Showing 2378 items
matching australian women
-
Koorie Heritage Trust
Book, Bolger, Audrey, Aboriginal Women and Violence : a report for the Criminology Research Council and the Northern Territory Commissioner of Police, 1991
... . | Women Aboriginal Australian -- Northern Territory. | Aboriginal ...Study of violence against Aboriginal women in selected towns, town camps, communities and outstations in Northern Territory; examines incidence, causes of violence, particularly role of alcohol, methods of dealing with violent situations, and responses of police , courts, health and welfare workers, Aboriginal legal services, womens refuges and alcohol agencies; sees positive aspects in Aboriginal womens use of refuges, new domestic violence laws and campaigns against alcohol; confusion over role of violence in traditional societies.vi, 104 p. : tables. ; 25 cm.Study of violence against Aboriginal women in selected towns, town camps, communities and outstations in Northern Territory; examines incidence, causes of violence, particularly role of alcohol, methods of dealing with violent situations, and responses of police , courts, health and welfare workers, Aboriginal legal services, womens refuges and alcohol agencies; sees positive aspects in Aboriginal womens use of refuges, new domestic violence laws and campaigns against alcohol; confusion over role of violence in traditional societies.abused women -- northern territory. | wife abuse -- northern territory. | family violence -- northern territory. | women, aboriginal australian -- northern territory. | aboriginal australians -- northern territory -- social conditions. | aboriginal australians -- northern territory -- wife abuse. -
Koorie Heritage Trust
Book, Pybus, Cassandra, Community of thieves, 1992
In 1892 Richard Pybus took up a large land grant on Bruny Island, the traditional home of the Nuenone people of south-east Tasmania. Within months of his arrival there were no Nuenone left on the island - they had either died from disease, or been murdered or exiled. Truganini, the last of the Nuenone, died in 1876, having spent her adult life in exile as a dependent of the colonial government. Describes sealers use of Tasmanian women and Robinson's Port Phillip expedition.xiv, 198 p., [2] leaves. : ill., maps & ports. ; references; appendix; 20 cm.In 1892 Richard Pybus took up a large land grant on Bruny Island, the traditional home of the Nuenone people of south-east Tasmania. Within months of his arrival there were no Nuenone left on the island - they had either died from disease, or been murdered or exiled. Truganini, the last of the Nuenone, died in 1876, having spent her adult life in exile as a dependent of the colonial government. Describes sealers use of Tasmanian women and Robinson's Port Phillip expedition.truganini, 1812?-1876. | aboriginal tasmanians -- tasmania -- bruny island -- history -- 19th century. | nuenone (australian people) -- tasmania -- bruny island -- history -- 19th century. -
Koorie Heritage Trust
Book, Burbank, Victoria Katherine, Fighting women : anger and aggression in Aboriginal Australia, 1994
... and aggression in Aboriginal Australia xvi, 250 p. : 24 cm. Women ...xvi, 250 p. : 24 cm.women, aboriginal australian -- northern territory -- arnhem land -- social conditions. | women -- northern territory -- arnhem land -- psychology. | aggressiveness -- northern territory -- arnhem land. | sex role -- northern territory -- arnhem land. | interpersonal relations. | feminist criticism -- northern territory -- arnhem land. -
Koorie Heritage Trust
Book, Bunce, Daniel et al, Australasiatic reminiscences of twenty-three years' wanderings in Tasmania and the Australias, 2000
This book is a reprint of the original journal entries of Daniel Bunce prior to 1857. A journal style record of travel within Tasmania and Australia for a period of 23 years beginning in March 1833. Arriving in Port Phillip in October 1839 early observations of the colony are most interesting. Chap.4; incidents in relation to the Aborigines at Hobart town; Chap.8; Tasmania - womens life, body decoration, clothing and scarification; Chap.9; Native chiefs with Buckley, the Wild white man; Chap.11; Journey to Westernport with natives (Derrimut, Benbow and Yammabook), foods - kangaroo and native porcupine; duties of women; Chap.12; Leichhardts journey, native names of flowers, fruits, etc. (Condamine River area); foods, treacherous natives near Fitzroy DownsThis book is a reprint of the original journal entries of Daniel Bunce prior to 1857. A journal style