Booknon-fictionThe Containment of Communism in Southeast Asia

You Americans don't understand. You are making beggars of our children, prostitutes of our women, and Communists of our men. These words were uttered by a young Vietanese teacher.vietnam - foreign relations - united states, united states - foreign relations - vietnam, south, south east asia, communist

In 1971, while U.S. ground forces were prohibited from crossing the Loatian border, a South Vietnamese Army corps, with U.S. air support, launced the largest airmobile operaion in the history of warfare, Lam Son 719.operation lam son 719 (1971, history -- asia -- southeast asia, ho chi minh trail, president nixon, operation lam son 719, us forces, north vietnam army, tchepone in loas

Shelby Stanton's Vietnam Order of Battle has been the "Bible" for the Army's Southeast Asia War Records project, which has been hastened immeasurably by having this accurate and excellently compiled reference work at hand - it is an information source without equal. deployment of forces, united states. army -- history -- vietnamese conflict, 1961-1975

This book is dedicated to Dr. Peter Rollins (1942-2015), a Marine officer in Viet Nam.vietnam war (1961-1975) - united states, vietnam war - 1961-1965 - campaigns, history -- asia -- southeast asia

This book is dedicated to Dr. Peter Rollins (1942-2015), a Marine officer in Viet Nam.vietnam war (1961-1975) - united states, vietnam war - 1961-1965 - campaigns, history -- asia -- southeast asia

The weapons of the war in Southeast Asia ranged in complexity from technologically-advanced, eight-engined B-52 strategic bomber to the Stone Age sharpened-stake booby trap of the guerrilla.vietnam war, 1961-1975 - equipment and supplies, weapons, viet cong

The weapons of the war in Southeast Asia ranged in complexity from technologically-advanced, eight-engined B-52 strategic bomber to the Stone Age sharpened-stake booby trap of the guerrilla. vietnam war, 1961-1975 - equipment and supplies, weapons, viet cong

Like the war in Spain thirty years ago, the significance of the war in Vietnam reaches far beyond the geographical boundries of that tragic and beautiful land.vietnam war, 1961 - 1975, southeast asia - politics and government

The book is based on the film series by Ken Burns and Lynn Novick.What we remember, what we've forgotten - and what we never knew about America's least understood war, revealed in a riveting, richly illustrated volume based on the major ten-part documentary series directed by Ken Burns and Lynn Novick.vietnam war (1961-1975), president ford, north veitnamese troops, southeast asia, presidential palace, saigon

When a man leaves home, he sometimes travels more that mere physical distance. military assistance, american -- vietnam, vietnam war, 1961-1975 -- united states, battalion combat team, barrio united defense corps, operation brotherhood

So Much to Lose is a well-crafted, exceptionally researched, and most welcome contribution. Rust provides a wealth of otherwise unavailable material on a largely unexplored and misunderstood chapter of America's Southeast Asia history.united states - foreign relations - laos, united states - foreign relations - 1961-1963

The weapons of the war in Southeast Asia ranged in complexity from technologically-advanced, eight-engine B-52 strategic bomber to the Stone Age sharpened-stake booby trap of the guerrilla. vietnam war, 1961-1975 - equipment and supplies, weapons, viet cong

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.