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NMIT (Northern Melbourne Institute of TAFE)
Photograph: CTC 1974-1987 Principal Mr. Ian D. Scott
Black and white photograph of Mr. Ian D. Scott, Principal of Collingwood Technical College from 1974 to 1987. From school magazine Turawan 1974. Also his report or the year also taken from the magazinecollingwood technical college, staff, principals, nmit -
Vision Australia
Photograph - Image, John and Janet Wicking with Eunice and John Wilson
President John Wicking with his wife Janet is speaking to CEO John Wilson and his wife Eunice.B/W photograph of John and Janet Wicking speaking to Eunice and John Wilson.john wicking, janet wicking, eunice wilson, john wilson, association for the blind -
Galen Catholic College
Sister Anne Boyd Became Galen Catholic College Principal, 1983
Sister Anne Boyd became the 1st principal of Galen Catholic College as a catholic co-educational college for Years 7 through to Year 12, following the merger of Galen Catholic College, Champagnat College & St. Joseph's College. She took over the helm at Galen College from Brother Ross Keane. Sister served as the school principal until Max Fletcher took over in 1987. Sister Anne was the last principal of Galen Catholic College to belong to a Catholic religious order.galen catholic college, galen college, sister anne boyd, sr. anne boyd, religious order, 1983, 1983 galen catholic college merger, school merger, champagnat, champagnat college, st. joseph's college -
Federation University Historical Collection
Correspondence, Correspondence from General Motors - Holden's Limited to the Principal, The School of Mines and Industries, regarding the loan of a household refrigerator, 30/05/1949
Letter to the Principal of The School of Mines and Industries Ballarat from General Motors - Holden's Limited, stating the Principals' previous letter to Mr W. W. Watson had not been received. A. A. McCullagh, manager of Frigidaire and Household Appliances stated the matter for the loan of a domestic refrigerator will be looked in to. Quarto paper colour letterhead the school of mines and industries ballarat, general motors - holden's limited, principal, mr w. w. watson, a. a. mccullagh, frigidaire and household appliances -
Federation University Art Collection
Work on paper - Artwork - Printmaking, John Brack, 'Nude 3' (Also known as Nude in a Chair) by John Brack, 1982
John Brack (1920-1999) Born AustraliaFramed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon, from which this book has been bound. This work is from Rudy Koman's estate.john brack, nude, life drawing, available, chair -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Bryan, John, The Contessa Came Too by John Bryan
Hardcover book with an illustration of a man holding a gun on front cover. 254 pages. Prior ownership: The Readwell Libraries, 107 Elizabeth St., Melbourne, Taylor's Pharmacy, Apollo Bay, Mooroopna Mechanics Hall & Free Library.fictionjohn bryan, fiction -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Weekly Times, Principal of Burnley Retires, 1977
Article about the retirement of Eric B. Littlejohn as Principal of Burnley College.The Weekly Times, September 28, 1977. Two photocopies of a cutting.eric b. littlejohn, the weekly times -
Federation University Art Collection
Painting - Natural pigment on bark, Mawurndjul, John, 'Female Wayarra Spirit' by John Mawurndjul, 1995
Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan -
Greensborough Historical Society
Article, Alexander John McDonald's Great War / John Gibson, 14/09/1914o
Story of Alexander John McDonald's war service with the 8th Light Horse AIF at Gallipoli 1914-1916.Black and white text and photographsalexander john mcdonald, gallipoli, australian imperial force -
Kew Historical Society Inc
Document, Letter, to Mrs. V.L. Ling, 3 Kinkora Road, Hawthorn / from Miss Hilda Daniell, Principal of Ruyton GGS, 1950
Letter to Mrs. V.L. Ling, 3 Kinkora Road, Hawthorn from Miss Hilda Daniell, Principal of Ruyton GGS. The handwritten and signed letter is in response to an enrolment inquiry. It is dated 26-1-50. The letter was to the mother of the donor.hilda daniel -
Galen Catholic College
Darren Hovey Becomes Galen Catholic College Principal, 2022
Darren Hovey was appointed Galen Catholic College's 4th lay principal in 2022, taking over from Mr. Bernard Neal. During his brief time so far as our principal, Mr. Hovey has faced the ongoing challenges of COVID-19 to our school community.galen catholic college, galen college, darren hovey, principal, 2022 -