record of travel within Tasmania and Australia for a period of 23 years beginning in March 1833. Arriving in Port Phillip in October 1839 early observations of the colony are most interesting. Chap.4; incidents in relation to the Aborigines at Hobart town; Chap.8; Tasmania - womens life, body decoration, clothing and scarification; Chap.9; Native chiefs with Buckley, the Wild white man; Chap.11; Journey to Westernport with natives (Derrimut, Benbow and Yammabook), foods - kangaroo and native porcupine; duties of women; Chap.12; Leichhardts journey, native names of flowers, fruits, etc. (Condamine River area); foods, treacherous natives near Fitzroy Downsleichhardt, ludwig, 1813-1848. | leichhardt expedition, (1846-1847) | botany -- queensland. | botany -- tasmania. | queensland -- discovery and exploration. | tasmania -- description and travel -- to 1850. | victoria -- description and travel -- to 1850. | body - decoration. | body - scarification. | settlement and contacts - colonisation - 1788-1850. | costume and clothing. | food - meat - echidna. | settlement and contacts - explorers. | food. | hunting. | gathering - honey. | food - meat - kangaroo / wallaby. | language - vocabulary. -
Koorie Heritage Trust
Book, Berzins, Baiba, The coming of the strangers : life in Australia 1788-1822, 1988
... of Women; Australia & the World; Australia in 1822.Blurb ...Contents: The coming of The Strangers; The environment & its shapers; The Governors & Their Circle; Staying & leaving ; The Lot of Women; Australia & the World; Australia in 1822.Blurb: The Coming of The Strangers challenges our ideas about the European settlement of Australia. Through a selection of the many document, painting and engravings held in the Mitchell and Dixon collections of the State Library of New South Wales, a picture of life in Australia is reconstructed - spanning the arrival of the First Fleet in 1788 to 1822 when the first generation of white Australians had accepted the continent as their home.Those who left no written records: the Aboriginal people; white women and convicts, have been brought to the foreground to give a balanced perspective of history during the earliest decades of European habitation in Australia.The Coming of The Strangers accompanies a major exhibition being held at the State Library of New South Wales during 1988. In co-ordinating both this book and the exhibition, the Mitchell Librarian, Baiba Berzins brings to public view many letters, journals and works of art that have not been published or displayed for over a century.144 p. : ill. (some col.), facsims., ports. ; 27 cm.Contents: The coming of The Strangers; The environment & its shapers; The Governors & Their Circle; Staying & leaving ; The Lot of Women; Australia & the World; Australia in 1822.Blurb: The Coming of The Strangers challenges our ideas about the European settlement of Australia. Through a selection of the many document, painting and engravings held in the Mitchell and Dixon collections of the State Library of New South Wales, a picture of life in Australia is reconstructed - spanning the arrival of the First Fleet in 1788 to 1822 when the first generation of white Australians had accepted the continent as their home.Those who left no written records: the Aboriginal people; white women and convicts, have been brought to the foreground to give a balanced perspective of history during the earliest decades of European habitation in Australia.The Coming of The Strangers accompanies a major exhibition being held at the State Library of New South Wales during 1988. In co-ordinating both this book and the exhibition, the Mitchell Librarian, Baiba Berzins brings to public view many letters, journals and works of art that have not been published or displayed for over a century.australia -- history -- 1788-1851 -
Koorie Heritage Trust
Book, Bonwick, James, The Last of the Tasmanians : or The Black War of Van Diemen's Land, 1870
