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matching ww2. ran personnel. stories
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Surrey Hills Historical Society Collection
Book, Canterbury Baptist Church, Names to Lives from World War II, 2016
Tells the real life stories of seventy-five local men and women leaving Canterbury to serve in the World War Two.Incl. bibliographical references (pages 239-240) and index. canterbury baptist church (vic) - registers, world war, 1939-1945 - participation, world war, 1939-1945 - victoria - canterbury, soldiers - canterbury - biography, war memorials - victoria - canterbury, canterbury (vic) - history, military, armed forces -
Surrey Hills Historical Society Collection
Book, The secret love letters: a family history, 2014
The author delves into the history of her Spanish ancestors, the San Miguels, and uncovers the forbidden love affair that tore the family apart. Fay Johnston told her daughter of a collection of letters she had kept hidden away for over 60 years, promising to show them to her when the time was right. It was only after her mother died that Dolores found the letters, concealed beneath a large piece of wood deep within a storage cupboard. Through endless research and close analysis, Dolores pieced together nearly a hundred letters, newspaper ads, doctors' notes, and postcards to unravel the story of her parents' romance. Dolores San Miguel is also the author of The Ballroom: The Melbourne Punk and Post-punk Scene. Her family history is placed in the wider context of early European immigration to Australia, as well as offering a fascinating glimpse into Melbourne life in the lead-up to World War 2.278p; Fay Johnston told her daughter (Dolores San Miguel) of a collection of letters she had kept hidden away for over sixty years, promising to show her but it was only after she died that the letters were found along with postcards, and doctors' notes. They revealed the story of her parents romance, kept secret for over two decades.(ms) dolores san miguel, (ms) fay johnston, courtship, families, immigrants, social life and customs, (mr) antonio san miguel -
Surrey Hills Historical Society Collection
Book, 80 years of living (a supplement to Robert Benjamin Stevens - Leather Merchant)
The life story of Herbert Stevens including early life, going to work, World War 1, Marriage, World War 11, Retirement and the Orkney Islands party.The life story of Herbert Stevens including early life, going to work, World War 1, Marriage, World War 11, Retirement and the Orkney Islands party.barclay family, surrey hills, brown family, grayden family, unthank family, (mr) herbert stevens, arbee -
Surrey Hills Historical Society Collection
Book, Boroondara Remembers : Stories of World War 1, 2015
... experienced World War 1. It is a story of great loss, pain... experienced World War 1. It is a story of great loss, pain... of World War 1 This is the story of how the people of Boroondara ...This is the story of how the people of Boroondara experienced World War 1. It is a story of great loss, pain and struggle, but also a community that came together to provide strength and support to each other in dark and uncertain times.This is the story of how the people of Boroondara experienced World War 1. It is a story of great loss, pain and struggle, but also a community that came together to provide strength and support to each other in dark and uncertain times.australian army, australain imperial force, world war 1914-1918 casualties, world war 1914-1918 recruiting enlistments etc, world war 1914-1918 participation, world war 1914-1918 social aspects, world war 1914-1918 biography -
Surrey Hills Historical Society Collection
Book, Our Liverpool Boys, 2015
Sent to the collection as part of the Centenary of the ANZAC Gallipoli landing, 2015. This publication reveals the stories of everyday civilians-turned-soldiers who served in the trenches and on the front lines, highlighting their vast contribution to the war effort, including those who made the ultimate sacrifice.This publication reveals the stories of everyday civilians-turned-soldiers who served in the trenches and on the front lines, highlighting their vast contribution to the war effort, including those who made the ultimate sacrifice.world war, 1914-1918, miltary history, (mr) cecil alfred ashcroft, (mr) arthur percival attwood, (mr) thomas walter barker, (mr) george francis bell, (mr) lawrence robert hanna, (mr) charles elvin