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Whitehorse Historical Society Inc.
Clothing - Lace collar, 1800-1900
Donated by Rob Innes- belonged to his mother, Miriam Effie Ines nee Drury.(B 1895) Could also have belonged to her mother. B 1856.Square lace collar made of cream torchon lace with flowerlike patterns. Handmade.costume accessories, collar accessories -
Bendigo Historical Society Inc.
Magazine - GOLDEN SQUARE SECONDARY COLLEGE COLLECTION: YEARBOOK 1964, 1964
Golden Square High School ''Indicator'' Magazine 1964 H.M.S. Pinafore Performance.bendigo, education, golden square secondary history -
Whitehorse Historical Society Inc.
Textile - Mat
Princess lace flower mat made in Bruges from collection of Nan WarnerCream lace square with ornate lace motifs in each corner and lace edged.lace, handmade, bruges, nan warner -
Old Gippstown
Building - Stable, 1970s
Designed and constructed by Old Gippstown from materials at hand.A small square-shaped timber stable building with a gabled corrugated iron roof.old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, stable, old gippstown heritage park, latrobe valley, horse drawn vehicles, latrobe city council -
Linton and District Historical Society Inc
Coin, Chinese Coin
Coin found in Happy Valley Crossing area by the Geelong Prospectors' Club.Small coin with square hole in centre, believed to date from 19th century.coins, chinese -
Glenelg Shire Council Cultural Collection
Functional object - Ashtray - Henty Beach, Portland, Victoria, 1950-1960
Square view ware ashtray, circular base with view of Henty Beach, Portland. -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 4, John Theodore, c1973
Photo of Ballarat No. 16, SEC, in a garden setting - Allendale area, c1972/3. Tram body sold by the SEC in Jan. 1956. See also Reg Item 3535 and 9624 for other photographs. See btm3929 for details of disposal.Yields information about tram 16 following its disposal and how it appeared c1973.Set of 4 Agfa blue and white plastic mounts - 27mm square slides.Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, tramcars, disposal, tramcar bodies, sale of trams, allendale, tram 16 -
The Beechworth Burke Museum
Photograph - Stereoscopic Photograph, c1900
This photograph depicts Indigo Falls, situated 20 km northeast of Beechworth, and highlights the picturesque scenery and surrounding vegetation. Known for its scenic beauty, Indigo Falls has drawn visitors from Albury and Wodonga and was a popular spot for the Beechworth Tourist Club in the early 1900s.This photograph is historically significant for showcasing the natural beauty of Indigo Falls and surrounding vegetation.Two sepia-toned square photographs featuring a rocky waterfall and vegetation, mounted.Reverse: 97.2197/ Indigo Falls/ Beechworth/ 84-116-1./ A03084/ Indigo Falls are near the start of the Indigo Valley - a short distance from the Indigo Valley Rd. turnoff is Ewarts Rd., on the right of the Beechworth Wodonga Rd., waterfall, indigo falls, ovens district, natural history, stereoscopic, district views -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See NA359Glazed border tile - black background with dark green squares of various sizes.ceramics, earthenware -
Whitehorse Historical Society Inc.
Decorative object - Garden Tile, c1888
Garden edging manufactured by White Bros which is now known as Vitclay.Sandy clay coloured garden edging tile, square base with decorative top.'White Bros/Registered/2/3/88/ pressed onto front of tile.ceramics, terracotta -
Wangaratta RSL Sub Branch
Memorabilia - Watch
This watch belonged to Alan Robert WEBSTER who was born on 11-1-1923 at Wangaratta. He enlisted in Melbourne and served with the RAAF 30 Squadron. He was killed on the 11-8-1944 when his Beaufighter A19-194 was hit by AA fire at Cape Simork, Dutch New Guinea while on a bombing mission. He is buried in the LAE Cemetery in Papua New Guinea. Gold coloured metal watch with square face and white plastic watch band.Engraved on rear of watch - ARW 409630 RAAFalan robert webster, raaf, 30 squadron, ww2, lae, png -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, Prior to 1878
This tablespoon was recovered from the wreck of the Loch Ard that sailed from Gravesend, London. The manifest listed an array of manufactured goods being exported to the Colony of Victoria. Included in the cargo manifest was a large number of hardware and cutlery items. These spoons are representative of similar items of silver electro-plated cutlery salvaged from the Loch Ard wreck site, comprising nickel silver electroplated spoons and forks of various sizes but all sharing the same general shape and design. History of the Loch Ard: - The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Spoon, tablespoon; nickel silver plated spoon with fiddle-back design handle, narrow stem with flared collar and elongated bowl. Marker's marks are impressed on the back of the handle. It was recovered from the wreck of the Loch Ard.Crown with diamond with W P inside Oval with anchor or key Square with cut corners with fancy cross inside Circle with lion Diamond with "P"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, dessert spoon, petrified timber, conglomerated cutlery, silverware, dining utensil, spoons, conglomeration of spoons, spoon, tablespoon, cutlery -
Bendigo Historical Society Inc.
