Property sketches done for Frank Gordon Real Estate in the 1990s. 129 Nott St (Jubilee Terrace)built environment - domestic, frank gordon & co, nott street, jubilee terrace

The letter to Mr Williams relates to the burial of No 1442 Pte W. Williams 2nd Bn AIF and is burial place “Browns Dip North Beach Gallipoli 500 yards south of ANZAC Cove. Refer Cat No 4342P for his service details also Cat No 1859P for medals and photo.Australian Imperial Force Official letterhead, light cream coloured, typing in black relating to the loss of Pte W. Williams and his initial burial on ANZAC.Typed in black, “Mrs S.T.Williams 323 Littleton Terrace Bendigo Vic”letters, graves, burial, anzac cove

The letter relates to the mailing of a “Memorial Plaque and Kings letter” regarding Pte W.Williams No 1442 2nd Bn AIF. Refer Cat No 4342P for his service details also Cat No 1859P for photo and medalsLetter, yellowed on Official letterhead, “Australian Imperial Force” ref No B.R.P.F.37 (a) dated 11 November 1921.Typed in black, “Mr O.W.Williams 323 Lyttleton Terrace Bendigo Vic”letters, memorial plaques, kings message

This is one of very few images of Seaforthsepia photograph, mounted, good condition, Seaforth next to Marli Terrace Esplanade (wrongly inscribed as being Fortview)

James Murgatroyd worked at Warrnambool Woollen Mills, Federal Mill, Tweedside, Collins Mills and set up looms for Alexander Spinning Mills Sydney, his son Fred Murgatroyd worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.Murgatroyd Photograph CollectionF Murgatroyd Collins, Latrobe Terrace, about 1928 KODAK PRINTtextile machinery textile mills weaving mills textile mills, collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills

Photo taken in McKenzie Street around corner from Police HQWilliam Nelson on a Harley Davidson, registration number 6-617, in front of a Victorian terrace house. Circa 1948police vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle branch; police motorcycles; harley davidson motorcycle; nelson, william

Bendigo Advertiser ''The way we were'' from 1999. Impressive: the weighbridge at Lyttleton Terrace, opposite city offices.newspaper, bendigo advertiser, the way we were

Photograph attached to cardboard. Owen Walter Williams making leadlight about 1920, 323 Lyttleton Terrace, Bendigo.bendigo, business, owen williams

Photograph attached to cardboard. Wavertree Ellen Williams making leadlight about 1920, 323 Lyttleton Terrace, Bendigo.bendigo, business, owen williams

Photograph attached to cardboard. Walter David Mason making leadlight about 1920, 323 Lyttleton Terrace, Bendigo.bendigo, business, owen williams

Slide, Allan Budge Collection: Pairs & Terraces house, Bancroft Street. .A pair - unusual pediment over the windows.house, public, allan budge collection:, pairs & terraces

Rural City of Wangaratta Collection. Wangaratta Art Prize Grand Winner 2003.A landscape painting of a terrace house painted in oils using yellows, greens, blues, greys, browns, oranges, and white.Obverse: Taylor/ (bottom right corner) Grand Winner - 2003/ Richmond Patterns/ Artist: Kevin Taylor/ Judge: Herman Pekel/ (plaque mounted on frame)wangaratta art gallery, kevin taylor, landscape, painting, richmond, terrace house

Arthur Henry Miers played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Home of Charles & Mary Miers till 1922. House named 'Warsaw Terrace'. Left house could be 127independent order of rechabites, hawthorn tent, charles miers, mary miers, 127 wellington street -- kew (vic.)

Whitehorse Council has approved plans for a purpose built child care centre at 12 -18 Barkly Terrace, Mitcham.barkly terrace, mitcham, no. 12 - 18, child care centres, city of whitehorse

One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created. 35mm colour transparency (slide) of the pair of two storey terraces in Gellibrand Street, Kew. The photo was developed in May 1979.terraces -- gellibrand street -- kew (vic.), two-storey terraces, victorian architecture