hyland, (mr) john frederick kammel, (mr) joseph harold kemp, (mr) harry boyland, (mr) james ashcroft braithwaite, (mr) walter henry brewster, (mr) william brown, (mr) charles alfred bull, (mr) william francis cloke, (mr) eric gladstone deadman, (mr) george leslie fullagar, (mr) joseph gomes, (mr) eric sydney walpole sealy-vidal, (mr) samuel kirkpatrick, (mr) nathan douglas lackie, (mr) joseph henry leach, (mr) harry learoyd, (mr) charles m mcfarline, (mr) joseph campbell mcmiles, (mr) robert mcmiles, (mr) james unison morn, (mr) edward hugh oprey, (mr) arthur salis, (mr) (henry) studley sealy-vidal, (mr) walter samuel shaw, (mr) walter samuels, (mr) samuel john southwell, (mr) geoffrey gordon steenson, (mr) eric andrew taylor, (mr) alfred charles thorn, (mr) andrew charles thorne, (mr) campbell throsby, (mr) william george waters, (mr) albert ernest wearne, (mr) thomas william garnet whitney, liverpool training camp, holsworthy internment camp -
Surrey Hills Historical Society Collection
Book, We remember ANZAC, 2014
Includes CD of Commemorative Ceremony of ANZAC (audio disc) An educational Resource developed by Department of Veteran Affairs (DVA), to assist with learning about commemorating Australia's century of war service. Provides history of ANZAC Day commemorations, exploring Australia's changing perspectives about the ANZAC story. Provides guidelines for running ceremonies.An educational Resource developed by Department of Veteran Affairs (DVA), to assist with learning about commemorating Australia's century of war service. Provides history of ANZAC Day commemorations, exploring Australia's changing perspectives about the ANZAC story. Provides guidelines for running ceremonies.anzac day, military history, modern, remembrance day, australian and new zealand army corps, world war, 1914-1918 -
Surrey Hills Historical Society Collection
Book, Shifts in a turning wheel; history of Canterbury Centre, 1998
The story of Canterbury Centre provides a vignette of Australian life and social service over the half century since World War 11The story of Canterbury Centre provides a vignette of Australian life and social service over the half century since World War 11Title Page : For Sue / with best wishes / Susan Priestleycanterbury centre, aged people, senior citizens centres -
Kew Historical Society Inc
Programme, Kew Arts Festival Committee, Kew Arts Festival, 1945
The Herald on 10 August described the Festival offerings as: "Varied 10-Day Programme For Kew Arts Festival Opened last night, the Kew Arts Festival in the Recreation Hall, Wellington Street, provides an interesting and varied programme for the next 10 days. Today at 8.15 p.m. Mr George Bell and Mr Colin Badger will have a public discussion on "What Is Modern Art?" The Vice-chancellor of the Melbourne University of Melbourne (Mr JDG Medley) will preside. Tomorrow at 10.30 a.m. Junior students of the Methodist Ladies College, directed by Dorothy Dwyer. will show how they learn to speak and move on the stage, and will present three short plays. Tomorrow night Elise Steele and Violet Ewart (violin and piano) Beryl Batten (songs) and Edith Parnell (accompanist) will give a concert. Paintings and other works of art will be on show from 2.30 to 5.30 p.m. on Sunday. On Monday night. Mr Colin Badger will speak on "Dead Wood and Green Shoot: Australian Literature Today" and on Tuesday night there will be "Ballet in Story and Action"— the story told by Norman Macgeorge, with Joan Burnett as ballerina and Fred Manners-Sutton at the piano. Wednesday night will have an illustrated lecture "Contemporary Art Education." by John Bechervaise. Remaining nights will be taken up with a performance of Somerset Maugham's "The Circle" presented by the Little Theatre, a youth concert, and another concert with songs and piano. On Saturday morning, August 18, there will be a special concert for young people. The festival will end on Sunday week with a chamber music programme in the afternoon."Important local arts festival initiated during the Second World War and continuing till the early 1950s. The souvenir programmes produced for successive festivals are historically and artistically significant records of visual and performing arts practice in Melbourne during this period.11 page souvenir program for the Kew Arts Festival, held in the Recreation Hall, Wellington Street, Kew from the 9th to the 19th August 1945. The content of the program can be viewed through the image carousel.kew arts festival - 1945, visual arts - kew (vic), performing arts - kew (vic) -
