Showing 340 items
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Yarrawonga and Mulwala Pioneer Museum
Talc powder container, 1990's
Plastic square container with round lid. The lid twists and has holes to dispense the talc powder. Contains 100g net. On the back is printed a barcode with directions for use, caution alerts and ingredients. Customer service free call, information. Trademark J&J 1993Johnsons Baby (clinically proven mildness) powder, Johnson and Johnson 100g net. J&J on lid. On base ACI 316 1 Recycle symbol 2. -
Greensborough Historical Society
Magazine, Banyule Banner June 2022, 2022_06
The Banyule Banner is published bi-monthly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition contains reports on supporting social enterprise, building a better Banyule and recycling and waste management.A record of events within the City of Banyule.28 pages, colour illustrations. banyule banner, banyule council -
Greensborough Historical Society
Magazine, Banyule Banner October 2021, 2021_10
The Banyule Banner is published bi-monthly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition contains reports on COVID economic support package, recycling and the proposed Watsonia town square.A record of events within the City of Banyule.32 pages, colour illustrations. banyule banner, banyule council -
Greensborough Historical Society
Magazine, Banyule Banner January/February 2022, 2022_01
The Banyule Banner is published bi-monthly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition contains reports on local projects, a recycling initiative on food waste and Twilight Sounds 2022.A record of events within the City of Banyule.28 pages, colour illustrations. banyule banner, banyule council -
Kiewa Valley Historical Society
Bottle - Beer, 1944
Beer came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of bottles were recycled remaining the property of the manufacturer who paid for their return.History of the company - Pick Ax, AdelaideHistorical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing & shape especially if in good condition.Clear brown glass bottle used for Beer. Long straight sides before sharp taper to neck which has a slight bulb shape. Glass joined longitudinally on 2 opposite sides. Cork is stuck inside the bottle. Along the bottom of the sides there are 3 rows of heavily embossed print (capital letters), beginning with a circle. Embossed on base: 634. At bottom: circle (can't read). 3 lines: This is the Property of / ....Bottle Co-Operative / Company Limited South Walk.bottle, brown glass, beer, adelaide brewery, pick ax brewery -
Queenscliffe Maritime Museum
Equipment - Float
Norway, around 1840, was the first country to produce and use glass fishing floats. Many of them can still be found in local boathouses. Christopher Faye, a Norwegian merchant from Bergen, is credited with their invention. The earliest floats, including most Japanese glass fishing floats, were handmade by a glassblower. Recycled glass, especially old sake bottles in Japan, was typically used and air bubbles/imperfections in the glass are a result of the rapid recycling process. Glass floats have since been replaced by aluminum, plastic, or Styrofoam. Today most of the glass floats remaining in the ocean are stuck in a circular pattern of ocean currents in the North Pacific.By the 1940s, glass had replaced wood or cork throughout much of Europe, Russia, North America, and Japan. Japan started using the glass floats as early as 1910. Now they are still highly sought after as decoration.A glass float with intact knotted rope net attachedfishing, floats, glass floats -
Orbost & District Historical Society
cutlery tray, Early 20th century
This item is an example of the self-reliance needed by families during hard times. Many household necessities were made from available materials.A roughly made wooden cutlery tray/container made from a recycled dried fruit box. It has a leather strap handle attached to the divider. ITtis divided into two rectangular compartments. With it are 14 items of cutlery. There are 6 knives, 6 forks and 2 spoons. The spoons and forks are all silver and the knives are stainless steel with bone handles.Forks made of silver Spoonsgreat-depression container cutlery homemade domestic tableware -
Eltham District Historical Society Inc
Document - Series Listing, Fraser Faithfull et al, Series 01: Main Photographic Series, 2000
Series consists of 650 loose photographs, predominantly of councillors who served between the mid 1980s and the amalgamation of the Shire in December 1994. The collection also covers a wide range of Council activities, from childcare to official dinners to refuse recycling.shire of eltham archives, series listing -
Kiewa Valley Historical Society
Bottle - Beer, 1930s
