John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Nanya Station is a magnificent 40,000 hectare property in far western New South Wales. Its unique system of natural salt lakes, old growth Mallee, and variety of intact ecosystems, makes Nanya a significant refuge for biological diversity. Federation University Australia has been the proud custodian of Nanya since 2004, and values Nanya as an important resource in our research, conservation and education programs. Staff and students are committed to creating a research community to preserve and enrich the biodiversity of this important legacy of the University and the nation. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A photographic documentation of sheep, feral goat and kangaroo bones found and photographed at 'Nanya Station'. art, artwork, michael shiell, shiell, nanya, bones, available

Articles in the annual report include: rising costs, reduced subsidies, first ever statewide 'Door Knock' appeal conducted, 15 Day Centres now running, Occupational Therapy student unit established, play group and toy library established at Enfield, decision to conduct regular Art Unions, belief that some income should be forthcoming from disposal of Woolahra (Helen Keller hostel), winners of the first nation wide Braille reading competition and decision to make this a bi-annual event and success of three athletes (Szelko Mikulic, James Whitney and Michael Simpson) at the FESPIC games.1 volume of text and imagesroyal blind society of new south wales, corporation records

John Robert Hoskins was a Councillor with the City of Bendigo from1888 - 1902 and Mayor from 1901 - 1902. Hoskins' interests in the region included the mining company Hoskins & Co, which distinguished itself on the late Derwent Reef United Company's leased ground in 1868 by achieving a yield of over an ounce to the ton. In the late 1870s John R. Hoskins formed a estate agency in partnership with Frederick Illingworth. He was also manager of the New Nil Desperandum, formed to work the shaft of the old Raywood mine, from 1906 to 1908. Event program for the Mayoral Dinner July 25, 1902. Gold, green and brown ink on cream card. Half fold with menu printed inside and Toast List on back cover. Scalloped edges.Front cover: (Picture) Bendigo Coat of Arms / Mayoral Dinner / Given by / The Mayor / (Cr .J. R. Hoskins) / July 25, 1902 / Town Hall / Bendigo bendigo town hall, making a nation exhibition, c roberts caterer, mayor j. r. hoskins, councillor j. r hoskins, mayoral ball, city of greater bendigo events, city of greater bendigo ceremonial item

Primarily a promotional publication to attract new residents and encourage tourism to the district. This publication espouses the many attractions and benefits of life in Bendigo while not relying heavily on its gold rush past. 'In the restful atmosphere of a provincial city Bendigo's 40,000 inhabitants are contented and friendly, ever ready to make a newcomer at home'. Booklet promoting the climate, character and industries of the City of Bendigo and surrounding districts. Includes black and white and colour photographs, drawings, and text describing various facets of life in regional Victoria. Publication art work and design are particularly striking. councillor alec craig, city of greater bendigo tourism, mayor w cambridge, cambridge press, making a nation exhibition

Index, ill, maps, appendices, p.351.non-fictionRepublished in full, this edition features a new foreword by Bruce Haigh, colour reproductions of the original maps that were hand-drawn under Monash's supervision, and new photos. It also includes a memo from General Rawlinson congratulating Monash on the performance of the Australian Corps: 'I feel that no mere words of mine can adequately express the renown that they have won for themselves and the position they have established for the Australian nation not only in France but throughout the world.'world war 1914-1918 - campaigns - france, world war 1914-1918 - australian involvement

Light blue woollen beret with black synthetic binding around rim, attached to black cotton lining. United Nations badge is attached to front of beret in gold and white enamel, held in place with pin; badge depicts the globe surrounded by branches of an olive tree. Interior lining has diamond-shaped manufacturer's label stitched on. Beret has two black eyelet holes on wearers' right side. Interior label reads "HILLS/NEW-ZEALAND/made/PURE WOOL/BERET HOOD/UNITED NATIONS/PROPERTY/7 5/8"united nations, peacekeeping, blue berets, uniform, interwar

Hat, mid blue colour with brim, cotton fabric with "United Nations. Nations Unies" - emblem machine embroidered in white thread on front of hagMakers label inside hat crow: "Hills Made By Hills Hats In New Zealand Medium"

1. A black leatherette softcover Holy Bible contains the Old and New Testaments with the title and publisher Oxford printed in gold lettering on the spine. There are five embossed double lines on the spine too. On the front cover at the bottom right there is printed in gold lettering J.H.L. At the back there is an Indexed Atlas to the Holy Bible with a List of maps and a List of Biblical Names. This is followed by twelve yellow and blue coloured maps of the Lands and Nations of the Bible. The pages have gilt edges. 348p. Inside the front right hand side endpaper written in small blue handwriting is a prayer as written in the Inscription box below. 2. A miniature brown leatherette softcover book titled Daily light on the Daily Path - a devotional text book for every day of the year. The faded title is printed on the front cover at the top and on the spine. At the back there is a section For Special Occasions: Easter, Affliction, Marriage, Bereavement and others. There are two lists of the Daily Texts - the morning and evening hour arranged in biblical order. The edges of the pages are gilt. In the front is handwriiten in black ink - Neville Lordnon-fiction1. A Holy Bible containing the Old and New Testaments. At the back there is an Indexed Atlas to the Holy Bible with a List of maps and a List of Biblical Names. This is followed by twelve yellow and blue coloured maps of the Lands and Nations of the Bible. 2.A miniature book titled Daily Light on the Daily Path, A Devotional text book for everyday in the year..religious books, bibles, prayers