Tatura Irrigation & Wartime Camps Museum
Folio, Kiessling Collection, 1939-1946
German National, Walter Kiessling snr. an employee of a German firm was interned in Camp 1, Tatura. His wife remained in Melbourne where there son Walter was born. The father was immediately taken to Melbourne under escort to see his wife and baby son. Subsequently his wife would travel to Murchison by train and ride her bicycle, with the baby in a basket, out to the camp to visit her husband. Later visits were with a friend in their DKW car. Young Walter was christened by a Lutheran Pastor in the camp, under the supervision of Major Schrader, the Garrison Commandant. The photos tell the story.The humane treatment given to enemy aliens by the Australian Army during World War 2.Black two ring folder containing photos and documents in plastic sleeves.C4529 Kiessling Collection.internment camp 1 tatura, -
Tatura Irrigation & Wartime Camps Museum
Book, Pompey Elliott, 2002. This edition 2015
Pompey Elliott was one of the most successful and admired Army Brigaderes during World War 1. A comprehensive , deeply researched biography tells Elliott's fascinating story. It examines Elliott's origins and youth, his peacetime careers as a lawyer and politician, and his achievements - as well as the controversies he aroused during his years as a soldier. Pompey Elliott officially opened the Victory Hall in Hogan Street Tatura, on September 14th 1925.This work retrieves a significant Australian from undeserved obscurity. It reassesses notable battles he influenced, including the Gallipoli Landing, Lone PIne, Fromelles, Polygon Wood, Villers - BretonneuxA biography of Pompey Elliott, by Ross McMullin. Paper back edition with colourful portrait of Pompey on cover. (Portrait by Bill McInnes) with thanks to the Australian War Museum) 718 pages, B/W photos, and maps Foreword by Les Carlyon. -
Tatura Irrigation & Wartime Camps Museum
Book, War Trophies, 1999
... . Includes stories of battles. war trophies first world war tatura ...Photographs of large collection of WW1 guns now in parks all over Australia. Includes stories of battles.Blue cover. Dust cover. Photo of soldiers loading heavy British gun. On back cover - German 150 mm Howitzer. Now at Warracknabeal, Vic. 1914-1918 Warwar trophies, first world war, tatura -
Tatura Irrigation & Wartime Camps Museum
Book, A Town at War, 2008
Written by Graham Apthorpe after his fascination with WW2 military history. The book reveals for the first time many new stories from WW2. The Cowra story from WW2 is a bitter-sweet one and this book adds considerably to our understanding of this special place in our nations historyBlack and cream coloured soft cover. Features Japanese Soldier's "Good Luck" flag and Japanese prisoners at the Weir family property on the front cover. Japanese War Cemetery at Cowra on a white and cream coloured back coverGraham Apthorpeatown at war, apthorpe g, tatura, ww2, cowra, camp 12, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, Seedtime and Harvest in New Guinea by Pastor E.A. Jeriicho
Tells the story of Mission Personnel who were killed on a Japanese transport which was taking prisoners from Finschhafen to Hollandia in New Guinea.Soft cover book, tan coloured paper with brown writing and map of New Guinea on front cover. 160 pages.lutheran missionaries, missionaries in new guinea, missionary prisons of war, new guinea in ww2 -
Tatura Irrigation & Wartime Camps Museum
Literary work - Folder, The Internment of Italians in Second World War Australia
Tells the story of the Italian and Australian involvement in WW2 and the Italians internment.Green back, clear front folder containing 15 pages of printed materialThe Internment of Italians in Second World War Australia by R J B Bosworth The University of Western Australiaitalian pow's, italian internees -
Geelong Naval and Maritime Museum
Teacup
