Rev. Samuel Scholes (1863–1931) was elected President of Victoria and Tasmania Conference in 1917.Satin, black and white, ¾ , studio portrait of Rev. Samuel Scholes on card.methodist, conference, scholes, s.

Worn by the donor in the 1960s.Brown fur hat - round fez style - brown satin lined.on label - S.R.McClean Pty Ltd Manufacturing Furrier 48 Royal Arcade Melbcostume, female headwear

Black satin apron with hand painted border. Two buttons at waist.costume, female working

Cream satin french nickers with lace edging on legs. Buttoned waist.costume, female underwear

Smoker's cap c 1889. Made by Jane Tyark (Mulder), grandmother of Isobel McNamara for her stepfather John Doran to keep his head warm as "he had little hair".Smoker's cap - black velvet, embroidered, padded & lined in pink satin.Nilsmoker's cap, velvet, embroidery, jane tyark, john doran, heather mcnamara

Khaki green mens hat with 'Khaki' ribbon hatband and satin liningRoyal Stetsonhats

Worn by Mrs. Ellen CornellBlack and grey fur cape with paw attachments, and brown satin lining.capes, fur clothing, fur coats

Wooden baby's coat hanger, covered in pink material with satin ribbon.coat-hangers

String of pearls,with silver diamante clip. In blue velvet/satin box.necklaces, pearls, jewellery

Dark brown fur collar with hook and eye and black satin lining.fur, collar, clothing accessory

- Handknitted (on bicycle spokes?) - Isobel McNamara- Handknitted baby booties - Woollen - Satin ribbon Refer to Supplementary fileNilhandworked, knitting, booties, baby

Belonged to Mrs. H. N. LordA large padded tea cosy to enclose a teapot. It is made of pale green satin with a white diamond pattern, and pink roses. It has two silver metal handles with a metal clip and a green satin lining.A crown with olive leaves is on clip.tea-cosies, household textiles, domestic equipment

The Satin Bowerbird is commonly located around the eastern and south-eastern coast of Australia. They reside in wetter forests and woodlands, and nearby open areas. They feed mostly on fruits throughout the year but in summer will supplement their food supply with insects and in winter with leaves. The Satin Bowerbird is most commonly known for it's practice of building and decorating it's bower. They will often collect objects of bright blue to decorate the bower including straws, clothes peg, parrot feathers, pens, marble, string, glass and bottle tops. This decoration is done by a male Bowerbird in the effort to attract females. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This taxidermy Satin Bowerbird specimen has dark black/blue glossy plumage and a pale coloured bill of small size. The bird is of a medium size compared to other species of birds and has pale legs with short talons. The eyes are made of strikingly blue coloured glass which represents the violet-blue iris of this bird while living. The bird has a short tale and has been stylized in a leaning/crouched position with it's back arched upwards and head out long. This specimen stands on a small platform and there is some deterioration to the tail feathers which protrude beyond the platform which may have otherwise provided some protection. Donor - Mr. E.T. / BH. RO. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, bower, bowerbird, satin bowerbird

Ladies' evening gloves or opera gloves are a type of formal glove that reaches beyond the elbow. Ladies' gloves for formal and semi-formal wear come in three lengths for women: wrist, elbow, and opera or full-length (over the elbow, usually reaching to the biceps but sometimes to the full length of the arm). In the late 19thC and early 20thC Gloves were expected to be worn for both daytime and evening wear with most types of outfits. The most expensive full-length gloves are custom-made of kid leather. Many other types of leather, most usually soft varieties of cowhide, are used in making full-length gloves; patent leather and suede are especially popular as alternatives to kidskin. Satin materials were extremely popular, and there are mass-produced varieties as well. Carole Pedersen-Green was a founding member of CMHS. Her family were early settlers in Moorabbin ShireA pair of lady's long cream silk machine lace gloves with open fingers and thumb piece C 1930 They are the classic OPERA length, with the mousquetaire wrist openingclothing, gloves, formal wear, craftwork, lace making, dress etiquette, satin, silk, moorabbin, bentleigh, cheltenham, fashion, evening gloves., lace