Contents: Voyagers' Tales of the Tasmanians - The first battle; Captain Cook's visit; The French visit in 1792; Flinders and Bass at the Derwent; Peron's visit in 1802; The French and the Wood-nymphs. The Black War - Massacre of the Blacks in 1804; Destruction of Public Records; Kidnapping Black Boys; Michael Howe's Black Mary; Chase after Stock-keepers; Colonel Sorell's order of 1819. Cruelties to the Blacks - Cruelty of Early Settlers; Cruelty of Bushrangers; Spanish and Dutch Cruelties. Outrages of the Blacks - Hanging of Two Aborigines; The Demarcation Order of 1828; Martial Law; Pictorial Proclamation; Proclamation of October 1830; Mosquito and the Tame Mob; Execution of Mosquito and Black Jack; Cruelties of the Blacks; A hand left in the trap; Bravery of a Half-caste wife; Chastity of White Women respected; Time of terror. The Line - Proclamation for Volunteers; Arrangements for the Capture; Leaders and numbers in the Line; Savage's Tale of the Savages; Mr. Walpole caught a Black; Siege of the "Three Thumbs"; Ï30,000 for One Black; Egg-gathers break through a Line. Capture Parties - Leaders of Parties; John Batman, the Blacks' Friend; The Sydney Black Guides; A Night at Ben Lomond; Gilbert Robertson, the Leader; Jorgen Jorgenson, the Dane. George Augustus Robinson, The Concilliator - Bruni Island Depot; Tuganina, the beautiful Tasmanian; The Conciliatory Mission; Robinson's Capture of a Tribe; Triumphal Entry into Hobart Town; Truganina saves Robinson's Life. Flinders Island - Swan Island Depot; Gun Carriage Island; Flinders Island Depot; Visit of the Quaker Missionaries; Life of Aborigines on Flinders Island; Mr Clark, the Catechist; School Examination of the Natives; Dr. Jeannert, the Commandant; Dr Milligan removes Natives from Flinders. Oyster Cove - Author's Visit to the Naives at Oyster Cove; Death of Mr Clark; Maryann and Walter. The Sealers - Home Life of Sealers' Women; Robinson removes the Women to Flinders; The Quakers and Sealers. Half-Castes - Murder of Half-castes; Fecundity of Mixed Races; Bishop Nixon's Visit to the Straits' Half-castes; Bong and her Daughter Dolly. Native Rights - Legal Rights; Hanging of Four Tasmanians. Civilization - Whately's Degradation Theory; Effects of Civilization; Drink and Civilization; Walter the civilized Tasmanian; An Aboriginal Discourse; Mr. Wedge's Black Boy; Failure of Australian Missions; Christian Tasmanians. Decline - Amalgamation of Races; Decline, a 'Decreeof Providence'; Hawaiian and Maori Decline; Drink, the great Destroyer; Story of the civilised Mathinna; Count Strzelecki's Theory of Decline; Lanne, the Last Man; Lalla Rookh, the Last Tasmanian.400 p., 15 leaves of ports. : ill., fold-out map ; 23 cm.Contents: Voyagers' Tales of the Tasmanians - The first battle; Captain Cook's visit; The French visit in 1792; Flinders and Bass at the Derwent; Peron's visit in 1802; The French and the Wood-nymphs. The Black War - Massacre of the Blacks in 1804; Destruction of Public Records; Kidnapping Black Boys; Michael Howe's Black Mary; Chase after Stock-keepers; Colonel Sorell's order of 1819. Cruelties to the Blacks - Cruelty of Early Settlers; Cruelty of Bushrangers; Spanish and Dutch Cruelties. Outrages of the Blacks - Hanging of Two Aborigines; The Demarcation Order of 1828; Martial Law; Pictorial Proclamation; Proclamation of October 1830; Mosquito and the Tame Mob; Execution of Mosquito and Black Jack; Cruelties of the Blacks; A hand left in the trap; Bravery of a Half-caste wife; Chastity of White Women respected; Time of terror. The Line - Proclamation for Volunteers; Arrangements for the Capture; Leaders and numbers in the Line; Savage's Tale of the Savages; Mr. Walpole caught a Black; Siege of the "Three Thumbs"; Ï30,000 for One Black; Egg-gathers break through a Line. Capture Parties - Leaders of Parties; John Batman, the Blacks' Friend; The Sydney Black Guides; A Night at Ben Lomond; Gilbert Robertson, the Leader; Jorgen Jorgenson, the Dane. George Augustus Robinson, The Concilliator - Bruni Island Depot; Tuganina, the beautiful Tasmanian; The Conciliatory Mission; Robinson's Capture of a Tribe; Triumphal Entry into Hobart Town; Truganina saves Robinson's Life. Flinders Island - Swan Island Depot; Gun Carriage Island; Flinders Island Depot; Visit of the Quaker Missionaries; Life of Aborigines on Flinders Island; Mr Clark, the Catechist; School Examination of the Natives; Dr. Jeannert, the Commandant; Dr Milligan removes Natives from Flinders. Oyster Cove - Author's Visit to the Naives at Oyster Cove; Death of Mr Clark; Maryann and Walter. The Sealers - Home Life of Sealers' Women; Robinson removes the Women to Flinders; The Quakers and Sealers. Half-Castes - Murder of Half-castes; Fecundity of Mixed Races; Bishop Nixon's Visit to the Straits' Half-castes; Bong and her Daughter Dolly. Native Rights - Legal Rights; Hanging of Four Tasmanians. Civilization - Whately's Degradation Theory; Effects of Civilization; Drink and Civilization; Walter the civilized Tasmanian; An Aboriginal Discourse; Mr. Wedge's Black Boy; Failure of Australian Missions; Christian Tasmanians. Decline - Amalgamation of Races; Decline, a 'Decreeof Providence'; Hawaiian and Maori Decline; Drink, the great Destroyer; Story of the civilised Mathinna; Count Strzelecki's Theory of Decline; Lanne, the Last Man; Lalla Rookh, the Last Tasmanian.aboriginal tasmanians. | tasmania -- history -- to 1803. | tasmania -- history -- 1803-1900. -
