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Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Polychrome, repeat pattern of a flowering tree among meadow flowers with scrolling green and blue acanthus leaves. Sample is a later Morris-style wallpaper block reproduction by Sanderson & Co from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 'Larkspur', 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample: ‘Larkspur’ pattern, Foliate design with flowers, red on a paler red background. Original design by Morris in 1872; revised by Morris in 1875. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Pattern No. 133400.Stamped on verso: 133400CI / MADE IN ENGLAND. Inscribed in ink on verso: W. MORRIS / LARKSPUR / 133400 / $7.60decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Ringwood and District Historical Society
Geological specimen - Core sample, Section of core sample taken from Eastland Stage 5 - November 2014, Nov-14
Section of core sample taken from Eastland Stage 5 Nov 2014 - Donated by Terry Ahern, obtained through Probuild building contractorsSection of core sample taken from Eastland Stage 5 November 2014 +Additional Keywords: Eastland / Ahern, Terry / Probuild -
Marysville & District Historical Society
Photograph (item) - Black and white photograph, Valentine Publishing Co. Pty. Ltd, Sample Acre of Tall Trees, Marysville. V. 40, 1923-1963
An early black and white photograph of a sample acre of tall trees near Marysville in Victoria.An early black and white photograph of a sample acre of tall trees near Marysville in Victoria. After the devastating 1939 ‘Black Friday’ bushfires, Victoria’s tallest known trees were to be found in the Cumberland scenic reserve, 20 km north-east of Marysville. This stand of trees was set aside in the 1920s to preserve a ‘sample acre’ of tall trees. It originally contained 27 trees, the tallest of which was said to be 92 m, whilst the average height was 81 m. A severe wind storm in 1959 blew down 13 trees and left the ‘tall tree’ at a reduced 84 m (Munro 1992). An examination of the crown of this tree by arborist Tom Greenwood (Tom Greenwood pers. comm. 2001) suggested that it was unlikely that it ever reached the original figure of 92 m; the current height is 81.5 m, a figure used as the starting point for this search for Victoria’s tallest trees. This photograph was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.sample acre, tall trees, marysville, victoria, cumberland valley, valentine publishing co, photograph, souvenir, 1939 bushfires, cumberland scenic reserve -
Marysville & District Historical Society
Photograph (item) - Black and white photograph, Valentine Publishing Co. Pty. Ltd, Sample Acre of Tall Trees, Marysville. V. 40, 1923-1963
An early black and white photograph of a sample acre of tall trees near Marysville in Victoria.An early black and white photograph of a sample acre of tall trees near Marysville in Victoria. After the devastating 1939 ‘Black Friday’ bushfires, Victoria’s tallest known trees were to be found in the Cumberland scenic reserve, 20 km north-east of Marysville. This stand of trees was set aside in the 1920s to preserve a ‘sample acre’ of tall trees. It originally contained 27 trees, the tallest of which was said to be 92 m, whilst the average height was 81 m. A severe wind storm in 1959 blew down 13 trees and left the ‘tall tree’ at a reduced 84 m (Munro 1992). An examination of the crown of this tree by arborist Tom Greenwood (Tom Greenwood pers. comm. 2001) suggested that it was unlikely that it ever reached the original figure of 92 m; the current height is 81.5 m, a figure used as the starting point for this search for Victoria’s tallest trees. This photograph was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.sample acre, tall trees, marysville, victoria, cumberland valley, valentine publishing co, photograph, souvenir, 1939 bushfires, cumberland scenic reserve -
Flagstaff Hill Maritime Museum and Village
Plant specimen - Wood Sample, Alexander Hall and Son, ca. 1855
