Showing 1439 items
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Seaworks Maritime Museum
Doll
Japanese doll standing upright with traditional blue dress supported on black square base. "WMA 42" "PMA 012 6/2 Japanese writing with pencil on base -
University of Melbourne, Burnley Campus Archives
Slide - Glass slide, 1891-1905
Photograph depicting a North American Indian woman in traditional costume early 1900. No frame.Sarcee Indian womenanthropology, canada, first nation, sarcee, indians, women -
Clunes Museum
Photograph
TOWN HALL DANCECOLOUR PHOTOGRAPH OF A DANCE AT THE CLUNES TOWN HALL. TWO COUPLES IN TRADITIONAL EUROPEAN COSTUMESlocal history, photography, photographs, events and celebrations -
Bunjil Park Aboriginal Education & Cultural Centre
Boomerang, 2007
Boomerangs of this sort were used for up close hunting with short throws and clubbing. This contemporary piece illustrates some fine art work. This piece was commissioned by Uncle Brien Nelson, Jaara Elder to preserve and pass on Jaara culture.This boomerang is in the form usually used for clubbing prey up close rather than long flight or returning. It has a gentle arc about 3 cm deep over its 49 cm length.This piece is beautifully decorated with a traditional Jaara design incorporating a blue tongue lizard motive.boomerang, decorated, jaara, close up hunting, blue tongue lizard -
Kew Historical Society Inc
Clothing - Evening Coat, 1920–1930
The donor, whose parents owned an antique shop believed that the evening coat was owned by the family of Cr Morris Nathan and his wife Margaret Frances, nee MacKay. Maurice Nathan was born in Kew in 1914 and died in East Melbourne in 1982. He was a student of Trinity Grammar School, Kew. He was Lord Mayor, and his wife Lady Mayoress, of the City of Melbourne for two terms between 1961 and 1963. The age of the coat, created in a design typical of the 1920s would suggest that it is of an earlier vintage, almost certainly dating from the 1920s, but perhaps earlier. The opulence of the sequinned and beaded embroidery have led to the supposition that it may be an opera coat inherited from an earlier generation.Three quarter length, red and cream silk, padded evening coat highlighted on the cuffs and hem with iridescent sequins, beading and pearls of different shapes and sizes. These decorative features are arranged in a formal design, particularly at centre back. Above the beaded sections are sunbursts outlined in gold beads.Trimmed rabbit fur at collar and cuffs. The sleeves are shaped above the embroidered sections while the hem features a zig-zag profile. MEASUREMENTS - Neck to hem front 93cm; Neck to hem back 100cm; Circumference 126cm; Shoulder to cuff 72cm; Shoulder width 36cm.Traditionally, pre acquisition, stored in brown suitcase embossed in gilt with the name R. NATHANevening jackets, opera coats, fashion -- 1920s -
Kew Historical Society Inc
Card, Three baby gift cards, c. 1891
Card with illustration, traditionally of a baby girl's head indicated by pink ribbons on her gown, holding a rattle, with greeting. Card with illustration, traditionally of a little boy's head as indicated by blue clothing, with greeting. Card with little child's head, with greeting.Greetings read: "With sincere congratulations and a hearty Welcome to the Little Stranger" "With warm Congratulations and a welcome united with best wishes" "To with kind Congratulations and a hopeful welcome to the New Comer"greetings cards, baby cards, gift cards -
Seaworks Maritime Museum
Doll
Small painted wooden female Asian doll with pink floral traditional dress and green capwritten with white pen on bottom: "PMA 0256" -
Seaworks Maritime Museum
Doll
Japanese doll with traditional dress standing upright supported by black base. One hand is raised."WMA 58" -
Seaworks Maritime Museum
Doll
Japanese doll with traditional dress with yellow sash. Standing upright supported by clack, square base "WMA 60" "PMA 0127/2" Japanese writing in pencil at base -
Ringwood and District Historical Society
Book, Shirley Andrews, Take Your Partners, 1976
Soft cover book on the traditional social dances done in the colonial days in Australia by Shirley Andrews. -
National Vietnam Veterans Museum (NVVM)
Photograph, The Last Flight, 1962-1972
Colour photo of 2 Squadron crew on the wings of the plane for the last flight and traditional hosing down.Colour has faded on both photograghs.2 squadron raaf -
