Geelong Tramcar No. 18, freshly painted, in Corio Tce. with Strachan & Co's wool store in the background. The car has been converted for one man operation but retains the MESCo's double lineouts that were replaced by single yellow lines in the 1940s. It is likely that the photographs were taken to display the conversion in 1939. See also Item 9242.Black and white print on paper12-6 and GRS170/12/1/6 printed on reverse in pencil. No. 1 in a circle printed on the reverse in pen.geelong tramcar, geelong tramcar no. 18, strachan and co. wool store, geelong, tramcar one-man operator conversion

Duncan and Fraser tramcar No 3 at the depot bedecked with large Australian flags and small Red Cross flags and seeking donations to the Red Cross. It is most likely the date is during WW1, probably 1916-1918.Black and white print on paper.12/1 and No. 1 in a circle written in pen on the reverse. GRS170/12/1/1 written in pencil on the reverse.geelong trams, duncan and fraser tramcar, ww1 decorations on trams

Looking in the opposite direction to Item No. 9236, 1 Road at the rear of the depot. March 1912Black and white print on paper.12/4 and GRS170/12/1/4 written on reverse in pencil. No. 2 in a circle written on reverse in ink.geelong brush truck., geelong tramway

Later versions of lorries Nos 1 & 2 in the same location. Lorry 2 carries the same registration number, 6764, as the company's bus No. 2, dismantled in 1922. The date of the photograph is likely to be soon after that: mid 1920s.Black and white print on paper.GRS710/20/1/12 and 20-12, written on the reverse in pencil. The No. 2 in a circle written on the reverse in pen.geelong tramway lorries nos. 1 & 2, geelong tramway 6764

Conductor or Motorman in MESCo's winter uniform posing in front of a Duncan & Fraser tramcar at the Geelong depot. Date between 1912 and 1930.Black and white print on paper11/12 and GRS710/11/1/12 written in pencil on reverse. No. 1 in circle written in pen on reverse.mesco's winter uniform, geelong tramways uniform, duncan and fraser tramcar, geelong tramway depot

Maroondah Leader 12 Aug 2003

Blue hardcovered book of 819 pages"12/6/34 Office NO 391"minerals, mining, metals, coalo, stone, gas

Returned by J.W.McIntyre after WW1. Rectangular shaped Booklet. Coffee Brown in colour with two holes punched in it along the spine with a white cord tied through the holes.12 Choice Views of Bridge of Allan.

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Rio De Janeiro on-board the M/S Fenris. The photographs are mentioned in one of Allan Quinn's leters to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Colour photograph of Copacabana Beach in Rio De Janeiro. The photograph has been mounted on a 7.4x9.8 white card.Date on verso: 25-12-48allan-quinn, colour-photograph, fenris, rio-de-janeiro, copacabana

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Brazil on-board the M/S Fenris. The photographs are mentioned in a letter Allan Quinn wrote to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A colour photograph of the M/S Fenris , docked in Paranague , Brazil, and being loaded with coffee. The photograph is mounted in a 7.5x9.7 white card.Date on verso: 29-12-48allan-quinn, colour-photograph, fenris, paranaque, brazil, coffee

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Brazil on-board the M/S Fenris. The photographs are mentioned in one of Allan Quinn's letter to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Colour photograph of the ocean and deck of the M/S Fenris, looking forward to the sea. The photograph is mounted on a 7.4x9.8 white card.Date on verso: 30-12-48allan-quinn, colour-photograph, fenris, coffee

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Paranague, Brazil on-board the M/S Fenris. The photographs are mentioned in a letter Allan Quinn wrote to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A colour photograph of the M/S Fenris , docked in Paranague , Brazil. The photograph is mounted in a 7.4x9.8 white card.Date on verso: 29-12-48allan-quinn, colour-photograph, fenris, paranaque, brazil, coffee

64 page book. Black & White illustrationsISBN 0 949530 12 3book, army badges, book, army badges

Perfume, lavender water and bath salts were sold by chemists either locally of in larger cities visited on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it.Historical: Change of bottles - shape, glass, stopper, embossing, use Aesthetic: Display showing shape and size of bottleClear glass bottle with rectangular base and straight sides nearly three quarters of the way up tapering in 3 waves to a ridged neck and then a screw top. Visually but inside the glass at the base seems to be indented showing a lopsided hill bearing to one side.Base: '12' within an oval shape chemist, perfume, lavendar water, bath salts, glass bottle

Colour positive film medium formatKodak 5006 frames 7 and 12wooded way, montmorency, streets

This book is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. It is about Catholic marriage.This hard backed book has a blue, white and gold cover with a photograph of a family (mum, dad and three children) on the front cover, as well as the title, the author and the foreword. On the spine is printed the surname of the author, the title and the initials of the publisher. On the back cover is printed the title, price, information about the book and the publisher. The book contains 134 pages.Written in pencil on the fly page - 12/-chatham-holmes family collection, the gold ring, t w burke

The print depicts the evolution from WW2 Commandos to present-day post-WW2 Commandos, to 2005. The print celebrates the formation of the post-WW2 Commandos and their 50th anniversary in 2005.Framed print, showing WW2 and post-WW2 Commandos and the original post-WW2 'Strike Swiftly' beret badge. Limited edition print 12/100.2 commando company- 1st commando regiment- golden jubilee- 50th anniversary- commemorative print- post-ww2 commandos

In 1843, Frederick Stanley, started a small shop in New Britain, USA, to manufacture bolts, hinges, and other hardware from wrought iron. Among the early settlers in Moorabbin Shire were blacksmiths who made tools for the other settlers who were establishing the homes, market gardens, farms, orchards and various businesses. Early settlers were self reliant and repaired their own equipment for kitchen,dairy, farm, horses, carts using various tools . As manufacturing developed late 19thC high quality tools were imported from UK, USA and EuropeThese set squares are typical of the type used by early settlers in Moorabbin Shire c19002x Steel Set Squares a) 15cm (6") with wood handle b) 19cm (7") with a slotted steel handle. a) STANLEY Pat 12-29-96set squares, rulers, builders, trigonometry, mathematics, stanley tools pty ltd., bolts, hinges, hardware, early settlers, market gardeners, blacksmiths, tools, building equipment, hammers, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,mcewan james pty ltd, melbourne, bunnings pty ltd,

black and white photograph, unmounted, original, good condition12 Burnett Street Built 1880s

Colour slide in a mount. (Possibly) New Orleans, Louisiana, USADate: / Subject / Encircled 12 (Handwritten)slide, robin boyd

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Glazing detail, Dulles Airport, Dulles, VA, USA. (Architect: Eero Saarinen.)Made in Australia / 12 / JUL 69M3slide, robin boyd

Colour slide in a mount. Coastline, possibly Queenland, AustraliaMade in Australia / 12 / DEC 68M8slide, robin boyd

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. 999 Green St, Russian Hill, San Francisco, California, USA (1964-1965) . (Architect: Joseph Eichler.)Made in Australia / 12 / JUL 65Mcalifornia, slide, robin boyd

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. Cuban Pavilion, Montreal Expo '67, CanadaMade in Australia / 12 / MAY 67M6expo 67, montreal, robin boyd, slide

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Hydroelectic power station in New ZealandMade in Australia / 12 / APR 67M7new zealand, slide

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Thamesmead Estate, London, EnglandMade in Australia / 12 / JUL 69M2slide, robin boyd