Koorie Heritage Trust
Book, Bonwick, James, The wild white man and the blacks of Victoria, 1863
Contents: Life of Buckley; James Morrill; Blacks of Victoria; Early Stories of the Blacks; Physical Appearance; Intelligence; Character; Clothing & ornaments; Homes & food; Hunting; Songs & dances; Women and children; Marriages; Infanticide & Cannibalism; Weapons; Religion & Superstition; Missions; Diseases; Death & Burial; Language; Origin of our Natives; Conflicts of Whites & Blacks; Native rights & British rule; Protectors & Native Police; Government of Tribes & numbers; Civilisation; Decline; Appendix.90, iii pages : illustrations ; 22 cm.Contents: Life of Buckley; James Morrill; Blacks of Victoria; Early Stories of the Blacks; Physical Appearance; Intelligence; Character; Clothing & ornaments; Homes & food; Hunting; Songs & dances; Women and children; Marriages; Infanticide & Cannibalism; Weapons; Religion & Superstition; Missions; Diseases; Death & Burial; Language; Origin of our Natives; Conflicts of Whites & Blacks; Native rights & British rule; Protectors & Native Police; Government of Tribes & numbers; Civilisation; Decline; Appendix.buckley, william, 1780-1856. | aboriginal australians -- victoria -- social life and customs. | victoria -- social life and customs. -
Koorie Heritage Trust
Journal - Serials, Aboriginal History Inc, Aboriginal History - Volume 23. 1999, 1999
A series of articles by leading writers on Aboriginal History.iiv-xii; 151 P.; refs.; footnotes; plates; 25 cm.A series of articles by leading writers on Aboriginal History.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals | language, aboriginal-upper murray vic. - pallangamiddang., unaipon, david-interview., white, isabel (sally) - anthropologist | demography - population mobility | settlement and contacts - resettlement and removals | defence - missile and weapons testing - nuclear weapons | language - linguistics - language elicitation | language - vocabulary - word lists | language - linguistics - phonology and phonetics | history - biographies - indigenous | colonisation | race relations - racial discrimination - women | music - vocal - group - children | music - education | music - analysis - vocal -
Koorie Heritage Trust
Book, Brodie, Veronica, My side of the bridge, 2002
... -xii; 189 P.; ports.; 21 cm. Brodie Veronica. | Women ...ix-xii; 189 P.; ports.; 21 cm.brodie, veronica. | women, aboriginal australian -- south australia -- biography. | ngarrindjeri (australian people) -- biography. -
Koorie Heritage Trust
Journal - Periodical, Barrett, Charles, Northern Australia
... Aboriginal Women-Northern Australia-Food gathering... Essington Northern Australia-Aborigines-Fishing Aboriginal Women ...This book covers the far northern parts of Australia, from Queensland to the Kimberleys and the romantic ports of the north-west, where early navigators made landfalls. Tthe photographs, many of them unique, were taken on sea and land expeditions, the latest in 1939, when a 1200 miles' cruise was made in the mission boat Larrpan, from Darwin to the farthest east coast of Arnhem Land.pp40; illus; 27 cm.This book covers the far northern parts of Australia, from Queensland to the Kimberleys and the romantic ports of the north-west, where early navigators made landfalls. Tthe photographs, many of them unique, were taken on sea and land expeditions, the latest in 1939, when a 1200 miles' cruise was made in the mission boat Larrpan, from Darwin to the farthest east coast of Arnhem Land.aborigines-northern australia, port essington, northern australia-aborigines-fishing, aboriginal women-northern australia-food gathering, goulburn island, elcho island, caledon bay, milingimbi, wessel islands, thursday island, wyndham, broome., aboriginal art - cave paintings -
Koorie Heritage Trust
Book, Bellear, Lisa, Dreaming in urban areas, 1996
... xii, 76 p. ; 20 cm. Women Aboriginal | Australian -- Poetry ...This book is Lisa's first published collection - A Human Rights Activist everyone who was touched by Lisa will agree that this earth was left a better place for her having walked on it.xii, 76 p. ; 20 cm.This book is Lisa's first published collection - A Human Rights Activist everyone who was touched by Lisa will agree that this earth was left a better place for her having walked on it.women, aboriginal | australian -- poetry | human rights activist. -
