After the war, Phillip Harris produced a monthly in Sydney and renamed it 'Aussie: the Cheerful Monthly' from 1920. It built a sizeable circulation and for several years it published the major Australian writers and cartoonists of the day. It set out to sustain the digger culture and defend the rights of the veterans, while also embracing the re-adjustment of returned soldiers into civilian life. Magazine of cream colour pages containing stories and sketches No. 14 Aussie, April 15 1920 aussie:the cheerful monthly, magazine, 1920

Official RAAF Magazine issued fortnightly during WW2 between April 1943 to March 1946In publication since 1942, Wings delivers an informative and entertaining collation of Australia's proud aviation history, the latest aerospace research and technology, aviation industry and military news, encouragement for our junior leaders and engagement with the veteran community.Grey and white magazine with photograph of WREN on a boat at sea.Vol 4 No 5 Dec. 12, 1944 wings, raaf, magazine, ww2

Portrayal of notable achievements of the men of the 2nd AIF in the compaigns of Libya, Cyrenaica, Greece, Crete, Syria in the defence of Tobruk and in Malaya Singapore.Cream and brown magazine with sketch depicting two soldiers charging with rifles and fixed bayonetsACF - total proceeds for Australian Comforts Fund Price 6dww2, 2nd aif

Australian First World War recruitment poster. This poster was part of the First World War Australian Government Recruiting Kit. Recruitment posters were prolific in Australia throughout the First World War. Australia relied solely on voluntary recruits to serve in the AIF. Compulsory military service, or conscription, for eligible men was in force in Australia from 1911, however, these forces were for home defence and could not be used to serve in a war overseas. Following the initial rush of men to recruit in 1914, enrolments dropped, leaving federal and state governments to devise sophisticated campaigns to boost numbers.Norman Lindsay (1879-1969) was a painter, draughtsman, illustrator, cartoonist, printmaker, writer and sculptor. He joined the Sydney 'Bulletin' magazine as a staff artist, 1901-09, 1910-23 and 1932-58. During the First World War he produced jingoistic cartoons and pro-conscription posters. The is one of the series of six posters by Lindsay constituting the last nation-wide Australian recruiting campaign. A soldier sounds his bugle for assistance on the front line while civilians listen in the background.recruitment poster, norman lindsay, ww1

Colour slide in a mount. Magazine image, Mathews Church, Windsor, NSW, Australia. (Architect: Francis Greenway.)Made in Australia / Encircled 10 (Handwritten)slide, robin boyd

Colour slide in a mount. Image from a magazine, possibly Portland Lodge, Henty House, 1 Plummer Avenue, Olivers Hill, Frankston, Victoria, Australia, (c1935). This is adjacent to the 1953 Henty House. (Architect: Rpy Grounds)Made in Australia / G18 (Handwritten) / Encircled 41F (Handwritten)robin boyd, slide

Colour slide in a mount. Magazine image of the Dominican "Metastasis" / Musical Glass Wall by Xenakis, La Tourette Convent, near Lyon, France (1961). (Architect: Le Corbusier.)Made in Australia (Print) / Dominican "Metastassis" / Musical Glass Wall by Xenakis / musical-eng / Convent d'Etudes / LA TOURETTE / Encircled 4 (All Handwritten)slide, robin boyd

Colour slide in a mount. Magazine image of house, unknown locationMade in Australia / 15 (Handwritten) / Irregular (Handwritten) / Encircled 24A (Handwritten) / 14 (Handwritten-Cancelled)slide, robin boyd

Colour slide in a mount. Image from magazine- featuring Salle Wilfrid-Pelletier (1963), part of Place des Arts, Montreal, Canada. (Architect: Arcop.)Made in Australia / Encircled 31 (Handwritten)slide, robin boyd

Colour slide in a mount. Image from a magazine, Underley Hall Chapel (1966), St Michael’s College, Kirkby Lonsdale, England.Made in Australia / Encircled 10 (Handwritten)slide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Art and Architecture Building (1958-64), Yale University, New Haven, Connecticut, USA - image from a page of a magazine. (Architect: Paul Rudolph.)Made in Australia / 17 / OCT 64M / 50 (Handwritten)slide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Art and Architecture Building (1958-64), Yale University, New Haven, Connecticut, USA - image from a magazine. (Architect: Paul Rudolph.)Made in Australia / 16 / OCT 64M / Encircled 25 (Handwritten)slide, robin boyd

Discusses 'Domus' (an Italian architecture and design magazine) as visually exciting and trend starter; compares recent international opinions on Australian architecture and culture (Charles Eames on Sydney Opera House, J. M. Richards on Australian architecture as primitive and vulgar). Boyd indicates international opinions of Australian architecture as important because many Australian buildings are being designed by overseas architects; argues for greater promotion of Australian architecture and architects.Typewritten (c copy), quarto, 5 pagesLast page: no image attached but this inscription "caption to illustration"; appears that Boyd wanted image of St James Building, AMP Tower and Shell House by Skidmore, Owings & Merrill attached.domus, sydney opera house, charles eames, jm richards, australian culture, globalisation, robin boyd, manuscript

Overview of residential architectural styles from 1925 to 1965 to celebrate the 40th anniversary of "Home Beautiful" magazine. Discussions include the future of housing technology, Californian Bungalow design and the future of the 'modern house'.Original manuscript of 'Is our frozen house design about to thaw', published in Australian Home Beautiful, Vol, 44, No. 10, October 1965, pp. 4-11.Typewritten (c copy), quarto, 23 pages. (Two copies)home beautiful, queen anne, californian bungalow, charles greenhill, walter burley griffin, harold desbrowe-annear, home beautiful, modernism, robin boyd, manuscript

Robin Boyd was on the judging panel for the American Institute of Architects, in conjunction with Sunset magazine, "Best houses" in the West Coast USA in 1965. Interesting commententary is given about the 364 houses entered and the award-winning houses. Some conclusions about what is new in planning are drawn. Comparisons are made with the best Australian houses and landscape architecture of 1965. This manuscript of Boyd's weekly newspaper column in 'The Australian' was published with the same title on 31/07/1965.Original manuscript of an article published in The Australian, 16/10/1965.Two copies. One typewritten (c copy), pencil edits and additions. Second typewritten (p/copy). Both quarto, 7 pages.american institute of architects, california, sunset magazine, house design, 1965, landscape design., robin boyd, manuscript, ohm2022, ohm2022_16

Boyd argues that the Australian cultural split between what he perceives to be cultured tastes and artistic achievements and the tastes of ordinary Australians is wider and more polarised than in other countries. He derides commercial radio, popular women's magazines, public commercial streets etc - elements of the Australian ugliness. He praises the growth of local contemporary art, literary magazines and architecture, whilst calling for the development of community pride amongst leaders of commerce and industry, and government control of the ugliness of popular culture. This may have been published in "Walkabout" magazine.Typewritten (c copy), quarto, 11 pagesart, egalitarianism, sidney nolan, australian painting, pop art, phil may, dyson, low, media, cartoons, australian literature, radio, california cultural heritage board, commercial advertising, robin boyd, manuscript

Magazinewalsh st library

Art Magazinewalsh st library

Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clipping"22-4-66 Austr'n" in Robin Boyd's handwritingsydney opera house, utzon, sydney opera house project, walsh st library

Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clipping"23-4-66 Austr'n" in Robin Boyd's handwritingsydney opera house, utzon, sydney opera house project, walsh st library