Painting is by Will Rees, an Australian Artist. Subject is a shepherd's hut owned by the D Alton Family on land where D'Alton's Resort now stands.Item is a coloured print of a painting. The range stands in the back ground. A hut stands middle of foreground with a stump in front . A taller gum tree stands to the right side of the photo. Print has soft muted colours.painting, landscape

View of Mountain Grange Homestead with Great Barn. Tree stumps still visible. Fruit tress still present. Less cultivation near house. Fences more uniform and indication of a road.Woman in dress and bracken in foreground.kalorama, mountain grange

.1 ORIGINAL SEPIA PHOTOGRAPH OF LADIES BOLINDA VALE [CLUNES] & CLUNES FIRE BRIGADE CRICKET CLUBS . ALL WEARING UNIFORMS, AND HOLDING BATS - BALLS AND STUMPS. .2 COPY OF ORIGINAL PHOTOGRAPH BLACK AND WHITEBOLINDA VALE [12] FIRE BRIGADElocal history, photography, photographs, sport, cricket

Photograph was taken on the 10 March 1945 of two family groups of German internees at no 3 camp Tatura Victoria. Back row (left to right): Helga Girschik, Rudolf Girschik, Lothar Streker and Daniel Streker. Front row (left to right): Peter Girschik (standing), Elfriede Girschik holding baby Herbert, Elisabeth Streker and Liselotte Streker. AWM number 030245/04Black and white photograph 3 men and a girl standing behind a boy standing and 3 ladies sitting. Lady on left is holding a baby. Tree stump to right of photograph with a tree behind the men and barracks behind that. 818 in front of ladiescamp 3 tatura, helga girschik, rudolf girschik, lothar streker, daniel streker, peter girschik, elfriede girschik, herbert girschik, elisabeth streker, liselotte streker, german internees ww2, 030245/04

These chainsaw sculptures were carved from the stumps of trees originally planted around the park. The carver was Leigh Conkie. The trees had become diseased and were in danger of falling.Memorial to local people who fought in the various wars of the 20th century. 21 pages, colour illustrationsgreensborough war memorial park, sculptures, ester street, leigh conkie, chainsaw sculptures

Camp 3 Internees. Back: Emil Hottelmann; Mr. Dannenberg. Front: Sieglinde Hottelmann; Ellen Hottelmann with baby Ellen; Mrs. Dannenberg; Maria Dannenberg. Black and white photograph of the two men in back row; two ladies in front row, one holding a baby and little girls on either end. Hut in background and tree stump to right. Number 806 at feet of ladies.emil httelmann, mr dannenberg, mrs dannenberg, maria dannenberg, sieglinde hottelmann, ellen hottelmann, 806, camp 3 internee families

Cocks Pioneer after Flood. Cocks Pioneer Electric Gold & Tin Mine Company was formed in 1899. The company's first power station, located at the eastern end of the valley began operating with its 340 Kilowatt steam-powered generator. By 1909, from 2,500,000 cubic yards worked, reported recovery was 17,284 ounces of gold and 224 tons of tin ore. By 1909, Cocks Pioneer’s power plant had become inadequate and uneconomical. The barge was floated downstream about a mile, but lost time caused the operations to cease. Following testing, a new mine was established by diverting Reid's Creek at a cost of £25,000. Settling dams were built, one of which held 1,935,900 cubic feet. Sold earth banks, built against a wall of stringy bark saplings constructed and laced with vertical props, were built. In 1914, the company was reformed as Cock’s Pioneer Gold and Tin Mines NL, another power station was constructed at the western end of the township, near the junction of Clear and Reid's Creeks. From 6,800,000 cubic yards of material processed, the returns were 64,397 ounces of gold and 855 ton of tin. Cocks Pioneer mine then moved the barge downs stream and continued sluicing. In 1929 Cocks Pioneer Electric Gold and Tin Mining Company ceased operations due to a drop in values. Cock’s Pioneer Gold and Tin Mines NL carried on large-scale hydraulic sluicing operations until 1941. mining, gold, tin, barge, floods, gold mining, tin mining, cocks pioneer, el dorado, eldorado, men

This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Fine unglazed white porcelain ornament, hollow inside. It is carved to represent a peasant girl and goat with a vase shaped like a tree stump in the background. The ornament has remnants of gold, red, brown and green paint. There is an inscription on the base."3943:warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, ornament, flagstaff hill, flagstaff hill maritime museum and village, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, germany, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, girl and goat, vase

Bendigo Weekly dated Friday Sept 9, 2005, Discover Bendigo, James Lerk author. James Jeffery subject. Stump he once preached from on corner of Panton and Laurel St, now site of Methodist Church.bendigo, church, golden square

