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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Post Office, Portland, n.d
Black and white reproductive photograph of earlier image. People standing in front of Post Office building - double storey bluestone with decorative stone balcony.Front: Post Office, Portland (on photograph original). Portland Post Office Cnr Bentinck & Cliff Streets c1900 (built 1991) (typed label, lower centre). Back: B21766/98 (pencil, upper left). State Library of South Australia Photographic Section. Order No. A16493 (stamp, centre).portland post office -
Glenelg Shire Council Cultural Collection
Print, Unentitled, 1987
UnknownPrint of a landscape scene in upper half of print. In a blue and orange sky are three roundels with (l-r): an indigenous soldier (c. WWII) overprinted with red and yellow, a depiction of the view of Earth from space, and a curled snake in reds and browns. In the landscape scene are line-drawn figures, a montage of items of modern technology and a child-like drawing of houses and cars in garages.Front: 26/30 (lower left) "Unentitled" (lower centre) Rex Davies Vicki Gordon Bruce Robert Peagram Maria Gibbs P. Tsernjavski Barb Sharrock (lower left) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - SAFCOL Factory, Portland, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: 4 -3/8 (centre left, red pen) P (centre, blue pen) 6½ (lower centre, red pen) 12.12¾ (upper right, pencil) 8036 (upper right, blue pen)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - 'Se Wou' berthed to load tallow for Pt. Cochin, India, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: 'Se Wou' - FEB - Tallow. For Pt. Cochin/India (upper right, pen)port of portland archives -
Glenelg Shire Council Cultural Collection
Print, Steampacket Inn, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a drawing of a building. The details of the building are done in thick black lines with patches of green, yellow and brown. The background has been left as the plain paper.Front: Darren Pumpa (lower left) Steam Packet Inn (upper centre) (pencil) Back: 50 -
Glenelg Shire Council Cultural Collection
Print, Kingsley, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33 -
Glenelg Shire Council Cultural Collection
Artwork, other - Reproduction of print - Pen and ink drawing of Kingsley House Portland Victoria, T.V. Lyons, Kingsley, 1980
Displayed at History House.Reproductive print of pen and ink drawing of a turreted two-storey house with bay windows, gabels, an open upper verandah and an enclosed lower verandah.Front: T.V. Lyons '80. (printed, lower left in image) Kingsley (printed, lower centre, in image) -
Glenelg Shire Council Cultural Collection
Painting, Julie Kent, Beach Scene, n.d
Hung in CEO's Office 5/9/2003Scene depicting a beach. On the right are sand dunes with grass covering them. On the left is the ocean. The beach runs from foreground left to the upper centre of image, diminishing in size. In centre left of image three standing adult figures and one child stand to the left of a seated figure wearing a red hat. A fishing pole is braced in the sand beside the figure's chair.Front: J Kent (blue paint, lower right) Back: (unknown) -
Glenelg Shire Council Cultural Collection
Print, Rod Ewins, (Brain coral), 1977
Print Council of Australia Members' Print Commission, 1977.Screenprint and embossed print. Screenprinted image is in upper 1/2 of print. Two rectangular prints in gold and mauve in abstract pattern. Overlaying these is a royal blue dotted print, framing top and sides of gold and mauve print. Over centres of gold and mauve prints are rectangles of royal blue dots, giving appearance of Benday dots, or mesh screen. The density of this mesh fades gradually from top to bottom. The bottom edge of the screenprints are undulating, meeting the upper edge of the embossing that occupies remaining lower area of the print. The embossing is the same pattern as in the mauve and gold screenprint above. Mounted in pale cream matt. In black painted wodden frame, with glass.Front: A. P. VIII/X (lower left) Ewins 77 (lower right) (pencil) Back: 1978 (upper left, pencil) -
Glenelg Shire Council Cultural Collection
Print, Ermes De Zan, Swiming Pool, 1973
Print Council of Australia Members' Print Commission, 1973Four figures swimming in a swimming pool. In the upper image there are reflected objects in the pool. The top of the image does not include the reflected object, being instead framed with a theatrical stage awning motif. These objects include a canopied shelter, rails, trees and part of a building. Four naked male figures (different views of the same figure) are swimming, jumping or standing. Foreground shows edge of pool with two deckchairs. Printed n pale blue and black inks. Mounted in cream matt with a timber frame, with glass glazing.Front: 2/15 (lower right) Swimming Pool (centre) Ermes De Zans '73 (lower left) (pencil) Back: Ermes De Zan "Swimming Pool" Etching (1973) (typed lable, upper left) 1973 (yellow sticker, upper left) -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. VI, Humb to Malt, 1889
Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges.reference book -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sir Rohan Delacombe in Portland for opening of the grain terminal, 8th April 1965, 1965
Port of Portland Authority archivesFront: (no inscriptions) Back: Major General Sir Rohan Delacombe/ Governor General of Victoria./ Thursday 8th April 1965 (pencil, top) W (pencil, upper right)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Earth moving machinery in quarry, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: no 15 (pencil, upper left) 12088 (blue pen, upper right) 52 % (pencil, centre) 41/4 x 6 (red pen, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Prime Minister Malcolm Fraser, Bill Sweetland (Chairman of Port of Portland Authority) and Minister for Public Works, Brown, c. 1983
Port of Portland Authority archivesFront: (no inscriptions) Back: Malcolm Fraser (PM)/ Bill Sweetland (Chairman PPA)/ + Minister for Pub. Works. Brown (blue pen, upper centre)port of portland archives, malcolm fraser, bill sweetland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - P.H.T Aresco Trak Chief Rail Loco, Right Hand Rear Wheels, 1971
Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T Aresco Trak Chief Rail Loco/ Right hand rear wheels/ fitted 27/10/70 1316 hrs/ removed 10/1/71 1760 hrs/ Hours worked 444 (typed on sheet of paper and affixed to upper centre, yellowing)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - P.H.T Aresco Trak Chief Rail Loco, Left Hand Rear Wheels, 1971
Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T Aresco Trak Chief Rail Loco/ Left hand rear wheels/ fitted 27/10/70 1316 hrs/ removed 10/1/71 1760 hrs/ Hours worked 444 (typed on sheet of paper and affixed to upper left, yellowing)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cylindrical containers (wood pulp?) being unloaded from a small truck, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: 6 1/2 (upper centre, red pen) 8036 (upper right, blue pen) 0 (centre, blue pen) 12.16 5/8 (lower right, pencil) 4 1/2 (centre right, red pen)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Dartmoor timber treatment plant and mill, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: Poles in the background. Timber treatment plant in middle. Mills at background. Photography by the Arthur Studio. Further copies always obtainable at 27 Commercial St. East, Mt. Gambier. (purple stamp, lower right) (upper left, pencil), 22 (lower right, pencil).port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Timber treatment plant, Dartmoor, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: Inside Timber Treatment Plant Dartmoor (upper left, pencil). Photography by The Arthur Studio. Further copies always obtainable at 27 Commercial St. East, Mt Gambier. (lower right purple stamp), (10 lower right, pencil).port of portland archives -
Glenelg Shire Council Cultural Collection
Painting, Noel Jones, Stone Quarry, 1974
NoneView of a quarry. In the centre of the image a conveyor belt runs up from a pile of rubble to a small hut on tall stilts. A conveyor belt runs down from this hut to an orange truck. Below and to either side of the stilted building are two wooden buildings with tin rooves. A stilted tower is depicted in maroon to the left, and another in the distance to the right. Mounds, painting in brown, yeloow, grey and shades of blue run across the centre of the image, below a sky washed with blue and highlighted with orange. Mounted in a decorative matt, in wooden frame with glass.Front: N. W. Jones 74 (lower left, blue paint) Back: 1974 (upper left, pencil) -
Glenelg Shire Council Cultural Collection
Painting, Ludmilla Meilerts, Still Life, 1970
None.Still life of fruit and a jog. Painted in thick impasto paint, creating a very textured surface. Fruit is depicted in green, brown, apricot, pink and red. Background is abstract. Upper left background is brown, upper centre and right background is in shades of grey, blue and green, with some white. Brown wooden frame.Front: L Meilerts 70 (lower right, black paint) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - 'Trojan' Log Carriage with 'Sel-Set' and Feedworks at Dartmoor, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: "Trojan" Log Carriage with "Sel-Set" & Feedworks at Dartmoor (upper left, pencil). 