sizes: 02: 2.3 x 1.8cm 03: 2 x 1.5cm 04: 2.3cm diam. 05: 2.2 x 2.2cm 06: 3.5 x 2.7cmSenior Carnival Maccabi pins and badges. 33 inside magen david - Melbourne 1965-66 Maccabi Sports Carnival aqua, navy, gold, 34 inside magen david Australian Maccabi Sports Carnival Brisbane 1966-67 - violet red, white and gold - Shown in picture, 35 Australian Maccabi Sports Carnival Adelaide '67 - navy, white, gold , J.A.S.A.36th Australian Maccabi Sports Carnival Sydney 1968-69 - teal, red, gold - Shown in picture, 38 inside magen david Melbourne Maccabi Australian Sports Carnival 1970-71 - aqua, navy, gold - similar to badge of 33rd Carnival also held in Melbourne - Shown in picture 06: Queensland Maccabi, Australian Maccabi Sports Carnival 39th with Hebrew magen david logo - sky blue, red, gold - pear-shaped - Shown in picturemaccabi senior carnival 33, maccabi senior carnival 34, maccabi senior carnival 35, maccabi senior carnival 36, maccabi senior carnival 38, maccabi senior carnival 39

Newspaper Clipping from the "Mail", 06-08-1996. P13. SkillShare fights cutsRINGWOOD's Merit/-Skillshare office continued its campaign against Federal Government funding cuts by unveiling a huge banner recently. The office is one of 400 SkillShare projects across Australiawhich is smarting from Federal cutbacks of 20 per cent. About 5000 unemployed Victorians and 1000 SkillShare workers will be affected by the cuts.

Sepia photos of young adults and social activity in 1920s 06 - Group at picnic in the countrysocial activities, picnics

Image of Ballarat tram 27 at the Mt Pleasant terminus with the driver/conductor putting the trolley pole back on the overhead wire. The pole on the left shows two tram stop signs. The shop on the right has adverts for The Sun, Robur Tea, TV Week and Peters Ice Cream. This photograph was used in an interpretative panel at the terminus installed in 2020 by the local history group. See the second image for it use and the mixed business that operated at this location..Demonstrates an event that happened at the tram terminus for about 66 years - from 1905 to 1966 - changing the pole.Digital image of Ballarat Tram 27 at Mt Pleasant terminus 13-06-1971.trams, tramways, mt pleasant, tram 27, ballarat tramways

Produced by the Geelong Tramways (Geelong Branch of Melbourne Electricity Supply Company Limited) to document the trackwork across the Barwon Bridge.Yields information regarding the construction details for the trackwork across the Barwon Bridge.Geelong Tramways drawing no GE-T1-6202, "Sketch plan showing proposed track over the Barwon Bridge.". Drawn 06/04/1922. Beige paper copy of original dyeline print. Copy of original. provincial tramways, geelong tramway, melbourne electric supply co. ltd., barwon river

EDHS Newsletter No. 265 August 2022 We are fortunate to have in our collection a wide range of early images of the Eltham district. Some of these are part of the Shire of Eltham Pioneers Photograph Collection (SEPP) held in partnership between the Eltham District Historical Society and the Yarra Plenty Regional Library (Eltham Library). Some are part of the group of photographs collected when the Pioneers and Painters book was published to commemorate the 1971 centenary of the Shire of Eltham. A prominent photographer of some of these early images is John Henry (Harry) Clark, whose background story is detailed in the article on page 7 of this newsletter. We are indebted to him for recording places and people that now are treasured reflections of days gone by. At our meeting at 2.00pm on Saturday 13th August 2022, we will explore some selected Clark images from our collection and with some try to show the current locations where these were taken.1:07:53 duration Digital MP3 file; 23.3MB Also PowerPoint presentation (compressed)audio recording, eltham district historical society, meeting, society meeting, eltham, j.h. clark photo, peter pidgeon

Tram at Pall Mall near fountain. Photo taken 10/07/1993 by Roy Mitchell.bendigo, tramways, pall mall

