Showing 181 items
matching screenprint
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Gippsland Art Gallery
Print, Durrant, Ivan, Untitled, 1987
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Durrant, Ivan, Saigon, 1987
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Duxbury, Lesley, Carbon, 2013
Donated by Freestone Press, 2016Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Rose, David, Little Zinnia, 1974
Donated from the estate of Patricia Marie White, 2013Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Rose, David, Perforated Game, 1970
Donated from the estate of Patricia Marie White, 2013Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Senbergs, Jan, Love the Stage, 1970
Purchased, 1972Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Wicks, Arthur, Blue Craze, 1969
Donated from the estate of Patricia Marie White, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Krausmann, Rudi, Critic, 1979
Donated by Charles Nodrum, 2019Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Krausmann, Rudi, Final Victory, 1979
Donated by Charles Nodrum, 2019Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Krausmann, Rudi, Who Can Run…, 1979
Donated by Charles Nodrum, 2019Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Lanceley, Colin, Embrace: No.4, 1966
Purchased with the assistance of John Leslie OBE, 2015Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sumner, Alan, Boats at Seaford, 1956
Donated by Rodney Scherer through the Australian Government Cultural Gifts Program, 2004Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sumner, Alan, Low Tide, Tooradin, 1948
Purchased, 2019Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sumner, Alan, Man with a Net, 1948
Purchased, 2019Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Thorpe, Lesbia, Emu Chicks, Undated
Donated by the artist, 1969Screenprint on papergippsland, artwork, permanent collection -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Mermaid 1977, Barbara Hanrahan
Australia 1928 - Colour ScreenprintArtist's proof -
Federation University Art Collection
Work on paper - Printmaking - Screenprint, Leach-Jones Alun, 'No 2 Untitled' by Alun-Leach Jones, 1967
Alun LEACH-JONES (1937 - 24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed screenprint.art, artwork, printmaking, alun leach-jones, abstract colour, south australian school of art -
Glenelg Shire Council Cultural Collection
Print, Bridgewater Bay, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of females in various landscapes. The top half of the work features the ocean, coastline and breaking waves. Super imposed on this are images of: five seagulls; a blue portrait of a female face; and a female torso and head. In the centre of the work a female stands looking towards a house and the ocean in the distance. The lowest section of the work features the image of a female face in a blue and orange rectangle. To the left of her is a twig.Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42 -
Glenelg Shire Council Cultural Collection
Print, Kingsley, Gordon and Catherine, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of Bentinck Street from foreshore with a female face and top of vehicle in the foreground. The female has red hair and lips, yellow face and blue clothing. The vehicle is red and blue. An extensive patch of grass separates the woman and vehicle from Bentinck Street. The buildings have patches of green, yellow, white and red added. Behind the buildings is a clear light blue sky.Front: 10/14 Kingsley, Gordon & Catherine signature '83 Back: 44 -
Glenelg Shire Council Cultural Collection
Print, One Farm's History, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four images of houses displayed in a vertical layout. The top image is a close view of a yellow wall, white door and green foliage. The next image shows a pink house with purple and yellow details, a white picket fence and several large trees. The third image is of a yellow house with a red roof, white wire fence and trees. The bottom image shows a pink brick house with brown roof.Front: 20/22 One Farm's History, Tyrendarra. Carmel Wallace 1984 Back: 48 -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Boy in Helmet 1968, Noel Counihan
Australia 1913 - 1986Screenprint 35/35Titled and inscribed ' For Bob', edition signed and dated -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Sunset Dance 1968, Noel Counihan
Australia 1913 - 1986Screenprint s.68Title, edition , signed and dated -
Gippsland Art Gallery
Print, Peterson, Jenny, Sugar Bag, Dolly's Story, 2009
Purchased with the assistance of the John Leslie Foundation, 2017Screenprint, intaglio and watercolour on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Duxbury, Lesley, Where Night Meets Day, 2015
Purchased, 2015Inkjet prints and screenprint on papergippsland, artwork, permanent collection -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - Iron Worker 1948, Noel Counihan, 1948
Australia 1913 - 1986Colour Screenprint s.26Signed and titled -
Gippsland Art Gallery
Print, Duxbury, Lesley, Wonder (Between Eye and Sun), 2005
Purchased with the assistance of Brian and Raynor Castles and the Friends of the Gallery, 2019Archival inkjet prints and screenprint on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print, Alcoa - Heathland, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a landscape with several social comments. The top of the work features a Micky Mouse symbol with dollar signs in his eyes and a speech bubble which says "We'll move the Heathland". To the left is text stating "ALCOA AIMS TO MOVE THE HEATHLAND. "AGE" 5-9-80". In the centre of the work vegetation burns, aboriginal people wave and a tractor drives below the text "THEY BURNT THE HEATHLAND 4-12-80". The lower section of the work shows two men with a red megaphone. A speech bubble comes from the megaphone which states, "I UNDERSTAND YOUR ANGUISH!" To the right of the men is a wreath of native plants with two animals (native mice?).Front: 26 B. Sharrock (lower right, image) (pencil) Back: 36 -
Ballarat RSL Sub-Branch Inc.
Uniform - Tie
Navy Blue coloured with multi-coloured screenprint designRed plume Crossed keys Cap badge logo “Black Watch (R.H.R.)” - The Black Watch (Royal Highland Regiment) of Canada, Royal Canadian Infantry Corps -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Jessica Price, 'Garden #1, #2, #3 and #4' by Jessica Price, 10/2017
Jessica PRICE (1996- ) Born Busselton, Western Australia In 2017 Jessica Price completed a Bachelor of Arts (Fine Arts) Printmaking at the Federation University Arts Academy. A general theme in her work is nature to reveal the beauty of God in nature. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Four limited edition screenprints with fineliner printed on Somerset Satin White paper. Artist's Statement: I am a practising printmaking artist and enjoy experimenting with various forms of print including chine colle, screenprinting and monoprint. I also enjoy drawing and painting, and hope to expand my practise to incorporate all these methods to create a unique style of artwork for myself. I am constantly in awe of the delicacy and grandeur of creation. I find that bringing this concept and theme thorughout my work using a botanical like approach not only expresses a part of who I am, but connects me with the creator of the universe. My hope is that by making these works I can create a similar experience for my viewers, as well as celebrate the master craftsmanship of the creator. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.1/1jessica price, screenprint, printmaking, flora, alumni, bee, australian nature -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Two Youths [1962], Noel Counihan
Australia 1913 - 1986Linocut s.62 reduced screenprint reproduction of the black block of 3 colour