Index, ill, plates, bib. p.346.non-fictionSince the first fleet of 1788, the Irish have been coming to Australia. They were the beginning of a central, colourful and profoundly influential element in Australia's evolution into a nation different and separate from Britain.irish - australia - history, australia - history

non-fictionAn illustrated account of the experiences of people who migrated to Australia from Holland in the 1950s and 60s and passed through the Bonegilla Reception Centre before settling in their new land. Presents reminiscences from the people involved about their journey to Australia, conditions in Bonegilla and their impressions of life in Australia. Published as an accompanying volume to the exhibition 'Where Waters Meet'bonegilla, dutch migration, bonegilla reception centre

\When the railway reached Wodonga from Melbourne on 19th November 1873 the first station building, which included a refreshment room and dining room, was a temporary structure. It was 300 ft. long and was removed and taken to Beechworth when the new station was built in 1874 by contractor J. Richardson. The Goods shed was 100 feet long and was built by Frew & Hill in 1873. One year later it was extended an additional 150 feet by James Nation. The date of the construction of the Locomotive shed is not known but predates 1883. It was a galvanised iron clad building which housed 4 engines on 2 tracks; in 1910 it was extended to 250 feet in length to house six more engines. The location of the railway tracks and station were a constant cause of congestion in the centre of Wodonga as the tracks crossed over Sydney Road (later named High Street). Lines of traffic were frequently banked up as the gates were closed to allow trains to cross. The Wodonga Rail Bypass project moved Wodonga station from the original central location to a position on a new line on the northern edge of the town. Not only did this release land in the middle of the city for commercial and public use, but also eliminated 10 level crossings. The project actually commenced in 2008 with the last passenger train passing through Wodonga on 8 November 2008. On 23 July 2010, the new rail bypass was opened, the original line through Wodonga closed and the station fell quiet. The area has now been redeveloped as Junction Place and the old buildings now house a restaurant, cafe and the Goods Shed Craft Beer Cafe.These images are of local, state and national significance as the Wodonga Railway complex formed a vital link in the Victorian state, interstate and national railway system.A collection of colour photos of the buildings at the former Wodonga Railway Stationwodonga railways, railway station wodonga, junction place wodonga

Photograph of a painted portrait of L/- Stan Savige. The signature appears to be 'Manders '45'. He appears to be in uniform and could be from his service in World War 2. Stanley Savige is seen as the founder of Legacy when it was founded in Melbourne in September 1923. He was born in Morwell Victoria on 26/6/1890. He served in the Australian Army between 1915 and 1946, including service in both World Wars. Stanley Savige was awarded a KBE, CB, DSO, MC,ED. Stanley George Savige was born in Victoria in 1890, and enlisted in the AIF (Private 577) in March 1915. He served with 24 Battalion at Gallipoli, and was commissioned as a 2nd lieutenant prior to the evacuation, at which he was part of the final holding party at Lone Pine. In France he saw service with 6 Brigade Headquarters as well as with his battalion, and was awarded the Military Cross for his gallantry at the second battle of Bullecourt. In 1918, he became one of a small number of Australians selected for service with 'Dunsterforce' in Persia, commanding 'Urmia Force', and was awarded the Distinguished Service Order. Between the wars, Savige continued his military career with the Militia, and by 1939 he held the rank of colonel. When the 2nd AIF was raised, he was placed in command of 17 Brigade, which he led through the campaigns in Libya, Greece and Syria, before being promoted to command 3 Division (Militia) in New Guinea. In 1944, he was appointed GOC 2 Corps, in command of forces engaged in the campaign on Bougainville, and accepted the Japanese surrender there in September 1945. Lieutenant General Savige was knighted (KBE) in 1950, and died in 1954. He is widely remembered for his efforts between the wars in founding the Legacy Clubs (which he modelled on the 'Remembrance Club' formed in Hobart by his friend and former commander Sir John Gellibrand in 1923) to care for the dependants of deceased servicemen and ex-servicemen. These clubs grew into a nation wide organisation which, by the time of Savige's death, was supporting over 80 000 widows and children.This is a photographic portrait of the founder of the first Legacy Club in Australia, Sir Stanley Savige.Black and white photo of a painting of Sir Stan Savige printed onto a postcard.Stamped with 'Photograph No. MH 91859 Supplied by Military History Section (S.D.9,) General Staff L.H.Q. For official purposes ONLY, NOT TO BE PUBLISHED' in purple ink.savige, portrait, stan savige, founding legatees