Beer came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of the bottles changed. Bottles were recycled remaining the property of the manufacturer who paid for their return. History of the Richmond Brewery.Historical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing & shape especially if in good condition.Clear brown bottle with heavy embossing. The bottom half has straight sides. The top tapers to the opening. Half way up the sides it is heavily embossed with R.B. and underneath these letters R. The face of a tiger features in heavy embossing on the side of the bottle. At the bottom around the circumference and on the base is embossing. There is a broken cork sealing the bottle. Sides: R.B. and underneath this R. with a head of a tiger. Bottom around the circumference: 'The property of Richmond N.S. Brewing Co. Pty. Ltd.' Base: '650'beer, drink, bottle, richmond brewery, richmond -
Kiewa Valley Historical Society
Bottle - Beer, 1930s - 1940
Beer came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of bottles were recycled remaining the property of the manufacturer who paid for their return. History of Manufacturers Bottle Co. of VictoriaHistorical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing & shape especially if in good condition.Clear brown glass beer bottle. Straight sides 190 mm from base. Sharp taper to neck which tapers for 90 mm to opening. At top of straight side is a heavily embossed spade (as in cards) shape with M.B. at top and C.V. beneath - both inside spade shape. Bottle made with 2 longitudinal halves. At the bottom near the base is heavily embossed print (in capital letters) around the circumference. At the base is embossed a horseshoe shape.Inside spade shape: M. B. above C. V.. Along the circumference at the bottom "The Property of Manufacturers Bottle Co. of Victoria Pty. Ltd.'. At the base; A horse shoe shape with a pointed curve.bottle, beer, munufacturers bottle co. of victoria, horse shoe shape on bottle, spade shape on bottle -
Kiewa Valley Historical Society
Bottle - Beer, 1940s - 1960s
Beer came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of bottles changed. Bottles were recycled remaining the property of the manufacturer who paid for their return. People collected bottles to return.Historical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic; Display showing embossing & shape especially if in good condition.Clear glass bottle used for beer. Straight sides half way up and then tapered to the opening. 2 longitudinal joins on opposite sides in glass. Lightly embossed MB and underneath it CV in a spade (as in cards) shape two thirds of the way up. Embossed along the bottom and a horse shoe shape at the base.M.B. with C.V. underneath it on the side. Along the bottom: "This bottle always remains the property of / The Manufacturers Bottle Co. of Victoria Pty Ltd." Horse shoe shape on base.beer, bottle, m.b.c.v., manufacturers bottle company of victoria -
Greensborough Historical Society
Magazine, Banyule Banner April/May 2022, 2022_04
The Banyule Banner is published bi-monthly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition contains reports on strategic planning, organics recycling and developments at Barrbunin Beek Aboriginal Gathering Place and Banyule Swamp.A record of events within the City of Banyule.28 pages, colour illustrations. 2 copies.banyule banner, banyule council -
Nillumbik Shire Council
Sculpture: Tony Trembath (b.1946 Sale, Victoria), Tony Trembath, The Fences Act 1968 - Location: Edendale Farm (entrance) 30 Gastons Road, Eltham, 1989 - 1994
Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps -
Bendigo Historical Society Inc.
Textile - VELVET AND MIXED FABRIC PATCHWORK CUSHION, 1940's
Textiles. Diamond shaped pieces-five X 3.5 cm pieces of velvet, and mixed fabrics in shades and patterns of brown, cream, blue,russet and green. Crushed velvet backing in mid brown colour. Some evidence that the insert has been embroidered(Possibly a recycled cushion). Some diamond shapes are severely worn, while two are completely missing.textiles, domestic, velvet and mixed fabric cushion -
Melbourne Tram Museum
Pamphlet, Metropolitan Transport Forum, "The economics of transport - Smarter Transport - Better Cities", c2010
Pamphlet - 3 fold A4 on recycled paper, titled "The economics of transport - Smarter Transport - Better Cities", outlining in a series of Monographs on public transport in Melbourne, Sydney, Infrastructure investment, economics, transport projects, fares, mass transit projects. Provides a forum overview. preface by Ross Garnaut, transport expenditure compared to other cities and transport myths.trams, tramways, public transport, melbourne, finances, fares, proposals, management, economics -
Kiewa Valley Historical Society
Bottle - Spirits, 1940's
Whisky came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of bottles varied. Bottles were recycled remaining the property of the manufacturer who paid for their return. History of James Dickson Co. Pty. Ltd.Historical: Change of Bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing and shapeClear glass whisky bottle with heavy embossing on one side where the maker's name and details is printed in capital letters longitudinally. Heavily embossed zig zag pattern at the top of straight sides that go three quarters of the way up. The sides taper to the neck which has straight sides to the screw top opening. The tapered section is grooved with ridges of straight lines to a lip which is between it and the neck. Side (longitudinally): 'This Bottle is the Property of / James Dickson & Co. Pty Ltd / Established 1854 / Melbourne Aust. / And Cannot Be Legally Used By Others' Base: 'A' above 'F892' and 'M' beneath. Reading from the inside of the bottle on the base is 'E41' whisky, bottle, spirit, james dickson co. pty. ltd -
