Lieutenant Colonel MW Fairless transferred from the Royal Australian Artillery when he took up a posting in Albury with the Commonwealth Bank. He was Commanding Officer of 8/13 VMR 1965 - 1969. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.One of a collection of photographic portraits of Commanding Officers and Officers Commanding of the regiment/independent squadron from its inception in 1947 to its linking with 4th/19th Prince of Wales’s Light Horse in 1991. Framed black and white photograph of officer wearing black beret with 8th/13th Victorian Mounted Rifles hat badge. Inscription on lower frame." Lt. Col. M.W. Fairless ED 1965 - 1969 "military, fairless, uniform, vmr

Major Ian Docking Joined 8/13 VMR as a trooper. He rose through the ranks and became Officer Commanding ' A ' Squadron, 8/13 VMR 1982 - 1986. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.One of a collection of photographic portraits of Commanding Officers and Officers Commanding of the regiment/independent squadron from its inception in 1947 to its linking with 4th/19th Prince of Wales’s Light Horse in 1991. Framed black and white photograph of officer wearing black beret with 8th/13th Victorian Mounted Rifles hat badge. Inscription panel on lower frame. " Maj. I. Docking RFD NM 1982 - 1986 "military, docking, officer, uniform

Major Michael Annett, an Australian Regular Army Officer, became Officer Commanding VMR Squadron 4th/19th Prince of Wales's Light Horse 1993 - 1994, then later was Commanding Officer of the Regiment in 2000One of a collection of photographic portraits of Commanding Officers and Officers Commanding of the regiment/independent squadron from its inception in 1947 to its linking with 4th/19th Prince of Wales’s Light Horse in 1991. Framed black and white photograph of officer wearing black beret with 8th/13th Victorian Mounted Rifles hat badge. Inscription panel on lower frame." Maj. M. Annett 93 - 94 / 2000 C.O. 4/19 PWLH military, uniform, officer, vmr

Major Gordon Cole joined 8th/13th VMR as a trooper. He rose through the ranks to become Officer Commanding ' A " Squadron 8/13 VMR 1980 - 1982. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.One of a collection of photographic portraits of Commanding Officers and Officers Commanding of the regiment/independent squadron from its inception in 1947 to its linking with 4th/19th Prince of Wales’s Light Horse in 1991. Framed black and white photograph of an officer wearing a black beret with 8th/13th Victorian Mounted Rifles hat badge. Inscription panel on lower frame. " Maj. G.F. Cole 1980 - 1982military, cole, vmr, officer

Black and white photographic portrait of John Newcombe. Materials: Paper, Photographic emulsiontennis

Portrait semi-abstract painting presented to Wangaratta Technical School in 1967 by the Australian Natives Association for having the most improved school grounds.

Many families at this time obtained and framed these military service certificates. This was part of the empire spirit of 1914. The prose at the top of the certificate is a quote from Act 5 scene 7 of William Shakespeare's "King John".Black and white certificate commemorating the war service of former WHS student Lt. Steel. A number of symbolic images including two men or horseback, a queen, a broken cart, a portrait surrounded by flags and lions and three rifles surround an photograph of Lt. Steel. Bordering the photograph is a modified Australian Government symbol, a laurel wreath, the Australian and British flags and two crossed rifles. Above the Portrait is a FOR KING AND EMPIRE banner and a quote from 'King John', and below is Lt. Steel's details.FOR KING & EMPIRE COME THE THREE FATHERS OF THE WORLD IN ARMS AND WE SHALL SHOCK THEM. NAUGHT SHALL MAKE US RUE IF AUSTRALIA TO ITSELF DO REST BUT TRUE NAME Liet' A. V. Steel REGIMENT 1st Battal'n COMPANY '10' RECORD OF SERVICE 1914 - 1919

