Showing 555 items
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Orbost & District Historical Society
cutlery set, C 1915
Ethel Locke (nee Powell), daughter of Selena Jane And Henry James Powell, was awarded this set of teaspoons at an Orbost Show.This set of silver-plated spoons has aesthetic significance as well as being representative of trophies awarded at an early Orbost Show.A blue/grey leather like case which is padded inside and has a push in catch. It contains 6 silver-plated teaspoons and a pair of tongs.Back of spoon handles - R P 727517 EPNScutlery-spoons pringle-robert silverware powell-family -
Bendigo Historical Society Inc.
Domestic Object - BUTTER MOULD
Wooden butter mould with dove tailed joints on corners, hole in base with handle for pushing butter out. Stamped with number 20 on both pieces.domestic equipment, food preparation, kitchen -
Port Melbourne Historical & Preservation Society
Article - "Charity Push", re Lady Mayoress's Committee, Win Woodruff, 1982
From the Woodruff family archives, photocopy of 'Herald' magazine article 'Charity Push' re Win and her Lady Mayoress's Committee and "Thanks Win"families, local government, john william (jack) woodruff, winifred mary prest woodruff -
Port Melbourne Historical & Preservation Society
Document - Photocopy, 'Push's' of Port and South Melbourne, Vigilante of Port Melbourne, 1988
Photocopied from retyped article from ? which was prepared for display at Seamen's Mission heritage exhibition; from collection of Fred WINDUSSPhotocopied page relating to the 'Push's' of Port and South Melbourne and their associated hotels, including information on vigilante groups and a listing of the hotels in Port at the time it was typed.Corrections to the names of Baines and Derham and the number of hotels, in red pencilhotels, crimes and misdemeanours, societies clubs unions and other organisations, frederick robert winduss, vandalism -
Coal Creek Community Park & Museum
Shoe polish
Flat round gold and grey coloured metal container with push on lid, Text and label in light blue, dark blue, green, white and red.Dover -
Whitehorse Historical Society Inc.
Machine - Electric calculator
Compet CS - 1109A Black top "Sharp" electric calculator, bottom is cream. Electrical cord push buttons black with cream lettering and numbers. Sharp Compet CS - 1109Aadding machines, sharp electronics corp, book-keeping, electrical technology -
Tennis Australia
Cigar, cigarette cutter, Circa 1890
Cigar/cigarette cutter in shape of tennis racquet. Pushing ball-shaped knobs together releases cutters. Materials: Bone, Brass/Metal compositetennis -
Bendigo Historical Society Inc.
Photograph - AUSTIN COLLECTION: BRAKEMAN PUSHING SKIP
Black and white photo of Brakeman,John Murdoch wearing a hard hat, pushing an empty skip into shaft lift at Central Deborah Mine, Bendigo.mining, business, central deborah gold mine -
Coal Creek Community Park & Museum
Tin, paint
Small cylindrical metal container with push on lid. Paper label in yellow with black text, picture of a lady in a rickshaw being pulled by a man in red and black.Guaranteed to conform with National Security Regulations. Ricksha Brand. Pure Permanent Prepared Paint. Nett contents one pint Gloss White. Alexander, Ferguson & Company Limited -
Coal Creek Community Park & Museum
Tin, paint
Cylindrical metal container with push on lid, sides with green background, black, green and white text, patterned border of diamonds and spots around top and bottom.Goodcass Undercoat White Pure Paint. -
Coal Creek Community Park & Museum
Tin, polish, c. 1928
Cylindrical shaped metal container with push on lid, Yellow base colour with a black dotted border, red and black text and depicting a lady mopping the floor.Polimop Hyginic Polish Mop -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1993
Black and white photograph of Roland Thomas on roller skates pushing a bicycle type trolley fundraising for muscular dystrophy, passing through Lakes Entrance Victoriacharities, volunteering -
Bendigo Historical Society Inc.