BOUND FOLDER, BLACK CARDBOARD COVER 152 PAGESnon-fictionFred Cahir tells the story about the magnitude of Aboriginal involvement on the Victorian goldfields in the middle of the nineteenth century. The first history of Aboriginal–white interaction on the Victorian goldfields, Black Gold offers new insights on one of the great epochs in Australian and world history—the gold story. In vivid detail it describes how Aboriginal people often figured significantly in the search for gold and documents the devastating social impact of gold mining on Victorian Aboriginal communities. It reveals the complexity of their involvement from passive presence, to active discovery, to shunning the goldfields. This detailed examination of Aboriginal people on the goldfields of Victoria provides striking evidence which demonstrates that Aboriginal people participated in gold mining and interacted with non-Aboriginal people in a range of hitherto neglected ways. Running through this book are themes of Aboriginal empowerment, identity, integration, resistance, social disruption and communication. For more information on Aboriginal History Inc. please visit aboriginalhistory.org.au.first nations history, australia's victorian goldfields

"LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Digital panoramic image of the interior of St Brigid's Crossley.st brigid's crossley, st brigid's, catholic church, catholic, church, community, ceiling, stations of the cross, confessional, statues, windows

Black and white negative, of SW2 565 (St Kilda Beach) on the Moreland Road stub at Brunswick/Coburg. Has the tracks to Brunswick Depot in the background. On the side of the tram is a sign "Save to help control prices" Photo not in Wal Jack Melbourne album. Neg was in a Bright Methodist Church offering envelope - stored with negative file - has 1949 in pencil on the envelope. Wal Larsen was a Bright resident. Note on the background to the sign: Norman Abjorensen wrote in The Canberra Times about the election of Menzies in 1949 - see https://www.canberratimes.com.au/story/6532529/the-election-which-shaped-australia-for-decades/ (Accessed 9-6-2021): Not known how the sign was sponsored. "The uncertainty was magnified by a range of post-war concerns and expectations that the expansionary 1949 budget brought into sharp focus. The nation was still war-weary, tired of austerity and impatient with rationing and controls; people wanted to spend their accumulated savings on the new household goods starting to appear in stores, and the taxation burden was resented. Further, rising inflation was a problem, with the Consumer Price Index rising by more than 10 per cent in 1949. It was little wonder Menzies' pledges to end rationing and "put value back in the pound" fell on such eagerly receptive ears."trams, tramways, w2 class, moreland road, tram 556

Black bound book with silver writing on spine. Dust jacket has collage of photographs on front, spine is black with white writing on it.non-fiction'Mercy trains - Australian Army Ambulance trains during World War II recounts the hitherto untold story of trains provided by Australia's State railway departments to convey the tens of thousands of the armed force's sick and wounded needing transportation across the continent. Conceived as large-scale ambulances to evacuate battle casualties suffered on Australian soil in the event of a landing by enemy forces, their role changed when Australia was spared the trauma of invasion. Instead, the trains becam mobile hospitals: their task to convey invalids from all allied (and enemy) forces to medical centres throughout the nation. One major assignment was to bring south from Queensland casualties evacuated from the battlefields of Papua-New Guinea, whose numbers reached crisis proportions at the close of 1942 and into early 1943. The trains were operated by United States Army personnel for twelve months, one in New South Wales and one in Queensland. Author Jim Harvey spent three years searching through Army (both Australian and U.S.) and railway department files and what he found was a story of demanding military, a penny-pinching government prepared to endanger the lives of train staff rather than permit necessary improvements, some railway operating problems, fires, more than a fair share of floods, a bombing attack, examples of a generosity from caring local communities, a dexicated staff of doctors, nurses, medical orderlies and cooks, supported at all times by sympathetic railwayment of all grades.' [from inside front dust jacked]australian nurses, world war two, wwii, ww2, papua new guinea, pacific theatre, homefront, australia

1988 is Australia's Bicentennial year: a year in which we celebrate the fact that we are a free nation, proud of our milticultural heritage and working with confidence toward the twentyfirst century.vietnam veterans reunion, prime minister r.j. hawke, prime miister of new zealand hon. d. lange

This photograph of the Wooragee Landcare Area signage was included in the album alongside the statement that, when the photo was taken in 2005, the Wooragee Landcare Group had applied for a council grant for new signs with which they could replace the broken sign in the photograph. The sign marks the Woooragee Landcare Area, opened in 1989 by Heather Mitchell, one year after the first meeting of the Wooragee Landcare Group. It also commemorates the 1898 founding of Wooragee Junior Landcare, which they launched with Wooragee Primary School. As stated by the sign, Wooragee Junior Landcare was the first group of its kind in Auatralia, with the nation-wide Junior Landcare organization being launched in 1998. This photograph is significant as a marker of Wooragee Landcare's need for grants and council funding, which is common to many organisations, and for demonstrating the history of Wooragee Landcare and Junior landcare by commemorating the founding of both the Wooragee Landcare Area and Wooragee Junior Landcare. Rectangular landscape colour photograph printed on gloss photographic paper.Obverse: Sign in photograph reads "Wooragee Land Care Area/ Launched by Heather Mitchell/ 6th June 1989/ Wooragee Junior Landcare First in Australia" Reverse: "WAN NA E0NA0N2. AIN+ 1 2906/