Stanley Savige is seen as the founder of Legacy when it was founded in Melbourne in September 1923. He was born in Morwell Victoria on 26/6/1890. He served in the Australian Army between 1915 and 1946, including service in both World Wars. Stanley Savige was a awarded a KBE, CB, DSO, MC,EDThis is a photographic portrait of the founder of the First Legacy Club in Australia, Stanley Savige. Black and white photograph of Brigadier Stanley Savige. He is wearing a uniform and it is of note that he has 8 ribbons including an MID and wears the rank of Brigadier. Photo is placed behind discoloured white mounting board.Austin Murcott Melb (Front lower right) savige, portrait, stan savige, founding legatees

Photo of Major-General Sir John Gellibrand taken in uniform. He established the Hobart Remembrance Club in 1923, which was an instant success. Gellibrand wrote to Stanley Savige who had been Gellibrand’s Staff Captain and suggested he should do something similar in Melbourne.Of national significance as Gellibrand is considered to have influenced Stanley Savige to commence the process to form Melbourne Legacy in September 1923. The first Legacy Club formed in Australia.Wooden framed black and white photograph of Major-General Gellibrand in uniform.Major-General Sir John Gellibrand K.C.B.,D.S.O. & Bar. Founder - Hobart Remembrance Club - 1923 Inspired the formation of a similar Club in Melbournejohn gellibrand, portrait

This tankard mug was produced by Legacy to honour Legatee Syd Birrell possibly after he was awarded the MC. Legatee Birrell was President of Melbourne Legacy in 1949. The maker was the firm of EG Greenway, a pottery manufacturer in Blackburn, which was connected to Legatee Herb Greenway.Shows the high regard Legatee Syd Birrell was held in by the other legatees.Cream Ceramic mug with handle, with a relief portrait of Captain Syd.H. Birrell MC on one side and relief image of the Legacy Torch and Wreath of Laurel.Underneath etched - Capt Syd. H. Birrell MC. 23.2.46 Label affixed - E G Greenway Australiasouvenir, founding legatee, syd birrell

This ceramic tankard mug was produced for Melbourne Legacy to honour their Patron. The Patron of Legacy is usually the Governor of Victoria, since the very early days of Legacy. It appears to be taken from a photo of General Sir Dallas Brooks KCB, KCMG, DSO, KStJ., who was Governor of Victoria from 1949. The date made is unknown but it believed to be early 1950s. Similar mugs were produced to honour Legatees Stan Savige and Syd Birrell and were estimated to have been produced in late 1940's or early 1950s. A similar one was made for the Queen's coronation in 1953. The maker was the firm of EG Greenway, a pottery manufacturer, which was connected to Legatee Herb Greenway.Shows the importance of the patron that he was commemorated in a ceramic mug along with Syd Birrell and Stan Savige and the Queen.Cream ceramic mug with handle, with relief portrait of the patron of Legacy, under which is etched 'Our Patron' on one side, with a relief symbol of the Legacy Torch and Wreath of Laurel on the opposite side.'Our Patron' is etched under the relief portrait. Underneath etched makers marking, E.G. Greenway Pty Ltd. Australiasouvenir, patron, dallas brooks

This collection of 48 portrait photos details all Past Chairmen of the Legacy Cordinating Councils from 1937 to 2015. The majority of these Legatees were from Melbourne Legacy ranks. The Office was located within the premises of Melbourne Legacy for a peppercorn rent and moved to Sydney during 2015.A record of the past Chairmen of Legacy Co-ordinating Council.Portrait photos of 48 Legatees detailing their names and years of service as Chairman, Legacy Coordinating Councils. For two Past Chairmen portrait photos were unavailable. In a black frame with clear glass. Names and years of service for the 48 Legatees that served as Chairman are detailed under photos of each. Plaque at the bottom centre of the Framed piece reads - "Presented by the Chairman Legacy Australia Inc. to the Melbourne Legacy Club. In appreciation of the generous support of the Legacy Coordinating Councils by providing office space and an executive from its ranks. For more than 76 years the Melbourne Legacy Club carried this significant responsibility for a grateful Legacy movement". October 2015. Names are: 1937-48 S G Savige 1948-51 WA Perrin (Bill) 1952 JC Gillespie (Jim) 1953-55 TM Cosh 1956-58 MJG Tonkin (Maurie) 1959-61 AW Paul 1961 Os Gawler 1963 ST Parkes 1964-66 Robert C Allison 1967-68 WC Radford 1969-71 IW Anderson 1972-74 GH Cowan 1975-76 HM Lewis 1977-79 RS Isherwood 1980 N Thomas 1981-83 AG Robertson 1984-85 EK Robertson 1986-87 KD Green 1977 and 1988-89 RJA Foskett 1990 KD Stewart 1991-92 JC Dean 1993-94 TC Bannister (Colin) 1995-96 Alf Argent 1997-99 IGC Gilmore 2000-01 BG Luscombe (Brian Lucky) 2002-04 Ray H Ward 2005-06 Graeme PA Riches 2007-08 David Grierson 2009-10 David WA Kelly 2011 J Pepperdine 2011-13 CM Wright 2014-16 D Graycoordinating council, past presidents, lcc