The wood sample is one of two pieces in the Collection from the wreck of the sailing ship Schomberg that were carried on the tides and discovered on a New Zealand beach along the coast. The samples have been positively identified scientifically as part of the timber from the Schomberg. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baines Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This wood sample is significant for its connection with the wreck of the Schomberg, as part of the vessel's structure. It is scientifically important as evidence that shipwreck relics can move a long way for the site of the wreck. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes.Wood sample with layers of different coloured timber. The sample has holes along a portion of the edge and a fur-like appearance along one side. In places it has the appearance of charcoal. The sample is a piece of the hull from the wreck of the Schomberg. The sample was washed up on a beach on the coast of New Zealand. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, 1855, clipper ship, black ball line, luxury ship, emigrant ship, captain forbes, bully forbes, ss queen, wood sample, new zealand, james baines & co -
Flagstaff Hill Maritime Museum and Village
Plant specimen - Wood Sample, Alexander Hall and Son, ca. 1855
The wood sample is one of two pieces in the Collection from the wreck of the sailing ship Schomberg that were carried on the tides and discovered on a New Zealand beach along the coast. The samples have been positively identified scientifically as part of the timber from the Schomberg. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baines Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This wood sample is significant for its connection with the wreck of the Schomberg, as part of the vessel's structure. It is scientifically important as evidence that shipwreck relics can move a long way for the site of the wreck. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes.Wood sample with layers of different coloured timber. The sample has holes along a portion of the edge and a fur-like appearance along one side. In places it has the appearance of charcoal. The sample is a piece of the hull from the wreck of the Schomberg. The sample was washed up on a beach on the coast of New Zealand. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, 1855, clipper ship, black ball line, luxury ship, emigrant ship, captain forbes, bully forbes, ss queen, wood sample, new zealand, james baines & co -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 'Oak Tree', 1920-1930
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).‘Oak Tree’ pattern. Sample of original Morris & Co wallpaper, designed circa 1896 by John Henry Dearle (1859–1932). Oakleaf and acorns in pale blue on cream ground. Sample manufactured ca.1920–ca.1930. Printed border : OAK TREE / MORRIS & COdecorative arts & design, wallpapers -- morris & co, john henry dearle, wall coverings – history, wallpapers – history, interior decoration – history -
National Wool Museum
Book - Fabric Sample Book, c.1920
A Textile Designer’s Fabric Sample Book is an important tool for keeping a record of past designs. This is useful in order to showcase a designer’s previous work; functioning like a portfolio or a résumé. They also serve as a source of inspiration, sometimes even providing a template to re-release iconic designs. The National Wool Museum has a large collection of Fabric Sample Books. They reveal the colour and daring designs produced by textile mills across various time periods. This Fabric Sample Book is from the 1920s and gives us insights into design trends that are now over a century old.The cover of this book has a brown/grey marble. It carries many marks and oils from the hands, after more than a century of use. A strip of red tape has been added to the spine of the book in order to give it integrity. The book internally has white pages that have turned a brown/cream with age. These pages have a faint blue line printed horizontally across them, to assist with handwriting. The contents of the pages are fabric samples which have been staple to them, as well as handwriting with a blue ink. The pages also include technical drawings, relating to the fabric samples and how such samples were woven together.textile design, textile manufacture -
National Wool Museum
Book, Kettling & Braun
"Kettling and Braun", 1931. Contains fliers, pictures, photos, a textile sample and specifications of textile machinery from the German manufacturer, Kettling and Braun. Includes a quotation to Collins Bros Mill, Geelong for the price of supplying a number of items of textile equipment.Book / catalogue containing specifications, photos, a textile sample and quotations for textile machinery by Kettling and Braun, 1931.textile machinery, kettling and braun collins bros mill pty ltd -
National Wool Museum
Yarn sample book, The Fashion in Knitting