Kiewa Valley Historical Society
Bottles - Milk x2, 1940's
Milk was produced at the local dairy and then delivered to the stores and / or each household. The shape of the bottles changed as did the stopper used to seal it. The cardboard one predating the aluminium seals. Milk bottles were recycled by the dairy for re use. Liquids were measured in pints pre 1966.Historical: Change of bottles - shape, stopper, embossing Aesthetic: Display showing embossing and shapeClear glass milk bottle with straight sides half way up tapering to the top where there is a thick lip on the outside. Opening is wide. There is an inner rim inside the opening. A cardboard disc fitted on to the inner rim to seal the contents. Heavily embossed.On side near base: 'One Imperial pint' On base: Common Seal: 'A' with 'G' and 'M' inside the 'A'. 'F 1297' is across the middle and 'M' is underneath. In front of the 'M' one bottle has '2' and the other '6'.milk, diary, glass bottle, household, farmer -
Glen Eira Historical Society
Newspaper - CAULFIELD ENVIRONMENT PROTECTION SOCIETY
The file contains one item for this organisation. 1/Original copy of document titled C.E.P.S NEWS, no.4, June 1973. This newsletter covered subjects including banning the spraying of pesticides such as Dieldrin, waste disposal, recycling, compost making, and the beautification plans for Glenhuntly Railway Station.c.e.p.s news, caulfield environment protection society, local government, caulfield council, glenhuntly, glen huntly, caulfield, glenhuntly railway station, hawthorn road, glenhuntly road, caulfield south, pollution, conservation, recycling, waste disposal, living organisms, pesticides, environment, flann robert, child joan, gwythr alan, pilley erica, flann elizabeth, bennett june, lees harry, goldhar jeffry, hutchinson colin, mcnamara beryl, martin john, davies patricia, composting, conservation of natural resources, alexander john c, arden councillor, leschen councillor, fox max, community groups, parliamentary representatives, public interest research group, p.i.r.g., garbage, parr-smith geoff, caulfield historical society, filbert street -
Bendigo Military Museum
Instrument - Universal Stereoscope, 1940
The Universal Stereoscope was used to view overlapping stereo aerial photography in three dimensions (3D). It consists of magnifying lenses, an optical train including glass prisms and mirrors that are protected by sliding metal covers all suspended on a pair of fold out adjustable legs. The stereoscope is coloured military olive drab green. This Universal Stereoscope was produced in Australia in 1940 for Military use. It was originally produced with a timber protecting carry box that is missing. It was used extensively by members of the Australian Survey Corps during WWII in many theatres of War for viewing and annotating aerial photography. Item 6205.6P, photograph 6205.1P shows the Universal Stereoscope in use by the Australian Survey Corps annotating aerial photography.The Universal Stereoscope was used to view overlapping stereo aerial photography in three dimensions (3D). It consists of magnifying lenses, an optical train including glass prisms and mirrors that are protected by sliding metal covers all suspended on a pair of fold out adjustable legs. The stereoscope is coloured military olive drab green."DC-1940 Serial No 550", "D V D", "Made in Australia" Plate on the underside reads " This stereoscope was donated to the Ex Fortuna Survey Association by the Eaglehawk Recycle Shop February 2015"royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
Greensborough Historical Society
Photograph - Digital Image, Watsonia Scouts Bottle Drive, 1970_
In the days before recycling on rubbish collection days, community groups could raise money through a 'bottle drive'. These photographs show on bottle drive in Watsonia to raise money for the Watsonia Scout Hall. The location is A. K. Lines Reserve - in the background is St Mary's Church, with few houses and no freeway.Digital copy of colour photographwatsonia scouts, bottle drives, a k lines reserve -
Lara RSL Sub Branch
18 Pounder shell ashtray, Souvenir, 1927
Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow, -
Mont De Lancey
Tool - Kerosene Tin Cutter, Chapman and Co, Unknown
Used in the late 19th or early 20th century.A large triangular shaped metal blade tin cutter for manually opening kerosene and petrol tin lids which were often recycled for use on farms in the 19th and early 20th century. It has a rectangular shaped tubular steel handle attached to the top side by two rivets. On one of the triangular points of the blade is the manufacturer's brand ' Chapman and Co, Enfield S.A'. It was Australian made.'Chapman and Co, Enfield S..A'. tin openers, tools, tin cutter, farming equipment -
Melbourne Tram Museum
Postcard, Railmac, SW5 781 turning from Brunswick St into Victoria Parade, 1995