Medal issued to Australian Service Personnel after WW1HighRound British War Medal. Silver colour. Blue, black, white and orange coloured ribbon issued to all Commonwealth Service personnel.Front:- Portrait of King George. Rear:- Man on a Horse. 1914. 1918. Rim:- 5994 Pte W J Baird 14 Bn A.I. F

World War 1 Military AwardSignificantRound medal. Silver colour. Multi coloured ribbon attachedFront:- Portrait of King George Rear:- Man on a Horse with 1914. 1918 on rimmedal awarded to australian personnel, 1st world war

Commemorative medallionsmediumRound commemorative medals x 4. a) Silver coloured medal with a with Red, white and blue ribbon. b) Bronze coloured medal. No ribbon c) Bronze " " with a red, white and blue ribbon d) Silver " " . No ribbon a) Front:- Centenary of Melbourne. 1932. Man looking at city skyline. 1835. Back:- Centenary of Victoria. 1934. Sailing ship/shoreline. 1834 b) Front:- Borough & Shire of Colac. Coat of Arms surrounded by wreath and crossed swords. Back:- Peace and Victory. Surrounded by a wreath c) Front:- King George VI & Queen Elizabeth. Portraits of King and Queen Back:- To Commemorate their Majesties' Coronation d) Front:- Man with a sword on a map of Australia. 1945 Back:- Map

Licenced boatman Richard J PascoeAustralian coastal rescue operativeQMM data sheet 1990, original boat licence, sepia portrait & RAAF boat photoPhoto Reverse - " About 1940 / Dick Pascoe JR ".historical references

R J Pascoe and RAAF RescueAustralian coastal & port rescues.Black & white photograph, sepia portrait, receipt & boatman licence re R J PascoeReverse - boat photo " about 1940 ", nothing on the other items.historical references

Alan Marshall (1902-1984) was an Australian writer, storyteller, social documenter and author of 'I Can Jump Puddles'. He lived for many years in Sandringham. This work was commissioned by Sandringham Council and unveiled in May 1985 at the opening of the new Sandringham library.George Luke, Alan Marshall 1985, bronze. Bayside City Council Art and Heritage Collection. Commissioned 1985Cast bronze head of Alan Marshall. The head is mounted on a cement pedestal with a bronze plaque with inscription at the front. Located at Sandringham Library, Corner Waltham Street and Chalmers Avenue, Sandringham.alan marshall, george luke, scultpure, portrait, bust, sandringham, library, writer, social documenter, australian author

Alan Marshall (1902-1984) was an Australian writer, story teller, social documenter and author of 'I Can Jump Puddles'. For many years, Marshall lived in Sandringham. A bronze bust dedicated to him stands outside the Sandringham Library in Waltham Street. He died on 24 January 1982 in Brighton East, Victoria.alan marshall, portrait, n. lubeck, writer, i can jump puddles, social documenter, australian literature, australian author

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Eleven Photos of Bendigo from Glass Plate Negatives, Campaspe River at Axedale, Axe Creek, Lake Weroona, White Hills Botanical Gardens, Conseratory Gardens, Bendigo Fernery. Slides are ex Bartlett Brother Bendigo. history, bendigo, bendigo conservatory gardens, campaspe river axedale, axe creek victoria, lake weroona bendigo, white hills botanical gardens bendigo, bartlett brothers bendigo, rosalind park bendigo