Diggers & Mining: The Digging - The Diggers. Slide: Depicts two men one leaning on a stump writing a letter home, the other smoking a pipe while sitting on a log. Markings: 29 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

A history of the town of Matlock, VictoriaPaperback. Green cover. Front cover has a drawing depicting two men with packs and walking poles walking through knee deep snow past a wooden hut. In the background are several tree stumps and a small town of wooden buildings.For/ James and Lucienne/ Bailey Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779gold mining, gold mine, matlock, victoria, australia, history, anne bailey, robin bailey

Framed print titled: "Faunal Emblem of the State of Victoria/The Leadbeaters Possum" by Robert Ingpen. One of a set of 5 prints. Feature descriptive text and a coloured image of the Leadbeaters Possum perched on a tree stump. Gold painted wood frame.

This pair of brass candlesticks feature a internal candle stubb pusher that is pressed from underneath the base of the candlestick to push up the used candle stubb from inside the hollow candlestick. It once belonged to David and Alice Ellis, a young couple married in Dublin in 1855, possibly a wedding present. It has been handed down in the Ellis family until it was donated, together with other personal effects, in 2004 by David and Alice’s granddaughter, daughter of David Ellis Junior. On 6th October 1855 newlyweds David and Alice Ellis set sail for Australia in the brand new Schomberg, considered the most perfect clipper ship. She was built as an emigrant ship in Aberdeen and set sail from Liverpool on her maiden voyage, bound for Melbourne, Australia. She was loaded with 430 passengers plus cargo that included iron rails and equipment intended for building the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. On 27th December 1855, only one day from her Melbourne destination, the Schomberg was grounded on a sand-spit on the Victorian coast near Peterborough. The passengers and crew were all safely rescued by a passing small steamer, the SS Queen, which traded between Melbourne and Warrnambool, and taken to Melbourne. The passengers had been told, when leaving the sinking Schomberg, that all they could take with them was a small basket or handbag. A newspaper article later mentioned that one of the things Alice made space for in her basket was her Bible. (It is unclear whether Alice took any possessions with her onto the SS Queen, but a note accompanying the donation of the Bible and basket states that the items were “left on deck and salvaged as Schomberg went down”.) Another steamer was despatched from Melbourne to retrieve the passengers’ luggage from the Schomberg and Alice was reunited with all of her boxes of belongings. Other steamers helped unload the cargo until the change in weather made it too difficult. Although the Schomberg was wrecked there were no lives lost. At that time David was 23 years old (born in Wales, 1832) and his new bride Alice was 26 (born in Dublin, 1829). They had been given letters of introduction to people in Tasmania so they travelled there from Melbourne. However the couple only stayed on that island for about a year before they returned to the Western District of Victoria. David worked for Mr Neil Black as a gardener for a while then, when the land in the area was made available by the Victorian government, David and Alice claimed a selection of land on Noorat Road in the Terang district. They settled there for the remainder of their lives, expanding their property “Allambah” as opportunities arose. A document accompanying the donation lists the names of six children; William, Grace (c. 1859-1946), Thomas (c. 1866 – 1939), David (c. 1962 – 1953), James and Victor. David died on 13th April 1911, aged 79, at their property. Alice passed away the following year, November 1912, aged 83. Alice’s obituary described her as “a very homely, kindly-natured woman, who was highly esteemed by a large circle of friends; and she was also a firm adherent of the Presbyterian Church”. At the time of Alice’s death she left behind three sons and one daughter. Her daughter Grace Ellis was also a very active member of the Terang Presbyterian Church and a member of the PWMU (Presbyterian Women’s Missionary Union). She was also involved in the Red Cross and other charities. Grace passed away in 1946, aged 87. David and Alice Ellis were amongst the very earlies pioneers of the Terang district of Western Victoria. Their donated possessions are a sample of the personal effects of emigrants to Australia. The donated items are a sample of the personal goods carried aboard a significant migrant ship in 1855. They are also significant for their association with the Schomberg. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck, The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Candlesticks, brass; pair of two candlesticks each incorporating a candle pusher inside the stem (used to push up and eject the candle stump). Candlesticks were amongst the possessions of David and Alice Ellis, passengers on the Schomberg when wrecked in 1855.schomberg, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, candlestick, candlestick with stubb pusher, 1855 shipwreck, peterborough shipwreck, ss queen, david ellis, alice ellis, allambah terang, dublin emigrants, terang presbyterian church, western district victoria, lighting, candlesticks, candle holders

View from Avoca River of Charlton Railway Bridge. Looking along the Avoca River to the railway bridge overhead. Two girls standing on the banks of the river. The river is low and many stumps and log are visible. c.1890.Standard sepia postcard without a border.Charlton Rly Bridge.charlton, railway bridge, avoca river, transport

