Handmade by Julia Eaton ( nee Thomas), daughter of George and Granny Thomas, respected Aboriginal couple of Newmerella.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.Square shaped calico cushion cover. It is hand-embroidered with ribbon embroidered leaves and flowers. The edging is flounced. Flowers are pink with yellow stamens and green stems. handcraft needlework thomas-julia

A pillow sham is a decorative pillow case. This is a handmade pillow sham especially crafted for a household in early Orbost.This item is an example of a handcrafted item and reflects the needlework skills of women in the early to mid 20th century. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes,A rectangular lace pillow sham. the centre rectangle is white and made of pulled thread lace. The edging is pale pink and blue lace,handcraft pillow-sham needlework

Handmade for the Society By Grant Mattingly after he visited LaTrobe's Cottage and drew a plan of the cradle in that cottage.Wooden cradle with wooden canopy. Wooden rocking base.furniture, domestic-nursery

Handmade toilet bag. Example of container for personal items. Donated by Heather McNamara - worked by Isobel McNamara.Cotton cream drawstring toilet bag for brush & comb.toilet bag, frush & comb container, cotton, embroidered

Cypriot White Painted Ware from the Middle/Late Cypriot Bronze Age. Slipped, Painted, Handmade.The mouth, neck and handle with light brown stripes, the body with crosshatched triangles over wavy line and cross bands of three wavy lines below. cypriot, ancient, pottery

Cypriot White Painted Ware from the MIddle/Late Cypriot Bronze Age. Slipped, Painted, HandmadeBeak spout and neck painted with black horizontal lines, the body with traces of crosshatched triangles cypriot

The watering can was handmade by the donor's grandfather Arthur Edwards when they moved into their new home in Forest Hill.Watering Can. Galvanised. Three Gallon with attached oblong spray. Top handle with mould for easy watering; all joints soldered.commerce, containers, domestic, domestic items, gardening, metalcraft, steel work, trades, tinsmithing

Inside of General Store. Probably Robb's as the photo was donated by Mary Robb. In background shelves stacked with groceries. Behind wooden counter, the Grocer standing and man in glasses, cap and seated along side Grocer. Standing in front of counter to one side, six waistcoated gentlemen and a lady. A wooden chair is located before the lady. An advertisement for Invicta Jelly Crystals is imprinted on the counter.Black and white photo of the inside of a general store, Thompson Avenue, Coweslocal history, photographs, buildings--historic, black & white photograph, mary robb

This handmade basket is typical of baskets used for domestic purposes for many years in the early to mid 20th century. It was produced in Australia by Graf's. Wicker baskets were popular at this time as they were light but durable. They were made in a wide range of shapes and sizes, including laundry baskets, storage items in the home, in shops and by travelling hawkers. Wicker was also a common material used for furniture. Vintage baskets by Graf's are still in demand by collectors. Franz and Anneliese Graf arrived in Australia about 1960 and spent time at the Bonegilla Migrant Camp where one of their sons Arnold was born. They moved to Melbourne and began Graf’s basket making business soon after. The basket in our Collection brings the Graf story full circle back to its Australian roots.This item is significant as it is representative of basketry items popular throughout Australia in the 1960s. This basket was hand-made in Australia and used by a resident of the Wodonga District.A woven cane shopping basket with a wooden base and single bamboo handle. The basket is made from mixed weaving of cane and light-blue strips. Underneath basket: Original GRAF'S Basket Hand made in AUSTRALIA On metal attached to handle: GRAF’S HANDLE BINDING, PAT.PEND vintage cane wear, vintage basket, graf baskets, basketware australia

These labels were used in the business of E.B.Phillips, firstly when he as in partnership with Thomson in the late 1890s and later when he was the sole proprietor. Ernest Brighton Phillips (1875-1924) was a furniture maker and seller with a business at the corner of Liebig and Koroit Streets. At the beginning of the 20th century it was the largest furniture warehouse and factory in Victoria outside of Melbourne. Samples of his furniture making are still in use in various parts of Australia. Philips built his home, ‘Heatherlie’, diagonally opposite his business and this site today is occupied by ‘Heatherlie’ flats for the elderly.These labels are of interest as mementoes of the Warrnambool furniture shop and factory of E.B.Phillips, a prominent businessman in Warrnambool a hundred or more years ago. .1 A sheet of cream-coloured paper with cream printing on an orange background and a space for an address. The sheet has two ragged edges. .2 A circular label or sticker pasted on to an irregular-shaped sheet of brown paper (part of the original wrapping). The label has an image in brown and white tonings of a woman with an easel, some stylized decoration and blue and white printing. The edges of the label are worn away. .1 Late with J.J.O’Mullane From Phillips, Thomson and Co. General House Furnishers Corner Liebig & Koroit Sts. Warrnambool .2 Framed by E.B.Phillips The Artistic House Furnisher and Picture Framer Warrnambool ernest brighton phillips, history of warrnambool, labels, heatherlie