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Photos from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at one of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Nine Photos of vehicles from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Seven Photos of vehicles from Glass Plate Negatives. Slides are ex Bartlett Brother Bendigo, photographers. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princess Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

Program for Celebrations for the opening of the First Parliament of the Commonwealth of Australia, from 6th to 16th May 1901 opening during the visit of their Royal Highnesses of the Duke and Duchess of Cornwall and York 48 page program, printed in sepia ink includes photographs, maps and portraits of parliamentary officials

Friedrich William Kroschel (Fritz) was born 3rd March 1896(?) in Natimuk, Victoria. His parents were Friedrich August and Dorothea Martha Kroschel. After passing the medical examinations and the loyalty test applied to all German descendants, he went to Melbourne as Private F.W. Kroschel, Regimental No 6351. 1 Company 18th Re-enforcements, 23rd Battalion. 6th Infantry Brigade. He left Australia in November 1916 on a ship and went through Durban, Sth Africa. He was wounded during the battle of Ypres, Belgium and succumbed to his wounds (fractured skull) on the 25th September 1917. He is buried in Mont Huon Cemetery, near Le Treport, Seine-Maritime, France. On his grave is inscribed: "BE THOU FAITHFUL UNTO DEATH AND I WILL GIVE THEE A CROWN OF LIFE". The portrait was presumably completed from a photo taken in Mendelssohn photographic studio in Melbourne before he left for the war. His fiancé was named Dora. AHS has a significant collection of items from this soldier. He was a local man who lost his life in WW1. He died of his wounds in 2nd Can: Cas: Hospital, Le Treport and is buried in Mont Huon Cemetery, near Le Treport, France. There are a number of items of correspondence to Fred/Fritz from residents in Natimuk, now in the collection of AHS. Black and white portrait drawing of a young Australian soldier in military attire framed in black and golden wooden frame.'Mendelssohn' on picture and on back 'Kroschel?'frederick william kroschel 1896, natimuk, 1st world war, no 6351, wwi, first world war, great war, friedrich august kroschel, dorothea martha kroschel, loyalty test, german, victoria, horsham, wimmera

The correspondent of The Argus recorded that: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. ... To-day the Heir to the Throne will review some 15,000 Australian troops at Flemington. ... It is a function which, on a lesser scale, might have been arranged at any time for many years past; but it could never previously have conveyed the meaning it does now. Soldiering was popularly regarded as a pastime here until South Africa tried the mettle of our men. It is serious business from henceforth. Those who followed the nascent aspirations of the volunteer soldiery in Australia must be impressed at the rapidity of their fulfillment. ... The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew. An invitation, mounted on card to the Royal Review held at Flemington racecourse on Friday 10 May 1901, as part of the Government of Victoria's Australian Commonwealth Celebrations. The border is vividly decorated with flags, shields and a large coat of arms. The photographic images depict various scenes of Flemington in Melbourne, in addition to two separate portraits of the Duke and Duchess of Cornwall and York. Illustrations of military servicemen on foot and horseback flank the central block of text. The invitation was addressed to Mr & Mrs J. M. Campbell. James Maitland Campbell had been Mayor of Kew in the years 1889-90, 1890-91 and 1892-93.Printed: AUSTRALIAN COMMONWEALTH CELEBRATIONS/ The Government of Victoria/ requests the honour of the presence of/ .../ AT THE/ ROYAL REVIEW/ at Flemington on Friday/ the 10th of May 1901. Handwritten on the dotted line: Mr. & Mrs. J. M. Campbellfederation events, royal review - 1901, james maitland campbell, federation -- invitations

