First show of oil plus gas and water 25th July 1924.Sepia toned photograph of the crowd of people gathered at the Lake Bunga No. 1 oil Bore to observe the spudding-in ceremony. Lakes Entrance VictoriaThe First Oil Well Lake Bunga 1924 - State Library of Victoria, LaTrobe Collectionhistoric site, oil and gas industry

Photo taken sometime between 1932 - 1937.Black and white photograph group of people at the Bunga Oil Bore, three men are standing, two women sitting. Lakes Entrance Victoriahouses

Part of a 43-photo record of the MMBW�s engineering feat in drilling a 12 inch pipe line up to 40 feet deep through rock hardened by volcanic action associated with geological fault that occurs along the line. The work took place from October 1979 to May 1980 on the southern boundary of Hubbard Reserve, North Ringwood. The collection was presented to the Ringwood Historical Research Group by J Clarke on 9th June 1980.E563 1 April 1980 A43 The manhole in the creek, waiting until boring is finished.

Small black and white photograph of the entrance to Victoria Park showing high iron gates that are open. The gates are open but the gate on the right is behind the fence. There are caste iron lamps at either side of the gates in front of the bowed-top picket fence. Between the gates, in the distance the fountain is visible. Murray pines are also visible. Wide dirt approach.Victoria Park is of social and historical significance to the people of Echuca and district. It includes a state park that has a natural dry schreyphyll forest with a canopy of eucalypts. The Park also includes sporting grounds and facilities and picnic areas. This photograph depicts the entrance to the Park in the 1920s showing a dirt approach with the caste iron lights, iron gates and caste iron gate posts and the bowed-top picket fence. Black and white photograph of the entrance to Victoria Park showing high iron gates and lamps with bowed-top picket fence. Wide dirt approach.On the back of photograph, in pencil, "Park Entrance"victoria park, echuca

M.M.B.W. reticulation plan no. 731, Shire of Blackburn and Mitcham. Locality plan of bores [1933]. Scale 1' - 160'. Ref No. S 33/154.whitehorse road, blackburn, surrey road, clare street, francis street, pope road, queen street, albert street, chapel street, bores, melbourne and metropolitan board of works

Illustrations and studies of several mechanical components: .1) Boring tool holder, adjustable, handwritten sheet, drawing and blueprint .2 - .5) drawings of mechanical componentstechnical drawing, geoff biddington, engineering drawings, drawing, engineering

Part of a 43-photo record of the MMBW�s engineering feat in drilling a 12 inch pipe line up to 40 feet deep through rock hardened by volcanic action associated with geological fault that occurs along the line. The work took place from October 1979 to May 1980 on the southern boundary of Hubbard Reserve, North Ringwood. The collection was presented to the Ringwood Historical Research Group by J Clarke on 9th June 1980.E560 N22Jan 1980 A43 Work on mole boring pit in 39 Burlock Avenue backyard

The Fenton Art Glass Company was founded in 1905 by brothers Frank L. Fenton and John W. Fenton in an old glass factory in Martins Ferry, Ohio. Originally, they painted glass blanks from other glass makers, but started making their own glass when they became able to buy the materials they needed. They moved across the Ohio river to Williamstown, West Virginia, and built a factory in 1906. The first year for glass production was 1907. Frank Fenton was the designer and decorator. Jacob Rosenthal, a famous glass chemist is known for developing chocolate and golden agate glass. Perfume bottles for the Wrisley Company in 1938 were made in French opalescent glass with the hobnail pattern In 1939, Fenton started selling Hobnail items in milk glass. During the Great Depression and World War II, Fenton produced practical items such as mixing bowls and tableware. Fenton ceased "traditional" glassmaking at the Williamstown, West Virginia factory in July of 2011. However, the factory remains open as a jewellery making operation, producing handcrafted glass beads and Teardrop earrings.Late early to mid 20th century Jack-in the- Pulpet style Fenton vase. Hand-blown outer aqua blue glass over base of white milk glass. Heavily ruffled and crimped rim, with clear glass edging. The narrow neck joins to larger circular base. The body of the vase is also decorated with swirling ridges. Clear glass handle. Pont mark on base, but no Makers Mark. Fenton's glassware bore no Makers Mark until the 1950s.glassware, lights, fenton art glass company, ohio, west virginia, usa, fenton frank l., fenton john w., rosenthal jacob, early settlers, pioneers, market gardeners, moorabbin, bentleigh, ormond, cheltenham

Photograph of Salvation Army staff band at rehearsal for Carols by Candlelight. 30 men in Salvation Army Band uniforms watch their conductor during the musical session. This image was included in the 1975 Carols program.B/W photograph of Salvation Army band.Carols p.7. 69% 32 Cm widecarols by candlelight, salvation army band, colin wood

