Puts it as same date as B91.265 but note by T.H. Kneen 8 April 1992, "Mower operator looks like Philip Oppenheim (1967)." (?) Very similar photo appears in article by T H Kneen (1964) B93.655.2 copies black and white photograph. 2 students working in the Ornamental Gardens. one is using a mower and the other is sweeping the path. Wide view taken from the roof of the Administration Building looking over the lawns, Luffmann/Lily Ponds and Emily Gibson beds. Principal's Residence seen in the background.On reverse, "Photograph by Publicity Branch Department Of Agriculture Ref. No. D572.C.philip oppenheim, students working outside, emily gibson beds, principal's residence, mowing, principal's house, sweeping, luffmann ponds, lily ponds, publicity

Black and white photograph. 2 students working near glasshouseglasshouse, students working outside, nursery

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.An undated school photograph of the students of Xavier Preparatory School in Nolan Avenue, Kew. The photograph is taken outside the entrance to Burke Hall (earlier named Waverley, then Studley Hall).studley hall, burke hall, xavier preparatory school, dorothy rogers

Black and white photographs. Students engaged in various activities. (1) and (2) Group of students at the beach, probably Wilson's Promontory. (3) Student examining nodules on a medick (Medicago lupulina). (4) Student chopping out the stump of a eucalypt. (5) and (6) Student standing among vegetable crops in the Orchard. (1) On reverse, "Gil Schlapp." (2) On reverse, "Richard Rowe '72." (3) On reverse, "Geoff Kenna Examining nodules on a Medic Tuesday 11th July '72." (4) On reverse, "Alan Bedggood Chopping out stump of gum tree Tuesday 11th July '72." (5) (6) On reverse, "Pam Bull." . All stamped 1.5.72 or 2.8.72.students, activities, beach, gil schlapp, richard rowe, geoff kenna, pam bull, alan bedggood, students working outside, orchard, vegetable crops, wilson's promontory, medick, medicago lupulina

Black and white photograph. 2 male gardeners/students working with rakes beside the Lily/Luffmann PondsOn reverse, "Photograph by Information Branch Victorian Dept of Agriculture Ref. No. 1981 (889-9)."men, gardeners, lily ponds, students working outside, luffmann ponds, publicity

It is possible that E.M. Gibson left these photographs at the College when she retired from teaching there. Photographs relate to her work in designing new planting around the Administration Building and a general record of what the whole site looked like during this time. Various numbering systems have been used on reverse of photographs but the most consistent one has been used for cataloguing and sorting. These photographs include some of the missing ones from Series 1, 2, 4, 6 and 76 in B09.0005 and are the same as those in the negatives B09.0001. Possibly one person (J.L. Provan?) has taken the photographs and E.M. Gibson has picked out the ones she wanted. See B09.0005 for slides that have been made of these photographsCollection of black and white photographs stored in a photograph album with plastic pockets. These have been removed and replaced in archival album. Handwritten description attached in T.H. Kneen's writing identifying some of the photographs. Also his handwriting on reverse of many of the photographs. Identified as THK in catalogue. Some photographs have descriptions handwritten on reverse in different handwriting presumed to be that of E.M. Gibson. Identified in catalogue as EMG.See separate cataloguet.h. kneen, e.m. gibson, teacher, administration building, j.l. provan, rock point, luffmann ponds, lily ponds, entrance, garden views, hilda kirkhope rockery, sequioa sempervirens, orchard border, orchard, students working outside

Used for the Centenary Year exhibition. Large size photograph of students weighing vegetables.On reverse D521Estudents, vegetables, centenary, exhibition, 1991, students working outside, orchard

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An academic portrait of Federation University Australia Vice Chancellor Helen Bartlett.academic portrait, helen bartlett, graeme drendel, portrait, vice chancellor, academic regalia

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. A etching of a woman with hair braids.graeme drendel, printmaking

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sanson who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. A etching of two men carrying a mattress.graeme drendel, printmaking, mattress

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sanson who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. An etching of a pool and surrounding objects such as chairs and towels. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking

Photocopy of p.vii of "The Australasian" dated 17.06.1916 showing scenes from Burnley College. (1) "Miss Holttum giving instruction in rose pruning." (2) Planting out a shrub." (3) "Mr. E.E. Pescott illustrating the habits of growth of the Jonathon apple-tree." (Miss Holttum at left end of front row.) (4) "Turning over the soil." (5) "Cleaning up the garden beds." the australasian, burnley college, miss holttum, planting, shrubs, e.e. pescott, apple trees, garden beds, rose pruning, students working outside, outside classes

Black and white photograph. 4 students working in the Ornamental Garden, one holding a hose.. Note attached, "Student.-...McCormick," may not belong to this photograph.j.l. provan, students working outside, ornamental garden

Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 32.Sepia copy of illustration in, "Prize Essays," by A.E. Bennett, published 1894, following p 112. 2 men using hand lawnmowers on the Oak Lawn, one of which is being pulled by 2 boys with rope.On reverse, "Photograph by Information Branch Victorian Department of Agriculture Ref. No. 1981 (889-7)."a.e. bennett, green grows our garden, a.p. winzenried, students working outside, prize essays, mowing, oak lawn, publicity

Note by E.B. Littlejohn 27 May 1992, "Students are working in the dwarf orchard."Black and white photograph. 3 male students digging with spades in the Orchard. dwarf fruit trees, students working outside, orchard

2 copies black and white photograph, one an enlargement. 2 male students working in the Orchard, heeling in a bundle of young grafted fruit trees.On reverse of enlargement, "June 1964."1964, orchard, students working outside, heeling in, grafted fruit trees

Black and white photograph. 3 male students wearing fruit picking bags around their waists. One leaning against a wooden ladder. In the Orchard.On reverse, "Peter Smith C.S.I.R.O."students, fruit picking, peter smith, c.s.i.r.o., students working outside, orchard, fruit picking bags, wooden ladder

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried, p 36, with the caption, "Cropping area, looking west; the ornamental gardens are to the right, and Heyington railway bridge to the left. The figure with the walking stick is probably J.P. McLennan." Note by T.H. Kneen 10 June 1992, "On later inspection both EBL and THK now doubt that the person "supervising" is McLennan - but the date of the photograph is a reasonable estimate."Black and white photograph. Students working in cropping area in the Orchard with a Staff member supervising. 2 copies.green grows our garden, a.p. winzenried, cropping area, west orchard, students working outside, staff

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 152.Colour photograph. Students working in the vegetable plots in the Orchard.On reverse, "Plot Preparation J. Pleasance V.C.A.H. Burnley Garden. Swan St Richmond."vegetable garden, vcah, green grows our garden, a.p. winzenried, students working outside, orchard, vegetable plots

T.H. Kneen identified students 17.6.1992 as, L-R: possibly Rita Brown, Roy Cottrell, Ted Hawkesworth, ?. Laminated copy of black and white photograph. CRTS (Commonwealth Reconstruction Training Scheme) students working with apple trees.On reverse, "C.R.T.S. Students. Budding apples Mornington Peninsular (sic) 1947."crts, apples, mornington peninsula, 1947, jim newell, rita brown, roy cottrell, ted hawkesworth, commonwealth reconstruction training scheme, excursion, student outside class, budding

Students identified by T.H. Kneen 17.6.1992, L-R Darkie? Stewart, Roy Cottrell, Ted Hawkesworth, Casilda Webster, others unclear.Laminated copy of black and white photograph. CRTS (Commonwealth Reconstruction Scheme students working with apple trees.On reverse, "C.R.T.S. Students budding apples Mornington Peninsular (sic) 1947."crts, 1947, jim newell, darkie stewart, roy cottrell, ted hawkesworth, casilda webster, commonwealth reconstruction training scheme, excursion, student outside class, budding, apples