A report in the Ballarat Star on 8 May 1901 recorded that: "THE CONVERSAZIONE. A GREAT SUCCESS. The conversazion given by the Government of Victoria at the Exhibition was very largely patronised. the guests includ ing the Prime Minister and a goodly proportion of the distinguished personages now in Melbourne. A programme of high-class music was gone through, and refreshments were served during the evening. Australian wines were very prominent."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.Colour lithograph mounted on card to an evening event, a conversazione, held in the Exhibition Building on the evening of Tuesday 7th May 1901, as part of the Australian Commonwealth Celebrations. The recipients of the invitation were Mr and Mrs James Maitland Campbell of Kew. The Government of Victoria hosted the event. The invitation shows an etching of the Exhibition Building, surrounded by an ornate border of heraldic shields, portraits of the Duke and Duchess, views of Perth, Adelaide, Melbourne, Sydney, Brisbane and Hobart, and native flora (including wattle, waratah, pink heath, Sturt’s desert pea, and flannel flower), and native fauna (kookaburra, possum, lyre bird, cockatoo and koala). The royal crest ‘Dieu et mon droit’ and the Australian crest, ‘Advance Australia’ are also included.Printed: UNITED AUSTRALIA 1901 / ONE FLAG / ONE HOPE / ONE DESTINY; AUSTRALIAN COMMONWEALTH CELEBRATIONS / THE GOVERNMENT OF VICTORIA requests the honour of the presence of / / at a Conversazione in the Exhibition Building on the Evening of Tuesday 7th May 1901 at 8 P.M. Handwritten: Mr & Mrs J. M. Campbell.sands & mcdougall ltd, documents - invitations, first commonwealth parliament 1901, james maitland campbell (1847-1930), ramornie, ramornie - pakington street

The owner of the 'Autograph' book was Mary Alys (Gipps) Kirkland, the daughter of Richard Brook Woodthorpe Gipps (c.1872-1946). The family had migrated from Great Britain to Coorparoo, Brisbane, where most of the items in the album were created. In June 1925, The [Brisbane] Telegraph reported the wedding of Richard Gipps to Mary Alys Kirkland at Elvaston, The Righi, South Yarra. The bride, like the groom, was originally from Queensland, but at the time of her marriage lived with her parents at 21 The Righi. The album passed to their daughter Rosemary Alison (Gipps) Vaughan-Smith, and thence by donation to the collection of the Kew Historical Society. While the signatures are interesting, they are not rare. Rather it is the illustrations that dazzle with the surety of their design and execution. In the portraits, one can recognise the debt that Edwardian art and design owed to the Pre-Raphaelites whose serene and poised idealisations of women are exemplified in the drawings, albeit simplified for a new 20th century sensibility. Typical, is a very early portrait from 1906 of Mary Alys Kirkland by a 20-year-old Garnet Agnew (1886-1951). Agnew later became an illustrator for The Brisbane Courier and The Queenslander Illustrated Weekly, creating cover illustrations for these publications between 1926 and 1930. Another pen and ink portrait of Mary Alys Kirkland was created in 1910 by Augusta Frances Isabel Hobday (1884-1961). Augusta, with her brother and sister, Percy Stanhope Hobday and Gladys Hobday, were artists and teachers. Each was involved for many years in the Queensland Art Society. While the album has historic, aesthetic and social significance to Brisbane’s history, as a document, its preoccupations have a wider Australian relevance and importance. Compiled between 1905 and 1922, the 'Autograph' book has considerable aesthetic coherence, even though drawings and text are by different hands. Together, it provides a vivid depiction of social life and values in Brisbane in the period preceding the First World War. Like other autograph albums of the period, it is a compilation of pen and ink sketches, watercolours, quotations, poems, aphorisms and signatures. Most entries are from Queensland, particularly Coorparoo in Brisbane; friends and acquaintances from other Australian States also contributed items. The autograph album predictably contains numerous mementoes of the notable and the forgotten. It includes the signatures of the British contralto Dame Clara Butt (1872-1936) her husband, the baritone R. H. Kennerley Rumford (1870-1957), and that of the Australian actress and singer Nellie Stewart (1858-1931). autograph albums, manuscripts - kew historical society, rosemary vaughan-smith, vaughan-smith collection, dame clara butt, garnet andrew, augusta frances isabel hobday, coorparoo - brisbane, nellie stewart, mary alys kirkland, mary alys gipps (nee kirkland)