This chisel belonged to Ernest Brighton Phillips, a Warrnambool furniture maker. Ernest Phillips (1875-1924) was born in Warrnambool and was apprenticed as a cabinet maker at the Warrnambool Box Works. In the 1890s he established a furniture store at the corner of Liebig and Koroit Streets and by the 20th century he had the largest furniture warehouse and factory in Victoria outside Melbourne. His products were sold all over Australia. Ernest Phillips and his family lived at ‘Heatherlie’ in Koroit Street. Today this property is the site of the residential complex for senior citizens known as ‘Heatherlie’. This chisel is of interest as it belonged to Ernest Phillips, a prominent businessman in Warrnambool at the end of the 19th century and the beginning of the 20th century. The item is also of interest as it is a good example of a woodworking tool that was used 100 years ago. This is a chisel with a wooden handle and a metal blade flattened at the end and attached to the handle by a brass ring. The blade is rusty and the handle has some of the wood gouged out at the top end. The handle has splotches of paint on it. The name of the owner, E. Phillips, is stamped into the wood. ‘E. Phillips’ernest phillips, history of warrnambool, warrnambool

This tool belonged to Ernest Brighton Phillips, a Warrnambool furniture maker. Ernest Phillips (1875-1924) was born in Warrnambool and learnt his carpentry trade at the Warrnambool Box Works. In the late 1890s Phillips established a furniture store at the corner of Liebig and Koroit streets and by the early 20th century he had the largest furniture warehouse and factory in Victoria outside of Melbourne. His products were sold all over Australia. Phillips and his family lived at ‘Heatherlie’ in Koroit Street. Today this property is the site of the residential complex for senior citizens known as ‘Heatherlie’. This tool is of considerable interest as it belonged to Ernest Phillips, a prominent businessman in Warrnambool at the end of the 19th century and the beginning of the 20th century. It is also of interest as a good example of a tool that was in use 100 years ago. This is a small tool with a wooden handle. The top part of the handle that screws in is missing. The tool is attached to the handle by a brass ring and a screw and the tool itself is a thin nail-like piece of metal with a small metal piece at the end in the shape of a star with six points. This end piece gouges out a hole or a pattern in wood or other hard material. The tool belonged to Ernest Phillips and his name is stamped on the handle. Three oblong-shaped metal nails were also with this tool but were not necessarily used with it. ‘E. Phillips’ernest phillips, history of warrnambool

Tattered brown paper bag with a note referring to some of the furniture pieces. Written on it is: One decoration of the washstand missing. One with broken stem for dressing table. Ends of wash stand in Bag. M. Ballhause. Written on lther side of bag is: Missing Pieces of Bedroom Suite.document, memo, m ballhause, note from m ballhause

Indicating fashions and homeware styles of the the early 1950'sPaper stapled catelogues all published in 1952. Rockman's - ladies clothing. Myer emporium - Mens, ladies, childrens clothing, beds, electrical appliances, shoes, makeup. Wakes - Ladies and men's clothing, beds, electrical appliances, wall paper, curtains, fabric, crockery, furnituresee photos

Aulsebrook Collection: House inspections booklet by National Trust of Australia (Victorian Branch) - 1967 October 29th -4 pages, typed -Lists and descriptins of various houses up for inspection in Bendigo - related to historical significances attached to the house; whether it is furniture or the house structure itself.

Hugh G Ferguson (1900–75) worked in Advertising as an account manager, and was campaign director for Arthur Rylah is Victorian politics. He organised the first major trade fairs at the Royal Exhibition Buildings after the Second World War, including a World Trade Fair. He built a home in Brougham Street and represented North Ward on Kew Council from 1952 to 1968. He was elected Mayor for the 1959-60 term.Advertising promotional photoshoot in the dining room of the so-called 'Laminex House', in Brougham Street, Kew. The room was fitted out with laminex furniture to promote the brand and its products. This photo was later colourised for an advertising campaign. The room was in the home of Cr and Mrs Hugh G Ferguson.advertising -- laminex products, laminex, hugh g ferguson, houses -- brougham street (kew)