Tram at Pall Mall near fountain. Photo taken 10/07/1993 by Roy Mitchell.bendigo, tramways, pall mall

Coloured photo of tram 18 at Eaglehawk. Photo taken 07/04/1969 by Roy Mitchell.bendigo, tramways, tram 18

Letter book used by secretary Edwin Thompson 09/09/1978 - 01/07/1985

G.A. Robinsoncamberwell, catholic

MelbourneBlack/red polo shirt, Maccabi Junior Carnival Melbourne '07, 16-23 Januarymaccabi junior carnival 25

Produced by the SECV to document the Outer Joggle Plates.Yields information regarding the dimensions of the Outer Joggle Plates for 90lb Lorain to 102lb BHP & 102lb BHP to 90lb Lorain.SEC drawing number VW4/5, "Outer Joggle Plates. 90lb Lorain to 102lb BHP & 102lb BHP to 90lb Lorain. Tramways.". Drawn 07/1955. Beige paper copy of original dyeline print. Copy of original.electricity supply department, secv, works division, provincial tramways, tramway tyres, tramways, flanges

Produced by the SECV to document the Inner Joggle Plates.Yields information regarding the dimensions of the Inner Joggle Plates for 90lb Lorain to 102lb BHP & 102lb BHP to 90lb Lorain.SEC drawing number VW4/6, "Inner Joggle Plates. 90lb Lorain to 102lb BHP & 102lb BHP to 90lb Lorain. Tramways.". Drawn 07/1955. Beige paper copy of original dyeline print. Copy of original.electricity supply department, secv, works division, provincial tramways, tramway tyres, tramways, flanges

Newspaper cutting from The Courier, Ballarat, 9 September 2019, titled "Tram work is on track", reporting on replacement of the track between depot junction at Carlton St. Has a photo of the sleepers being unloaded. Story by Jolyon Attwooll, photo Kate Healy.btm, trackwork, track repairs

This book records the date, name, ship, nationality and signature of seafarers who visited the mission.A picture of where ships came from and the nationalities of their crews is presented. Front cover: MTS Visitors Book 10/08/07 to 22/02/08visitors, crew, ship, nationality, seamen, sailors, seafarers, melbourne, flinders street, mission to seafarers, seamen mission

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'worth / Marcuse Reverse: B6 / Beechworth Nostalgia / BW - 07 (crossed out)ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Black and white aerial photographSimilar photograph -Reg 926 located in NWD 02-09-07 - Item no G0033

One of a number of documents relating to the Bostock family. Unsure to which Mr Bostock this letter relates. Generally speaks of the weather and his wife’s illness.One of a number of items relating to the Bostock family and is indicative of letters of the time. One page hand written letter in black pen. White lined paper.Addressed to Mr Bostock from J C McPherson. Dated 13/07/52 ?bostock, warrnambool

This photograph depicts a cable tram on Sydney Road past Brunswick Town Hall.Shows a cable tram line in Brunswick that has since been electrified.Black and white photograph with caption.“Sydney Road looking north from the Town Hall (19/07)” printed in front.cable trams, sydney road, brunswick

Pink card with black typing. It is a ticket for the Victorian Theatre at Sovereign Hill, Ballarat East.VICTORIA THEATRE SOVEREIGN HILL BALLARAT F 07 Balcony 20 DEC 1982victoria theatre, ticket, sovereign hill, ballarat

Sold leaflet for 35 Adeline Street Greensborough, sold June 2019 for $815,0002 p. leaflet, printed in colour both sides, folded twiceadeline street greensborough

Flyer promoting Josh BURNS as candidate for Macnamara electorate in the 2019 Federal election. Folded square flyer in shape with photograph of Josh BURNS on the cover.josh burns, australian electoral commission, politics, macnamara electorate

Grave of Carr Brown (died 26/07/1910) in Plot# I17 Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone [damaged]carr brown, greensborough cemetery

Grave of Carr Brown (died 26/07/1910) in Plot# I17 Greensborough Cemetery.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.carr brown, greensborough cemetery