Book - BASIL MILLER COLLECTION: BY BIRNEY TO GOLDEN SQUARE, 1973
Book - 'By Birney to Golden Square' by Brian Andrews = the last years of Bendigo's Tramways. Published in 1973. Book has chapters on Quarry Hill, Golden Square, history of Bendigo, many photos of trams, tracks, finishes of trams.Brian Andrewscottage, miners, golden square -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR AUSTRALIAN COMFORTS FUND GOLDEN SQUARE BRANCH MINUTE BOOK NO. 2, 1942-1946
Document . Hard cover book with paper pages containing minutes of meetings of the Golden Square Branch of the Australian Comforts Fund. 1942-1946. On a label on front cover are the words ' Golden Square ACF Minute Book No. 2.'Lydia Chancellororganization, club/society, australian comforts fund, lydia chancellor collection, australia comforts fund -
Coal Creek Community Park & Museum
Large nails
8408.1 - The nail has a flared head and has a pointed tip with a square cross-section. 8408.2 - The nail has a flared head and has a pointed tip with a square cross-section, it also is slightly longer than the other. -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: WILD BEASTS
Bendigo Advertiser "The way we were" from Saturday, May 29, 2004. Wild beasts: ladies of the Golden Square fire brigade committee depicting a bullock team in the back to Golden Square procession, year unknown.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Flag - GOLDEN SQUARE PRIMARY SCHOOL COLLECTION: AUSTRALIAN FLAG
Australian flag used by Golden Square Primary School 1189 for flag raising events. Presented to BHS in 2015 on the closure of the school and the relocation to Maple Street Primary School, now known as Golden Square Primary School.education, primary, golden sqaure primary school staff -
Numurkah & District Historical Society
Domestic object - Candlestick holder
Green and white speckled, enamelled metal candlestick holder. Rounded square base with a handle on one corner. In the middle of the base is the metal candle holder (same colour), also shaped rounded, square. Quite rusty on edges. candlestick holder, candles, light -
Bendigo Historical Society Inc.
Pamphlet - LYDIA CHANCELLOR COLLECTION: GOLDEN SQUARE METHODIST CHURCH REQUEST FOR DONATIONS FOR THE JUBILEE YEAR 1923, 1922
LYDIA CHANCELLOR COLLECTION: GOLDEN SQUARE METHODIST CHURCH Request for Donations for the jubilee Year 1923 (3 Copies) Small pamphlet requesting donations, a letter and a photo of the church interior at Golden Square 10th November 1922bendigo, history, churches -
Mont De Lancey
Glass cruet set (part of)
Part of a cruet set consisting of two square, cut glass bottles with square pattern, one with pierced silver top, the other with hinged, silver lid, spoon missing. Also, a small glass bottle with glass stopper.Nonetableware, cruet sets -
Kiewa Valley Historical Society
Marking Gauge - Carpenter's Tool, c1925
Used from the mid 1920s to mark timber so that it could be cut with a saw. It was an essential tool for carpenters.Used by Alan Tyers who worked for the State Electricity Commission of Victoria on the Kiewa Hydro Electric Scheme.Carpenter's essential equipment. Used for marking timber so it can be cut with a saw. Wooden screw on the side allows the square wooden block to slide along the length of wood which is almost square at the end but with 2 flat sides and 2 rounded sides. Plated with 2 strips of brass on the square block. Sold for 1/3 in the 1920s. There is a nail through one end. carpenter, cabinet maker, secv, tool, marples, marking gauge -
Bendigo Military Museum
Uniform - CHEVRON & COLOUR PATCHES, WW2
Service chevrons denote years of overseas service. All items belonged to William Herbert Greenman VX126789 2nd AIF. Refer Cat No 81 for his service details and other..1) Service Chevron patch. 2 royal blue stripes on felt khaki background. .2) Two by Colour patches, rectangular shape, half blue, half white on grey felt background. .3) Two by Colour patches, square shaped, half red, half white, centre of the large square is a smaller square blue and white. Backing is grey felt. uniforms - army - badges, numismatics - badges, costume accessories -
Melbourne Tram Museum
Postcard - Civic Plaza or City Square - Swanston & Collins Sts, Nucolorvue Publishing, c1968
The photograph shows the Melbourne City Square, though titled "Civic Square" taken from the Regent Theatre looking northwest. Shows an early version of the square and four trams. The square has undergone many changes since it was first built in 1968 - see reference. Postcard published by Nu-color-vue - card No. ML97Yields information about an early layout of the Melbourne City SquarePostcard - serrated edges, full colour, divided back.melbourne, postcard, nu-color-vue, swanston st, collins st, city square, civic square, trams, tramways, mmtb, w3 class, sw6 class -
Geoffrey Kaye Museum of Anaesthetic History
Container - Medical Carry Box, Allen & Hanburys
A characteristic black, round topped box, to carry medical equipment with a divider which would have held a square, plain glass bottle. The donor, Dr. Holloway is known to have acquired much of Dr. Howard Jones' equipment. In 1930 Dr Howard Jones, M.B., B.S., (Lond.). Surgeon Anaesthetist to Charing Cross Hospital first described percaine in an article in the British Journal of Anaesthesia. According to Norman, J. in the British Journal of Anaesthesia, Jones was the first honorary secretary of the Association of Great Britain and Ireland, 'of spinal anaesthesia fame', and a leading practitioner in his day. He apparently committed suicide in 1935, there are references that he 'could not make a living from anaesthesia'. (Norman, 2002, 'An informal history of the first 25 years', The British Journal of Anaesthesia, 88 (3): 445-450) The maker of this medical box, Allen and Hanburys Ltd., was a British pharmaceutical manufacturer, founded in 1715, absorbed by Glaxo Laboratories in 1958.Black cardboard box with handle and simple border decoration on top. Brass hinges at the rear and two brass hook clasps at the front. Interior is lined with black linen. Cardboard divider inside and square compartment in corner would have been used to hold a bottle of ether in place.Printed in gold leaf inside lid: ALLEN & HANBURYS LTD / LONDON.W. / 48.WIGMORE STdr. [e.s.] holloway, medical box, carry kit, allen & hanbury's ltd. -
Bendigo Historical Society Inc.