Hugh G Ferguson (1900–75) worked in Advertising as an account manager, and was campaign director for Arthur Rylah is Victorian politics. He organised the first major trade fairs at the Royal Exhibition Buildings after the Second World War, including a World Trade Fair. He built a home in Brougham Street and represented North Ward on Kew Council from 1952 to 1968. He was elected Mayor for the 1959-60 term.Advertising promotional photoshoot in the bedroom of the so-called 'Laminex House', in Brougham Street, Kew. The room was fitted out with laminex furniture to promote the brand and its products. This image was a later colourised version for an advertising campaign. The room was in the home of Cr and Mrs Hugh G Ferguson."Laminex Bird's Eye Maple used for laminating a bedroom suite"advertising -- laminex products, laminex, hugh g ferguson, houses -- brougham street (kew)

Students attended Sunday School classes at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015.Historical: Religious Education: This book was used by students who attended the Sunday School classes at Kergunyah Presbyterian Church. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.Very small thin yellowish book with drawing, in black, of a gate on which is the title at the top, 'Old Testament' on the next 'shelf'. Then 3 shelves of books with titles (of the Old Testament) then 'New Testament on the next 'shelf'. Then 1 shelf with lots of books with titles (of the New Testament). Underneath the 'gate' are the words, also in black, "Memorise Them"In pencil on cover top left '118mx', top right 3 (pence)religion, old testament, new testament, bible, ewen wallaace, kergunyah, sunday school, presbyterian church

This purse or coin bag is in pristine condition. It has been handmade from soft brown leather. A strong leather loop has bee added to the top side edge, perhaps for attaching a tie or hook. The ring is used as a closure by folding the edges of the opening together and sliding the loop over the top. It is believed to be a handmade one-off item for domestic use. This purse or money bag is representative of an everyday item similar to those used through the centuries for the convenience of carrying coins and other small, personal effects. Similar items were used by both men and women. The leather fabric is a readily available, strong and long lasting material.Coin purse or bag; brown leather, rectangular shape, with metal ring closure and leather loop near the top. Part of the Chamberlain Dale Less collection.flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, purse, leather, money bag, coin purse, pouch, money, change purse

Advertisement in the local paper for Welkay Store, a furniture shop at 100 Main Street, Greensborough 1967. Part of a collection of historic advertisements from local newspapers, showing local businesses from the mid 20th century.Digital copy of newspaper advertisement.main street greensborough, welkay store

Fax machine used by Savvas Athan & staff at Insignia Furniture, 212 Whitehorse Rd, Blackburn.Savvas Athan, mayor 1991 - 1992 & Deputy Mayor 1990 - 1991.Dark cream Brother MFC, 970mc message centre Fax Machine with power cord and network connection lead & phone pieceBrother model MFC 970mc.Ren.0.5 Serial No U56383ma k138171fax machine, savvas athan, insignia furniture, telecommunications, city of whitehorse

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has remnants of tape and wire seal. Mould seam around shoulder. Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. Base is uneven. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable

Made by former internee of Camp 3 Handmade model of hut with front section of roof removed to show interior of kitchen, food preparation and food storage areas. 3 stoves, each with a flue to outside, 4 lampshades, 4 windows and 2 serveries and 2 doorshut - model, kitchen, streker l, camp 3, tatura, ww2 camp 3

Belonged to two grandmothers of donor - Emma Quimby, Maryland, USA and Anna Katherine Smailes Gilbert, Illinois, USA.1. Made in USA, Mt Patd. Thread cutter on side. 2. Handmade Victorian thimble, silver mark, fancy edge. 3. Silver thimble, floral edge. O for name. 4. Silver thimble size 8.

Robin Boyd used these hanging files for personal and professional documents. They are labelled "Puzzle of Architecture & Living in Australia". 'Stegbar", 'Letters", 'Flying Dogtor", 'Publications", 'Crawfords", 'Club", 'The Australian", 'Miscellaneous", "Historical Notes". 'The Aist'n Ugliness", 'Trips", "290 Walsh St", "Car", "insurance", "Foster Parents", "Penleigh & Suzy" and some are untitled. These were kept in a special built in space in the upstairs south shelves.walsh st miscellaneous, robin boyd

This handmade women’s nightgown features hand-worked Broderie Anglaise yoke and trim. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. This design of nightgown was worn by females in the 19th century and is still worn today.The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's long straight nightgown, white cotton, with long sleeves gathered at the cuff, stand-up lace collar, and a small catch closure on the bodice's centre opening. Hand-worked Broderie Anglaise yoke and sleeve tips.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, nightie, nightgown, women’s nightwear, sleepwear, night dress, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, broderie anglaise, hand-made broderie anglaise, paton family, trefnant, yangery, nightdress