Postcard - full colour - of tram SW5 781 turning from Brunswick St into Victoria Parade, 26/11/1990 going to St Kilda Beach. Has adverts for been (its going to be a long hot summer) and Christmas Cards on recycled paper. Has details of the tram type on the rear. Photo by Steve McNicol. Divided back, published by Railmac number S059 RMtrams, tramways, sw5 class, victoria parade, tram 781 -
Eltham District Historical Society Inc
Document - Folder, McKellar, Jamie
Jamie McKellar was awarded a Medal of the Order of Australia (OAM) for service to the community through the development of a construction-waste recycling industry and his commitment to environmentally sustainable industrial practices. He was managing director of the Alex Fraser Group. Contents Newspaper article: "Talent in waste turnover" Diamond Valley Leader, 21 June 2006.Newspaper clippings, A4 photocopies, etcjamie mckellar, james mckellar -
Melbourne Tram Museum
Pamphlet, Brunswick Community History Group, "A walk along the Upfield railway line", 1993
Pamphlet or small booklet, 12 pages on recycled paper, centre stapled titled "A walk along the Upfield railway line", outlining the history of the line, dates, hand operated gates, Royal Park to Brunswick, cable trams and the Sarah sands, sketches, The Jewell, map, Brunswick Station, grain stores, substation, Brunswick tram depot, sidings and railway signals. Published by the Brunswick Community History Group in 1993In ink page 3 "KS 8-7-94"trams, tramways, upfield, brunswick, railways, level crossings -
Port Melbourne Historical & Preservation Society
Book, Water works, Trust - Inwards Correspondence, 1890s
Originally a correspondence record for the Warracknabeal Waterworks, this book was recycled for use as a visitors' register for the Missions to Seamen building, during the years the Mission Arts Centre occupied it (1987 - 1990). Included are signatures of visitors during the Bicentenary celebrations, January 1988 as well as casual visitors and attendees at exhibitions, performances, concerts, community days, private parties, etc.Large bound volume, blue with tan leather binding, stamped in gold "Water Works, Trust - Inwards Correspondence", used as visitors' register for the Mission Arts Centre, Missions to Seamen building 1987-89missions to seamen, mission arts centre -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Out and About - Spring 2017", Aug. 2017
Full colour 24 page newspaper, centre stapled recycled paper, titled "Out and About - Spring 2017", published by the Ballarat Courier, with ads and items about the Ballarat and surrounding villages events, but with a lot of adverts outside the district for example Bendigo trams and Castlemaine and Maldon Railway. Features a photo of Len Millar and Neville Britton in front of tram 26 on the front cover and Springfest on the page 4 with the Tram Pull event.ballarat, tourism, bendigo trust, btm, springfest, tram pull -
Melbourne Tram Museum
Poster, Channel 7 news, "This is the Sign of a True Green Aussie", mid 1980's
Advertising Poster for use in Tramcars printed on heavy cardboard advertising the use of Australian Recycled Carton board with the headline caption "This is the Sign of a True Green Aussie". Has the logos of Defiance, Kleenex, Uncle Tobys, Arnotts, Neranda Tea, Lanes, Kellogs, White Wings, Aeroplane jelly and Peters. Sponsored by channel 7 Melbourne nightly news. Image file is a small version of the large pdf file, on file as hte5568i.pdftrams, tramways, posters, advertisements, melbourne -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The State of Australian Architecture, 1967
In this article, requested by Architecture in Australia, Boyd condemns the lack of development in the shaping the identity of Australian architecture, similar to the contents of Texas Quarterly 'Architecture in Australia' Vol.5 (see D092), Boyd writes about the need for designers and architects to create a new design language rather than recycling and reminiscing on old British aesthetics despite wanting to gain international recognition.Original manuscript of an article published in Architecture in Australia, Vol.56, No.3, June 1967 pp.454-465.Typewritten (c copy), pencil edits, quarto, 26 pagesPencil corrections and edits in textaustralian architecture, sydney school, architecture in australia, robin boyd, manuscript -
Ballarat Tramway Museum
Photograph - Decorated tram Ballarat 23 in Sturt St, 1938
Photograph shows decorated tram No. 23, eastbound between Dawson and Doveton Streets. The tram was decorated for the 100 years of European settlement (1938) in the Ballarat district. The Queen Alexandra bandstand and buildings in the background have been decorated as well. The street decoration just in front of the tram, was recycled from an earlier Melbourne celebration event. A young man is riding a bicycle alongside the tram.Yields information about the decoration of Sturt St and tram 23 for the 100 years of European settlement (1938).Black and white print of decorated tram 23 in Sturt St, east bound passing the Queen Alexandra Bandstand.ballarat, sturt st, trams, tram 23, decorated trams, queen alexandra bandstand, celebrations.