Wide dark green bottle with long, slightly bulging neck and a steep inverted conical base. Mid-nineteenth century.Paper label attached to bottle reads: 'Goldfield's beer bottle dug up near Buninyong in 1991. Circa 1850s.'bottles, brewing

Sepia photograph of a brick church building with steep roof, set in grounds with trees, surrounded by picket fence and gates at front."The Church of England" / "Esther Cluff, Linton".st paul's church of england linton

Considered the best of the early mud-brick houses built by Alistair Knox. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p143 The Busst house hidden by trees at the corner of Silver Street and Kerrie Crescent is considered the best of the early mud-brick houses built by Eltham architect, Alistair Knox. Knox himself said, that the Busst house was the most mature mud-brick house designed at that period. ‘It related with true understanding to its steep site and expressed the flexibility of earth building ………to develop a new sense of flowing form and shape’.1 Built in 1948 for artist Phyl Busst, a former art student at Montsalvat, the house helped usher in Eltham Shire’s distinctive mud-brick residential character. Knox was the pivotal figure of the style developed from the 1950s to the 1970s.2 Scarcity of building materials after World War Two encouraged mud-brick building because earth was a cheap and plentiful building medium. But when Knox began building in mud-brick in 1947, no council in Victoria knew anything of this ancient art and he needed a permit. Fortunately the Commonwealth Experimental Building Station at Ryde in NSW, had been experimenting with earth construction to help overcome the shortages of that time. They published a pamphlet that became available in Melbourne on the same day the Eltham Council was to consider whether the earth building should be allowed. Knox caught one of the three morning trains to the city in those days and bought several copies of the pamphlet to give to each councillor. On his return he found the councillors standing on the steps of the shire offices after lunch at the local hotel. He heard that earth building had been discussed before lunch and that they were not in favor of it. Knox gave each councillor a pamphlet. They passed that plan and by doing so, opened the door for all future earth building in Victoria and by default, in Australia.3 Mud-brick houses attracted artists to Eltham, for their aesthetic appeal and because they were cheap. Those who built their own houses, included film maker Tim Burstall, artists Peter Glass, Clifton Pugh, Matcham Skipper, Sonia Skipper and husband Jo Hannan. For Knox, mud-brick building was more than just a cheap building medium. He saw it as harmonising with the surrounding bush and as a way of counteracting the growing materialism of the age. He wrote of its impact on ‘ 20th century man. It should counteract the confusion that the perpetual flow of high technology products have upon him ..’.4 Building the Busst house on a steep site was difficult because most earth-moving equipment was then in its infancy. For instance drilling for explosives was done by hand, which was a slow and painful process. Knox, assisted by his foreman Horrie Judd and Gordon Ford (who was to become a famous landscape designer), built two large main rooms - a living room/ kitchen downstairs - and upstairs, a studio/bedroom. The studio/bedroom opens onto the balcony, which covers the living area. The bath made of solid concrete by stonemason Jack Fabro, is particularly deep. Sunshine pours through the three French windows of the north-east facing kitchen/living area, which is lined with timber. The large hearth can fit a family around the fire while the timber floors and solomite (compressed straw) ceilings add to the cosy atmosphere. The garden is thick with trees, and in the late 1990s, Ford put in a pool near the original dry wall he had built as a young man.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox, alistair knox design, busst house, kerrie crescent, mudbrick construction, mudbrick houses, silver street

Langi Dorn, Fay Street. This house is reminiscent of ‘ye olde’ England, with its steep-pitched gabled roof. The rectangular single storey building with two attics has a warm atmosphere, created in part by the extensive use of timber in walls and floors. Some walls are framed in timbers as in the English Tudor style. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p151This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, fay street, john harcourt, langi dorn

Alistair Knox Park, an oasis of peace and beauty. Covered under National Trust of Australia (Victoria) Landscape Significance and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p173 It is hard to imagine that the Alistair Knox Park, an oasis of peace and beauty beside busy Main Road, Eltham, was once the township’s rubbish dump. It was only in the 1970s that the tip was transformed into this beautiful six hectare space, which later earned it a National Trust Landscape classification. Before its life as a dump, the area was used for small farms. Thanks largely to the foresight and efforts of local environmental builder Alistair Knox, the park was designed sympathetically with the character of the wider Eltham landscape. Then, appropriately, the park was named after Knox, who was an Eltham Shire Councillor from 1971 to 1975 and Shire President in 1975. The park designers were four major forces in the urban bush landscape garden –Knox, landscape designer Gordon Ford, artist Peter Glass and landscaper Ivan Stranger.1 The National Trust citation for the park, originally called Eltham Town Park, includes the Eltham railway trestle bridge and the Shillinglaw Cottage. The citation states ‘the semi-natural setting of the parkland provides a landscape which is evocative of the history of the area’. Manna Gums (Eucalyptus viminalis) and Candlebarks (Eucalyptus rubida) are significant features. Most of the park’s construction was directed by Bob Grant, Superintendent of the Parks and Gardens Department for the Eltham Shire Council. First plantings occurred in Arbour Week in 1973, then the lake and botanic area were completed in 1975, with Federal Government funding, and the toilet block in 1978. Bounded by the Eltham railway line, Panther Place, Main Road, Bridge and Susan Streets, the park is in a valley about a kilometre wide overlooked by steep hills at the east and west. The Diamond Creek flows through it and the picturesque historic timber trestle railway bridge edges the north. Informal plantings of Australian indigenous and native species in open and undulating grassed settings blend with the natural landscape of the Diamond Creek to the west. The bush-style plants, particularly around the creek, balance with open lawns, paths and a cascade flowing from a small lake to another below. A footbridge over the creek leads to the park’s west. The park includes an adventure playground and barbecue areas. The park stands on part of the land bought from the Crown in 1851 by Josiah Holloway, who subdivided it into allotments and which he called Little Eltham. Most of the land was subdivided into residential lots, but the creek valley, on which the park stands, was subdivided into farm-size lots, used mainly for orchards and grazing. One of the earliest owners was John Hicks Petty, who in 1874 bought a plot from Holloway. Other families who owned properties in that area, included Rees, Clark, Waterfall, Graham, Hill and Morant.2 In 1901 the railway was built through the area. Jock Read, an Eltham resident since around 1920, remembers several farms in the 1920s and ’30s that occupied the site of today’s park. A poultry farm, which extended from present day Panther Place, was owned by the Gahan family. Next to that farm was another for grazing cattle owned by Jack Carrucan. Beside this was land owned by John Lyon. A doctor lived beside this, and at the north-west corner of Bridge Street and Main Road stood a memorial to the soldiers who died in World War One, which was later moved to the RSL site. Mr Read also remembers other farms and orchards west of the creek In the early 1960s the Eltham Council began buying these farms and in the late 1960s turned the areas east of the Diamond Creek into a garbage tip. When this was filled above the creek’s flood plain, the tip was moved to the west of the creek.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox park, eltham