National Vietnam Veterans Museum (NVVM)
Souvenir, Bowl
Black lacquerwork mother of pearl inlay bowl with lid depicting three ladies in traditional costumelidded bowl, lacquerwork -
Ukrainian Museum of Australia
Four engraved wooden eggs, Early 1960s
Engraved eggs were donated by folk artists form the Hutsul region of Ukraine.The eggs have traditional Hutsul folk motifs depicted .Four wooden eggs with geometric engravings and coloured with traditional folk motifs and a surface laquerred finish. -
Tatura Irrigation & Wartime Camps Museum
Photograph, Marie La Peyre with Japanese exchange student
Marie La Peyre with Japanese Rotary Exchange student wearing traditional Kimono dress. c1970s.tatura, exchange student, lapeyre m, locals, costume, female, ceremonial -
Melbourne Legacy
Photograph, Annual Demonstration
This photo provides just one example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional.A record of a Junior Legacy Demonstration. This photograph serves as photographic evidence of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of two people upon a stage dressed in traditional Native American attire.Stamped on the back of the photo: "This photograph is with / The Compliments of The... / MINISTRY OF TOURISM / GOVERNMENT OF VICTORIA / PLEASE ACKNOWLEDGE / PHOTO: MICHAEL CHESHIRE"junior legatee, annual demonstration, costumes -
Mont De Lancey
Calendar, 1990
White calendar with recipes on each page, and a spiral binding. "Traditional Guernsey Recipes 1990 Calendar"calendars -
Forests Commission Retired Personnel Association (FCRPA)
Beechworth FCV District office sign
This sign proudly hung outside the Forests Commission Victoria (FCV) Beechworth office which is now site of the Forestry Heritage Museum. The granite building in the Beechworth's historic precinct was once the Gold Warden's Office and is one of the town's original buildings. The FCV was the main government authority responsible for management and protection of State forests in Victoria between 1918 and 1983. The Commission was responsible for ″forest policy, prevention and suppression of bushfires, issuing leases and licences, planting and thinning of forests, the development of plantations, reforestation, nurseries, forestry education, the development of commercial timber harvesting and marketing of produce, building and maintaining forest roads, provision of recreation facilities, protection of water, soils and wildlife, forest research and making recommendations on the acquisition or alienation of land for forest purposes″. The Forests Commission had a long and proud history of innovation and of managing Victoria's State forests but in September 1983 lost its discrete identity when it was merged into the newly formed Victorian Department of Conservation, Forests and Lands (CFL) along with the Crown Lands and Survey Department, National Park Service, Soil Conservation Authority and Fisheries and Wildlife Service. After the amalgamation the management of State forests and the forestry profession continued but the tempo of change accelerated, with many more departmental restructures occurring over the subsequent four decades. Responsibilities are currently split between the Department of Energy, Environment and Climate Action (DEECA), Forests Fire Management Victoria (FFMV), Parks Victoria, Melbourne Water, Alpine Resorts Commission, the State Government-owned commercial entity VicForests and the privately owned Hancock Victorian Plantations (HVP).Large office sign. Hand painted in traditional FCV mission brown and gold colour scheme.forests commission victoria (fcv), forest signs -
Camperdown & District Historical Society
Photograph - Wombeetch Puyuun (Camperdown George), c1874
When he died at Camperdown in February 1883, Wombeetch Puyuun, also known as 'Camperdown George', was the last member of the Liwira Gundidj clan of the Djargurd Wurrung still living on Country.Image of Wombeetch Puyuun (Camperdown George) wearing traditional possum skin cloak and holding a walking stick Back: George Camperdowncdhs, wombeetch puyuun, djargurd wurrung, djargurdwurrung, camperdown george -
Dutch Australian Heritage Centre Victoria
Brass Wall Plates
Two heavy round brass wall plates depicting traditional occupations - one of a chairmaker, the other a blacksmith.(a) De Stoelemaaker (the chairmaker) (b) De Smidt (the smith) -