This book is a sample book of the various types, thicknesses and colours of hand knitting yarn produced by the Villawood Textile Company under the trade name of 'Villawool' in c.1963. The illustration on the front cover was produced by a designer / design firm called 'Saxton'.Front cover of a book of Villawool knitting yarn samples produced by the Villawood Textile Company, c.1963.THE / FashioN / iN / kNiTTiNG / Villawool SAXTONhandicrafts knitting, villawood textile company, handicrafts, knitting -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of a front facing bird contained in a roundel in pale grey on a darker grey ground, regularly interspersed on a geometric design. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co dado border design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., dado border design. Monochrome, repeat pattern frieze of flowers in an urn with an alternating design including a facing fox and flamingo in black on a red ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- dado borders -
Marysville & District Historical Society
Photograph (item) - Black and white photograph, 10-1947
An early black and white photograph of a sample acre of tall trees near Marysville in Victoria.An early black and white photograph of a sample acre of tall trees near Marysville in Victoria. After the devastating 1939 ‘Black Friday’ bushfires, Victoria’s tallest known trees were to be found in the Cumberland scenic reserve, 20 km north-east of Marysville. This stand of trees was set aside in the 1920s to preserve a ‘sample acre’ of tall trees. It originally contained 27 trees, the tallest of which was said to be 92 m, whilst the average height was 81 m. A severe wind storm in 1959 blew down 13 trees and left the ‘tall tree’ at a reduced 84 m (Munro 1992). An examination of the crown of this tree by arborist Tom Greenwood (Tom Greenwood pers. comm. 2001) suggested that it was unlikely that it ever reached the original figure of 92 m; the current height is 81.5 m, a figure used as the starting point for this search for Victoria’s tallest trees. This postcard was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.Tall Timber at Cumberland/ Valley. Oct. 47. 39sample acre, tall trees, marysville, victoria, cumberland valley, postcard, valentine publishing co, souvenir, 1939 bushfires, cumberland scenic reserve -
National Wool Museum
Textile - Quilt, Lucy Anderson, 1960-1965
The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A brown quilt made from woven samples of woollen striped fabric in browns and olive greens. The pieces are machine stitched together. It has an off-white backing which is machined and hand sewn into place.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria -
National Wool Museum
Samples, "From Sheep to Sleep"
Samples of wool, fibres and cloth demonstrating the processes in the creation of blankets, from greasy wool to finished cloth, produced by Collins Bros Pty Ltd.Samples of wool, fibres and cloth demonstrating the processes in the creation of blankets, from greasy wool to finished cloth, produced by Collins Bros Pty Ltd."From Sheep to Sleep" when buying Blankets or Flannels, always look for, and insist on "PHYSICIAN' 'CHILLPROOF' Brand Only the finest and best of wool used in the production of "Physician" Productstextile industry - education, collins bros mill pty ltd, blankets -
National Wool Museum
Sample, Textile
Weaving samples sent from Mr FK Brodie from Gordon Institute of Technology Textile College to the Australian Wool Board, then returned, in 1963.Weaving samples sent from Mr FK Brodie from Gordon Institute of Technology Textile College to the Australian Wool Board, then returned, in 1963.weaving, brodie, mr fred k. - gordon institute of technology, textile department farnworth, mr arthur j - australian wool board -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Retirement, 1972
Bill Macauley, RSLT Random Sample Laying Tests, retired after 42 years with the Department Of Agriculture. W.J. Nicholls was on the Staff at Burnley 1946-1979 (Field Superintendent).Black and white photograph. W. McCauley, Curator Random Sample Egglaying Competition talking to W. J. Nicholls, Staff at a retirement party.On reverse, "Retirement 13/7/72 Mr. W. McCauley Curator RSLT W.J. Nicholls."retirement, 1972, curator, rslt, w.j. nicholls, random sample laying tests, department of agriculture, staff, field superintendent, w. macauley, bill macauley, poultry, egglaying competition -
Melbourne Tram Museum
Booklet - Folder - sample, Go Public, "Melbourne Tram Passport", 1995
