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Federation University Art Collection
Artwork - Painting, 'Lot and His Wife' by David Alexander
... Artists ...Framed oil paintingdavid alexander, artists, artworks -
Bendigo Historical Society Inc.
Document - WES HARRY COLLECTION: WAR PAINTINGS
(a) Envelope produced by the Australian War Memorial Board of Trustees, Canberra, that contained a set of six war paintings by Australian Artists, picture on the front is called ' RAAF Kittyhawks at Milne Bay ' by William Dargie, (b) Plain envelope with the Australian War Memorial logo on the top left-hand side (c) A short description, written by Ronald Monson, of Australian artists at war.Australian War Memorialorganization, government, military, australian artists at war, war memorial -
Flagstaff Hill Maritime Museum and Village
Painting - Landscape, H M Ward (Harold Morse Ward), Early to mid-20th century
This framed watercolour was created by 20th-century landscape painter Harold Morse Ward. He was born in Brooklyn New York in 1889 and died in Sacramento, California, in 1973. Ward graduated from the Pratt Institute in Brooklyn and furthered his studies in Paris. He was a high school art teacher for many years, later establishing the art department at the Sacramento Junior College in 1923. In 1949 he won a Carnegie Grant for further research in fine arts. He wrote and illustrated the book ‘The Thing Called Art’. His subjects were often taken from the Sacramento area.This is the only example of artwork by early-to-mid 20th-century recognised artist H M Ward in our collection. It is representative of the artwork displayed in homes during that era. Harold Morse Ward received a Carnegie Grant for research in art. He was a descendant of the inventor of the telegraph, Samuel Morse.Painting; the timber framed watercolour painting behind glass depicts a cottage on a hill beside a winding creek with trees and bushes. Artist is H M Ward. Signed "H M Ward"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, watercolour, landscape, h m ward, harold morse ward, 20th century art, sacramento artist, the things called art -
Bendigo Historical Society Inc.
Leisure object - STEREOSCOPE VIEWER CARD
Stereoscope viewer card number 3286 titled The artist and his friends, depicting monkeys in an art studio, photographed and published by Kilburn Brothers Littleton N.H.Copyrighted 1870 by James.A.Hurst.postcard, photograph, various themes -
Port Melbourne Historical & Preservation Society
Postcard - Painting of HM Bark Endeavour, Ross Shardlow, 1994
Colour postcard of H.M. Bark Endeavour at Anchor, circa 1769, from a watercolour by Fremantle artist Ross Shardlow, sent to the City of Port Melbourne 27.05.1994Short note and pending arrival date of replica vessel in Melbourne (4.11.1994)transport - shipping, hm bark endeavour, endeavour replica -
Coal Creek Community Park & Museum
Phonograph Record, Fantasia on Melodies of Johann Strauss (Marek Weber), 1931
Phonograph record, black shellac with red His Masters Voice label. Fantasia on Melodies of Johann Strauss (Weber). Artists: Marek Weber and his Orchestra.Cat. No C 2189 -
Coal Creek Community Park & Museum
Phonograph Record, Smilin' Through, Sorter Miss You
Black shellac phonograph record with a turquoise Gennett label. A side: Smilin' Through. B side: Sorter Miss You. Artist: Henry Moeller, tenor.Reference number 10062-A The Star Piano Company Richmond. INC. -
Robin Boyd Foundation
Slide, Commercial, 1964
In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Coventry Cathedral West Entrance Screen by New Zealand-born artist John Hutton, Coventry, England . (Architect: John Hutton.)Coventry Cathedral / Part of the Great West Window - John Hutton / Encircled 24 (Handwritten)england, slide, robin boyd -
Nillumbik Shire Council
Video (HD): Ash KEATING, North Park Proposition (from the 'Urban Boundary Proposition' series)
Video of artist painting the facade of a concrete warehouse into a ‘Trompe-l’oeil’ landscape painting using fire extinguishers as paint brushes. The warehouse slowly disappears into the landscape. -
Buda Historic Home & Garden Castlemaine
Linocut print, Hydrangeas, c 1925
Acquired by Kate Leviny. The Leviny daughters were friends with Ursula Ridley Walker. The Leviny women at Buda in Castlemaine were keen collectors of artworks by women printmakers from the early twentieth century.Ursula Ridley Walker is a little know Australian woman artist who was working in many artistic fields during the first part of the twentieth century. Buda holds the largest public collection of Walker's work in Australia.Print by Tasmanian woman artist, Ursula Ridley Walker, depicting blue hydrangeas in a dark blue jug with a green octagonal plate in the background. Mounted and framedLower left: 'Hydrangeas' Lower centre: '- Coloured Lino Cut -'. Lower right: 'Ridley Walker 5/50'.ridley walker, linocut print, australian women printmakers, hydrangeas, leviny collection, buda, castlemaine, 1925, ursula ridley walker, tasmanian artist -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper
Black and white photograph of Col Kleenhammer with Jenny Toye artist on the rocking horse made by Col and painted by Jenny at the Woodsedge Gallery Lakes Entrance Victoriaarts, exhibition -
Bendigo Historical Society Inc.