Federation University Art Collection
Artwork, other - Artwork - bookplate, Ex Libris John Thwaites
Framed bookplate for John Thwaites.Ex Libris John Thwaitesbookplate, framed bookplate, john thwaites, keith wingrove memorial trust, available, available framed bookplate -
Uniting Church Archives - Synod of Victoria
Photograph, John Maynard and Bob Hazeldine, Undated c.1985
John Maynard and John Hazeldine standing in conversation - probably at the Tasmanian Synod in 1985"John Maynard Bob Hazeldine sheet 2.4"maynard, john, hazeldine, bob -
Ringwood and District Historical Society
Notes for book, Rogaughan, John, Material for History of Kilsyth, Croydon, Burnt Bridge and Ringwood (book never completed). By John Rogaughan (undated), not known
Collected for a history book of Kilsyth, Croydon, Burnt Bridge and Ringwood but never completed.27 pages of notes intended for a local history book typed with some connections. +Additional Keywords: Rogaughan, John -
National Vietnam Veterans Museum (NVVM)
Memorabilia, Memorabilia of John Dolling
Contains Photograph, Vietnamese documents, postcards, booklets, National Geographic Magazine, Oct 1961 & letters to John Dolling.vietnam war, 1961-1975 - veterans - australia, royal australian air force -
Vision Australia
Photograph - Image, John Wicking and Arthur Wilkins with Australia Day honours, 26/01/1981
John Wicking and Arthur Wilkins smile happily after their investiture at Government House.B/W photograph of John Wicking and Arthur Wilkins after their investiture on Australia Day.Sharing a joke. John Wickham [sic] (left) President of the Association (1973-1984) and Arthur Wilkins, Manager, Kooyong Centre (1968-1976).john wicking, arthur wilkins, association for the blind -
Flagstaff Hill Maritime Museum and Village
Document - Plan, Victorian Harbours Warrnambool, Victorian Harbours, Warrnambool, Plan to Accompany Sir John Coode's Report, 28-02-1879
This plan is of great significance to the local history of Warrnambool, in particular the Breakwater and its impact on Warrnambool's maritime and trade history. The plan shows the existing jetties at the Port of Warrnambool, plus the partially erected Breakwater and proposed works to the Breakwater by both the Borough of Warrnambool Surveyor and Sir John Coode. The plan was signed 28th February 1879 by Sir John Coode. The legend at the bottom left describes the existing works and the proposed works. The Warrnambool Breakwater Sir John Coode was a British harbour engineer. He was brought to Melbourne by the Melbourne Harbour Trust to advise on works to improve the Port of Melbourne. The Victorian Government commissioned him to present a plan to complete the Warrnambool Breakwater. His original plan was too expensive so he prepared a revised plan for a shorter structure. The work was completed in 1890. The construction proved to be too short to protect adequately from the weather and didn't allow enough depth for larger vessels to come into port. The decreasing trade was further affected by siltation in the bay due to the breakwater, and the completion of the railway line. The situation of the harbour became a real problem that, by 1910, required continuous dredging. In 1914 the Breakwater was extended but proved to be a failure because the work began to subside and by 1920 about two thirds of the harbour was silted up. Alterations made in the 1920's increased the silting problem and by the 1940's the harbour was no longer used. More alterations were made in the 1950's and 1960's. The Warrnambool Breakwater is registered as a place of significance on the Victorian Heritage Database. This plan of the proposed works for the existing Warrnambool Breakwater is of great significance to the local history of Warrnambool, in particular the Breakwater and its impact on Warrnambool's maritime and trade history. The Warrnambool Breakwater is registered as a place of significance on the Victorian Heritage Database (VHR H2024). It is historically significant to Victoria as one of the most important maritime engineering projects in Victoria in the late 19th century. The Warrnambool Breakwater is of historical significance as one of the most important maritime engineering projects in Victoria in the late nineteenth century. It is evidence of Victoria's nineteenth century investment in regional port infrastructure and the development of Victorian coastal shipping. It is of significance for its association with the English civil engineer Sir John Coode, the most distinguished harbour engineer of the nineteenth century, who was brought to Victoria to advise on works to improve the Port of Melbourne, but was retained by the Government to advise on improvements to the harbours at Portland, Geelong, Port Fairy, and Lakes Entrance, as well as Warrnambool. His projects for Melbourne, Lakes Entrance and Warrnambool were major engineering projects of the nineteenth century. The breakwater is historically significant as a reminder of Warrnambool's early maritime history as a Western District port, and as one of Victoria's major 'outer ports'. While the Warrnambool Breakwater is a demonstration of the engineering skills of the nineteenth century, it also demonstrates the limitations of knowledge relating to sedimentology at the time and the confidence apparent in a number of nineteenth century plans which assumed that natural forces could be overcome or contained by engineering.Plan of Warrnambool Harbour, Port of Warrnambool, dated 28 Feb 1879. Plan shows existing Breakwater and work proposed by both Warrnambool Borough Surveyor and Sir John Coode. Plan has gold coloured quarter-dowel rods top and bottom and a metal ring at the top. Stamped with title. Signed by Sir John Coode.Stamped "VICTORIAN HARBOURS / WARRNAMBOOL / PLAN / to accompany / SIR JOHN GOODE'S REPORT / DATED 28 FEB 1879" Signature "John Coode"flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, sir john coode, borough of warrnambool surveyor, plan of warrnambool, victorian harbours, warrnambool harbour, warrnambool breakwater, port of warrnambool, vhd vhr h2024, flagstaff hill maritime museum & village, maritime village, map, chart, plan, lady bay, breakwater, jetty, pier, vhr h2024, proposed works, 1879 -
Ringwood and District Historical Society
Booklet - Newsletter, Warrandyte Historical Society Inc. - The First Gold Field in Victoria - How l discovered it, by Louis John Michel, 1896
Personal recollections of Louis John Michel after the events which he described in The Argus on Saturday 28 December 1895 -
National Vietnam Veterans Museum (NVVM)
Memorabilia, Memorabilia of Kevin John Anthony Mooney, 1994
Contains a letter from Legatee John Burridge, Junior Vice President of Perth Legacy regarding Kevin's tour in Vietnam.5 rar, vietnam war, 1961-1975 - veterans - australia -
Kew Historical Society Inc
Photograph, Coles Studio, Albert John Watson, aged 21, 1890s
Albert John Watson was a son of John Watson Esq, Steward of the Kew Methodist Church.Studio portrait on a Paris Panel (Cabinet Card) of John Watson playing a cello. Joh Watson was the father of Mrs Ivory, the donor. Annotations on reverse: "Reg. No. KH.134. Albert John Watson, aged 21. Donated by Mrs Ivory, 1979. daughter and member Kew Historical Society."coles studio (melbourne), mrs ivory, albert john watson -
Greensborough Historical Society
Newspaper Clipping, Meet the new Principal of Greensborough College Gr8750, 07/10/2015
Chrissy Collins is the new Principal of Greensborough College. A school fair will celebrate the College's 25th anniversary on 17th October 2015.News clipping, black text, colour image.chrissy collins, greensborough college -
Bialik College
Photograph, Principal Moshe Meretz with teacher and students in a classroom, c. 1960s
Principal Moshe Meretz with teacher and students in a classroom, c. 1960s. Please contact [email protected] to request access to this record. -
Beechworth Honey Archive
Publication, Beekeeping Equipment. (John L. Guilfoyle & Co.). Darra, 1970
24 pages, illustratedpublication, catalogue, bee-keeping, equipment, guilfoyle, 1970, beechworth honey -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 27 John Street, Eltham, c. June 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, john street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 45 John Street, Eltham, Nov-Dec 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, john street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 44 John Street, Eltham, Nov-Dec 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, john street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 42 John Street, Eltham, Nov-Dec 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, john street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 39 John Street, Eltham, Nov-Dec 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, john street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 40 John Street, Eltham, Nov-Dec 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, john street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 37 John Street, Eltham, Nov-Dec 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, john street