Advertising printing block which was used in 'The Minyip Guardian and Sheep Hills Advocate. Office located at 49 Main Street Minyip, Victoria 3392. Stamp on printer's block. Warner's Rust Proof Corsetsprinting block, minyip guardian, minyip

Photograph. Gertrude Perry Collection. 8 proofs showing a lady in various theatrical costumes. Wrapped in cream paper with 'Wildflower Proofs' written on it and then wrapped in black paper with a greaseproof lining.Allan B. Martin 4 Royal Ave Bendigophotograph, person, gertrude perry collection, wildflower proofs

A white envelope with ' Mr. Colin Archibald Fulbright Exchange Scholar with Mr. C. L. Barker ' written on the front. At the top in the left hand corner is the number 36. The envelope contains a proof of Mr. Colin Archhibald and a negative of same.bendigo, education, bendigo teachers' college staff, la trobe university bendigo collection, collection, bendigo, bendigo teachers' college, bendigo teachers' college staff, male, individual, education, photograph, photo, mr. colin archibald, negative, proof, proofs, tertiary education, teacher education

Black and white photograph (from proof sheet of contact prints)eltham living and learning centre, activities

Black and white photograph (from proof sheet of contact prints)eltham living and learning centre, activities

Black and white photograph (from proof sheet of contact prints)eltham living and learning centre, activities

Black and white photograph (from proof sheet of contact prints)eltham living and learning centre, activities

Black and white photograph (from proof sheet of contact prints)eltham living and learning centre, activities

Black and white photograph (from proof sheet of contact prints)eltham living and learning centre, activities

Black and white photograph (from proof sheet of contact prints)eltham living and learning centre

Every month Legacy's handicapped dependents were invited to go on outing for take part in recreational and educational activities. These programmes aim to develop independence and thus lessen the need for reliance on others for simple routine functions. Once a year there is a two week camp at Somers, believed to be the Somers School Camp. The date of these photos are not known. An article in the widows' newsletter in 1992 explains more detail on the 1992 camp. The article mentions that the annual camps run for two weeks at Somers Camp. It is a wonderful gathering of Junior Legatees, Legatees, and dedicated helpers. 50 junior legatees attended the 1992 camp with the personal attention almost one-to-one. With ages ranging from 22 to into the 60s, Legacy has to ensure it caters for the differing needs. A record of the type of activities Legacy provided for the handicapped dependents of the Legacy families.Black and white proof sheet of photos taken at a HDC at Somers.junior legatee outing, handicapped dependents, hdc

Two Legacy widows, from Essendon, Tess Bendon and Lorna Tozer. Keesing Photographers took a series of photos on the same day of various ladies and some were committee members at different clubs. Presumably there had a been a meeting at Legacy House of members from the many clubs (including Hampton, Highett, Caufield). The photo was used in an issue of The Answer in May 1992. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030B-15 could mean 3 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00650, 00651 and 00661 - 00666. Photos of the committee members of Widows clubs were taken by a professional photographer in 1991.Black and white photo of two Legacy widows and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030B-15. Pg 3 in and "Tess Bendon, Lorna Tozer" in pencil.widows, widows club, committee

Four Legacy widows from the Caulfield Legacy Widows Club.It was used in an issue of The Answer. From the name badges, they are (L to R): Shirley Cornish - Vice President, Mavis Major - Committee Member, Illegible - President, and Pauline Thompson - Secretary. It is believed that the date was 1991 due to the reference number from the photographic studio 911030B-28 means 3 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651. Photos of the committee members of different Widows clubs were taken by a professional photographer.Black and white photo of four Legacy widows and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030B-28. Pg 3 in and "Caulfied" in pencil.widows, widows club, committee

Two Legacy widows posing for a picture, their name badges say: Mary Steege and Grace De La_?. They are possibly Widow club committee members like other photos by this photographer with similar reference numbers. Other photos taken that day were used in an issue of The Answer. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030B-6 could mean 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651 and 00661 - 00666. Photos of the committee members of different Widows clubs were taken by a professional photographer.Black and white photo of two Legacy widows and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030B-6. Pg 3 and "B" in pencil.widows, widows club, committee

Two Legacy widows posing for a picture. They are possibly Widow club committee members like other photos by this photographer with similar reference numbers. Their names are unknown. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030B-4 could mean 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651, 00661 to 00665.Photos of the committee members of different Widows clubs were taken by a professional photographer.Black and white photo of 3 Legacy widows and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030B-4. Pg 3 and "A" in pencil.widows, widows club, committee