Photograph - MERLE HALL COLLECTION: PHOTOGRAPH OF JANINE BALLANTYNE
B&W Photograph of Janine Ballantyne, Soprano ''See ARTS BENDIGO Story for Council Sept. 16'' with sundy annotation. Head and torso photo of artist. -
Kew Historical Society Inc
Work on paper, Joy Stewart, 63 Wellington Street, Kew, c. 1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Watercolour, pen & Ink on paper by the artist and local historian Joy Stewart of a two-storey Victorian-era residence located at 63 Wellington Street, Kew. Inscription: "63 Wellington Street, Kew." Signed lower right: "JStewart".joy stewart, wellington street (kew) -
Federation University Art Collection
Painting - Artwork - Painting, 'New Growth' by Tracey-Lee Punshon, 1995
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting showing leaves in different greens and yellows. If you can assist with information on this artist or artwork please email using the link to the lower right.art, artwork, tracey punshon, flora, leaves, tracey-lee punshon, available, oil, oil on canvas -
Federation University Art Collection
Printmaking, Ratcliffe, Catherine, 'Horse Race' by Catherine Ratcliffe, c1999
Catherine RATCLIFFE Catherine Ratcliffe completed a Bachelor of Arts/ Fine art at the University of Ballarat (Now Federation University) This item was purchased by the School of Human Movememnt and forms part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print featuring a number of horses in a race. If you can assist with information on this artist or artwork please use the comment link below.art, artwork, catherine ratcliffe, horse, animals, alumni, school of human movement collection -
Federation University Art Collection
Printmaking - linocut, 'Painters and Things' by E. Robinson, 1932
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed linocut. We are currently looking for information on the artist who created this work. If you are able to assist please leave details in the comments link below.art, artwork, robinson, e. robinson, linocut, alumni, available -
Federation University Art Collection
Photography, Zo Bassett, [Still Life]
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs depicting clocks and boots mounted in one frame. If you can provide information on this artist and/or artwork please use the comments link below.art, artwork, bassett, zo bassett, boots, shoes, clocks, photography, available, tafe business collection -
Federation University Art Collection
Artwork - Sculpture, 'Journey' by Linda Stock, 2004
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract sculpture on green granite base. If you are able to assist us in making contact with the artist Linda Stock, please use the 'comment' link below.art, artwork, linda stock, sculpture, available, tafe business collection -
Federation University Art Collection
Painting - Acrylic on Board, Stuart Harradine (Wudja Waran), 'Tandurrum Jukuprrpa' by Stuart Harradine (Wudja Waran)
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A stretched painting on canvas with Aboriginal motifs and colouring. If you can assist with information on this artist or artwork please make contact via the 'comments' link belowart, artwork, stuart harradine, wudja waran, aboriginal, horsham campus art collection -
Federation University Art Collection
Artwork - Painting, Blue Original
Federation University Australia TAFE Business CollectionFramed oil painting in predominantly blue. If you can supply information on this artwork or artist please make post a message via the contact link below. tafe business collection, artist, artwork, abstract, painting -
Federation University Art Collection
Painting - Artwork, [Untitled]
Under the direction of lecturer Raymond Thomas five students of Koorie Studies at the Gippsland Centre for Art and Design created this work. The were Vickie Turvey, Robyn Yates, Kellie Parsons, Melissa Fenton, Deanna Mobourne.A large canvas with indigenous plants, and Aboriginal animal motifs. If you can assist with information about this artwork, or the artist, please use the comment box below. artwork, artist, gippsland campus, aboriginal, kangaroo, emu, fish, clan map, vickie turvey, robyn yates, kellie parsons, melissa fenton, deanna mobourne, koorie studies -
Federation University Art Collection
Artwork, A. Janczewski, Painting by A. Janczewski, 1990, 1990