Victorian Aboriginal Corporation for Languages
Book, S A Wurm, Linguistic fieldwork methods in Australia, 1969
A survey of various methods of conducting linguistic research with Aboriginal people in traditional contexts, especially elicitation techniques.linguistics, linguistic fieldwork -
Great Stupa of Universal Compassion
Clothing - Tibetan hat with fur flaps
Tibetan felt hats, typically made from wool felt crafted from sheep or yak wool, are well-suited to the harsh, cold climate of the Tibetan Plateau. A lining and decorative elements, such as embroidery or patterns, are often added. The fur flaps, made from rabbit or fox fur, provide extra warmth. Felt hats are worn by both men and women. Tibetan hats (also known as ‘chuba hats’ or ‘tsamtha’) are rich in cultural significance. They are often worn during religious ceremonies, festivals, and other important occasions. The design and quality of a hat can indicate the wearer's social status or role within the community.Traditional Tibetan hat with silk brocaded crown in blue, red and golden colours, and large fur flaps. The TFG initials written in ink inside.everyday life, clothing, hats -
Kew Historical Society Inc
Photograph - Japanese tycoon
One of three photographs of scenes and or individuals in Africa or Japan.Sepia photograph, mounted on card of a man in traditional Japanese court dress. The studio photograph includes the man's swords. "****-hashi Tycoon of Japan"japan - portrait, japan -- court costume -
Seaworks Maritime Museum
Doll
Japanese doll with traditional costume and two white bows in hair. Doll is standing upright supported by black, square base. "PMA 0128/2" Japanese writing in pencil t base -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Containers, small tin wedding cake, 20thC
It was and still is customary for a piece of Wedding Cake to be given to the guests on their departure from the reception. . Some customs suggest single women will find a husband if they put this piece of cake under their pillow at night. --- the man of their dreams will come calling …..!A small tin with a lift -off lid for a piece of Wedding Cake traditionally given to guests at the reception as a take home gift .2 wedding bells engraved on lidweddings, early settlers, tinsmiths, moorabbin, bentleigh, cheltenham, celebrations, souvenirs -
Tatura Irrigation & Wartime Camps Museum
Photograph, Army Cooks, 1940
Dhurringile POW camp Army cooks, left is Sid BradfordBlack and white photograph of three cooks in white traditional uniform. Bucket atop two on ground. Behind is a tank stand.dhurringile pow camp, dhurringile cooks, army cooks, sid bradford -
Victorian Aboriginal Corporation for Languages
DVD, Indigenous Community Television, Showing Our Way, 2003
Mostly Pilbara and Kimberley Aboriginal Media (PAKAM) programs showing aboriginal lifestyle, culture (traditional dances, painting) and sport.DVD -
Tatura Irrigation & Wartime Camps Museum
Flour Bags x 3, 1980's
Tatura Hot Bread purchased Gibbs Bakery which was established in Tatura about 1880. The same oven is used.White bakers calico bag with handle (straps). Bakers brand, name and address on front. Outline of baker retrieving bread from oven.Tatura Hot Bread. Baked daily in a traditional wood fired oven. 130 Hogan Street, Tatura. 58241267.tatura hot bread, flour bags, calico flour bags -
Camperdown & District Historical Society
Photograph - Wombeetch Puyuun (Camperdown George) at Lake Gnotuk, c1874
When he died at Camperdown in February 1883, Wombeetch Puyuun, also known as 'Camperdown George', was the last member of the Liwira Gundidj clan of the Djargurd Wurrung still living on Country.Image of Wombeetch Puyuun (Camperdown George) wearing traditional possum skin cloak and holding a spear at Lake Gnotuk, Camperdown, Victoriacdhs, wombeetch puyuun, djargurd wurrung, djargurdwurrung, camperdown george -
Seaworks Maritime Museum
Doll
Japanese doll with traditional layered dress and red bow in black hair. Doll is standing upright, supported on black square base. Japanese writing on base of doll -
Bendigo Historical Society Inc.
Slide - ALLAN BUDGE COLLECTION: SLIDE HIGH STREET, 1988
Slide, ALLAN BUDGE COLLECTION, General Views, High Street. Recently painted and renovated. It is doubtful if the paintwork is in a traditional colour scheme.house, public, allan budge collection, allan budge collection