Note by T.H. Kneen 17 June 1992, "The location of this project is the slope between the main entry from Swan Street and the Yarra Boulevard - this is inside the Burnley property. The work was conceived by Arnold Teese & carried out by C.R.T.S. students-visible are Shirley Pittard, Ted Hawkesworth (standing), Dave Hughan (white overalls),Arnold Teese (45-51) supervising."Black and white photograph. Laminated copy. Students and Staff member working on the rock terrace near the Swan Street entranceOn reverse, "The truth on how the Swan Street rockery was built. 1947 Arnold Teese, Dave Hughan, Arnold Teese was a student and then a staff member, 1945-57, David Hughan was a student."arnold teese, david hughan, j.w. newell, t.h. kneen, shirley pittard, ted hawkesworth, crts, rockery, group students and staff, commonwealth reconstruction training scheme, terrace

Bendigo Advertiser ''The way we were'' from 2000. Changes: This building on Lyttleton Terrace is the site of the council offices. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 Graham St, "Sisters' Terrace", not far from Bay St cornerIdentified and dated on back in inkbuilt environment - commercial, built environment - domestic, built environment - industrial, janet walsh, allen walsh, graham street, sisters terrace

Phonograph record with a black and white Brunswick label. A side: Chicago B side: Carolina in the Morning. Artist: Origle Terrace Orchestra.Reference number 2324-A

Slide, Allan Budge Collection: Pairs & Terraces, House, Eaglehawk. A pair; obviously different owners with one attempting to go 'modern'.house, public, allan budge collection:, allan budge collection:

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Two preliminary sketches of the terrace houses at 7 and 9 Doona Avenue, Kew. See 1980.0024 for a more complete monochrome drawing. Signed: "JStewart".joy stewart, doona avenue (kew)

Silk, satin, fully lined with silk (?). Eleven bones, ranging in length from 10 - 12 cm long, taper the bodice to the waistline. 15cm wide panels of beaded net come from the high back waistband, over the shoulder to the front waistband. These are loose panels with linear beading, and more decorative beading over the shoulders. Centre front panel has a net overlay, sheer above the bustline to the throat, with a 16cm high net stand-up, mandarin collar, edged in lace, and outlined at the throat with a row of tiny jet beads. Cotton perspiration pads under the arms.A beaded '' butterfly'' shape sits over the bustline where the sheer lace panel begins. Below the beaded motif, five roulet knotted and loops fasten into the finest of metal loops to close the bodice. Silk ''over -sleeves'' also have three roulet looped decorations at each edge. Below the elbow length ''over sleeves'', a double layer of net sleeves-the top layer finished with seven rows of tiny jet beads, the lower wrist length net sleeve, finished wit one row of tiny jet beads, and a two cm net fill. Beading and an embroidered ribbon flower trim the back centre net panel, and a roulet looped trim, sits at the centre back waistline. An extension of the beaded over -the-shoulder panels falls in a rectangular shape 38cm X 23cm. The front extension of the ''over the shoulder'' beaded net, falls in two oval shapes - one either side of opening 24cms long. A 4.5cm band of three pleated silk encircles the waistline.Waterfield, 14 Gleghow Terrace, South Kensington. ( Label on tape fastens around waistline).costume, female, black silk satin beaded bodice

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. House (1950), Copenhagen, Denmark. (Architect: Arne Jacobsen.)Copenhagen / House / One-Family Terrace / Arch. Arne Jacobsen / 1950 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Black and white photograph of Geelong Pengelley tram No. 18 or 19 in Railway Terrace, changing ends at the station terminus. See also Reg. Item 2792 for a photo of the tram inbound to the city in Railway Terrace. Photo taken 1955 or 1956 and shows a number of buses in the station forecourt. Note the phone box in the right hand side of the photograph.tramways, trams, geelong, railway station, railway terrace, tram 19, tram 18

White Hills & Golden Wattle poems by Marie Sharkey. 38 pages printed by The Terrace Print Service 133 McCrae St Bendigo.Marie Sharkeybooks, collections, poetry

Photograph attached to cardboard. Owen Walter Williams standing at the front of 323 Lyttleton Terrace shop, Bendigo. Early 1900's-1922.bendigo, business, owen williams

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Watercolour, pen & Ink on Paper by the artist and local historian Joy Stewart of a pair of two-storey terrace houses in High Street, Kew. Inscription: "High Street, Kew." Signed lower right: "JStewart".joy stewart, high street (kew)

colour photograph taken elevated looking towards St Pauls Cathedral, across Wliiamson Street & Lyittleton Terrace intersection dated August 1990Estelle Hewston

Bendigo Advertiser "The way we were" from 1999. Time gone by: the weighbridge in Lyttleton Terrace opposite City Hall (old Town Hall).newspaper, bendigo advertiser, the way we were