This collection of 17 photos was most likely taken in Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo, c1970s. Although these photos are not annotated most personnel are positively identified. Some photos are cropped enlargements of previous photos. See item 6060.8P for more information and photos of platemaking. There is more information on the Ultra-MAN-III, Komoni and Planeta Printing Presses on pages 71 and 120 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. For additional photos, refer to item 6062.4P for the Heidelberg press, item 6063.5P for the Komori press, item 6064.9P for the Planeta press and item 6065.10P for Ultra-MAN-III presses. In photos .11P to .14P the technician is applying a UV-sensitive pigmented dye emulating one of the map print colours to a white opaque polyester sheet mounted on a rotating table in a whirler. .12P and .14P are enlargements of previous photos. See item 6059.4P for more information and photos on the map proof making process. The Krause Wohlenberg operated by George Austen in photo .17P was a heavy-duty guillotine to trim bulk printed map stock in the c1970s and c1980s. See item 6069.6P for more information and photos of guillotine equipment.This is a set of 17 photographs of Print Troop personnel and equipment from Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, c1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1970s, Preparing printing plate, SGT Alvan Howard. .2) to.3) - Photo, black & white, c1970s, Preparing printing plate, unidentified technician. .4) - Photo, black & white, 1979, Planeta Polygraph Printing Press., L to R: SPR Peter Breukel, CPL Lance Strudwick. .5) - Photo, black & white, c1970s, Ultra-MAN-III Printing Press. .6) and .7) - Photo, black & white, c1970s, Ultra-MAN-III Printing Press, unidentified technician. .8) - Photo, black & white, c1970s, Newkoni Komori Printing Press, unidentified technician. .9) - Photo, black & white, c1970s, Original Heidelberg Printing Press, unidentified technician. .10) - Photo, black & white, c1970s, MANN flatbed proof press, unidentified technician. .11) to .14) - Photo, black & white, c1970s, applying dye to a whirl-on proof, unidentified technician. .15) and .16) - Photo, black & white, c1970s, applying diazo coat to a scribe sheet, CPL Colin Hardisty. .17) - Photo, black & white, c1970s, Krause Wohlenberg heavy-duty paper guillotine, George Austen.No personnel are annotated. .2P annotated ‘completed development on a negative working plate.’ .3P annotated ‘a wipe-on plate.’ .4P annotated ‘1979’. .12P annotated ‘Re-coating a proof with the next wanted colour on the vertical whirler.’ .13P annotated ‘has hardened (retained) area required. Done on a vertical whirler.’ .15P and .16P annotated ‘Preparing a sheet of scribe material with a Diazo (light sensitive) coating.’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, printing, litho

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Professional photograph by K Lerfiniere Ross of the artist Alma Figuerola holding her pet pekingese dog, 'Rebecca'. "Proof only. This proof remains the property of the photographer K Lerfiniere Ross and must be returned No 137-1"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

“Living in Australia”, published in 1970, was a collaborative project by architect Robin Boyd and photographer Mark Strizic. It was the first book which documented the architecture and personal design ideas of Robin Boyd. Strizic contributed not just the majority of the black and white photographs but also the book’s stylish graphic designHardcover with three-quarter cover sleeveRBF Acquisition. Possible Proof Copy.robin boyd, architecture, domestic - australia, marc strizic, architecture - australia, walsh st library

Black and white photograph (from proof sheet of 35mm contact prints)eltham living and learning centre, activities

Black and white photograph (from proof sheet of 35mm contact prints)eltham living and learning centre, activities, music

Black and white photograph (from proof sheet of 35mm contact prints)eltham living and learning centre, activities

Black and white photograph (from proof sheet of 35mm contact prints)eltham living and learning centre, activities, spinning

Black and white photograph (from proof sheet of 35mm contact prints)eltham living and learning centre, activities, gardening

Black and white photograph (from proof sheet of 35mm contact prints)eltham living and learning centre, activities

Black and white photograph (from proof sheet of 35mm contact prints)eltham living and learning centre, activities, gardening

Black and white photograph (from proof sheet of 35mm contact prints)eltham living and learning centre, activities

Black and white photograph (from proof sheet of 35mm contact prints)eltham living and learning centre, activities

Black and white photograph (from proof sheet of 35mm contact prints)eltham living and learning centre, activities, music

Black and white photograph (from proof sheet of 35mm contact prints)eltham living and learning centre, activities, gardening