Reproduced in "Green Grows Our Garden" by A. P. WinzenriedSepia photograph. Group of students holding secateurs surrounding 2 young apple trees. Note picket fence with barbed wire, later replaced with massive boxthorn hedge. Copy of sepia photograph in, "Prize Essays," Alfred E. Bennett, c.1894, p 108.students, apple trees, picket fence, barbed wire, prize essays, alfred e. bennett, boxthorn hedge, students working outside, green grows our garden, a p winzenried, secateurs, pruning

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 29. Note, the boxthorn hedge in the background is well established. Copy of sepia photograph of 2 male students in the Orchard with "Pierce's Fumigating Sprayer," in, "Prize Essays," Alfred E. Bennett, c.1894, after p 116.orchard, pierce's fumigating sprayer, prize essays, alfred e. bennett, green grows our garden, a.p. winzenried, boxthorn hedge, students working outside

Copy of sepia photograph in, "Prize Essays," Alfred E. Bennett, c.1894, after p 116. 5 male students working with hoes along lines of vegetable crops in an area bounded by a picket fence.prize essays, alfred e. bennett, students working outside, orchard, vegetables

Note by T.H. Kneen and E.B. Littlejohn, " 'Long border' along the fence line - an herbaceous border which extended to the left and right of the orchard entrance gates."Copy of sepia photograph in, "Prize Essays," Alfred E. Bennett, c.1894, after p 116. 4 male students gathered by entrance to the Orchard, 1 with a wooden wheelbarrow containing fruit, 1 with a watering can, 1 standing inside the arched entrance gates. Orchard Border along the fence line - an herbaceous border which extended to the left and right of the Orchard entrance gates.prize essays, alfred e. bennett, orchard border, long border, students working outside, wheelbarrow, orchard gates

Notes by E.B. Littlejohn, "Note that the early Pavilion was built with 2 large entrances to allow horse drawn carriages to drive through. Entrance at centre of picture is on eastern side, not the front entrance which can be seen at extreme right and is well established." Note by T.H. Kneen, "The Pavilion early 1890's." The photo was adapted for use on the Diploma Certificate of the Royal Horticultural School, Burnley, Department of Agriculture.Copy of sepia photograph made by A.P. Winzenried for possible use in, "Green Grows Our Garden. Horse and cart and five students, 1 with a wooden wheelbarrow, standing and reclining on the lawn in front of the Pavilion.a.p. winzenried, green grows our garden, pavilion, horse and cart, east entrance, diploma certificate, students, students working outside, lawn

Identified by T.H. Kneen as, L to R George Manley (Stockman Assistant), Valerie Green (1st Year Student), Harold Marshall (Gardening Instructor- Orchard.)"Black and white photograph. 2 Instructors and female student with horse and plough in the Orchard. Well trimmed hedge at far side of field. Draught horse pulling the plough. Houses of Hawthorn on hill in background.On reverse,"Burnley Gardens. Ploughing in Clover Crop-Sept. 1949."instructors, female student, horse, plough, orchard, burnley gardens, george manley, stockman assistant, valerie green, harold marshall, gardening instructor, students working outside, draughthorse, cover crop

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 26. Mentioned by A.W Jessep in newspaper interviews during his time as Principal. In Department of Agriculture Annual Report 1901Black and white and sepia photographs. Group of female students hoeing in the Orchard. On reverse, "Cultivating Field Crops 1900." Larger b/w copy labelled on front, "1900." On reverse, "Burnly (sic) 1900. Girl Students Cultivating Plots."female students, hoeing, orchard, field crops, green grows our garden, a.p. winzenried, a.w jessep, students working outside, dept of agriculture annual report

It was used as an illustration in, "Green Grows Our Garden," A.P. Winzenried. P 10. Note strong picket fence - later generations of students had to cut massive boxthorn hedge (T.H. Kneen).Sepia photograph. Students and staff in the Orchard. Copy of an illustration in, "Prize Essays," A.E. Bennett following p110. Also see B92.597 for an enlargement. Ten people appear in the photograph, two perhaps are supervising, the remainder are working in or around the trench which has been dug to accommodate the drain pipesstudents, staff, orchard, prize essays, a.e. bennett, green grows our garden, a.p. winzenried, boxthorn hedge, students working outside, agricultural drains