The Orungal was originally built in Glasgow in 1923 for the Khedival Mail Steamship & Graving Dock Company of Egypt and named the S.S. Fezara. Due to the effects on steamship companies of the Great Depression including the steep costs of building new ships and increases in running costs and port charges, no new passenger ships had been ordered in Australia since before World War One. To meet demand for passenger berths, the Fezara (5826 tons) along with its sister ship the Famaka (5856 tons, renamed Ormiston), were chartered by the Australasian United Steam Navigation Company Ltd (A.U.S.N.Co.) in 1927. Both the A.U.S.N.Co and the Khedival Mail Steamship Co. were part of the P&O Group. The Orungal operated in this role as an interstate passenger and mail steamer between 1927 and 1940, being used mainly on the Melbourne to Queensland and Western Australian runs, with 240 single class berths. Following the outbreak of World War Two six of the nine large passenger liners servicing mainland Australian passenger and mail trades were requisitioned by the Government to ferry equipment, troops and supplies. Some of them were converted to armed merchant cruisers and used for patrol work and escort duties in the Indian and Pacific Oceans. The Orungal had originally been requisitioned by the government along with the Zealandia on 25 June 1940, to transport troops to Darwin, but was returned to commercial service because "of her unsuitability", perhaps too slow for the demands of the work. Despite being rejected for patrol and convoy duties the Orungal still had a vital role as one of only three passenger liners left to service the mainland Australian trade. Following its requisitioning by the Government shortly after war broke out, it had been fitted out with defensive armament. On its final voyage arriving at Port Phillip Heads from Sydney, Captain Gilling was attempting to enter the Heads ahead of a worsening south-westerly storm and, with a minefield known to have been laid in the area, had been warned by the Navy not to deviate from the swept channel. The captain and crew held fears that in the stormy seas a mine may have been carried away. In the worsening weather a blur of lights at Barwon Heads was mistaken for Port Lonsdale, and the Orungal steamed ashore onto Formby Reef, just east of the entrance of the Barwon River - instead of passing safely through the middle of the Rip. At the Marine Board Inquiry Capt. Gilling - who had been master of the Orungal since 1926 - stated that after becoming uneasy about his position and changing course to starboard one point: " At 10.21 pm I ordered the engine room to stand by and gave instructions for the patent log to be hauled in and for the sounding-gear to be got ready. Approximately two minutes later, in a flash of lightning, I saw land off the port beam. I immediately recognised it as Barwon Heads, and ordered the helm to be put hard to starboard, but the vessel struck before she had time to answer the helm" Barwon Heads and Ocean Grove residents were startled to hear the shrill blast of the ship's whistle, followed by the bright flares and explosions of signal rockets. The Queenscliff lifeboat crew, who had responded to the tragic collision between the Goorangai and another passenger liner the Duntroon in Port Phillip Bay less than 24 hours earlier, were later praised for their efforts in safely taking off all the passengers and crew. Most of the passengers were asleep at the time of the wreck, and were woken up by the commotion, the ship shaking "from stem to stern" and stewards ordering them to lifeboat stations in driving rain. It was a dramatic time with the ship siren wailing and distress rockets being fired. It was reported that "When it was found the ship was safe, the passengers all went to the music room. There they sang and danced for several hours. The ship's orchestra played merrily, and amateur performers among the passengers clowned, danced and sang to keep the laughter going. In the early hours of the morning passengers went to their cabins, most of them to sleep soundly while the keel grated on the rocks". At dawn the Queenscliff lifeboat arrived at the scene having been launched at 2.30am, and cautiously approached the ship which was being "battered by mountainous seas". By 5am oil from a burst oil line was helping to calm seas around the Orungal sufficiently enough for the lifeboat to approach, and all the passengers and crew were taken off in several trips by the lifeboat. A Court of Inquiry later found that the wreck was caused by an abnormal set of current to the north-west and cleared the officers and crew of neglect of duty. The sight of a huge liner almost on the beach saw an unprecedented amount of traffic as people drove an estimated 10,000 cars, using some 60,000 gallons of fuel in a time of strict petrol rationing, to see the spectacle. Salvage operations began in an attempt to refloat the vessel, scheduled for the high tide on 15 December 1940. However, during these