Photograph - THE BROOK AND ANDERSON FORTUNA COLLECTION: SYDNEY ANDERSON
Small black and white photograph of three men pushing a truck that looks is booged down. On the back Sydney's first driving and school maintenance bivouac - 1943(?)military, world war 2 -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper with flared lower. Push-up base with pontil mark and embossed inscription. Base is uneven, glass composition has imperfections.Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Phosphate loaded onto a ship, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, wharf, ship, tricks, phosphate -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Wood Carving, Kurt Lewinski, Man with Wheelbarrow, 1998
From the bequest of the late K. Lewinski, a German Ort boy from Berlin, refugee in England 1938 - June 1940. Interned and transported to Australia 1940, interned in camp 2. Released in January 1942 to 8th employment co at Tocumwal.Wooden sculpture featuring a man wearing a peaked cap, pushing a wooden wheel barrow filled with round logs, fixed to a wooden rectangular base. 2 pieces.K. Lewinski 1998 Timber: man - kwila, barrow - blackwood, firewood - teak kurt lewinski, wood sculptures, ort boy, internment camp 2, 8th employment co -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1870s
This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Double ring collar blob finish on neck; upper is wide and rounded, lower is a thin ring. Diagonal lines in glass on neck, low shoulder mould seam, rippled texture around body. Push-up base with pontil mark, rectangular impression in heel. Uneven base. Sediment on inside surfaces.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base -
Federation University Historical Collection
Photograph, Ballarat School of Mines Student Activity, c1967
Ballarat School of Mines student activity, including bath push and procession. If you can assist in identifying people in these photgraphs please use the email link below right.ballarat school of mines, student acticity, bed push, procession, greg hunter, ken wach, performing arts -
Port Melbourne Historical & Preservation Society
Photograph - QEII arriving at Station Pier, Port Melbourne, 2001
Bought from "the Age" by donorColour photograph of QEII arriving at Station Pier. Tugs fore and aft pushing the ship to her berth. Panoramic view of Port Melbourne and city skyline. Copyright "The Age"transport - shipping, piers and wharves - station pier, rms queen elizabeth 2, qe2, beacon cove -
Bendigo Historical Society Inc.
Photograph - AUSTIN COLLECTION:MAN PUSHING TROLLEY
B & W Photo of man wearing hard hat pushing skip along the railway heading away from the poppet head at Central Deborah Central Goldmine,Bendigomining, business, central deborah gold mine -
Whitehorse Historical Society Inc.
Equipment - Date Stamp, 1960 - 1970
A mechanical date stamp made by VELOS. Steel parts with a red plastic grip. Push down mechanism to stamp date and to change numbers. Has a self inking pad.On side - 444 Velos and a trade mark|on base Made in Englandcommerce, office equipment / stationery -
Whitehorse Historical Society Inc.
Domestic object - Shortbread Stamp
Although this is listed in book of donations as a butter pat stamp it is likely that it was used to stamp shortbread biscuits.Round wooden cylinder with wooden piece inside. Inner piece pushes up to reveal handle at one end and engraved or whittled pattern of scotch thistle at the other end.domestic items, food preparation -
Maldon Vintage Machinery Museum Inc
Invalid Chair
Wicker invalid chair. 4 wheels, back wheels larger than front. Folding footrest, wheels are spoked with solid rubber rims. Cane push handles at back. Nonetransport .....manual ...... invalid -
Frankston RSL Sub Branch
Microphone
Hand held communications microphone with push button rotary switch. Made of alloy and bakelite with flexible cable which terminates in a three pole line plug. The rotary switch is for adjustment.The main body is embossed with the following,'SIGNAL CORPS T-17-D CAAG 19332-PH-4422'. The rotary switch knob is embossed with the following, 'SW-217' and the symbol 'U' in a circle with a lightning symbol.radio, ww2, microphone, communications -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Lifeboat going to the rescue, n.d
Sepia photo showing the Portland Lifeboat on ocean. Crew of 12. Man using oar to push off from pier. Man holding tiller. Men wearing life jackets.portland lifeboat, rescue, ocean -
Coal Creek Community Park & Museum
Tin, herbs, Wilkinsons & Co. Ltd
Cylindrical shaped tin with push on lid, label around sides depicting person on camel with text in dark blue, white, light blue, red, gold, yellow, green and black.ARAB Herbs. Packed by the Proprietors Wilkinsons & Co. Ltd, Adelaide & Broken Hill. Mixed Sweet Herbs. -
Mont De Lancey
Leisure object - Dolls Pram
A vintage cream wooden and metal dolls pram with four spoked cream wheels with deteriorating rubber and a tubular metal push handle. It appears to be homemade. There are several soft toys inside it.prams, dolls prams, leisure object, toys -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Functional object - Stamp Press, 58 Battalion Stamp Press, 1916-1919
5/6 RVR draws its lineage from 58Bn Essendon RiflesSmall, black, metal machine with lever arm to push an impression of 58th Bn Essendon Rifles mark. The machine is decorated with gold filigrees and there is a thin red line around the base 58Bn badge on base of stamp press58th battalion, essendon, wark vc club -
Flagstaff Hill Maritime Museum and Village
Functional object - Candlestick holder, C. 1855