This work used to hang at the entrance to the Geology Department at LaTrobe University.A colourful painting on composition board of a representation of a magnified geological specimen. If you have information on this artwork or artist please leave a message in the comment box below.artist, artwork, janczewski, geology -
Federation University Art Collection
Work on paper - Artwork, 'The Lost Generation"
Framed graphic design poster featuring the works 'The Lost Generation'. If you are able to provide information on this artist or artwork please use the comment link below. graphic communication, poster, available, alumni, graphic design -
Melbourne Tram Museum
Photograph - Digital Image, Melbourne International Arts Festival, "Art Trams 2019", 2018
.1 - Digital pdf file from the Yarra Trams Web file for the 2018 - 2019 Art Trams, Transporting Art - list the tram and artists and gives a background for each artist. Also has links to find the tram on TramTracker. Was part of the Melbourne International Arts Festival. .2 - digital pdf file - providing details of each tram, the artist, tram number and details along with images. Tram and Artist 2009 - Hayley Millar Baker 273 - David Larwill 2054 - Stephan Baker 2012 - Valerie Tang 3003 - Oli Ruskidd 5106 - Troy Innocent 5002 - Nick Howson 3532 - Oslo Davis .3 - Award Announcement 13/12/2018 accessed 9/5/2019 from http://artsreview.com.au/melbourne-art-trams-peoples-choice-award-announced/ Winner Valerie Tang See Reg item 5542 for newspaper cuttings.trams, tramways, transporting art, art trams, decorated trams, tram 2009, tram 273, tram 2054, tram 2012, tram 3003, tram 5106, tram 5002, tram 3532 -
Federation University Art Collection
Painting, Bernard Boles, 'Valley of the Hippogriffen' by Bernard Boles, c1938
"The landscape of the Valley is in between Ballarat and Geelong, the pranged aeroplane came from Geelong, the prospector and the strolling couple are surreal props to the scene, and the poetic hippogriffen serves as a bunyip which could be a local connotation of apprehension od bush loneliness. Bernard BOLES (1912-2001) Born Benalla, Victoria Bernard Boles studied at Melbourne Technical College and in London. He was known as critic, writer, sculptor and painter. His works were influences by Cubism and Surrealism. Boles exhibited widely in London and on his return to Australia in 1964. "Boles drew on the biomorphic marine imagery typical of Surrealism all around the world, as seen for example in the work of Wadsworth and Yves Tanguy. In 1949 Boles, having been rejected from the Victorian Artists’ Society, would tie two pictures to the fence outside the show and spend the ensuing two weeks sharing his views on art with passersby." ('Surrealism and Australia: towards a world history of Surrealism' by Rex Butler and A.D.S. Donaldson) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Australian SurrealismFramed Australian Surrealist work. Artist's Comment: "The landscape of the Valley is in between Ballarat and Geelong, the pranged aeroplane came from Geelong, the prospector and the strolling couple are surreal props to the scene, and the poetic hippogriffen serves as a bunyip which coul dbe a local connotation of apprehension od bush loneliness. Gift of Lyndsay Boles.art, artwork, bernard boles, australian surrealism, bunyip -
Duldig Studio museum + sculpture garden
Sculpture, Karl Duldig, Mask by Karl Duldig 1921, 1921
Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back -
Federation University Art Collection
Artwork, other - Artwork, "West Park Proposition' by Ash Keating, 2013
Ash KEATING Among fifteen finalists this artwork won the 2012 Guirguis New Art Prize, a prestigious national acquisitive biennial art prize administered by Federation University Australia. The Guirguis New Art Prize (GNAP) is a national acquisitive $20,000 contemporary art prize which presents a selection of Australia's most exciting contemporary artists with works that explore and embrace new ways of artistic expression, utilising existing mediums and new technologies in innovative ways. Initiated and generously supported by local Ballarat surgeon Mr Mark Guirguis, this prestigious art prize is administered by the Federation University Australia (FedUni). As a local philanthropist and art collector, in developing the Prize, Mark Guirguis' aims were to celebrate the significance of the arts to communities and to Ballarat, emphasising contemporary art and 'living' culture, and to highlight FedUni's Arts Academy. Artist Ash Keating works across a conceptual, site-responsive and often collaborative art practice that incorporates painting, sculpture, installation, video, performance and public interventions, and has referenced a wide range of social and environmental issues within his art. Frequently working beyond the gallery, and often harnessing community narrative and energy, his work also draws upon myth, ritual and ceremony. 