The carronade was designed as a short-range naval weapon with a low muzzle velocity for merchant ships, but it also found a niche role on warships. It was produced by the Carron Iron Works and was at first sold as a complete system with the gun, mounting, and shot altogether. Carronades initially became popular on British merchant ships during the American Revolutionary War. A lightweight gun that needed only a small gun crew and was devastating at short range was well suited to defending merchant ships against French and American privateers. The invention of the cannon is variously attributed to Lieutenant General Robert Melville in 1759, or to Charles Gascoigne, manager of the Carron Company from 1769 to 1779. In its early years, the weapon was sometimes called a "mellvinade" or a "gasconade". The carronade can be seen as the culmination of a development of naval guns reducing the barrel length and thereby the gunpowder charge. The Carron Company was already selling a "new light-constructed" gun, two-thirds of the weight of the standard naval gun and charged with one-sixth of the weight of the ball in powder before it introduced the carronade, which further halved the gunpowder charge. The theory of its design was to use less powder and had other advantages that were advertised in the company's sales pamphlet of the time, state. The smaller gunpowder charge reduced the barrel heating in action, also reduced the recoil. The mounting, attached to the side of the ship on a pivot, took the recoil on a slider, without altering the alignment of the gun. The pamphlet advocated the use of woollen cartridges, which eliminated the need for wadding and worming, although they were more expensive. Carronades also simplified gunnery for comparatively untrained merchant seamen in both aiming and reloading that was part of the rationale for adopting the gun. Other advantages promoted by the company were. The replacement of trunnions by a bolt underneath, to connect the gun to the mounting, reduced the width of the carriage that enhanced the wide angle of fire. A merchant ship would almost always be running away from an enemy, so a wide-angle of fire was much more important than on a warship. A carronade weighed a quarter as much as a standard cannon and used a quarter to a third of the gunpowder charge. This reduced charge allowed Carronades to have a shorter length and much lighter weight than long guns. Increasing the size of the bore and ball reduces the required length of the barrel. The force acting on the ball is proportional to the square of the diameter, while the mass of the ball rises by the cube, so acceleration is slower; thus, the barrel can be shorter and therefore lighter. Long guns were also much heavier than Carronades because they were over-specified to be capable of being double-shotted, (to load cannons with twice the shot, for increased damage at the expense of range), whereas it was dangerous to do this in a carronade. A ship could carry more carronades, or carronades of a larger calibre, than long guns, and carronades could be mounted on the upper decks, where heavy long guns could cause the ship to be top-heavy and unstable. Carronades also required a smaller gun crew, which was very important for merchant ships, and they were faster to reload. The small bore carronade and carriage is part of a collection of nineteenth Century Flagstaff Hill Guns and Cannon, which is classified as being of significance and was made a few years after the beginning of Queen Victoria's reign in 1837 and fires a 6 lb pound cannon ball. This nineteenth century artillery piece is a rare and representative item of artillery of this era, used predominately on ships, both military and merchant. The artillery piece, individually and as part of the collection, is highly significant for its historical, scientific and aesthetic reasons at the state, national and world level. This carronade represents the methods of artillery technology, its advancement and its modifications to suit dangerous situations that sailors encountered from attacks from free booters (pirates, living from plunder) or others at the time. Carronade firing a 6 lb cast iron ball, with a smooth bore barrel 6.5 cm in dia the item is mounted on stepped wooden carriage with wooden wheels. Cannon barrel can have its elevation adjusted via a wooden wedge. Gun carriage has loops for locating and holding in position to a deck by ropes. Carriage is a replica made 1982Cast into the barrel is the royal emblem of Queen Victoria (VR "Victoria Regina") indicating the carronade was cast during Queen Victoria's reign / 1840 & 4-2-0 denoting the weight of the barrel. Right hand trunnion has a serial number “8708”. Also on top of the barrel is the British "Board of Ordinance" identifying mark a broad arrow indicating the carronade was in military use. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, colonial defences, victoria’s coastal defences, warrnambool fortification, warrnambool garrison battery, warrnambool volunteer corps, ordinance, armaments, garrison gun, smooth bore cannon, carronade, black powder, 12 pounder, 1840, artillery, lieutenant general robert melville, charles gascoigne, carron company, mellvinade, gasconade

Lace collar - accessory owned and worn by a member of the Piesse family of Kew. Later owned by Margaret Hollis (nee Piesse) of Castlemaine.Wide lace collarcollars -- lace

Flat Belt Pulley, with 5cm bore, key slot and locating screw. 4 spokes to wheel, 1cm hole in rim of pulley and balancing weight inside of rim

Black and white photograph showing rotunda with driveway in foreground, of Whiters Camp Park. Wind powered bore pump and tank stand in background. Lakes Entrance VictoriaThe Homestead Fringed in a Setting of Cypress, Whiters Camp Park.resort, recreation

