Belt worn around waist or diagonally across body to carry ammunition pouchesManufactured and sold by Holden and Frost during the war years Tan leather belt with buckle in middle and holes on each endHolden and Frost 1916military, belt, leather

This handmade women’s combination undergarment features hand-worked lace panels and trim, and fine pintucks. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The design of this combination undergarment, or ‘combination’, includes a chemise attached to a pair of drawers or bloomers. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has a front button closure and is trimmed with hand-worked lace panels on the bodice and lace edging around armholes, the neck, and the bottom of the legs. The left and right sides are divided from the waist to the crutch.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, under-structure, 1900s undergarments, 19th-century undergarment, 20th century, handmade clothing, handmade lace, hand-worked lace, paton family, trefnant, yangery, lady's combinations, ladies combinations

From left to right the women are: Miss Vine (dark dress, draw cord at waist with pom-poms on end), Miss Hocking (dress with large spots), Mrs Thomson (light coloured dress with dark sash at waist) and Mrs Paddy Smith (light coloured blouse and dark skirt).The photo shows four women, standing in line from shortest to tallest, standing in front of bushes.people

BHS CollectionBlack dress of synthetic crepe fabric. Sleeveless bodice with darts at front from waist to bustline. Side panel inserts under arms to waist. Back has opening from neck to below waist with metal zipper(53cm). Peplum(8cm) at waist front and back. Decorative bows of black cord at waistline at each hip. Long tassels.Knee length skirt is knife pleated. Dress is unlined.Markings/Inscriptions Label attached to lower zipper. ''A59110 mf ex st sz'' Handwritten ''Sample'' ;Y127' '12'.costume, female, black synthetic crepe dress

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This wedding dress was worn by Marjorie Don who married Algernon Garlick, 1928Cream coloured crepe-de-chine wedding dress with a dropped waist comprised of a wide band of ribbon. The bodice is gathered at the top in narrow bands. Rows of pearl buttons extend to the waist from the neckline. The front of the skirt below the waist is made of a contrasting self patterned striped fabric.fashion - melbourne - 1920s, flapper dresses, wedding dresses, marjorie don, algernon garlick

Australian Army Dress Trousers KhakiWhite Stock Tag on Pocket Name tag inside waist and Fletcher Jones 1996

Owned and worn by Susan Heywood (nee Cox). Later donated to SSHS.Flesh coloured half slip made from Nylon. Used as a petticoat. 3/4 length.Peter Dee: Size 18 To Fit: Bust 100cm, Waist 80cm, Hip 105cm.clothes

The Colour patch is wrong for the uniform and date time..1) Jacket - long sleeved thick wool. Darkened copper buttons. AMF Motif, on collars is a CMF dark rising sun, on shoulder epaulettes is metal "Australia" Badge. It has four pockets. On shoulders are an oval shaped colour patch, purple over red (38Bn). .2) Trousers - long Khaki wool. Two pockets - metal buttons cuffless trousers. 2) Number "62286 Gregory” Inside waist line, has number “32”, handwritten on it.winter dress, uniform, army, passchendaele barracks trust

Short sleeved nylon dress with black background with white, pink and khaki motifs: has tie belt with self-fabric: V-neck with slightly flared skirt.Label - House of Lucas, size 16 - waist 75cm: bust 95cm; hip 100cmclothing, dress, house of lucas

Used by military persons to carry ammunition pouches, either around waist or over shoulderManufactured and distributed by Holden and FrostTan leather belt, holes both ends and in the middle brass adjustment tool in centre with holesHolden and Frost 1916,military, leather, belt

These trousers are part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Disruptive Pattern trousers in five colours of green and brown. Long pants with elasticised drawstring fastener at ankle and velcro adjustment fasteners at the waist. Pants take a straight leg style and bears several pockets: two thigh level pockets with zippered horizontal opening, two open hip pockets on the front, one open pocket on the reverse right hand side with blue plastic button fastener. Five large belt loops encircle the waist and there is a zippered fly, secured at the top with a blue plastic button.Label on interior front right of trousers reads: “A13/ADA/VICTORIA 2008/(broad arrow)/SPECIFICATION ARMY (AUST)6542/NSN: 8415 66 152 1059/SIZE: 95 S/NAME/SERVICE NO/75% COTTON 25% POLYESTER/WARM MACHINE WASH 40*C/RINSE WELL, WARM IRON/DO NOT IRON OVER HOOK AND PILE/DO NOT BLEACH/DO NOT STARCH/MAY BE TUMBLE DRY 40*C/MADE IN AUSTRALIA” The name “FARLEY” is also handwritten on the back interior waist band of the trousers. camouflage, general purpose uniform, airforce, uniform, australian defence force

This garment would have been worn by young girls as a summer fashion, perhaps in the 1970s. Similar- patterned garments may still be worn today but perhaps without the cuffs on the legs. This garment is retained as an example of women’s fashions in the mid to late 20th century and will be useful for display. This is a pair of women’s shorts. They are made of cotton (velveteen) and are multi-patterned with a dark red background with pink, orange and yellow flowers. There are cuffs at the end of the legs and a zip down the side. The waist is lined with white material and there are five buttons attached to the waist band. The maker’s label is also attached to the waist band.‘Styro SW All Cotton’ladies fashion, hotpants