operations, at 2.30 am on 13 December 1940, a major fire broke out, believed to have been caused by spontaneous combustion in the boiler room. The ship was soon ablaze, with smoke pouring from its hatches and ventilators, and at mid-morning the magazine exploded fiercely. Of the 60 men working aboard the vessel two were severely burned and had to be taken to Geelong Hospital. The gathered spectators witnessed the eerie sight of the ship's hull glowing red when night fell. The well-known building demolition contractor Whelan the Wrecker bought the salvage rights, and methodically proceeded to dismantle the ship and its fittings. The drama was not yet over for the wreckers when - without warning - the burnt-out hulk was 'attacked' by RAAF for strafing practice. Salvage rights were transferred to another private owner in 1963. By 1945 the combined effects of the exposed location, fire and salvage had seen what was left of the wreck disappear beneath the waves. The site today is marked by two of the four Scotch type boilers sitting upright and exposed at low tide, just north-east of the small boats channel at the entrance to Barwon Heads. Large sections of steel hull plating and framing, and impressively large pieces of ships structure and machinery including masts, booms, deck winches, propeller shaft, flywheel, and a thrust block lie scattered about and make the site an interesting shallow dive. It is interesting to compare the site of the Orungal with the intact remains of similar large passenger ships scuttled in deep water in the Ships' Graveyard, such as the Milora and Malaita. The site is subject to waves and surge, and is best dived on flat calm days The teacup originated from the SS Orungal and was likely used heavily in the ship's life as a passenger, mail and cargo carrier around Australia. The teacup is significant for its connections to SS Orungal and of this ships connected story of being sunk in extraordinary circumstances in the local region. A.U.S.N. Co. Ltd. Teacup salvaged from SS Orungal ss orungal, fezara, world war two, barwon heads, ocean grove -
Tatura Irrigation & Wartime Camps Museum
Book, Hidden Lives: war, internment and Australia's Italians, 2018
Tells the stories of those immigrants who experienced detention during World War 2 as enemy aliens in these allied nations. Some Italian families whose husbands were arrested as "security risks" were sent to internment camps such as Loveday S.A hundreds of miles away leaving their wives and families to cope alone during W.W.2Cover has colours of the Italian flag, green, white and red. Across the centre of the flag is a photo of Italian internees arriving at a camp.For our surrogate mother, Lurline Knee. Thank you for bringing the Tatura story to us. beast wishes from Claudia (Marsella) Barker may 2018.world war two, italian internees -
Tatura Irrigation & Wartime Camps Museum
Book, Ken Inglis et al, Dunera Lives Profiles, 1941
Volume 2 of Dunera Lives follows the paths of a selection of Dunera Boys from their early lives before and during the Nazi years, through their arrival in Britain or the Straits Settlements in search of a safe haven, to their arrest as enemy aliens and subsequent deportation and incarceration in camps in Australia. Then, as free men, they start new lives in many parts of the world.While covered book with black writing. Front: book title, photograph of a camp hut and authors names at bottom; Spine: title and authors; back cover: Photograph of several of the Dunera Boys.non-fictionVolume 2 of Dunera Lives follows the paths of a selection of Dunera Boys from their early lives before and during the Nazi years, through their arrival in Britain or the Straits Settlements in search of a safe haven, to their arrest as enemy aliens and subsequent deportation and incarceration in camps in Australia. Then, as free men, they start new lives in many parts of the world.dunera boys, ken inglis, bill gammage, seumas spark, jay winter, carol bunyan, hmt dunera, queen mary -
Koorie Heritage Trust
Journal - Serials, Department of Pacific and Southeast Asian History, Australian National University, Aboriginal History - Volume 03. 1-2 1979, 1979