This pair of brass candlesticks feature a internal candle stubb pusher that is pressed from underneath the base of the candlestick to push up the used candle stubb from inside the hollow candlestick. It once belonged to David and Alice Ellis, a young couple married in Dublin in 1855, possibly a wedding present. It has been handed down in the Ellis family until it was donated, together with other personal effects, in 2004 by David and Alice’s granddaughter, daughter of David Ellis Junior. On 6th October 1855 newlyweds David and Alice Ellis set sail for Australia in the brand new Schomberg, considered the most perfect clipper ship. She was built as an emigrant ship in Aberdeen and set sail from Liverpool on her maiden voyage, bound for Melbourne, Australia. She was loaded with 430 passengers plus cargo that included iron rails and equipment intended for building the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. On 27th December 1855, only one day from her Melbourne destination, the Schomberg was grounded on a sand-spit on the Victorian coast near Peterborough. The passengers and crew were all safely rescued by a passing small steamer, the SS Queen, which traded between Melbourne and Warrnambool, and taken to Melbourne. The passengers had been told, when leaving the sinking Schomberg, that all they could take with them was a small basket or handbag. A newspaper article later mentioned that one of the things Alice made space for in her basket was her Bible. (It is unclear whether Alice took any possessions with her onto the SS Queen, but a note accompanying the donation of the Bible and basket states that the items were “left on deck and salvaged as Schomberg went down”.) Another steamer was despatched from Melbourne to retrieve the passengers’ luggage from the Schomberg and Alice was reunited with all of her boxes of belongings. Other steamers helped unload the cargo until the change in weather made it too difficult. Although the Schomberg was wrecked there were no lives lost. At that time David was 23 years old (born in Wales, 1832) and his new bride Alice was 26 (born in Dublin, 1829). They had been given letters of introduction to people in Tasmania so they travelled there from Melbourne. However the couple only stayed on that island for about a year before they returned to the Western District of Victoria. David worked for Mr Neil Black as a gardener for a while then, when the land in the area was made available by the Victorian government, David and Alice claimed a selection of land on Noorat Road in the Terang district. They settled there for the remainder of their lives, expanding their property “Allambah” as opportunities arose. A document accompanying the donation lists the names of six children; William, Grace (c. 1859-1946), Thomas (c. 1866 – 1939), David (c. 1962 – 1953), James and Victor. David died on 13th April 1911, aged 79, at their property. Alice passed away the following year, November 1912, aged 83. Alice’s obituary described her as “a very homely, kindly-natured woman, who was highly esteemed by a large circle of friends; and she was also a firm adherent of the Presbyterian Church”. At the time of Alice’s death she left behind three sons and one daughter. Her daughter Grace Ellis was also a very active member of the Terang Presbyterian Church and a member of the PWMU (Presbyterian Women’s Missionary Union). She was also involved in the Red Cross and other charities. Grace passed away in 1946, aged 87. David and Alice Ellis were amongst the very earlies pioneers of the Terang district of Western Victoria. Their donated possessions are a sample of the personal effects of emigrants to Australia. The donated items are a sample of the personal goods carried aboard a significant migrant ship in 1855. They are also significant for their association with the Schomberg. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck, The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Candlestick holders, brass; pair of two candlestick holders each incorporating a candle pusher inside the stem (used to push up and eject the candle stump). Candlestick holders were amongst the possessions of David and Alice Ellis, passengers on the Schomberg when wrecked in 1855.schomberg, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, candlestick, candlestick with stubb pusher, 1855 shipwreck, peterborough shipwreck, ss queen, david ellis, alice ellis, allambah terang, dublin emigrants, terang presbyterian church, western district victoria, lighting, candlestick holders -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Objects, Thumb Tacks 'Ivory', 20thC
A thumb tack, push pin or drawing pin is a short nail or pin used to fasten items to a wall or board for display and intended to be inserted by hand, generally without the assistance of tools. A variety of names are used to refer to different designs intended for various purpose. Edwin Moore invented the "push-pin" in 1900 and founded the Moore Push-Pin Company. Moore described the push-pin as a pin with a handle. Later, in 1904, in Lychen, German clockmaker Johann Kirsten invented flat-headed thumb tacks for use with drawings. A thumb tack has two basic components: the head, often made of plastic, metal or wood, and the body, usually made of steel or brass. The head is wide to distribute the force of pushing the tack in, allowing only the hands to be used. Many head designs exist: flat, domed, spherical, cylindrical and a variety of novelty heads.Cardboard box with sliding insert that contained 48 'IVORY' Brand celluloid head Thumb Tackson Box ; 48 / 48 / CELLULOID HEAD THUMB TACKS / 'G' / PIN WILL NOT / PASS THROUGH / BEST / QUALITY / IVORY / BRAND / MADE IN GERMANYdrawing pins, thumb tacks, brass tacks, moore edwin, kirsten johann