This finely crafted skirt has been made at the Fletcher Jones clothing factory. David Fletcher Jones served in World War One and following this had an itinerant hawker's business in the Western District . In 1924 he opened a tailoring shop in Liebig Street, Warrnambool and began to specialise in the production of men's trousers. In 1946 he opened a shop in Melbourne and in 1947 the firm of Fletcher Jones and Staff Pty. Ltd. was registered. In 1948 a clothing factory was opened in Warrnambool and in the 1960s Fletcher Jones shops had extended to other states of Australia and later the merchandise was extended to men's and women's clothing. It was one of the best known businesses in Australia. The Fletcher Jones company was dissolved in 2011. This is a fine example of a Fletcher Jones item of clothing. The Fletcher Jones clothing business was one of the most important businesses ever to have been in Warrnambool and the factory gardens survive as a tourist attraction in Warrnambool.This is a reversible black, grey and white checked woollen, woman's skirt. It is fully pleated on a waist band which can be buttoned either side. There is a zip on the side next to the waist band.THE Two -Way SKIRT by FLETCHER JONES PURE NEW WOOL SIZE 14fletcher jones clothing company, warrnambool industries

The embroidery has been re-mounted and it is mid 19th century style of underskirt.White cotton underskirt with hand worked eyelet embroidery and medallions of Point Lace.Deep lace hem. Drawstring waist with placquet opening. Blue ribbon at waist and threaded through eyelets.underskirts, underwear

The stays were used as stiffening and for support in foundation wear and bodices in women's dresses (and waist bands).7 stays encassed in cotton with blue herringbone stitching used to fasten off each end. The stays are bundled together with white cotton thread.corsetry, foundation garments, fashion, clothing and dress, haberdashery, costume accessories, george evans collection

Ammunition pouches on belt to wear either as a bandolier or as a waist belt on which to carry rifle ammunitionAs manufactured by Holden and FrostLeather belt 70mm wide with 9 pouches riveted onto it. At each end belt reduces to 35mm with a buckle on end, other end holed to allow the ends to be joinedHolden and Frost Adelaide B.26/LH / 47military, ammunition belt, bandolier

Ammunition pouches on a leather belt to wear either as a bandolier or on waist as a belt to carry rifle ammunition.As manufactured by Holden and Frost AdelaideLeather belt 70mm wide with 9 pouches riveted onto it. At each end of belt reduces to 35 mm which allows the belt to be buckled togetherHolden and Frost Adelaide B.26=LH=47military, ammunition belt, bandolier

Made by Barbara Cornell for her 1938 wedding. Small bouquets worn at the waist, on the shoulder etc.Artificial handmade corsage - cream with rose and lily of the valley flowers.corsages

Khaki Field Jacket with cord ties around waist and bottom.Cotton label attached to the inside back of the jacket with the markings 'K.SP-302'.

The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of the many items that exhibit the skill and craftsmanship of the women of these familiesThis pair of white cotton baby's pants with button holes is an example of the dressmaking skills and craft-work of the women of the pioneer families. The Peck family were early settlers in Moorabbin Shire.A pair of baby's white cotton pants with button-holes at waist.clothing, brighton, moorabbin, bentleigh, dressmaking, early settlers, craftwork, mr peck

This lady’s silk bodice is an example of the dressmaking skills of the women of the pioneer settlers families, in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families. The Blackburn family were early settlers in Moorabbin Shire A lady’s silk bodice with pin-tucking and drawer-string waistclothing, brighton, moorabbin, dressmaking, market gardeners, early settlers, blackburn nance, craftwork

These trousers were obtained by Charles Quon, probably from Hong Kong, and used by the Young Chinese League in their processions. These are part of a 'fish warrior' costume.These trousers are significant for their links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.Pale blue satin/silk trousers with elastic waist and ankles.young chinese league, melbourne, victoria, australia, processions, helmets

Reverend Peter Moonie (10/11/1933 - 08/12/2013) was ordained as a Methodist minister in 1961. He served at on King Island and at Launceston South, in the United States at Salem New Hampshire and Agawam Massachusetts, Church of All Nations, Box Hill Regiobnal Parish and Ocean Grove. He retired in 1995.B & W waist length photograph of Rev. Peter Moonie."Peter Moonie C&N 14/8/1985 page 15"moonie, peter, methodist minister

Sydney Bertram Carter (06/05/1915 – 13/03/2004) was an English poet, songwriter, folk musician, born in Camden Town, London. He is best known for the song "Lord of the Dance" (1967), set to the tune of the American Shaker song "Simple Gifts", and the song "The Crow on the Cradle". Other notable songs include "Julian of Norwich" (sometimes called "The Bells of Norwich"), based on words of Julian of Norwich, "One More Step Along the World I Go", "When I Needed a Neighbour", "Friday Morning", "Every Star Shall Sing a Carol", "The Youth of the Heart", "Down Below" and "Sing John Ball".B & W waist length portrait of Sydney Carter in profile.sydney bertraim carter, lord of the dance song 1967

B & W waist-length seated photograph of the Dalai Lama."His Holiness the 14th Dalai Lama of Tibet at Claremont College, California, U.S. in 1979"dalai lama

Leather belt with brass buckles, includes waist and shoulder belt.Nil

Women's Nurse's Cape.Red waist length cape with collar and a single clip at the front.Name label on the inside back: 'Edwards'cape, nurse