‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This toy is a product of Tottori City, and its only connection with traditional packaging is that it copies the mats used to close the straw bales in which rice is packed for the market. It is interesting, nevertheless, for its clever use of such a cheap and common material, and there is no denying its charm. The two dolls, made of paper and wood, represent the emperor and empress who occupy the chief places in the traditional Doll Festival display. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Brown rectangular tin, used to hold fudgeCairns Fudge. Classic Fudge assortment. French Vanilla. Traditional. Soft chewy pieces or mouth water fudge, made to a traditional recipe and using only the finest of ingredients. 400g Net.

Japanese doll standing upright with traditional blue dress supported on black square base. "WMA 42" "PMA 012 6/2 Japanese writing with pencil on base

Card with illustration, traditionally of a baby girl's head indicated by pink ribbons on her gown, holding a rattle, with greeting. Card with illustration, traditionally of a little boy's head as indicated by blue clothing, with greeting. Card with little child's head, with greeting.Greetings read: "With sincere congratulations and a hearty Welcome to the Little Stranger" "With warm Congratulations and a welcome united with best wishes" "To with kind Congratulations and a hopeful welcome to the New Comer"greetings cards, baby cards, gift cards

Small painted wooden female Asian doll with pink floral traditional dress and green capwritten with white pen on bottom: "PMA 0256"

Japanese doll with traditional dress standing upright supported by black base. One hand is raised."WMA 58"

Japanese doll with traditional dress with yellow sash. Standing upright supported by clack, square base "WMA 60" "PMA 0127/2" Japanese writing in pencil at base

Soft cover book on the traditional social dances done in the colonial days in Australia by Shirley Andrews.

Colour photo of 2 Squadron crew on the wings of the plane for the last flight and traditional hosing down.Colour has faded on both photograghs.2 squadron raaf

Black lacquerwork mother of pearl inlay bowl with lid depicting three ladies in traditional costumelidded bowl, lacquerwork

Engraved eggs were donated by folk artists form the Hutsul region of Ukraine.The eggs have traditional Hutsul folk motifs depicted .Four wooden eggs with geometric engravings and coloured with traditional folk motifs and a surface laquerred finish.

Marie La Peyre with Japanese Rotary Exchange student wearing traditional Kimono dress. c1970s.tatura, exchange student, lapeyre m, locals, costume, female, ceremonial

This photo provides just one example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional.A record of a Junior Legacy Demonstration. This photograph serves as photographic evidence of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of two people upon a stage dressed in traditional Native American attire.Stamped on the back of the photo: "This photograph is with / The Compliments of The... / MINISTRY OF TOURISM / GOVERNMENT OF VICTORIA / PLEASE ACKNOWLEDGE / PHOTO: MICHAEL CHESHIRE"junior legatee, annual demonstration, costumes

White calendar with recipes on each page, and a spiral binding. "Traditional Guernsey Recipes 1990 Calendar"calendars

This sign proudly hung outside the Forests Commission Victoria (FCV) Beechworth office which is now site of the Forestry Heritage Museum. The granite building in the Beechworth's historic precinct was once the Gold Warden's Office and is one of the town's original buildings. The FCV was the main government authority responsible for management and protection of State forests in Victoria between 1918 and 1983. The Commission was responsible for ″forest policy, prevention and suppression of bushfires, issuing leases and licences, planting and thinning of forests, the development of plantations, reforestation, nurseries, forestry education, the development of commercial timber harvesting and marketing of produce, building and maintaining forest roads, provision of recreation facilities, protection of water, soils and wildlife, forest research and making recommendations on the acquisition or alienation of land for forest purposes″. The Forests Commission had a long and proud history of innovation and of managing Victoria's State forests but in September 1983 lost its discrete identity when it was merged into the newly formed Victorian Department of Conservation, Forests and Lands (CFL) along with the Crown Lands and Survey Department, National Park Service, Soil Conservation Authority and Fisheries and Wildlife Service. After the amalgamation the management of State forests and the forestry profession continued but the tempo of change accelerated, with many more departmental restructures occurring over the subsequent four decades. Responsibilities are currently split between the Department of Energy, Environment and Climate Action (DEECA), Forests Fire Management Victoria (FFMV), Parks Victoria, Melbourne Water, Alpine Resorts Commission, the State Government-owned commercial entity VicForests and the privately owned Hancock Victorian Plantations (HVP).Large office sign. Hand painted in traditional FCV mission brown and gold colour scheme.forests commission victoria (fcv), forest signs

When he died at Camperdown in February 1883, Wombeetch Puyuun, also known as 'Camperdown George', was the last member of the Liwira Gundidj clan of the Djargurd Wurrung still living on Country.Image of Wombeetch Puyuun (Camperdown George) wearing traditional possum skin cloak and holding a walking stick Back: George Camperdowncdhs, wombeetch puyuun, djargurd wurrung, djargurdwurrung, camperdown george