... tellers | World War... and stories - Story telling and story tellers | World War 1939-1945 ...A series of articles on Aboriginal History by well-known historians.166p.; footnotes; bib.; ports.; facsimiles; 25 cm.A series of articles on Aboriginal History by well-known historians.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | aboriginal australians -- missions -- new south wales | religions - christianity - missions | religions - christianity - missionaries | music - vocal | literature and stories - story telling and story tellers | language - texts and translations - aboriginal to non-aboriginal language | art - rock art - painting | photography - ethnographic | ceremonies | literature and stories - story telling and story tellers | world war, 1939-1945 -- participation, aboriginal australian. | aboriginal australian soldiers. | aboriginal australians -- northern territory -- arnhem land. | defence - world war ii | religions - christianity - lutheran church | religions - christianity - missions | settlement and contacts - colonisation - 1851- | settlement and contacts - colonisation - 1851- | government policy - initial period and protectionism - 1851-1900 | government policy - state and territory - queensland | animals - invertebrates - crustacea and molluscs - beche-de-mer / trepang | -
Stawell Historical Society Inc
Book - Memories of under aged soldiers, Boy Soldiers of the Great War, 2005
First World War Boy soldiers of the Great War Their own stories for the 1st timePaperback Colourised photo of 3 boys in uniformStawell Biarri group for geneology inc. PO Box 417 Stawell 3380 Vic. Reg No A0023924L ABN 60 6614246941st world war underaged boy soldiers -
Tatura Irrigation & Wartime Camps Museum
Book, Australian War Memorial. Treasures from a Century of Collecting, 2012
Tells the story of one of the most significant military history collections in the world. Covers Gallipoli to the jungles of Vietnam, from two world wars to peacekeeping operations and current conflicts. Written by Nola Anderson.Book: Dark mustard hard cover book with title done in white print on front; side has title, author and Australian War Memorial emblem. Dust cover is white thick card with title and author printed in white on a back drop of the memorial plaque and poppies. Side has same background and same print as on book; back cover has 3 paragraphs of writing in white, Australian War Memorial emblem. 612 pages.australian war memorial, second world war, war in the pacific, korea, vietnam, australia's peacekeeping commitments, conflict in the middle east -
Tatura Irrigation & Wartime Camps Museum
Photographs, Wittenberg, Emil, the artist, The "Dunera" Story, c. 1942 for sketches
The original sketches were used by the Tatura Museum for an exhibition c.1997, and were photographed before their return to Wittenberg's nephew, who verbally approved of the use of these copies for any purpose by the Society.Four A4 photographs of colour sketches mounted in a timber frame with glass front. Photo of sketches displaying life on the "Dunera" barracks, bunks and toilet facilities in the internment camps.The "Dunera" Story, Sketches by Emil Wittenberg."dunera", hay internment camp, internment camps, tatura, camp 2, world war ii, emil wittenberg -
Tatura Irrigation & Wartime Camps Museum
Book, Kay Dreyfus, Silences and Secrets: The Australian Experience of the Weintraubs Syncopators, 2013
(From back cover): "The Weintraubs Syncopators, international musical celebrities of the 1930s, embarked on a four-year journey across Europe, Russia and the Far East in exile from the antisemitic ideologies of the German Third Reich. This band of mainly Jewish musicians arrived in Sydney, Australia, in 1937. The decision of some of them to stay brought them into conflict with the aggressively protectionist Musicians’ Union of Australia. They gained employment at a high-end Sydney nightclub but when war came, were forced to come to terms with a change in their status – from celebrities to enemy aliens. Denounced for alleged espionage activities in Russia, three were interned and the band broke up. In this major recounting of the experience of the Weintraubs Syncopators, Kay Dreyfus pieces together the complex personal, social and political forces at work in this story of migration at a time of insecurity, fear and dramatic conflict." The Tatura group of camps were built after the beginning of World War 2, and held prisoners of war (enemy military) and civilian internees (enemy nationals, regardless of political affiliation, either living in Australia or in Allied territories overseas). The Weintraubs Syncopators' members were just some of the civilians caught up in the conflict. Paperback book. Glossy black front cover, black & white photo of group of musicians. Blue & white text. Back cover glossy white, black & white photo group of men standing over bass drum labelled "Weintraubs Syncopators". 305 pages. Dewey no. 781.65092weintraub, camp 1, tatura, internment camps, civilian internees, jazz, jewish community, world war ii, musicians, stefan weintraub, horst graff -