The photograph of the waterfall tumbling over rocks in the Jacksons Creek are a feature downstream from the Macedon Street bridge and Craiglee when the there has been high rainfall. The steep escarpment on the LHS leads to Jacksons Hill and the line of trees in the distance are growing along Macedon Street (Sunbury Road).After heavy rainfall, Jacksons Creek rises suddenly and small trickles over the rocky outcrops become fast flowing waterfalls.A non-digital sepia photograph backed onto thick cardboard of a waterfall tumbling over rocks in a river with a high escarpment rising up from the watercourse. There are rocky outcrops across the hillside with a pipe down the hillside. jacksons creek, jackson hill, waterfalls, rivers

Black & white small format postcard of the Princes Highway at Kalimna. It shows the gravel road between the steep road cutting and post & rail fence. Bass Strait in distance. Lakes Entrance Victoriaroads and streets, fences, waterways

Black and white small format postcard of the Princes Highway at Kalimna Hill The road winds between the steep road cutting and a post & rail guard fence. In the distance is the artificial entrance to the Gippsland Lakes. Lakes Entrance VictoriaThe entrance from Princes Highway, Lakes Entranceroads and streets, fences

Plus 3 identical black and white|Plus 2 tinted, (one tinted copy has inscription, 'Jemmy's Point')Black and white small format postcard of the road as it winds around Jemmys Point. It shows a motor car travelling up the hill between the steep cliff of the road cutting and the post and rail guard fence. Glimpse of Bullock Island, lake and hummocks in distance. Lakes Entrance Victoriafences, roads and streets, transport, coast

Black and white postcard of a bend in the Prince's Highway as it winds around Jemmys Point. Steep road cutting on upper side of gravel road, post and rail fence on lower side, schoolboy sitting on fence in foreground, dense vegetation on top of cutting and gully beneath road. Lakes Entrance VictoriaA bend in the Princes Highway, Lakes Entrancefences, transport, roads and streets, islands

1 other copyBlack and white postcard of a bend in the Princes Highway at Jemmys Point. It shows two tourist coaches on the road between the steep road cutting and the post and rail fence, gravel footpath on road side of fence. Man directing traffic. Lakes Entrance VictoriaTourist coaches at Lakes Entrance, Victourism, transport, roads and streets

Black and white copy same sizeTinted postcard of a bend in the Princes Highway, Jemmys Point. It shows the road between the steep cutting and post and rail fence. Glimpse of footbridge to Bullock Island, entrance and hummocks. Lakes Entrance VictoriaPrinces Highway, Lakes Entrance topography, waterways, roads and streets

Sepia toned large format postcard of a bend in the Princes Highway at Kalimna. It shows a bracken covered hill in foreground, some larger trees, steep roadside cutting and post and rail fence at the edge of the road. Picture shows fog rising through trees. Lakes Entrance VictoriaPrinces Highway Lakes Entrance roads and streets, topography

Black and white photograph of the newly formed Princes Highway. It shows the steep cutting into the Jemmys Point hill, the winding road, the post and rail fence, two people and car of the era on road. Lakes Entrance VictoriaNew Road Jemmy's Pointtopography, waterways, roads and streets, fences

Black and copy 9 x 13.5, has inscription 'Princes Highway and Entrance, Lakes Entrance', ink spill on photo top right hand areaTinted small format postcard of the Princes Highway winding around Jemmys Point, between the steep road cutting and post and rail fence, entrance to Gippsland Lakes in the distance. Lakes Entrance Victoria waterways, roads and streets, vehicles

Black and white postcard of the Princes Highway as it winds around Jemmys Point. A motor car driving up the hill between steep road cutting and post and rail fence. View of the lake and ocean in the distance. Lakes Entrance VictoriaBend in Princes Highway, Lakes Entrance fences, roads and streets