19 (lower right, pencil). Photography by The Arthur Studio. Further copies always available at 27 Commercial St. East, Mt Gambier (lower right, purple stamp).port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Storage Shed, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: (15) (upper left, blue pen) PORTLAND "GUARDIAN" (blue ink stamp, upper left)port of portland archives -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Olearia Grandiflora (Mt. Lofty Daisy-Bush). Olearia Tomentosa (Toothed Daisy-Bush), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two pen and ink drawings of two daisy plants. On left is stem with fine hairs, large serrated leaves with dark upper side and pale under side, clustered at base of stem, with single flat topped daisy flower at top of stem. To the right is stem view with hairy stem, rippled leaves with dark upper side and pale under side, and three stems at top with 2 daisy flowers in full bloom and one bud. Mounted in a double matt (white on grey), framed under glass in wooden frame with silver detail.Front: O. grandiflora (Mt. Loty Daisy-bush) S.A. O. tomentosa (Toothed Daisy-bush) S.A. (lower left) (pencil). CE Woolcock (signature, lower right) (pencil). Back: 31 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing, Low Tide/Cape Grant Area, 1990
Depiction of a beach with large boulders. The boulders are covered in lichen and algae, and beach sweeps up towards centre right of image. The central third of painting shows the sea (continuing behind the boulders), depicted in blue with white highlights and dark blue shadows. It is edged in the background by a cliff face (painted in brown and grey). Sky is darker blue at top and lighter blue where it meets the horizon. Mounted in double matt (pale tan on faun) with decorative cut-out border, framed under glass in wooden frame.Front: Rankin '90 (lower right) (white paint) Back: 333 (upper left) (sticker) 1990- (upper left) (pencil). Low tide Cape Grant area September 1990 $350 Pastel Ian Rankin. 46 Hurd St Portland Vic 3305 Phone Portland 231465. Phone 055/231465. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lou Moulton, Secretary, and Theo Jarrett, Chairman, Portland Harbour Trust, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Port Harbour Trust/ Chairman T.C. Jarrett O.B.E./ Secretary L.C. Moulton (blue pen, upper centre)lou moulton, theo jarrett -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Daviesia Latifolia (Hop Bitter-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawing of stem and flower detaisl. At far left is back view detail of an orange flower with paler, yellow edges to petals. At centre is a stem detail, depicting a long stem with a large leaf and flowering stem partnered and situated at staggered intervals up the central stem. Flowers are yellow with red centres. On right are three details of a flower (t-b): top view of flower; side view of flower; and side view of emergent bud. Mounted in double matt (white on faun), framed under glass in wooden frame with gold details.Front: Daviesia latifolia (lower left) (pencil). CEW (lower left in image, signature) (maroon pencil). Back: 19 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Dillwynia Cinnerascens (Grey Parrot-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibition CEMA 1989.Detail of plant stem on left and on right details of pea flowers and stem views. Stem view on right is a long stem with many fine green leaves (long and thin). At top of stem is a cluster of range pea-flowers and buds. On right of page (t-b): view of pea-flower from top, showing orange petals and dark pink and magenta colouration at centre; side view of emergent bud; stem detail with leaves; side views of full bloom flower; rear view of flower. All views are numbered in both pencil and on typed paper affixed to surface of image. Mounted in double matt (white on faun) framed under glass in wooden frame with gold detail.Front: Dillwynia cinerascens (lower left) (pencil). CEW (lower left, in image) (purple pencil). Back: 41 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing, Blue Wren. Golden Whistler. Eastern Spine-Bill, n.d
Drawing of three birds perched on twigs, with two twigs at top right and bottom of image. Bird at top left is blue, black and white, with long blue tail feathers. Bird at centre has yellow front with black head and white under beak and on neck. Tail feathers and wings are grey. Lower bird has red belly, white feathers under chin with red markings, black head and tail feathers, red patch on back and blue-black wings. Mounted in grey matt under glass in wooden frame.Front: (no inscriptions) Back: 1. Blue Wren. 2. Golden Whistler. 3. Eastern Spinebill (ink and coloured pencil). Collin E. Woolcock (upper left) (sticker, black pen). -
Glenelg Shire Council Cultural Collection
Painting, Sunset, Blairs Creek 1893, 1893
Roundel painting in circular frame. Scene depicts a lagoon edged with grass and low bushes in foreground and trees in background. Two black swans swim in foreground and a boat with a mast and rigging is anchored near land and a tree at centre right of image. Top half of painting is a sunset with clouds in pink, red, white, yellow, indigo, russet. These colours are generally reflected in foreground water. Framed in round wooden frame.Front: (no inscriptions) Back: "Sunset" Blair's Creek, Portland. Jan. 7th 1893 (centre) (black ink). 90 (ink on varnish) (centre left). 1996 (pencil) (upper left).