry's hospital library and was transferred to the Monash Medical Centre, Clayton in the 1970s.by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s . Has lables on base of stand. "Model 6A Female Pelvis on Stnd". AU 618.1/ 01 FemaleModel of female pelvis in cross-section, painted plaster on stand.teaching model, anatomy, female, pelvis