Possibly a sample of a product, Melbourne Tram Passport, that was compiled or put together by Go Public in 1995 as a promotion to use Melbourne trams and receive discounts at various venues. No evidence is known of its actual use in practice. On the last page of the Guide Book are the names of David Miller and Frank Pallay and Go Public's Elsternwick PO Address. Similar to the "Melbourne Met Pass" of 1988 - see item 2843 Yields information about the concept of a tourist travel promotion using Melbourne's trams.Green plastic partitioned folded containing sample tickets, map, pamphlet and guide books.trams, tramways, melbourne tram passport, tickets, the met, public transport -
Greensborough Historical Society
Educational aid, Tutor systems: Vocabulary 6. By Peter Howard. LP1295, 1974_
A sample set from what would have been a class set of games for each student to work through. The book explains how to use the game board as a vocabulary building aid.This is an early example of an educational aid, used in schools in the 1970s. Sample book and game board from the Tutor Systems teaching aid. The game board consists of a lidded tray with 24 tiles inside.tutor systems, educational games, lower plenty primary school -
Port Melbourne Historical & Preservation Society
Document - Flong, J E Earl 'Bought of' receipt, Riall Bros, Printers, c. 1950s
Temporary negative mould made to cast a metal stereotype used for printing.A Flong created by Riall Bros Printers for a 'Bought of' receipt for J E Earl Port Melbourne. Includes an ad for L W Shaw & Co Estate and Insurance Agents1 of this made to Sampleriall brothers pty ltd, business and traders - printers, j e earl pty ltd -
Port Melbourne Historical & Preservation Society
Document - Flong, J E Earl Pty Ltd 'Received from' receipt, Riall Bros, Printers, c. 1900
Temporary negative mould made to cast a metal stereotype used for printing.A Flong created by Riall Bros Printers for a 'Received from' receipt for J E Earl Pty Ltd, Port Melbourne.1 of this made to Sampleriall brothers pty ltd, business and traders - printers, j e earl pty ltd -
National Wool Museum
Textile - Manor House Rug Carpet Sample, National Wool Museum, 1990s
The Manor House Rug was designed by Brinton's Carpets in 1990 exclusively for the National Wool Museum. The design is based on an earlier design from Brinton's UK Persian Rug Archive Library. This Manor House Rug sample was woven at the National Wool Museum on the 1910 gripper type Axminster Jacquard carpet loom. The rug is made from 80% wool and 20% nylon, the internationally preferred blend for high quality, long lasting carpets.Red, green, blue, black, cream floral patterned carpet sample with jute backing.axminster loom, carpet, sample, rug, wool, national wool museum, brintons -
National Wool Museum
Booklet, Code of Practice for Security of Wool Samples for Display Purposes: AS1809-1976
"Code of Practice for Security of Wool Samples for Display Purposes: AS1809-1976"- Standards Association of Australia. Amongst items collected in Australian Wool Corporation folder (W6052)."Code of Practice for Security of Wool Samples for Display Purposes: AS1809-1976"- Standards Association of Australia. Amongst items collected in Australian Wool Corporation folder (W6052).With the compliments of The Australian Wool Corporationtextile research wool marketing textile testing, australian wool corporation standards association of australia, wool clip preparation, textile research, wool marketing, textile testing -
National Wool Museum
Textile - Quilt, Ms Jane McGrath, Tartan Fabric Sample, c.1990
Jane McGrath made this quilt 30 years ago from a tartan fabric sample book (c.1990). It was one of her first quilts. Jane was inspired to quilt by her mother Shirley Critchley. Jane recalls her mother being a very talented quilter, with one example being the “Unpicked Jumper Wagga” which can be found within the National Wool Museum’s Collection (REG 8283). Shirley taught Jane the basics in quilting and assisted her in preparing this quilt. The quilt is backed with material from disused woollen skirts. Jane could not recall what material was used for the internal insulating fabric. Jane donated the Tartan Fabric Sample Quilt to the National Wool Museum in 2021. The quilt had been languishing in her cupboard for many years and had found its way to the op-shop pile, as her children had no desire to inherit her quilts. The top layer of the quilt consists of five distinct rows of tartan samples appliqued together. The rows of tartan samples are broken with a boarder of white, grey, and brown fabric which runs in parallel lines. This fabric is also used to bind the quilt together at the edges. The internal insulating fabric of the quilt is not known. The backing fabric is a grey coloured wool originating from disused skirts. The Tartan samples contain stripes of varying width and colour. The samples have been arranged so that the stripes run diagonal on the quilt. Many different colours have been used. The predominant colours are red and black, with lessening amounts of blue, yellow, white, green, and grey featuring. quilts, tartan fabric samples, upcycle, shirley critchley/jane mcgrath collection -