Tatura Irrigation & Wartime Camps Museum
Book, My War - More than 150 epic events of WW2, 1990
Cover features navy, red and pale blue stripes with main area white with soldier in uniform. Each page features front pages from the sun during wartime. Telling main stories of the war.. "The Sun" -
Tatura Irrigation & Wartime Camps Museum
Book, Art behind the wire, 2014
The untold story of refugee families interned in Australia during the second world warrectangular, white cover, with a black pen and ink sketch of two horses. behind barbed wire with a tree in the forground. B/W photos, colourful picturesart -
Wangaratta RSL Sub Branch
Ration Book, 1988
... entitled Images of War 1939-1945 The Real Story of World War II... Story of World War II - A Marshall Cavendish Collection ...Reproduction of a wartime Ration Book from magazine entitled Images of War 1939-1945 The Real Story of World War II - A Marshall Cavendish Collection in association with the Imperial War Museum. Issue 1 Volume 1Yellowing book with seal on top right hand corner saying "Official Paid". "Ration Book Supplement" on top left hand corner.Ministry of Food, Ration Book Supplement in the name William R. Herring, 1 Walton Way Mitcham 7 July 1941. Class & Serial No: RBIPP609997.ration book, wwii, world war 2 -
Victorian Aboriginal Corporation for Languages
DVD, Rachel Perkins, First Australians - the untold story of Australia, 2008
Chronicles the birth of contemporary Australia as never told before, from the perspective of the country's First Peoples. The series explores what unfolds when the oldest living culture in the world is overrun by the world's greatest empire. Over seven episodes, First Australians depicts the true stories of individuals - both black and white - caught in an epic drama of friendship, revenge, loss and victory in Australia's most transformative period of history. The story begins in 1788 in Sydney, with the friendship between an Englishmen (Governor Phillip) and a warrior (Bennelong) and ends in 1993 with Koiki Mabo's legal challenge to the foundation of Australia. First Australians chronicles the collision of two worlds and the genesis of a new nation.DVD, bonus study guide -
Port Fairy Historical Society Museum and Archives
Book, Koroit and District Historical Society Inc, Stories Untold & Faces Forgotten, Volume 1
... and surrounds. western victoria soldiers world war 1914-1918 Book ...Stories Untold & Faces Forgotten, Great War Enlistments from Koroit, Port Fairy, Macarthur, Penshurst and surrounding hamlets348p, illustrationsnon-fictionStories Untold & Faces Forgotten, Great War Enlistments from Koroit, Port Fairy, Macarthur, Penshurst and surrounding hamletswestern victoria, soldiers, world war, 1914-1918, book -
Port Fairy Historical Society Museum and Archives
Book, Koroit and District Historical Society Inc, Stories Untold & Faces Forgotten, Volume 2
... war 1914-1918 Book Stories Untold & Faces Forgotten, Great War ...Stories Untold & Faces Forgotten, Great War Enlistments from Koroit, Port Fairy, Macarthur, Penshurst and surrounding hamlets349-653p, illustrationsnon-fictionStories Untold & Faces Forgotten, Great War Enlistments from Koroit, Port Fairy, Macarthur, Penshurst and surrounding hamletswestern victoria, soldiers, world war, 1914-1918, book -
Duldig Studio museum + sculpture garden
Sculpture, Karl Duldig, Mask by Karl Duldig 1921, 1921
Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back -
National Wool Museum
Tool - Stencil, 1938
The story of 90 years of wool classing between father & son begins in 1936, when a young boy by the name of Stanley James Hucker walked through the doors of the Gordon Technical School in Geelong. Born in 1921, Stanley was 15 years of age when he began his 3-year course in Wool Classing. 