Stawell Army Drill Hall. Davies-Coop Cotton Factory Staff Sloane Street during WW2stawell industry war

Mrs Catherine Agnes Davies looking out serving window of Kanya Post Office c1950'sstawell

Artists engraving by Campbell Wilson Pty Ltd of the Harry Davies & Co store for the Ballarat Homecoming Souvenir publication.advertising, ballarat, ballarat homecoming, commerical, building

Jean Davies born c.1910 in Tatura, daughter of Hill, editor of the local newspaper. Photo taken c.2002.

From Ron in Washington DC to Patricia Davies regarding visit to Melbourne and Australian Ballet and about Watergate and US elections.Addresses and phone numbers and notes

Geoffrey Blainey sent Patricia Davies a copy of his preface for the reissue of Boyd's 'Australia's Home' and asks to be informed of any inaccuracies or injustices.Handwritten note on University of Melbourne notepaper plus a three page typewritten preface to Australia's home.The typed preface has edits in pen by the author.

A letter from A. Johnson, Public Lending Right, Australia Council to Patricia Davies (formerly Boyd), regarding a request for tracing authors or their heirs.Answered 10/9/79 in pen.

Travel Itinerary for Mr and Mrs J Davies, from 12/09/1989 to 07/10/1989 to London, Boston, Chicago, Los Angeles, Honolulu, Melbourne.

Holy Trinity Anglican Church Stained Glass Windows (Colour) Dorcas and Lydia. To the glory of God and in loving memory Emily Julian Davies died May 22nd 1914.stawell religion

James Mollison, Director of Australian National Gallery notifying John Davies that Alex Maguy, Galerie de L'elysee has been notified that they would like to view the Braque.

Letter from Peter Ryan, Director of Melbourne University Press, to Patricia Davies confirms that Penguin will reprint Robin Boyd's 'Australia's Home'. The letter (item D274) was enclosed with letter.Typed on MUP letterhead

Postcard and thank you note for an evening and Hamlet from Moffat to Patricia Davies. National Gallery of Victoria postcard depicting Australian Blue Day in September 1986 painted by Lloyd Rees.

Soft cover book. Authors: Bruce Davies and Gary McKay. History of AATTV in Vietnam Wa (Copy 6).The AATTV was in vietnam from July 1962 to December 1972. Nearly 1000 Australians and 11 New Zealand served with "The Team" during that time. They were advisers - sometimes commanders - who operated in small groups across a wide spectrum of military boss throughout the South bruce davies, gary mckay, aattv, australian army training team vietnam (aattv)

At the time when this shortbread / butter stamp block was used, rural dairies and larger properties who manufactured their own butter used butter stamps blocks for identifying the source of the butter or for decoration.. The patterns stamped into the warmed butter provided for a range of decorative visual enhancement to the "plain" and "boring" straight leveled normal butter surface. Although the wooden surfaces could be hard to keep clean commercial usage would have been limited and eventually replaced by a non porous and hygienically cleaner material. Greater hygiene controls where introduced. from the late 1940s on. These controls were the result of high infectious illnesses due to contaminated milk and dairy handling methods.This shortbread / butter stamp was used by a Kiewa Valley dairy and it presents what the domestic butter beautification processes were available during the mid to latter 1900s was. Their was a pride by rural properties in their produce and its by-products.This shortbread / butter stamp is made from wood, round and fashioned from a flat bed to a dome top. The top has a round moulded hole with screw indentations for fastening a pressure pole. The pattern on the face of the stamp is of an eleven petalled flower pattern around a small circular flower head. Both the head and petals have indentations which are will produce raised points in the pressed butter. Enclosing the flower pattern is a pattern which when pressed against the butter would produce small ridges radiating outward.On the dome stamped in black ink "T. & W. Davies"butter stamp, domestic butter blocks, domestic food preparations., shortbread, stamp, dairy, butter

Postcard depicting the Bahai Temple in India and referred to as 'India's opera house', from Patricia’s friend Mary Newman (Bob Newman’s wife) to Patricia and John Davies. They met while at MIT and remained close friends.Bahai Temple, with Indian stamps. Difficult to read.