These shoes were worn by Mary Glass Cramond when she married James Dickson Jnr. in 1888 in the Presbyterian church in South Yarra Melbourne. Mary Cramond was the daughter of John Glass Cramond and his wife Frances. Her Scottish born father formed a partnership with James Dickson, also a Scotsman and founded the Cramond and Dickson store on the corner of Timor and Liebig streets Warrnambool which opened on 21st August 1865. The store closed in 1974. . James Dickson's parents were James and Susan. James Dickson was an original director of the Warrnambool Woollen Mill, an original guarantor and director of the Warrnambool Cheese and Butter Factory. He also served on the committee of the Warrnambool Base Hospital for nearly fifty years and was a town councillor. The Store of Cramond and Dickson was one of the most important businesses ever to have been in Warrnambool. The marriage of the daughter and son of each of the founders was an important social and romantic event.A pair of cream satin covered lady's shoes with medium height heels. The toes are gently pointed and decorated with a bow and intricate glass,clear beading.The soles are leather. Both shoes are damaged as the satin is torn and shredded.6D small twelve pointed starshoes, cramond and dickson, warrnambool, cramond

The women of the early settler families in Moorabbin Shire were accomplished dressmakers, craftworkers and made the clothing for their familiesA typical evening shoulder cape worn by early settler women in Moorabbin Shire c1910 The family of Nance Blackburn were pioneer market gardeners.A lady's evening shoulder cape made of black Guipure lace,satin and voile blackburn nance, pioneers, market gardeners, early settlers, moorabbin shire, bentleigh, cheltenham, moorabbin, dressmaking, clothing,

Rev. Alfred Dickie (1903-1978) was a campaigner for nuclear disarmament.Satin, black and white image of Rev. Alfred Dickie and his wife Alison.dickie, alfred, dickie, alison, presbyterian

Cream satin lining covered with rows of white feathers that appear to be real feathers Nonecostume

Brides are given the ornaments after the marriage ceremony by friends and relatives as a keepsakeIt brings luck and happiness to the newly wedsWhite crochet shoe decorated with satin flowers and pearls and a little crochet bellbridal ornament, crochet, shoe, bell

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black-coloured fitted jacket made of silk and lace with added satin ribbons.women's clothing, fashion - melbournesne - 1880s, bodices, jackets, netta fuller

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Faux satin white polyester long sleeved blouse with attached scarf at neck.Label: Den Bruden bru, women's clothing, australian fashion -- 1970s, blouses

Legacy celebrated its Centenary in 2023 by conducting a Torch Relay from Pozieres in France, to London, and around Australia, ending in Melbourne. This sash was part of the uniform used by Legatee David Kelly on 13th October, who then donated it to the archive. Legatee Kelly is a Past President of Melbourne Legacy 2000, Past Chairman of Legacy Coordinating Council 2009/10. Legatee Kelly was the ML representative on the Board of Legacy Australia Inc in October 2019 when the initial decision was made to investigate the possibility of conducting a relay to commemorate Legacy’s centenary. Legatee Kelly together with the Hobart Legacy representative were Co-Chairman of the Centenary of Legacy Committee reporting to Legacy Australia Inc. On 12th October 2023 Legatee Kelly together with his wife Legatee Helen Kelly participated in the Torch Relay in the Melbourne Legacy leg of the relay. On Friday 13th October the Torch Relay was scheduled to conclude at the Shrine of Remembrance with the flame to be returned to the eternal flame at the Shrine. Legatee Kelly was selected to be the last Legacy torchbearer, representing Melbourne as the founding club. He lead representatives from Legacy Clubs attending The 2023 National Conference up the Forecourt where the flame passed to the wife of the Governor General, Mrs Linda Hurley. Mrs Hurley was accompanied by The Governor General to return the Centenary of Legacy Torch Relay flame to the eternal flame.An important part of Legacy's history was its centenary and this uniform was part of the commemorationWhite satin sash with The Legacy Centenary Torch Relay emblem and 'Melbourne' embroidered on it.torch, relay, centenary

Owned by Mrs. Ellen Cornell.French rabbit fur capelet. Fawn dyed and stripped. With black satin lining.capes, fur clothing, fur coats

Provenance unknownWoman's bust-bodice in white cotton. Fastens at back with ten pairs of hooks and eyes. Has metal hook on elastic hanging from left back.Satin ribbon label printed with blue ink "Venus Maiden Shape" next to fastening. Stamped inside left back in black ink "12548".costume, george evans collection

Clothing. 2 cm wide, blue satin ribbon, edged with 1.5 cm wide, blue lace with a floral design, covers the elastic. Satin ribbon 1 cm wide is tied in a bow, with a folded ''extra tails''.costume accessories, female, blue satin ribbon and lace garter