'West Park Proposition', 2012, is a three channel and screen video installation, utilising multiple camera video documentation of an endurance painting intervention undertaken on the morning of 01 September 2012 on the east facing wall of a newly built tilt-slab industrial building, situated on the direct edge of the current urban and rural boundary in Truganina, Victoria. The multi-screen work documents an endurance guerilla-style action painting intervention and ritualised painting performance in which a symbolic violence is enacted against a storehouse of commodity production and consumption. Upon winning the award artists Ash Keating said; “The work was made near Ballarat on the Deer Park bypass. It is an aesthetic comment about the way these new tilt-slab industrial buildings spring up without caring for the environment." The work, which took eight hours to create, was about reclaiming the space from “cost-effective architecture” without any aesthetics. The inaugural judge for the Prize, Jason Smith, Director, Heide Museum of Modern Art (MoMA) said, "Selecting the winner of this inaugural GNAP was exhilarating and excruciating: exhilarating because the seriousness of each artist's enterprise, and their uncompromising resolution of concepts, has created an inaugural exhibition of exceptional power. This first GNAP is a survey of some of the most poetic and provocative imaginations working in Australia today. Selecting one winner from such a show in which each of these artists has in some way transformed my thinking about the world was the excruciating part. Ash Keating's work West Park Proposition, 2012 kept drawing me back in the several hours I spent viewing the works. It simultaneously affirms the political and critical role of the artist as a key agent of change and action, and someone who reminds us of the beauty and resilience of humanity and nature in the face of unrelenting change. As a work combining performance, collaboration and hope, Keating's West Park Proposition is a work of immense and compelling poetry."artist, artwork, keating, ash keating, guirguis, guirguis new art prize, gnap, gnap13 -
Kew Historical Society Inc
Photograph - The Figuerola Sisters in the Garden of D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola and her sister standing beside a creeper growing up the wall of D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Bendigo Historical Society Inc.
Booklet - BENDIGO ARTISTS' EXHIBITION
Ten pages booklet. Bendigo Artists' Exhibition, sponsored by Bendigo Special School. On the cover a drawing of the Central Deborah Mine. Artists exhibiting: John Bourke, James Bowman, Neil Bruce, Jenny Carrington, Peter Cheyne, William Delecca, John Foster, Jan Neil, Peter Oliver, Norman Penrose, Paul Shapcott, Wesley Shapcott, Stan Thomas, Don Watson, Peter Webster.event, exhibition, bendigo artists -
Kew Historical Society Inc
Work on paper - Entrance to the Kew Cemetery, Caroline Bell, c.1892
Boroondara General Cemetery, often referred to as Kew cemetery, is one of the oldest cemeteries in Victoria, Australia, created in the tradition of the Victorian garden cemetery. The cemetery, located in Kew, a suburb of Melbourne, is listed as a heritage place on the Victorian Heritage Register. Framed pastel drawing, donated to the Kew Historical Society in 1965 of the entrance to Boroondara General (Kew) Cemetery, believed to be drawn by the sister of the artist George Bell. The drawing shows one of the entrances to the Cemetery before the construction of the high brick wall in 1895. This would be consistent with the life of Caroline Bell (1872-1947). The artist's perspective is estimated to be near the west end of the cemetery, perhaps in Victoria Park.caroline ethel bell (1872-1947), boroondara general (kew) cemetery, victoria park