Two heavy round brass wall plates depicting traditional occupations - one of a chairmaker, the other a blacksmith.(a) De Stoelemaaker (the chairmaker) (b) De Smidt (the smith)

A survey of various methods of conducting linguistic research with Aboriginal people in traditional contexts, especially elicitation techniques.linguistics, linguistic fieldwork

Boomerangs of this sort were used for up close hunting with short throws and clubbing. This contemporary piece illustrates some fine art work. This piece was commissioned by Uncle Brien Nelson, Jaara Elder to preserve and pass on Jaara culture.This boomerang is in the form usually used for clubbing prey up close rather than long flight or returning. It has a gentle arc about 3 cm deep over its 49 cm length.This piece is beautifully decorated with a traditional Jaara design incorporating a blue tongue lizard motive.boomerang, decorated, jaara, close up hunting, blue tongue lizard

The donor, whose parents owned an antique shop believed that the evening coat was owned by the family of Cr Morris Nathan and his wife Margaret Frances, nee MacKay. Maurice Nathan was born in Kew in 1914 and died in East Melbourne in 1982. He was a student of Trinity Grammar School, Kew. He was Lord Mayor, and his wife Lady Mayoress, of the City of Melbourne for two terms between 1961 and 1963. The age of the coat, created in a design typical of the 1920s would suggest that it is of an earlier vintage, almost certainly dating from the 1920s, but perhaps earlier. The opulence of the sequinned and beaded embroidery have led to the supposition that it may be an opera coat inherited from an earlier generation.Three quarter length, red and cream silk, padded evening coat highlighted on the cuffs and hem with iridescent sequins, beading and pearls of different shapes and sizes. These decorative features are arranged in a formal design, particularly at centre back. Above the beaded sections are sunbursts outlined in gold beads.Trimmed rabbit fur at collar and cuffs. The sleeves are shaped above the embroidered sections while the hem features a zig-zag profile. MEASUREMENTS - Neck to hem front 93cm; Neck to hem back 100cm; Circumference 126cm; Shoulder to cuff 72cm; Shoulder width 36cm.Traditionally, pre acquisition, stored in brown suitcase embossed in gilt with the name R. NATHANevening jackets, opera coats, fashion -- 1920s

Tibetan hats are in various forms. The men are known to wear cloth/felt hats; these sometimes come with tassels or even purplish decorations woven out of silk. On the other hand, women are seldom seen wearing hats during summers but are seen wearing hats made of white felt or white Woollen raincoats with a hat during the monsoons. The winters due to the biting cold they face; individuals are seen wearing fox or sheepskin hats or scarves. The Tibetan hats not only help to keep warm, but also add beautiful decorations to the clothing they wear.Traditional hat with silk brocaded crown and large fur flaps to protect the ears and face from high winds.The TFG initials written in ink inside.everyday life, clothing, hats

One of three photographs of scenes and or individuals in Africa or Japan.Sepia photograph, mounted on card of a man in traditional Japanese court dress. The studio photograph includes the man's swords. "****-hashi Tycoon of Japan"japan - portrait, japan -- court costume

Japanese doll with traditional costume and two white bows in hair. Doll is standing upright supported by black, square base. "PMA 0128/2" Japanese writing in pencil t base

It was and still is customary for a piece of Wedding Cake to be given to the guests on their departure from the reception. . Some customs suggest single women will find a husband if they put this piece of cake under their pillow at night. --- the man of their dreams will come calling …..!A small tin with a lift -off lid for a piece of Wedding Cake traditionally given to guests at the reception as a take home gift .2 wedding bells engraved on lidweddings, early settlers, tinsmiths, moorabbin, bentleigh, cheltenham, celebrations, souvenirs

Dhurringile POW camp Army cooks, left is Sid BradfordBlack and white photograph of three cooks in white traditional uniform. Bucket atop two on ground. Behind is a tank stand.dhurringile pow camp, dhurringile cooks, army cooks, sid bradford

Mostly Pilbara and Kimberley Aboriginal Media (PAKAM) programs showing aboriginal lifestyle, culture (traditional dances, painting) and sport.DVD

When he died at Camperdown in February 1883, Wombeetch Puyuun, also known as 'Camperdown George', was the last member of the Liwira Gundidj clan of the Djargurd Wurrung still living on Country.Image of Wombeetch Puyuun (Camperdown George) wearing traditional possum skin cloak and holding a spear at Lake Gnotuk, Camperdown, Victoriacdhs, wombeetch puyuun, djargurd wurrung, djargurdwurrung, camperdown george

Japanese doll with traditional layered dress and red bow in black hair. Doll is standing upright, supported on black square base. Japanese writing on base of doll

Slide, ALLAN BUDGE COLLECTION, General Views, High Street. Recently painted and renovated. It is doubtful if the paintwork is in a traditional colour scheme.house, public, allan budge collection, allan budge collection