Koorie Heritage Trust
Book, Kaberry, Phyllis M, Aboriginal woman : sacred and profane, 1939
... ; 23 cm. Women Aboriginal Australian -- Western Australia ...Dr. Kaberry's work is a distinct contribution to our knowledge of Aboriginal life, and to our study of the position of women. I regard it as an honour not only to be privileged to write the Introduction to her book, but also to have been closely associated with her work both in the field and in the study since her post graduate days. A.P.Elkinxxxi, 294 p., [8] leaves of plates : list of ill., map ; 23 cm.Dr. Kaberry's work is a distinct contribution to our knowledge of Aboriginal life, and to our study of the position of women. I regard it as an honour not only to be privileged to write the Introduction to her book, but also to have been closely associated with her work both in the field and in the study since her post graduate days. A.P.Elkinwomen, aboriginal australian -- western australia. | aboriginal australians -- western australia -- kimberley. -
Jewish Museum of Australia
Schwarz, Mr Paul, Four scenes of daily life in Theresienstadt by Paul Schwarz, 1943
Mounted watercolour, ink and pencil on paper.Signed and dated on right image (LR): "Pali Schwarz 1943" UL image: Reinigungdienst [Cleaning Squad] CL image: Auskunftei des Orientierungsdienstes B.V. [Information and Orientation Booth- Magdeburger Barracks] Other Inscriptions: LL image: Eigene Aufwarmekuche in L124 [Private kitchen for warming up food in L124] Image on right: CIII. Frauen-Kaserne/Hamburger/Haupteingang: Allabendlicher Abscheid: Wenn's 20 Uhr Wird [CIII. Women's Barracks/Hamburger/ Main entrance: Nightly farewells at 8 pm] holocaust, second world war, 1939-1945, czech republic, jewish history & people -
Jewish Museum of Australia
Lowit, Mr. Leo, Women and luggage in endless arched corridor by Leo Lowit, 1943
Mounted watercolour and pencil on paper.Signed and dated (LR): "Lowit15/VI 43"second world war, 1939-1945, jewish history & people, holocaust, czech republic -
Jewish Museum of Australia
Chess set
This chess set was carved from local wood with bases made from halved cotton reels. The chess pieces take the shape of Australian animals, and Aboriginal men and women. The set was presented to Mr. Benzion Patkin, Honorary Secretary of the Zionist Federation of Australia, by Tatura internees in recognition of his assistance, in particular, his assistance in facilitating the emigration to Palestine. According to Mr. Patkin, he received the chess set in a wooden box inscribed, "With our sincerest thanks from your Zionist friends - Tatura, on the way to Eretz Israel, per Leonhard Levin, 20.11.1942.".Written in pencil UR corner, upside down: (22) Printed in black ink: "B. & H. PATKIN Flat (printed 2 corrected in pen and ink 4) 313a Dandenong Road Windsor 3181 Victoria Australia Tel: Home 51 - 5671 Bus 63 - 8959"dunera, wwii, internees, jewish history & people -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1964
... Advertisement Australian Women's Weekly Laconia Mills ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Treat yourself to the luxury of Australia's best blankets (blanket range): three examplesTreat yourself to the luxury of Australia's best blankets/Laconia 100% Pure Lamb's Wool/Make Goodnight a Certainty blanket, blanket fever, wool, laconia, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1953
... Advertisement The Australian Women's Weekly Onkaparinga Woollen Mill ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Can't you see them on your beds (blanket range)Can't you see them on your beds/Onkaparinga, the ALL WOOL Blankets with the 12 year guarantee/ Onkaparinga Woollen Company Ltd blanket, blanket fever, wool, onkaparinga, advertisement, the australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1953
... Advertisement The Australian Women's Weekly Onkaparinga Woollen Mill ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Guaranteed to give 12 years of cosiness and comfort (range of blankets in a pile) Guaranteed to give 12 years of cosiness and comfort/Wedding bells soon?/4 Lovely pastels, white and checks/Onkaparinga, the ALL WOOL Blankets with the 12 year guarantee wool, blanket, blanket fever, onkaparinga, advertisement, the australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1954
