Showing 98 items
matching puppets
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Swan Hill Regional Art Gallery
Print, HANRAHAN, Barbara, The puppet master, 1987
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Whitehorse Historical Society Inc.
Leisure object - Puppet, hand puppet
Wooden doll's head, painted yellow, with patterned fabric dress toys, dolls -
Whitehorse Historical Society Inc.
Doll girl, 1948-49
Collection of Margaret ScarlettThis doll was made by the Erich Dittman Company of Godesberg Mehlem, Germany. The company produced a line of small celluloid plastic dolls called Edi-puppets) between 1948 - 1960. The dolls were typically sold in costume though this one doesn't have original clothes. This doll was probably produced in about 1948-49. It is marked Edi 5/8 GERMANY. They produced girl and boy dolls.Small celluloid doll. Curly hair with blue shoes. Red and white skirt with tulle over skirt. Blue eyes with painted red lips and eyebrows. On the back of the doll are inscribed Edi 5/8 GERMANYEdi 5/8 GERMANYtoys, dolls -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.2 No.8 : February 1981
1981 Kew Festival [programme] / p1&2. What's doing in Kew for February / p2. Those empty spaces [community calendar] / p3. Arts Victoria Music '81 [programme] / p3. A musical history [Kew Philharmonic Society] / Elizabeth Mackie p3. Polyglot puppets / p4. Welcome to ... ? / p4. Community work by Kew Young Liberals / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fiction1981 Kew Festival [programme] / p1&2. What's doing in Kew for February / p2. Those empty spaces [community calendar] / p3. Arts Victoria Music '81 [programme] / p3. A musical history [Kew Philharmonic Society] / Elizabeth Mackie p3. Polyglot puppets / p4. Welcome to ... ? / p4. Community work by Kew Young Liberals / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Federation University Art Collection
Ceramic - Artwork - Ceramic, (Untitled) Ceramic Puppet by Kari Hoskin, 1992
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, ceramic, ceramic puppet, puppetry, puppet, puppateer -
Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Puppet On A String
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Mrs Aeneas Gunn Memorial Library
Book, JM Dent and sons, Goethe's Faust : Parts I and II, 1908
Faust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifep.424.non-fictionFaust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifegerman literature, german drama -
Darebin Art Collection
Painting, Adam Nudelman, Towards Reconciliation, 2003
cartoon puppets, giant shoes