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily, oval shape, white fabric centre with wide crochet border., From the Chamberlain Dale Lees Collection, flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery

Metal scraper with wooden handle, blade is 69mm wide, wooden handle is 60mm wide, overall 68mm longflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Part of Old Lintonian collection No. 54.Sepia portrait of a young man with moustache wearing suit with wide lapels, high collared short and wide tie.james howells, old lintonian collection

This false waistcoat was part of the formal wear worn by men c 1960 . The two breast plates extend to the shoulder with wide lapels, a small pocket and 3 buttons for fastening at the front.The Breastplates are fastened at the nape of the neck by buttons on a thin strip of cotton. This false waistcoat is typical of the type of outfit that men used c 1960 for attending formal occasions in Melbourne Man's White false waistcoat for formal wear consists of two starched breast plates with wide lapels attached by 3 buttons on a thin band that passes under shirt collar . The breastplates are fastened at the front by 3 buttons ENGLISH MADE / FOR / THE WEST END SHOP / MYER / EMPORIUMclothing, formal wear, dress shirt, tuxedo, waistcoat, maynard dennis, city of moorabbin, freemasons lodge, city of moorabbin historical society, early settlers, market gardeners, bentleigh, cheltenham, moorabbin,

Historically this item highlights the middle to upper to middle socio economic levels of a rural community in the 1920s to 1950s. The fashion dictated to by the larger cities and towns were for some smaller items of house hold furniture encompassed by homes in the region, not only because of practicality but also for longevity of the item it protected.The significance of this item in showing that although the region was to a small degree isolated from the "latest" fashion of house hold dressage, it was to a certain degree not regional and that the fashion of the day in large cities and towns was instilled through magazines and Country Women,s organisations.Fine cotton table runner. Middle section has a 2cm wide crochet insert around it with another border of cotton around it 2cm wide. All the item is edged with a 7cm wide crochet band.hand craft, furniture dressing, lace, crochet, cotton furniture proctective coverings

DPSU Floppy. Wide Brimheadgear, 2000, army

Associated with issue to personnel leading up to and including WW2 in Britain . Circa pre 1940's. Associated with issue during WW2. Small cream coloured tin with white cross centrally placed on the lid. Tin opens with hinges and has wording on the lid "Aid A;; First Aid Outfit Tin made in England". There is a faded description of the contents. Within the tin is a smaller cream and red coloured circular tin containing boric ointment. The first aid outfit tin is 130mm x 75 and the small circular tin with boric ointment is 35mm x 35mm. The lid of the tin says : Aid All First Aid, a white cross emblem and underneath the emblem the wording OUTFIT TIN. There is a description of the items and then the annotation that the tin is made in England. Both tins are cream in colour with red edgings. aid all first aid outfit tin pre 1940's, white cross first aid outfit tin, pre ww2 and ww2 issue

Clothing. 2 cm wide, blue satin ribbon, edged with 1.5 cm wide, blue lace with a floral design, covers the elastic. Satin ribbon 1 cm wide is tied in a bow, with a folded ''extra tails''.costume accessories, female, blue satin ribbon and lace garter

Huttley - MartinOval Portrait: Of a young Gentleman in suit, receeding hairline with a small moustache and Beard. Suit has wide lapels, wide tieHeat Plymouth. William Heath 4 George Street Plymouth. [J.G. Bulliham Photo in script.)huttley and martin

Fives images of the workshop machinery used by the Queensland Industrial Institute for the Blind in the manufacture of various products. 1 - Pitched brooms being made by Stewart Jewell (left) and Jack Dollier (right). 2 - Unknown worker at a basket station making a cane basket, surrounded by finished examples. 3 - Snowy Willis oversees the operation of the machine that bores holes into brush heads. 4 - Unknown worker operating a coir matting machine. There were apparently 10 such machines in use at the time this image was taken. 5 - Snowy Willis checking the bobbins being filled from a giant spool. In the background are empty bobbins stacked against walls and filled bobbins on spool holders. 6 - Roy Anderson checks the wadding on a recently filled mattress, whilst in the background Ellen McDevitt uses a portable sewing table to sew the ends of a filled mattress.6 x B/W photographs of the workshop machinery used by the Queensland Industrial Institute for the BlindC2-657: 2, Brush shop - pitch set brooms being made by blind workers C2-664: Basket shop - some of the various types of baskets made C2-654: Snowy Willis. Brush shop - a semi automatic brush stock boring machine in operation. C2-666: Matting shop - one of the ten coir matting looms in use. 1960. C2-659: Matting shop - bobbin winder and bobbin bank. C2-655: 15. 2 col wide. Bed shop wadding a fibre mattress. Also showing special sewing machine and movable table used in sewing the mouths of filled mattresses.queensland industrial institute for the blind, stuart jewell, jack dollier, snowy willis, roy anderson, ellen mcdevitt