Slide - HORWOOD COLLECTION: NAPOLEON, c1850s
Horwood Collection. Napoleon Mine Woodward Road Golden Square. Air compressor along side. Markings:Napoleon Ward Ward Rd. G Square. Poppet head on LH side of image. Power lines evident in top of image.Kodakmine, gold, napolean, horwood collection. napoleon mine woodward road golden square. air compressor along side -
Bendigo Historical Society Inc.
Clothing - CAMISOLE, Late 19th C
Camisole. Cream coloured cotton, cotton crochet lace with short sleeve & top. Square pattern. Pintucks front and back. Square neckline. Front opening with three buttons. Small peplum. Cotton tape tie around waist. .costume, female, underwear -
Clunes Museum
Accessory - CROCHET YOKE
CREAM COTTON CROCHET YOKE TO BE ATTACHED TO LADIES NIGHT GOWN, UNDERSKIRT, CHMISE OR CAMISOLE. NO 1 SQUARE NECKLINE BACK AND FRONT - LOOSEAT UNDER ARM NO 2 SQUARE FRONT V SHAPED BACK, JOINED UNDER ARM.local history, costume, female underwear, costumes, handcraft -
National Wool Museum
Quilt
Part of the "Wagga" collection. Made by Gwen Giles c.1930 and given by her to Running Stitch. Her husband was an upholsterer and and one of the sources of her cloth.Patchwork quilt of pastel coloured damask squares with dark grey central satin square edged in black. Contains felting fabric. Back is covered in upholstery fabric. Mrs Giles husband, an upholsterer, was one source for her fabrics.quilting history, running stitch group, running stitch collection, giles, mrs gwen, quilting - history -
Flagstaff Hill Maritime Museum and Village
Functional object - Crucible, The Patent Plumbago Crucible Company, circa 1878
This crucible was raised from the wreck of the LOCH ARD. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All bear markings to indicate their manufacture by the Morgan brothers of Battersea, trading as the Patent Plumbago Crucible Co. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles in mid-Victorian Britain, a significant technological advance at a time of great activity and expansion in foundries and demand for refined metals. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm’s manufacturing rights and began producing their own graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India, and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the LOCH ARD, suggest they may have been part of a sample shipment intended for similar promotion in the Australian colonies ― at Melbourne’s International Exhibition to be held in 1880. A summary of the LOCH ARD cargo manifest, by Don Charlwood in ‘Wrecks and Reputations’ does not mention any crucibles, implying that they were not part of a larger consignment of uniform items. A newspaper account of an 1864 tour of the Morgan brothers’ ‘Black Potteries’ at Battersea indicates: “All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilogrammes; a No. 3, three kilogrammes, and so on.” These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six are of the same size from a visual appraisal. The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417A No. 6 size Morgan’s graphite crucible (i.e. 6kgs capacity). The crucible rises in a slight curve from a smaller flat base up to a wider top with a (chipped) pouring lip. It was recovered from the wreck of the LOCH ARD. The artefact is largely accretion free despite its long period of submersion at the wreck site. It has a number of visible maker’s markings which identify the manufacturer and the smelting capacity of the pot. The graphite crucible is in fair and stable condition. The number “6” which is framed in a square. The letters “THE PATENT PLUMBAGO CRUCIBLE COMPANY” and “BATTERSEA WORKS COMPANY”. Below rim "... GNS"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, graphite crucible, plumbago crucible, morgan's crucible company, loch ard, crucible, fluxing pot -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Thomas Borthwick & Sons (TB&S), n.d
Port of Portland Authority ArchivesBack: 4069 5 - blue biro 2 squares drawn in pencil. 4.0cm wide step in look from neg in pencil.port of portland archives, thomas borthwick and sons, abattoir