... Advertisement Australian Women's Weekly Onkaparinga Woollen Mill Company ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Truly Fine Blankets of Surpassing Beauty' (range of blankets both fanned out and folded) Onkaparinga/100% Pure Wool Blankets/Truly Fine Blankets of Surpassing Beauty/Buy Well-Buy Wool/Guaranteed for Twelve Years blanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1955
... Advertisement Australian Women's Weekly Onkaparinga Woollen Mill Company ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'There's no mistaking the soft, warm luxury' (range of blankets and colours)There's no mistaking the soft, warm luxury of Onkaparinga pure wool blankets/Buy Well-Buy Wool/Onkaparinga 100% Pure Wool Blankets/Guaranteed for Twelve Yearsblanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1956
... Advertisement Australian Women's Weekly Onkaparinga Woollen Mill Company ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Tonight sleep deep in blankets of purest wool (lady making bed and range of blankets) Tonight sleep deep in blankets of purest wool toned in the softest of pastel checks to make a bed lovely and warm/Onkaparinga, the worlds finest blanket from the world's finest wool/Onkaparinga new pastel multi-check blankets/Buy Well-Buy Wool/Obtainable from leading stores throughout Australiablanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1957
... Advertisement Australian Women's Weekly Onkaparinga Woollen Mill Company ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Crown of the glory box (ladies with blankets, lambs in bridal party)Crown of the glory box…./colour-bright….comfort-right….Onkaparinga/Choose Onkaparinga, the pure wool blankets you'll love and cherish for a lifetimeblanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1957
... Advertisement Australian Women's Weekly Onkaparinga Woollen Mill Company ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Pure wool, cuddly and warm (boy asleep with lamb)Pure Wool cuddly and warm/Buy Well…Buy Wool/Onkaparinga new pastel multi-check blanketsblanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1958
... Advertisement Australian Women's Weekly Onkaparinga Woollen Mill Company ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Pure wool, cuddly and warm (boy asleep with lamb) New fashion colours…Old fashioned values…./Pure Wool quality for a lifetime of healthy warmth/Onkaparinga 100% Pure Wool Blankets/Best in Australia, Best in the World!blanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1959
... Advertisement Australian Women's Weekly Onkaparinga Woollen Mill Company ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." For happy, healthy, pure wool warmth (lambs watching tv)For happy, healthy, pure wool warmth, it's Onkaparinga all the way/Buy Well-Buy Wool/Onkaparinga/Best in Australia…Best in the Worldblanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1964
... Advertisement Australian Women's Weekly Onkaparinga Woollen Mill Company ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." There's no question about the brand, only the colour (blanket range) There's no question about the brand….only the colour!/Onkaparingablanket, blanket fever, onkaparinga, wool, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1966
... Advertisement Australian Women's Weekly Onkaparinga Woollen Mill Company ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Wonderfully, naturally, beautiful (couple on picnic blanket)Onkaparinga/Wonderfully, Naturally, Beautiful blanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, The Warrnambool Woollen Mill, 1945
... Warrnambool Australian Women's Weekly The Warrnambool Woollen Mill ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." "Most admired of the Bride's presents" (bride and bridesmaids with blanket)"Most admired of the Bride's presents" /Warrnambool Blankets and Rugs/Warmer Wool from Warrnamboolblankets, blanket fever, wool, advertisement, warrnambool, australian women's weekly -
National Wool Museum
Archive - Advertisement, The Warrnambool Woollen Mill, 1945
... Advertisement Australian Women's Weekly The Warrnambool Woollen Mill ...Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Let it rain, let it blow... (lady in bed)Let it Rain, Let it Blow…/Warrnambool Blankets and Rugs/Warmer Wool from Warrnambool blanket, blanket fever, wool, warrnambool, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1959
... Physician Advertisement Australian Women's Weekly Geelong Collins ...Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets (man asleep in bed) Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros mills, physician, advertisement, australian women's weekly, geelong