Former internees and families of Camp 13. 2 couples, Mr and Mrs Roddy Davies and Dr and Mrs Trucco, of Edinburgh Scotland, on left. Mr Trucco was Lieutenant Riccardo Trucco, Italian POW camp 13, who was the dentist at that camp. Colour photograph of 2 couples standing in front of the Museum wall with part of the Museum sign to the left of the photograph.roddy davies, dr trucco, lieutenant riccardo trucco, italian pow's, camp 13, riccardo trucco, lieutenant trucco, camp 13 dentist, ww2 internment camp dentist

walter isaacs, patricia davies, hayden davies, lane and davies family picnic

Born: Ballarat, Victoria, Australia 1864; Lived and worked: France and England 1890-1893, England, Wales, France 1897-1939; Died: Looe, Cornwall, England 1939VictorianGift of Mrs E.E. Ledger, 1976Harbour scene with large ships, smoke, a wharf, water and a grey sky. Gold brushed timber frame.Recto: Signed "Davies" in brown oil in l.r.c of composition; Not dated; Not tiltedpainting, seascape, ships, boats, smoke, industrial, dock

UnknownPrint of a landscape scene in upper half of print. In a blue and orange sky are three roundels with (l-r): an indigenous soldier (c. WWII) overprinted with red and yellow, a depiction of the view of Earth from space, and a curled snake in reds and browns. In the landscape scene are line-drawn figures, a montage of items of modern technology and a child-like drawing of houses and cars in garages.Front: 26/30 (lower left) "Unentitled" (lower centre) Rex Davies Vicki Gordon Bruce Robert Peagram Maria Gibbs P. Tsernjavski Barb Sharrock (lower left) (pencil) Back: (no inscriptions)

The Silver Standing Cup was made by Ernest Leviny c1860 and presented to Mr Charles Abraham Saint, editor of the Mount Alexander Mail newspaper, by the town's citizens on his departure from Castlemaine on 31 December 1863. Mount Alexander Mail report; 23 January 1864. This substantial silver centrepiece was the second masterpiece created by Ernest Leviny around 1859. It is decorated with highly detailed cast figures, fine embossing and chasing. This work of Australian Colonial significance reflects Leviny's rich European artistic background which he successfully merged with new Australian motifs, which epitomise the great wealth, ambition and pride at that time in the emerging, young Colony of Victoria.Semi matt surface albumen print mounted on cream coloured card with border around image drawn in pencil. Albumen photograph of Silver Standing Cup (Eperne). Elaborate silver cup, with lid highly decorated with cast figures, etc.Handwritten in pencil under image: I.1 'Photo Davies & Co' I.r 'Melbourneernest leviny, silver, silversmithing, cup, london exhibition 1862, mount alexander mail, william davies, photograph, charles a. saint

This butter pat profiler may have been manufactured post 1967(year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce.This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This butter Pat/Profiler has on its base two patterns. On each end it has horizontal grooves cut into the wood which produce distinct lines onto the surface of the butter. between these grooves there is a section of two double lines crossing in the middle and separated by eleven horizontal lines The base has an elongated rectangular shape. The upper body has been sanded into a smooth convex shaped form where a wooden circular hand grip has been fashioned.On the top of the hand grip is stamped in black print"T. & W. Davies" and under this"TAWONGA 3697"domestic food preparation, wooden butter pat, butter mould circular, dairy industry

Studio portrait of Flo Davies.First student enrolled at the new Canterbury State primary school.Hand tinted portrait photograph of Florence (Flo) Davies, reputed first student enrolled at Canterbury Primary SchoolBottom left corner "Broothern Studios" Bottom right corner "230 Collins St. M" (corner torn) Rear centre "Florence Emily/Davies (handwritten)photograph, school, student, canterbury

Spelling books were used in the Primary and Secondary schools during the 1950s. This book enabled the student to progress at his/her own pace. Roy Davies grew up and lived in the Kiewa Valley at Tawonga.Small faded red soft covered book with black writing on cover inside a border of a thin black line. In black: Junior and Senior Classes"Roy Davies 4B 1957". Inside cover page "accompanied, achievement, affair" hand written on inside title page.spelling, school, student, roy davies, education, mt beauty, tawonga

HistoricalLarge, glossy soft covered book including large sepia photographs with brief explanationIncludes index. Edited by Shirley Davies, Beryl Stockton and Edith Torokfalvy. Published by Hastings-Western Port Historical Society Inc.hastings, victoria, history, 19th century, western port, families,

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint with green and orange grassy foreground. Centre of image shows a grey body of water with black swans and ducks. Top half of work features a blue/grey cloud with ducks in flight on the right side.Front: Artists Proof (lower left) Urban Lagoon (lower centre) R. Davies '84 (lower right) Back: 4

A sepia coloured portrait of a man on card. On back 'DAVIES & CO/Photographers/5 Collins St. West/ (3 doors from/Elizabeth St.)/MELBOURNE' / 'COPIES MAY BE HAD ON APPLICATION' deaf children australia, victorian deaf and dumb institution, vddi, portrait