30 years later, Stanley’s second son Denis completed the same 3-year wool classing course. Beginning in 1966, Denis attended the same Gordon Technical School and walked the same halls as his father before him. Stanley finished his course in 1938. He went back to the family farm in Lake Bolac for a brief period before enrolling in the Second World War. At the completion of the war, Stanley returned home and married before gaining a soldier settler allotment, north of Willaura. This enabled Stan to use his wool classing knowledge. He ran between 1,500 and 2,000 sheep for many years, while his wool classer stencil also allowed him to go out and class at various sheds around the area. He held his stencil from 1938 until he retired at the age of 60 in 1981. On retirement, his second son Denis was working in the district, managing a local property while also leasing land himself. Upon his father’s retirement, Denis had the opportunity to lease his father’s farm, an opportunity he could not refuse. Denis had finished his wool classing course at the Gordon Technical School in 1968, graduating dux of his class. He began working with a local contractor and started classing wool in his team. Denis gained a great deal of experience working as part of this team in big sheds of up to 8 stands servicing between 10 & 20,000 sheep. It was not all smooth sailing for Denis however, and he soon learnt an important lesson. Class wool the way you’re taught, don’t listen to the owner standing over your shoulder. At a clip of Corriedales near Casterton, Denis was pushing too many fleeces into the line of fine wool. This resulted in a notice from the Australian Wool Exchange (AWEX) “mixing counts too much, submit three clips for inspection”. Denis was able to submit 3 clips with no further complaints, however, this proved a valuable lesson he would never forget over his long career classing wool. In the early 1980s, when Denis was leasing two properties including his father’s, things were going well until drought struck. February 1983 was the date of the Ash Wednesday bushfires, and saw Melbourne have three days over 40 °C for only the second time on record. This period saw Denis give away farming, turning towards contracting work instead. After the difficult times of the early 1980s, the next two decades were a good time for the sheep industry. 15 micron wool was selling for prices between 4 to 5,000 cents per kilo, double what you’d expect for the same wool in 2022. In 1995 a single bale of wool sold for a million dollars. This was a good time for Denis too. His contracting work saw him employing local shearers and shed staff. His team was involved with the shearing and classing of more than 130,000 sheep. After 20 years of contracting, it was time for Denis to transition into the next phase of his life. He gave up independent contracting, preferring instead to return to being a member of someone else’s team. In 2018, having completed 50 years of wool classing, it was time to call it a day and retire completely. At the annual Gordon Wool School Old Students Association dinner held in 2018, Denis was presented with his 50 years as a registered wool classer stencil awarded by the Australian Wool Exchange (AWEX). This is a rare honour achieved by few. As of February 2020, a total of 430 wool classers had achieved this 50-year milestone. For Denis however, his proudest achievement is achieving 90 years of wool classing with his father. The National Wool Museum is proud to share the collection of objects gained from 90 years in the wool classing industry by Stanley and Denis. This ranges from Stanley’s first stencil and Wool Sample book, started when he first attended the Gordon in 1936. The collection concludes 90 years later with Denis’ 50 years of wool classing Stencil. The collection contains many more objects, all telling the story of these 90 years, and the hard work invested by this dedicated father and son duo. Thin sheet of metal with letters cut to produce a consistent pattern for the surface below through the application of ink. This wool classing stencil belonged to Stanley Hucker. It was his first Wool Classing Stencil. It was used on Stanley’s property named “Yohhatnbu” in Willaura. Stanley gained the property as part of the Returned Soldiers Settlement Scheme for his service in World War 2. The role of a Wool Classer is to sort, classify, and grade wool into various ‘lines’ so that it can be sold for best market price. Wool Classers are typically also tasked with the managing and supervising of wool-handling teams. The stencil is used in the final step of preparing a bale of wool for sale. It is branded across the front of a wool bale to indicate the quality of the wool, with the classers number used as a seal of guarantee.Cut letters. “SJH / BOLAC ”wool classing, stencil, 90 years wool classing between father & son