Diggers & mining. The gold era. This tent interior gives some idea of the living conditions of the diggers. Slide shows fire place, table, stump for seat, bed, cooking pots and kettle. Markings 23 994.031 GOL:5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Irregular shaped metal buckle or clasp. Engraving in relief depicts a cricketer holding a bat with a set of stumps to one side. A fancy border surrounds him. A metal loop is on one side. Something has broken off the other side. Item is rusted.bendigo, gold mining, qc binks

Children of Italian internees interned during WW2 at Rushworth Camp 3. Photograph taken 10 March 1945. Left to right standing: Dante D'Elia, Bruno D'Elia, Armando D'Elia, Giuseppe Centonze, Alessandro Giorgi, Pierluigi Giorgi, Cristina Longodorni, Andrea Giorgi (far right at front). Front row sitting: Cesare Paoletti, Remo Paoletti, Vincenzo Reginato, Elena Reginato, Gabriella Giorgi holding Luisa Reginato.Black and white photograph of a group of children, some standing, some sitting. Tree stump on right hand side right next to last child. Huts in background. Tree directly behind tallest child and shrubs behind children on left. On foam backing board.857dante d'elia, bruno d'elia, armando d'elia, giuseppe centonze, alessandro giorgi, pierluigi giorgi, cristina longodorni, andrea giorgi, cesare paoletti, remo paoletti, vincenzo reginato, elana reginato, gabriella giorgi, luisa reginato

Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Untitled Oil painting depicting an old miner's cottage. The cottage has two wooden doors the one on the left is open and a window can be seen at the other end. The second door is closed. On the right hand side there is another building. A large tree and a tree stump on the foreground.The signature of the artist at the bottom right hand side landscape, miner's cottage

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth with a plaque. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. High stumps of trees are just behind the fountain with larger trees in the background to the right and left of the image.Postcard, Gardens, Post-Card, Williamstown-Botanic-Gardens, Hobsons-Bay-City-Council, Jubilee-fountain, fountain drinking-fountain, granite, Bliss-and-Sons, Madeleypostcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, granite, bliss-and-sons, madeley

CEMA Art Collection Winner of 1965 Portland Art Society Art Prize for category Any other medium.The drawing depicts the burnt remains of a mountain top. In the foreground are two mountain edges which are black with a patch of blue and patch of orange/brown. In the background are remains of several burnt tree stumps on a purple/brown ground. The work has a thin wooden frame, white painted hessian and glass.Front: M Macqueen 64 (signature, lower right, black chalk) Back: MARY MACQUEEN "BURNT MOUNTAIN" (1964) (lower left, typed label) 1964 (upper right, yellow sticker and also pencil)female artist, women, landscape

This statue is a Louros type statuette, known from the Louros cemetery of Naxos, Greece. The figure is standing and has some plastic features. There are no facial features and no arms, just stumps at the shoulders. Such figurines are found in ancient graves. This is most likely a replica of an antique figurine originating at Naxos cemetery, Greece. Cycladic figurine depicting a feminine figure on carved pedestal. A wire necklace with medallion is attached, and inscribed YNNE-TAN with laurel wreath. Handwritten inscription in ink on base (see inscription). Sticker attached to base carries handwiring which reads 'FF'.Louros type figurine 2800-2300 B.C. Nat. Arch. Museum Athens 1978

A temporary saw-mill in the central Grampians.Photo shows a clearing containing a saw mill. There is a saw with traction engine to the right ands a bullock wagon containing a large log to the left. There is a man to the right working with the engine, four men among the wood in the centre and two men near the wagon on the left. A large wood stump is prominent in the foreground. timber industries, logging, sawmilling

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour

Emerald Football Club won the district Premiership in 1931, and had this photograph taken by Ferdinand ("Freddy") Woermer, whose stamp is on the reverse of the mounting. Woermer lived in a humpy on the Monbulk-Seville Road, Silvan (then Burleigh), and worked around the district as a professional photographer. He used a hollowed tree stump as a dark room for developing photographs.This photograph has double significance. On the one hand, it depicts the premiership team members in 1931. On the other, it is the work of F Woermer, a figure of some interest in the area.B/W photograph of the 1931 Emerald Football Club Premiers team, 22 people in all. Woodlands in background. Photo is glued to heavy cardboard.Rear: Stamp of manufacturers "F Woermer, Silvan Vic" and handwritten date "1931"emerald football club, woermer

Digger One is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

Slide. Bendigo views. Statue of a Lady standing in a rock grotto. Another statue of a lady wearing a blue veil and a brown dress kneeling to the left (possibly in grounds of St Killians Church) . A green fence and two small green gates with white crosses on the tops are in front of the statues. There is a tree stump on each side of the gates.slide, bendigo, bendigo views, bendigo views

Digger Three. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The grandfather that never was. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough