Newspaper image ( Bendigo Advertiser June 28, 1988, page 6 ) of school choir of 1931 Golden Square Primary School Laurel Street.,bendigo, education, golden square primary school

Page 548 of Harper's Weekly (28 Aug. 1880), featuring colour lithographic print of the Newport Casino, by C. Graham. Materials: Paper, Inktennis

A painting depicting "Taking Old Vickers Position, Bodubt Ridge, 28 July 1943" By Ivor Hale CBE. It was present to HQ 3 Div

BHS CollectionBendigo Advertiser ''The way we were'' from Wednesday, January 28, 2004. School's in: a dressmaking class at the school of mines in 1947. The clip is in a folder.newspaper, bendigo advertiser, the way we were

The Mistle Thrush is native to Ireland and Scotland, North Africa and parts of Asia. It is known as a large, aggressive and powerful bird. They have several different calls: the main call, given by both sexes, is a dry chattering 'krrrr', louder when the birds are alarmed or excited. There is also a squeaky 'tuk' contact call. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Mistle Thrush has a pale grey-brown upperpart and a greyish-white chin. The yellow/buff breast and off-white belly are marked with round black spots. The long tail has white tips on the outer feathers, and the underwing coverts are white. The glass eyes are dark brown and the bill is blackish with a yellow base to the lower mandible. The legs and feet are yellow/brown. There is no plumage differences between the male and the female Mistle Thrush. This particular specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 111a. / Mistle Thrush / Catalogue, Page 28. / Other Label: 57. / Turdus viscivorus /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, bird, mistle thrush

The photograph depicts a rocking chair, a kerosene lamp, a bottle holder, and two epergnes.The photograph contains historical and research significance of domestic life in Beechworth. Through the depiction of the historical rocking chair, the kerosene lamp, the bottle holder and the epergnes, the picture displays some of the everyday objects that would have been found within a Beechworth house. Although kerosene lamps and bottle holders are no longer in widespread use, this photograph not only acts as historical document and depiction of both, but it also displays the evolution of everyday tools. The interpretive capacity of the photograph extends its significance as it contains the potential to reveal information regarding the domestic life of Beechworth residents. Moreover, it also has protentional to demonstrate the shifting designs of rocking chairs, kerosene lamps, bottle holders and epergnes.Black and white rectangular photograph printed on paper.Reverse: BMM A03328/ 1997.3132/ 28 1/2 ems/ E32k491/ THE OVENS AND MURRAY ADVERTISERrocking chair, chair, lamp, kerosene lamp, bottle holder, burke museum, beechworth

Colour photographWritten on back of photo: "Ringwood Bypass Looking back to Suda Av 28/4/95"

Framed Photograph showing Divisional Colour Patches and Generals from the Great War.Record of the Australian Imperial Force in the Great War 4th August 1914 - 28th June 1919.Rectangular shaped glass covered picture frame surrounded by a wooden borderRecord of THE AUSTRALIAN IMPERIAL FORCE In the GREAT WAR 4th Aug 1914-28 June 1919 photographs, lara r.s.l., australian imperial force, world war 1, record of great war

Portland Star Picture Theatre.Gold paint trim metal bottom, and brass.Front: Excelsior Underneath made in/United States of /America 28 Pa Cast into metal interior

The train line from the city to Frankston was electrified in 1922 which intensified the sale in the municipality of Moorabbin, particularly land which was in the vicinity of the railway stations.Example of the progress of the Municipality of MoorabbinAdvertising flyer for auction of real estate sales - plan of building blocks for saleOrmond Park Estate, Ormond Auction Saturday 28 April 1923 - 88 residential blocks54jasper road, manchester road (now mckinnon road), hill street (now hall sreet), jasper street (now lewis street), real estate, auction, mckinnon, ormond

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Empire State Building, New York, New York, USA. (Architects: Shreve, Lamb & Harmon.)Made in USA / 1 / EMPIRE STATE ART (Handwritten) / 28 (Handwritten) / Encircled 102F (Handwritten)mit bemis professorship, mit, robin boyd, slide

A015.1 and A015.2 heavy metal printing blocks in octagonal shape with rectangular stamps. 15.1 has text and 15.2 text and the burning bush.15.1 "PRESBYTERIAN CHURCH DORCAS STREET EMERALD HILL I.COR.XI.28" 15.2 "YET NOT CONSUMED"dorcas street emerald hill presbyterian church.

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. Model, Japanese Pavilion, Expo '67 Montreal. (Architect: Yoshinobu Ashihara.)Expo 67 Montreal Canada / Japan / April 28 - October 27 / Encircled 13 (Handwritten)expo 67, montreal, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. German Pavilion, Expo '67 Montreal. (Architects: Frei Otto and Rolf Gutbrod.)Expo 67 Montreal Canada / Germany / April 28 - October 27 / Encircled 14 (Handwritten)expo 67, montreal, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. France Pavilion, Expo '67 Montreal. (Architects: Jean Faugeron and André de Mot.)Expo 67 Montreal Canada / France / April 28 - October 27 / Encircled 12 (Handwritten)expo 67, montreal, robin boyd, slide

Green and red triangular shaped badge on red, blue and white ribbons."CE" "20th National Convention 1960" "God has a plan" "Melbourne Jan - 20 - 28"

Statement issued to W Williamson for payment of a previous account rendered and additional purchases on 2/08/1927 and 14/10/27. Payment by cheque certified by Geo. T. Bassingdale, proprietor of the Saddlery and Sports Depot, on 1/02/1928.Paper receipt, issued to W. Williamson for payment of his account with a local shopTax stamp toward bottom of receipt overwritten with: "By Cheque | GTB | 1/2/28 | With thanks"w williamson, farm equipment, saddlemakers, george bassingdale, businesses

Series of letters between Melbourne and Geelong Legacy Clubs about the donation of 30 Rugs and 60 blankets to the Holmbush hostel, and a further order to Mr A. Schofield of RSS Woollen Mills for the purchase of an additional 24 blankets.A record of a way in which Melbourne Legacy accumulated items for the residences.00501.1 File copy of letter accepting blankets and rugs from Geelong Legacy on faded green quarto copy paper, two punched filing holes 00501.2 Legacy Geelong letter head, advising they are sending blankets and rugs, blue print, black type, faded white paper, two punched filing holes 00501.3 File copy of a letter to a donor of blankets and rugs for Holmbush on faded green quarto copy paper, two punched filing holes00501.2 Signed 'P.Neilson' black ink. The figures 3, 84 and 28 pencilled bottom left.residences, holmbush

Max COWARD ( -1991) Born Ballarat Max Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. He was a foundation staff member at the Burwood Teachers' College art department when it opened at Box Hill in 1954, transferring to the Burwood Campus in 1955. Upon his retirement he moved to Queensland to start a graphic arts consultancy. Coward was active as a printmaker during the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition linocut by Max Coward. 'Hen Party' uses simplified forms reminiscent of the shapes gracing 'moderne' interiors of the 1950s and 1960s. The simplification of form and decorative pattern achieved through repetition shows the influence of Paul Klee's work and imagery. lls 'Hen Party' lower centre edition '8/28' lrs 'Max Coward 64' art, artwork, max coward, printmaking, alumni, hens, linoprint, linocut

Tender document - two foolscap sheets, carbon copies, titled "Tramway Board - Lighting of the Board's cars - Particulars of the Board's requirements". Gives the tram car numbers to be lit (1014 in total), from either electricity, acetylene or other method. Information required to be provided, guarantees, testing or trial and a contract rights. Signed by W. O. Strangward as Secretary. Two copies held.Second copy has the stamp "Copied to Board etc" and dated 28/8/16 in ink.trams, tramways, tramway board, cable trams, tenders, contracts, equipment, lights

Photograph, Black and White, of Keith Kings 4/3/1956, with his camera equipment, in the Broadmeadows area.In ink on the rear "WJW-368 EV-28, 4/3/1956, KSK North Broadmeadows."trams, tramways, personnel

Agfa colour slide, white blue plastic mount. Photograph by David Verrier. .1 - Z35 at the terminus of Bourke St with the Spencer Station in the background. In the view is the Bundy Clock and the mail box for MMTB Mail. .2 - ditto - Passengers being loaded through the front door. The trolley pole is being reversed. .3 - ditto with a smaller queue entering the door and paying their fares. In the background is the MTOCo/MMTB building. Photos taken 28.4.1976.In ink: "Wed 28/4/76 Z class 35 Bourke & Spencer St Melbourne"trams, tramways, bourke st, route 97, north fitzroy park st, z class, passengers, tram 35

Agfa colour slide, white blue plastic mount. Photograph by David Verrier. Two photos of cable tram set No. 1 in the glass case by Melbourne Museum, Russell St Photos taken 28.4.1976In ink: "Wed 28/4/76 Cable car & trailers 1 behind Museum Melbourne"trams, tramways, cable trams, melbourne museum, tram 1