National Wool Museum
Fabric Sample Book, The New Fashion, 1933
For nearly a century, Paris was the most important centre for textile design. From all over the world textile entrepreneurs came to Paris for inspiration. From the 1930s, style services developed in Paris in which companies collected the latest textile samples and circulated them around the world. Subscriptions to this service was expensive, but it not as expensive as going to Paris and other places where new trends arose. Textile designers, in Geelong and Melbourne, subscribed to books such as John Claude Freres books to get the latest colour fashions.Unbound book comprised of 114 separate pages of fabric samples from John Claude Freres.fashion, john claude freres -
National Wool Museum
Textile - Quilt, Mrs Elizabeth Morton, c.1934
Made by Mrs Noel (Lizzie) Morton, the donor's mother on their farm "Wanera" at Benjeroop on the Murray River. It was stitched with a treadle machine. Her sister Flora MacDonald did the running stitch and provided the silk backing. The squares were sent as samples from a firm called "Fred Hesse" who advertised in the Melbourne papers "Be smart and dressy In a suit by Fred Hesse". The buyer chose a sample and then sent it back with measurements and received a "mail order" suit.A small knee rug made from suiting samples machine stitched together. It is backed with black silk fabric and finished with a running stitch of orange wool oversewn with black wool thread.farming quilting quilting - history, wanera benjeroop, farming, quilting, quilting - history -
National Wool Museum
Wool Press
Sample wool press. Sample wool press. -
Ringwood and District Historical Society
Sewing Sample, Hill, Jessie, Mrs, Bound folder of Ripponlea State School student's 1935 sewing samples - Jessie Lemprier, later Mrs.Hill, Ringwood district resident, c. 1935
Mrs Jessie Hill trained in 1935 and donated her book of hand stitched samples to the Historical Society in 1989.Book A3 size with thick brown paper cover. The book has eight pages of thick caramel coloured paper with sewing samples attached. Bound with yellow cord. +Additional Keywords: Hill, Jessie, Mrs -
National Wool Museum
Cloth sample, 1816-1821
Cloth sample from an opera cloak made in England c. 1820 from wool clipped from Macarthur's merino sheep in 1816. The cloak was passed down through the family to Harold Lethbridge with whom the main part of the cloak resides, in Narrandera. The fragment was passed to Lethbridge's niece who gave it to the donor's mother who passed it onto him and then it was donated to the National Wool Museum. The cloth fragment was tested by Gordon Institute of Technology in 1974 showing the wool to be very fine (15-16 microns) which is consistent with the pure lineage of Macarthur's sheep. The cloth fragment was framed in 1952 and remains in the original frame to this day. Cloth sample form an opera cloak made in England c. 1820. Wool for the cloak was clipped from John Macarthur’s merino sheep in 1816. Macarthur is recognised as the pioneer of the wool industry that was to boom in Australia in the early 19th century and become a trademark of the nation. Macarthur was responsible for the first bale of Australian wool to be exported. The British woollen mills were desperate for wool at the time because of the Napoleonic blockade, and the Australian bale sold for a record price. Australia needed a product to sell in European markets which did not perish during long sea-voyages and which offered high value per unit of weight. Wool also had a ready market in England because the Napoleonic Wars had increased demand and cut English cloth-makers off from their traditional source of quality wool, Spain. Australia's first $2 banknote featured John Macarthur thanks largely to his establishment of wool as the backbone of the early Australian economy. Red fabric sample folded in half and mounted in the centre of a brown metal frame.'ARCO' MADE IN ENGLANDmacarthur, wool industry, australian economy